of the (bearer) who is a friend. (Is not) the message delivered yet
(to) my brother? (Be) quick about it, for I have all along (trusted)
that you would act with discretion and despatch. Yours ever, Z.
There were other and very complicated systems based on arithmetical
calculations for the transposition of letters of the alphabet,
illustrations of which would be very prolix and possibly not
interesting.
At the close of the sixteenth century, when the Spaniards were
endeavoring to establish relations between the scattered branches of
their vast monarchy, which at that period embraced a large portion of
Italy, the Lower Countries, the Philippines, and enormous districts
in the New World, they needed some method to correspond with their
agents. They accordingly invented a cipher, which they varied from
time to time, in order to disconcert those who might attempt to pry
into the mysteries of their correspondence. The cipher, composed
of fifty signs, was of great value to them through all the troubles
of the “League” and the wars then desolating Europe. Some of their
despatches having been intercepted, Henry IV handed them over to a
clever mathematician, Vieta, with the request that he would find the
clue. He did so, and was able also to follow it as it varied, and
France profited for two years by his discovery. The court of Spain,
disconcerted at this, accused Vieta before the Roman court as a
sorcerer and in league with the devil. This proceeding only gave rise
to laughter and ridicule.
The manner in which the French took possession of the republic of
Strasburg, during the reign of Louis XIV, while peace prevailed, is
very interesting. At that time the city had acquired great privileges,
it being a free town, and was governed as a republic.
In 1680, when M. de Louvois was the French Minister of War, he
summoned before him one day a gentleman named De Chamilly, and gave
him the following instructions: “Start this evening for Basel, in
Switzerland; you will reach it in three days; on the fourth, punctually
at two o’clock, station yourself on the bridge over the Rhine, with
a portfolio, ink, and a pen. Watch all that takes place, and make a
memorandum of everything in particular. Continue doing so for two
hours; have a carriage and post-horses awaiting you; and at four
precisely, mount and travel night and day till you reach Paris. On the
instant of your arrival, hasten to me with your notes.”
De Chamilly obeyed; he reached Basel, and on the day and at the hour
appointed stationed himself, pen in hand, on the bridge. Presently a
market-cart drove by, then an old woman with a basket of fruit passed;
anon a little urchin trundled his hoop by; next an old gentleman in
blue top-coat jogged past on his gray mare. Three o’clock chimed
from the cathedral tower. Just at the last stroke, a tall fellow in
yellow waistcoat and breeches sauntered up, went to the middle of the
bridge, lounged over, and looked at the water; then he took a step
back and struck three hearty blows on the footway with his staff. Down
went every detail in De Chamilly’s book. At last the hour of release
sounded, and he jumped into his carriage. Shortly before midnight,
after two days of ceaseless traveling, De Chamilly presented himself
before the minister, feeling rather ashamed at having such trifles to
report. M. de Louvois took the portfolio with eagerness and glanced
over the notes. As his eye caught the mention of the yellow-breeched
man, a gleam of joy flashed across his countenance. He rushed to the
king, roused him from sleep, spoke in private with him for a few
moments, and then hastily despatched four couriers who had been in
readiness since five o’clock on the preceding evening. Eight days
after, the town of Strasburg was entirely surrounded by French troops,
and summoned to surrender; it capitulated and threw open its gates on
the thirtieth of September, 1681. Evidently the three strokes of the
stick given by the fellow in yellow costume, at an appointed hour,
were the signals of the success of an intrigue concerted between M.
de Louvois and the magistrates of Strasburg, and the man who executed
this mission was as ignorant of the motive as was M. de Chamilly of
the motive of his. This unjustifiable action of France received formal
recognition at the Peace of Ryswick in 1697, and she continued to hold
the place until it was wrested from her by the Germans during the late
Franco-German War.
The mysterious cards employed by the Count de Vergennes, who was
Minister for Foreign Affairs under Louis XVI, in his relations with
the diplomatic agents of France, exhibit great ingenuity in their
arrangement and show what the political condition of Europe must have
been at that time to require such precautions. The count was a great
friend of America, and it was largely through his influence that the
treaties of amity and commerce and alliance of 1778 were concluded.
