Chapter XXI--THE MOTH MEETS THE STAR

THUS had Aline, her heart hot for battle in Jimmie's cause, contrived

with Connie Deering as subsidiary conspirator. She had lain awake most

of the night, thinking of the approaching interview, composing speeches,

elaborating arguments, defining her attitude. Her plan of campaign was

based on the assumption of immediate hostilities. She had pictured

a scornful lady moved to sudden anger at seeing herself trapped, and

haughtily refusing to discuss overtures of peace. It was to be war

from the first, until she had brought her adversary low; and when the

door-handle rattled and the door opened to admit Norma, every nerve

in her young body grew tense, and her heart beat like the clapper of a

bell.

Norma entered, looked for a moment in smiling surprise at Aline, came

quickly forward, and moved by a sudden impulse, a yearning for love,

sweetness, freshness, peace--she knew not what--she put her arms round

the girl and kissed her.

“My dear Aline, how sweet it is to see you again!”

The poor little girl stood helpless. The bottom was knocked out of her

half-childish plan of campaign. There was no scornful lady, no haughty

words, no hostilities. She fell to crying. What else could she do?

“There, there! Don't cry, dear,” said Norma soothingly, almost as

helpless. Seating herself on a low chair and drawing Aline to her side,

she looked up at the piteous face.

“Why should you cry, dear?”

“I did n't know you would be so good to me,” answered Aline, wiping her

eyes.

“Why should n't I be good to you? What reason could I have for not being

glad to see you?”

“I don't know,” said the girl, with a touch of bitterness. “Things are

so different now.”

Norma sighed for answer and thought of her premonition. She was aware

that Connie had deliberately planned this interview, but could find

no resentment in her heart. The reproach implied in Aline's words she

accepted humbly. She was at once too spiritless for anger, and too much

excited by the girl's presence for regret at having come. Her eye

fell upon the picture leaning against the chair-back, and a conjecture

swiftly passed through her mind.

“Mrs. Deering asked me to come and look at a wedding-present,” she said

with a smile.

“Did she tell you from whom?” asked Aline, thrusting her handkerchief

into her pocket. She had found her nerve again.

“No.”

“It's from Jimmie.”

“Is it that over there?”

Aline caught and misinterpreted an unsteadiness of voice. She threw

herself on her knees by Norma's side.

“You won't refuse it, Miss Hardacre. Oh, say you won't refuse it. Jimmie

began it ever so long ago. He put everything into it. It would break

his heart if you refused it--the heart of the best and beautifullest and

tenderest and most wonderful man God ever made.”

Norma touched with her gloved fingers a wisp of hair straying over the

girl's forehead.

“How do you know he is all that?”

“How do I know? How do I know the sun shines and the rain falls? It's

just so.”

“You have faith, my child,” said Norma, oddly.

“It isn't faith. It's knowledge. You all believe Jimmie has done

something horrible. He has n't. I know he hasn't. He couldn't. He

couldn't harm a living creature by word or deed. I know he never did it.

If I had thought so for one moment, I should have loathed myself so that

I would have gone out and killed myself. I know very little about it. I

did n't read the newspapers--it's hideous--it's horrible--Jimmie would

as soon think of torturing a child. It's not in his nature. He is all

love and sweetness and chivalry. If you say he has taken the blame on

himself for some great generous purpose--yes. That's Jimmie. That's

Jimmie all over. It's cruel--it's monstrous for any one who knows him to

think otherwise.”

She had risen from her knees half-way through her passionate speech, and

moved about in front of Norma, wringing her hands. She ended in a sob

and turned away. Norma lay back in her chair, pale and agitated. The

cynical worldling with his piercing vision into men and the pure,

ignorant child had arrived at the same conclusion, not after months of

thought, but instantly, intuitively. She could make the girl no answer.

Aline began again.

“He could n't. You know he could n't. It's something glorious and

beautiful he has done and not anything shameful.”

She went on, with little pauses, hurling her short, breathless

sentences across the space that separated her from Norma, forgetful of

everything save the wrong done to Jimmie. At last Norma rose and went to

her.

