THEIR NEIGHBOR.
Molly Brown was the youngest member of a numerous family of older
brothers and sisters. Her father had been dead many years, and in
order to rear and educate her children, Mrs. Brown had been obliged to
mortgage, acre by acre, the fine old place where Molly and her brothers
and sisters had been born and brought up. Every time anybody in the
Brown family wanted to do anything that was particularly nice, something
had to go, either a cow or a colt or a piece of land, according to the
needs of the moment. A two-acre lot represented Molly's college
education--two perfectly good acres of orchard.
"If you don't bring back at least one golden apple in return for all
these nice juicy ones that are going for your education, Molly, you are
no child of mine," Mrs. Brown had laughingly exclaimed when she kissed
her daughter good-bye.
"I'll bring back the three golden apples of the Hesperides, mother, and
make the family rich and happy," cried Molly, and from that moment the
three golden apples became a secret symbol to her, although she had not
decided in her mind exactly what they represented.
"But," as Molly observed to herself, "anybody who has had two acres of
winter sweets, pippins and greenings spent on her, must necessarily
engage to win a few."
Those two fruitful acres, however, while they provided a fund for an
education, did not extend far into the margin and there was little left
for clothes. That was perhaps one of the reasons why Molly had felt so
disturbed about the delay in receiving her trunk.
"I can stand traveling in this old brown rag for economy's sake," she
thought; "but I would like to put on the one decent thing I own for my
first day at college. I was a chump not to have brought something in my
suit case besides a blouse. However, what's done can't be undone," and
she stoically went to work to remove the stains of travel and put on
a fresh blue linen shirtwaist; while Nance Oldham, who had been more
far-sighted, made herself spic and span in a duck skirt and a white
linen blouse. She had little to say during the process of making her
toilet, and Molly wondered if, after all, she would like a roommate so
peculiarly reserved and whimsical as this new friend. She hoped there
would be lots of nice girls in the house of the right sort, girls who
meant business, for while Molly meant to enjoy herself immensely, she
meant business decidedly, and she didn't want to get into a play set and
be torn away from her studies. As these thoughts flitted through her
mind she heard voices coming up the stairs.
"Now, Mrs. Murphy, I do hope you've got something really decent. You
know, I hadn't expected to come back this year. I thought I would stay
in France with grandmamma, but at the last moment I changed my mind, and
I've come right here from the ship without engaging a thing at all. I'll
take anything that's a single."
The voice had a spoiled, imperious sound, like that of a person in the
habit of having her own way.
"I have a single, Miss, but it's a small one, and they do say you've got
a deal of belongings."
"Let's see it. Let's see it, quick, Granny Murphy," and from the noise
without our two young persons judged that this despotic stranger had
placed her hands on Mrs. Murphy's shoulders and was running her along
the passage.
"Now, you'll be giving me apoplexy, Miss, surely, with your goings-on,"
cried the woman breathlessly, as she opened the door next theirs.
"Who's in there? Two freshies?"
"Yes, Miss. They only just arrived an hour ago."
"Greenies from Greenville, Green County," chanted the young woman, who
did not seem to mind being overheard by the entire household. "Very
well, I'll take this little hole-in-the-wall. I won't move any of my
things in, except some books and cushions. And now, off wit' yer. Here's
something for your trouble."
"Oh, thank you, thank you, Miss."
The two girls seemed to hear the Irish woman being shoved out in the
hall. Then the door was banged after her and was locked.
"Dear me, what an obstreperous person," observed Nance. "I wonder if
she's going to give us a continuous performance."
"I don't know," answered Molly. "She'll be a noisy neighbor if she does.
But she sounds interesting, living in France with her grandmamma and so
on."
Nance glanced at her watch.
"Wouldn't you like to go for a stroll before supper? We have an hour
yet. I'm dying to see the famous Quadrangle and the Cloisters and a few
other celebrated spots I've heard about. Aren't you?"
"And incidentally rub off a little of our greenness," said Molly,
recalling the words of the girl next door.
As the two girls closed the door to their room and paused on the
landing, the door adjoining burst open and a human whirlwind blew out
of the single room and almost knocked them over.
"I beg your pardon," said Nance stiffly, giving the human whirlwind
a long, cool, brown glance.
Molly, a little behind her friend, examined the stranger with much
curiosity. She could not quite tell why she had imagined her to be
a small black-eyed, black-haired person, when here stood a tall, very
beautiful young woman. Her hair was light brown and perfectly straight.
She had peculiarly passionate, fiery eyes of very dark gray, of the
"smouldering kind," as Nance described them later; her features were
regular and her mouth so expressive of her humors that her friends could
almost read her thoughts by the curve of her sensitive lips. Even in
that flashing glimpse the girls could see that she was beautifully
dressed in a white serge suit and a stunning hat of dull blue, trimmed
with wings.
But instead of continuing her mad rush, which seemed to be her usual
manner of doing things, the young woman became suddenly a zephyr of
mildness and gentleness.
"Excuse my precipitate methods," she said. "I never do things slowly,
even when there's no occasion to hurry. It's my way, I suppose. Are you
freshmen? Perhaps you'd like for me to show you around college. I'm
a soph. I'm fairly familiar."
Nance pressed her lips together. She was not in the habit of making
friends off-hand. Molly, in fact, was almost her first experience in
this kind of friendship. But Molly Brown, who had never consciously done
a rude thing in her life, exclaimed:
"That would be awfully nice. Thanks, we'll come."
They followed her rather timidly down the steps. Across the campus
the pile of gray buildings, in the September twilight, more than ever
resembled a fine old castle. As they hastened along, the sophomore gave
them each a quick, comprehensive glance.