These cards were used in letters of recommendation or passports which
were given to strangers about to enter or depart from France; they were
intended to furnish information without the knowledge of the bearers.
This was the system. The cards given to a man contained only a few
words, such as,
_Alphonse D’Angeha_
_Recommendé à M. le Comte de Vergennes, par le Marquis de Puységur,
Ambassadeur de France à la Cour de Lisbonne._
The card told more tales than the words written on it. Its color
indicated the nation of the stranger. Yellow showed him to be English;
red, Spanish; white, Portuguese; green, Dutch; red and white, Italian;
red and green, Swiss; green and white, Russian, etc. The person’s
age was expressed by the shape of the card. If it was circular, he
was under 25; oval, between 25 and 30; octagonal, between 30 and 45;
hexagonal, between 45 and 50; square, between 50 and 60; an oblong
showed that he was over 60. Two lines placed below the name of the
bearer indicated his build. If he was tall and lean, the lines were
waving and parallel; tall and stout, they converged; and so on. The
expression of his face was shown by a flower on the border. A rose
designated an open and amiable countenance, while a tulip marked
a pensive and aristocratic appearance. A fillet round the border,
according to its length, told whether the man was bachelor, married,
or widower. Dots gave information as to his position and fortune. A
full stop after his name showed that he was a Catholic; a semicolon
that he was a Lutheran; a comma that he was a Calvinist; a dash that
he was a Jew; no stop indicated him as an atheist. So also his morals
and character were pointed out by a pattern in the angles of the card.
So at one glance the minister could tell all about his man, whether
he was a gamester or a duelist; what was his purpose in visiting
France; whether in search of a wife or to claim a legacy; what was his
profession--that of a physician, lawyer, or man of letters; whether he
was to be put under surveillance or allowed to go his way unmolested.
When the Chevalier de Rohan was in the Bastille in 1674, his friends
wanted to convey to him the intelligence that his accomplice was dead
without having confessed. They did so by passing the following words
into his dungeon, written on a shirt: “mg dulhxcclgu ghj yxuj; lm ct
ulgc alj.” In vain did he puzzle over the cipher, to which he had not
the clue. It was too short; for the shorter a cipher letter, the more
difficult it is to make out. The light faded, and he tossed on his hard
bed, sleeplessly revolving the mystic letters in his brain, but he
could make nothing out of them. Day dawned, and with the first gleam he
was poring over them; still in vain. He pleaded guilty, for he could
not decipher “Le prisonnier est mort; il n’a rien dit.”
The following mystic message is very difficult to decipher: “Tig C f p
w y w e. i t ao eovhvygnvrxr mbiddutl.”
Take the first word, Tig, and under the second letter place that which
precedes it in the alphabet, namely, h; then under the third letter, in
succession backward, the two preceding letters, thus:
T i g
h f
e
In like manner arrange the second word and the connecting letters, and
we obtain the following:
C f p w y w e
e o v x v d
n u w u c
t v t b
u s a
r z
y
By following the oblique line of letters, we get the words “~The
Century~.” When all the words are so adjusted, we read, “~The
Century~ is an entertaining magazine.”
I cannot refrain from adding one more method which has been proposed
for the transmission of secret messages. Let a man, says the ingenious
author, breathe his words slowly in a long hollow cane hermetically
sealed at the farthest end, then let him suddenly and closely seal the
end into which he breathed. The voice will continue in the tube till
it has some vent. When the seal is removed at the end which was first
sealed, the words will come but distinctly and in order, but if the
seal at the other end be removed, their inverted series will create
confusion. This happy conception seems to have been proposed in all
good faith by its author.