“Hush, dear!” she said. “There are some things I mustn't talk about.

I daren't. You are too young to understand. Mr. Padgate has sent me a

wedding-present. Tell him how gladly I accept it and how I shall value

it. Let me see the picture.”

Aline, her slight bosom still heaving with the after-storm of emotion,

said nothing, but drew the cloth from the canvas. Norma started back

in-surprise. She had not anticipated seeing her own portrait.

“Oh, but it is beautiful!” she cried involuntarily.

“Yes--more than beautiful,” said Aline, and mechanically she moved the

chair into the full light of the window.

Norma looked at the picture for a long time, stepped back and looked at

herself in the mirror of the overmantel, and returned to the picture.

And as she looked the soul behind the picture spoke to her. The message

delivered, she glanced at Aline.

“It is not I, that woman. I wish to God it were.” She put her hands

up to her face, and took a step or two across the room, and repeated a

little wildly, “I wish to God it were!”

“It is very, very like you,” said Aline softly, recovering her girl's

worship of the other's stately beauty.

Norma caught her by the arm and pointed at the portrait.

“Can't you see the difference?”

But the soul behind the picture had not spoken to Aline. There was love

hovering around the pictured woman's lips; happy tenderness and

trust and promise mingled in her eyes; in so far as the shadow of a

flower-like woman's passion could strain her features, so were her

features strained. Yet she looked out of the canvas a proud, queenly

woman, capable of heroisms and lofty sacrifice. She was one who

loved deeply and demanded love in return. She was warm of the flesh,

infinitely pure of the spirit. The face was the face of Norma, but the

soul was that of the dream-woman who had come and sat in the sitter's

chair and communed with Jimmie as he painted her. And Norma heard her

voice. It was an indictment of her life, a judgment and a sentence.

“I am glad you can't, dear,” she said to Aline, regaining her balance.

“Tell him I shall prize it above all my wedding-gifts.”

They talked quietly, for a while about Jimmie's affairs, the pilgrimage

through southern France and northern Italy, his illness, his work. His

poverty Aline was too proud to mention.

“And you, my dear?” asked Norma, kindly.

“I?”

“What about yourself? You are not looking as happy as you were. My dear

child,” she said, bending forward earnestly, “do you know that no one

has ever come to me with their troubles in all my life--not once. I'm

beginning to feel I should be happier if some one did. You have had

yours---I have heard just a little. You see we all have them and we

might help each other.”

“You have no troubles, Miss Hardacre,” said Aline, touched. “You are

going to be married in a week's time.”

“And you?”

“Never,” said Aline. “Never.”

Suddenly she poured her disastrous little love-story into Norma's ears.

It was a wonderful new comfort to the child, this tender magic of the

womanly sympathy. Oh! she loved him, of course she loved him, and he

loved her; that was the piteous part of it. If Miss Hardacre only knew

what it was to have the heart-ache! It was dreadful. And there was no

hope.

“And is that all?” asked Norma, when she had lowered the curtain on her

tragedy. “You are eating out your heart for him and won't see him just

because he won't believe in Jimmie? Listen. I feel sure that he will

soon believe in Jimmie. He must. And then you'll be entirely happy.”

When the girl's grateful arms suddenly flung themselves about her, Norma

was further on the road to happiness than she had ever travelled before.

She yielded herself to the moment's exquisite charm. Behind her whirled

a tumult of longing, shame, struggling faith, nameless suspicion. Before

her loomed a shivering dread. The actual moment was an isle of enchanted

peace.

The clock on a table at the far end of the room chiming six brought

her back to the workaday world. She must go home. Morland was coming to

dinner; also one or two Cosford people, who had already arrived in town

in view of the wedding. She would have to dress with some elaborateness.

Her heart grew heavy and cold at the prospect of the dreary party. She

rose, looked again at the picture in the fading light. Moved by the

irresistible, she turned to Aline.

“I should like to see him--to thank him--before---before Wednesday. Do

you think he would come?”