"My name is Frances Andrews," she began suddenly, and added with a
peculiar intonation, "I was called 'Frank' last year. I'm so glad we are
to be neighbors. I hope we shall have lots of good times together."
Molly considered this a particular mark of good nature on the part of an
older girl to two freshmen, and she promptly made known their names to
Frances Andrews. All this time Nance had remained impassive and quiet.
Ten girls, arm in arm, were strolling toward them across the soft green
turf of the campus, singing as in one voice to the tune of "Maryland, My
Maryland":
"Oh, Wellington, My Wellington,
Oh, how I love my Wellington!"
Suddenly Frances Andrews, who was walking between the two young girls,
took them each firmly by the arm and led them straight across the
campus, giving the ten girls a wide berth. There was so much fierce
determination in her action that Molly and Nance looked at her with
amazement.
"Are those seniors?" asked Nance, thinking perhaps it was not college
etiquette to break through a line of established and dignified
characters like seniors.
"No; they are sophomores singing their class song," answered Frances.
"Aren't you a sophomore?" demanded Nance quickly.
"Yes."
"Curious she doesn't want to meet her friends," thought Molly.
But there were more interesting sights to occupy her attention just
then.
They had reached the great gray stone archway which formed the entrance
to the Quadrangle, a grassy courtyard enclosed on all sides by the walls
of the building. Heavy oak doors of an antique design opened straight
onto the court from the various corridors and lecture rooms and at one
end was the library, a beautiful room with a groined roof and stained
glass windows, like a chapel. Low stone benches were ranged along the
arcade of the court, whereon sat numerous girls laughing and talking
together.
Although she considered that undue honors were being paid them by having
as guide this dashing sophomore, somehow Molly still felt the icy grip
of homesickness on her heart. Nance seemed so unsympathetic and reserved
and there was a kind of hardness about this Frances Andrews that made
the warm-hearted, affectionate Molly a bit uncomfortable. Suddenly Nance
spied her old friend, Caroline Brinton, in the distance, and rushed over
to join her. As she left, three girls came toward them, talking
animatedly.
"Hello, Jennie Wren!" called Frances gayly. It was the same little
bird-like person who had been in the bus. "Howdy, Rosamond. How are you,
Lotta? It's awfully nice to be back at the old stand again. Let me
introduce you to my new almost-roommate, Miss Brown," went on Frances
hurriedly, as if to fill up the gaps of silence which greeted them.
"How do you do, Miss Andrews," said Jennie Wren, stiffly.
Rosamond Chase, who had a plump figure and a round, good-natured face,
was slightly warmer in her greeting.
"How are you, Frankie? I thought you were going to France this winter."
The other girl who had a turned-up nose and blonde hair, and was called
"Peggy Parsons," sniffed slightly and put her hands behind her back as
if she wished to avoid shaking hands.
Molly was so shocked that she felt the tears rising to her eyes. "I wish
I had never come to college," she thought, "if this is the way old
friends treat each other."
She slipped her arm through Frances Andrews' and gave it a sympathetic
squeeze.
"Won't you show me the Cloisters?" she said. "I'm pining to see what
they are like."
"Come along," said Frances, quite cheerfully, in spite of the fact that
she had just been snubbed by three of her own classmates.
Lifting the latch of a small oak door fitted under a pointed arch, she
led the way through a passage to another oak door which opened directly
on the Cloisters. Molly gave an exclamation of pleasure.
"Oh," she cried, "are we really allowed to walk in this wonderful
place?"
"As much as you like before six P. M.," answered Frances. "How do you
do, Miss Pembroke?"
A tall woman with a grave, handsome face was waiting under the arched
arcade to go through the door.
"So you decided to come back to us, Miss Andrews. I'm very glad of it.
Come into my office a moment. I want a few words with you before
supper."
"You can find your way back to Queen's by yourself, can't you, Miss
Brown?" asked Frances. "I'll see you later."
And in another moment, Molly Brown was quite alone in the Cloisters. She
was glad to be alone. She wanted to think. She paced slowly along the
cloistered walk, each stone arch of which framed a picture of the grassy
court with an Italian fountain in the center.
"It's exactly like an old monastery," she said to herself. "I wonder
anybody could ever be frivolous or flippant in such an old world spot as
this. I could easily imagine myself a monk, telling my beads."
She sat down on a stone bench and folded her hands meditatively.
"So far, I've really only made one friend at college," she thought to
herself, for Nance Oldham was too reserved to be called a friend yet,
"and that friend is Frances Andrews. Who is she? What is she? Why do
her classmates snub her and why did Miss Pembroke, who belonged to the
faculty, wish to speak with her in her private office?" It was all
queer, very queer. Somehow, it seemed to Molly now that what she had
taken for whirlwind manners was really a tremendous excitement under
which Frances Andrews was laboring. She was trying to brazen out
something.
"Just the same, I'm sorry for her," she said out loud.
At that moment, a musical, deep-throated bell boomed out six times in
the stillness of the cloisters. There was the sound of a door opening, a
pause and the door closed with a clicking noise. Molly started from her
reverie. It was six o'clock. She rushed to the door of antique design
through which she had entered just fifteen minutes before. It was closed
and locked securely. She knocked loudly and called:
"Let me out! Let me out! I'm locked in!"
Then she waited, but no one answered. In the stillness of the twilit
courtyard she could hear the sounds of laughter and talking from the
Quadrangle. They grew fainter and fainter. A gray chill settled down
over the place and Molly looked about her with a feeling of utter
desolation. She had been locked in the Cloisters for the night.