Aline blushed guiltily. “Jimmie is in the house now,” she said.

“Downstairs?”

“Yes.”

For a moment irresolute, she looked vacantly into the girl's pleading

eyes. An odd darkness encompassed her and she saw nothing. The

announcement was a shock of crisis. Dimly she knew that she trod the

brink of folly and peril. But she had been caught unawares, and she

longed stupidly, achingly, for the sight of his face. The words of

Aline, eager in defence of her beloved, seemed far away.

“Of course he does n't know you are here. He was to call for me at a

quarter to six, and I heard the front door open a little while ago. I

brought the picture in a cab, and he is under the impression that Mrs.

Deering will ask you to--will do what I have done. Jimmie is perfectly

innocent, Miss Hardacre. He had not the remotest idea I was to meet

you--not the remotest.”

Norma recovered herself sufficiently to say with a faint smile:

“So this has been a conspiracy between you and Connie Deering?”

Aline caught consent in the tone, and ignored the question.

“Shall I send him up to you?” she asked breathlessly.

“Yes,” said Norma.

There was a girl's glad cry, a girl's impulsive kiss, and Norma was left

alone in the room. She had yielded. In a few moments he would be with

her--the man who had said, “Her voice haunts me like music heard in

sleep... I worship her like a Madonna... I love her as the man of hot

blood loves a woman... My soul is a footstool for her to rest her feet

upon,” and other flaming words of unforgettable passion; the man for

whom one instant of her life had been elemental sex; the man whose love

had transfigured her on canvas into the wonder among women that she

might have been; the man standing in a slough of infamy, whose rising

vapours wreathed themselves into a halo about his head. She clenched her

hands and set her teeth, wrestling with herself.

“My God! What kind of a fool am I becoming?” she breathed.

Training, the habit of the mask, came to her aid. Jimmie, entering,

saw only the royal lady who had looked kindly upon him in the golden

September days. She came to meet him frankly, as one meets an old

friend. A new vision revealed to her the heart that leapt into his eyes,

as they rested upon her. Mistress of herself, she hardened her own, but

smiled and spoke softly.

“It is great good fortune you have come, so that I can thank you,” she

said. “But how can I ever thank you--for that?”

“It is a small gift enough,” said Jimmie. “Your acceptance is more than

thanks.”

“I shall prize it dearly. It is like nothing that can be bought. It is

something out of yourself you are giving me.”

“If you look at it in that light,” said he, “I am happy indeed.”

With a common instinct they went up to the portrait and regarded it side

by side. Conventional words passed. He enquired after Morland.

“You have n't seen him for a long time?” she asked hesitatingly.

“Not for a long time.”

“You must have been very lonely.”

“I have had Aline--and Connie Deering--and my work.”

“Are they sufficient for you?”

“Any human love a man gets he can make fill his life. It's like the

grain of mustard-seed.”

Norma felt a thrill of admiration. Not a tone in his voice betrayed

complaint, reproach, or bitterness. Instead, he sounded the note of

thanksgiving for the love bestowed upon him, of faith in the perfect

ordering of the world. She glanced at him, and felt that she had wronged

him. No matter what was the solution of the mystery, she knew him to be

a sweet-souled man, wonderfully steadfast.

“Your old way,” she replied with a smile, sitting down and motioning him

to a chair beside her. “Do you remember that we first met in this very

room? You have not changed. Have I?”

“No,” he said gravely, “you were always beautiful, without and within.

I told you that then, if you remember. Perhaps, now, you are a little

truer to yourself.”

“Do you think so?” she asked, somewhat bitterly.

“Perhaps it is the approach of your great happiness,” blundered Jimmie,

in perfect conviction. She was silent. “It has been more to me than I

can say,” he went on, “to see you once again--as you are, before your

marriage. I wish you many blessings--all that love can bring you.”

“Do you think love is necessary for married happiness?”

“Without it marriage must be a horror,” said Jimmie. For a moment she

was on the brink of harsh laughter. Did he sincerely believe she was

in love with Morland? She could have hurled the question at him. Will

checked the rising hysteria and turned it into other channels.

“Why have you never married? You must have loved somebody once.”

It was a relief to hurt him. The dusk was gathering in the room, and she

could scarcely see his face. A Sunday stillness filled the quiet square

outside. The hour had its dangers.

“My having loved a woman does not necessarily imply that I could have

married her,” said Jimmie.

The evasion irritated her mood, awoke a longing to make him speak. She

drew her chair nearer, bent forward, so that the brim of her great hat

almost brushed his forehead and the fragrance of her overspread him.

“Do you remember a picture you would n't show me in your studio? You

called it a mad painter's dream. You said it was the Ideal Woman.”

“_You_ said so,” replied Jimmie.

“I should like to see it.”

“It is mine no longer to show you,” said Jimmie.

“I think you must have loved that woman very deeply.” She was tempting

him as she had tempted no man before, feeling a cruel, senseless joy in

it. His voice vibrated.

“Yes. I loved her infinitely.”

“What was she like?”

“Like all the splendid flowers of the earth melted into one rose,” said

Jimmie.

“I wish some one had ever said that about me,” she whispered.

“Many must have thought it.”

“She must be a happy woman to be loved by you.”

“By me? Who am I that I could bring happiness to a woman? I have never

told her.”

“Why not?” she whispered. “Do you suppose you can love a woman without

her knowing it?”

“In what way can the star be cognisant of the moth's desire?” said

Jimmie, going back to the refrain of his love.

“You a moth and she a star! You are a man and she is but a trumpery bit

of female flesh that on a word would throw herself into your arms.”

“No,” said Jimmie, hoarsely. “No, you don't know what you are saying.”

The temptation to goad him was irresistible.

“We are all of us alike, all of us. Tell her.”

“I dare n't.”

“Tell me who she is.”

She looked at him full, with meaning in her eyes, which glowed like deep

moons in the dusk. He brought all his courage into his glance. He was

the master. She turned away her head in confusion, reading his love, his

strength, his loyalty. A lesser man loving her would have thrown honour

to the winds. A curious reverence of him filled her. She felt a small

thing beside him. All doubts vanished forever. Her faith in him was as

crystal clear as Aline's.

“I have no right to mention her name,” he said after a pause.

Norma leaned back in her chair and passed her handkerchief across her

lips.

“Would you do anything in the world she asked you?” she murmured.

“I would go through hell for her,” said Jimmie.

There was another span of silence, tense and painful. Jimmie broke it by

saying:

“Why should you concern yourself about my fantastic affairs? They merely

belong to dreamland--to the twilight and the stillness. They have no

existence in the living world.”

“If I thought so, should I be sitting in the twilight and the stillness

listening to you?” she asked. “Or even if I did, may I not enter into

dreamland too for a few little minutes before the gates are closed to

me forever? Why should you want to shut me out of it? Do you think much

love has come my way? Yours are the only lips I have ever heard speak of

it.”

“Morland loves you,” said Jimmie, tremulously.

The door opened. The electric light was switched on, showing two pale,

passion-drawn faces, and Connie Deering brought her sweet gaiety into

the room.

“If I had known you two were sitting in the dark like this, I should

have come up earlier. Is n't it nice, Norma, to have Jimmie back again?”

The spell was broken. Norma gave an anxious look at the clock and fled,

after hurried farewells.

The mistress of the house arched her pretty eyebrows as she returned to

Jimmie.

“_Eh bien?_”

“Connie--” He cleared his throat. “You have kept my secret?”

“Loyally,” she said. “Have you?”

“I have done my best. God knows I have done my best.”

He sat down, took up a book and began to turn the leaves idly. Connie

knelt down before the fire and put on a fresh log. This done, she came

to his side. He took her hand and looked up into her face.

“I have n't thanked you, Connie. I do with all my heart.”

She smiled at him with an odd wistfulness.

“You once thanked me in a very pretty manner,” she said. “I think I

deserve it again.”

Where Love Is · 第 21 / 28 章