The first attempt at secret writing by the United States was made by
Silas Deane, who was the first agent sent abroad by the Continental
Congress. He was despatched to France for the purpose of purchasing
arms and ammunition and to sound that country as to the probabilities
of her recognizing the colonies if they should be forced to form
themselves into an independent state; and whether their ambassadors
would be received; and would France be disposed to enter into any
treaty or alliance with them, for commerce or defense, or both; and
if so, upon what principal condition. His instructions stated: “It
is scarce necessary to pretend any other business at Paris than the
gratifying of that curiosity which draws numbers thither yearly, merely
to see so famous a city.” His mission being confidential, it was
necessary to have great secrecy attached to his correspondence. For
this purpose he was furnished by John Jay with an invisible ink and
a chemical preparation for rendering the writing legible. As letters
apparently blank might excite suspicion and lead to experiments that
might expose the contrivance, the communications were written on large
sheets of paper, beginning with a short letter written with common ink,
respecting some fictitious person or business and under a feigned name,
and the balance of the paper was used for the real or intended letter
written in the invisible ink. Mr. Jay was the only one intrusted with
the secret, and the letters were consequently addressed to him as “John
Jay, Esq., Attorney at Law.” When a single sheet was insufficient to
contain the secret despatch, Mr. Timothy Jones, or some other imaginary
gentleman, requested the favor of Mr. Jay to forward the inclosed
letter according to its directions; and the inclosed letter, with the
exception of a short note on some fictitious business, was filled with
the residue of the despatch in invisible ink.
Robert Morris, a member of the Committee of Secret Correspondence,
writing to Mr. Jay, from Philadelphia, says:
Although your express delivered me your favor last Wednesday or
Thursday, yet I did not receive the letter from Mr. Deane until this
day, and shall now send after the express, that he may convey this
safe to your hands; should he be gone I must find some other safe
conveyance. You will find inclosed both of Mr. Deane’s letters, as
you desired, and I shall thank you for the copy of the invisible
part. He had communicated so much of this secret to me before his
departure, as to let me know he had fixed with you a mode of writing
that would be invisible to the rest of the world; he also promised
to ask you to make a full communication to me, but in this use your
pleasure; the secret, so far as I do or shall know it, will remain so
to all other persons.
The letter of Mr. Deane written in common ink and at the top of the
page was as follows:
Dear Sir: I have now to inform you of my safe arrival at this
place, after a passage of thirty-two days from Martinico, and am so
extremely weak that I am scarcely able to hold my pen, yet could not
let this opportunity slip of letting you know where I am, and that I
have a prospect of recovering; for though weak, my fever and cough
have left me almost entirely. There is not much news here, and if
there was, I should not dare to write it, as that might intercept the
letter if taken. My compliments to all friends.
Yours
~Timothy Jones~.
John Jay, Esqr., Attorney at Law,
New York.
Under this apparently innocent letter was written in invisible ink the
following public and important letter to Robert Morris:
Dear Sir: I shall send you, in October clothing for twenty thousand
men, thirty thousand fusils, one hundred tons of powder, two hundred
brass cannon, twenty four brass mortars, with shells, shot, lead,
etc., in proportion. I am to advise you that if, in future, you will
give commissions to seize Portuguese ships, you may depend on the
friendship and alliance of Spain. Let me urge this measure; much may
be got, nothing can be lost by it. Increase, at all events, your
navy. I will procure, if commissioned, any quantity of sail-cloth
and cordage. A general war is undoubtedly at hand in Europe, and
consequently America will be safe, if you baffle the arts and arms of
the two Howes through the summer. Every one here is in your favor.
Adieu. I will write you again next week.
~Silas Deane.~
The letter with its secret companion was received by Mr. Jay, who,
having applied the necessary chemicals, brought out the hidden intent
of the writer, transcribed both letters, and sent them to Robert
Morris, in order that the information conveyed might be presented to
Congress for the consideration of that body. Mr. Morris acknowledged
the receipt of Mr. Jay’s letter as follows:
Your favor of the 7th ultimo came safe to hand. Timothy Jones
is certainly a very entertaining agreeable man; one would not
judge so from anything contained in his cold insipid letter of
the 17th September, unless you take pains to find the concealed
beauties therein; the cursory observations of a sea captain would
never _discover_ them, but transferred from his hand to the
penetrating eye of a _Jay_, the diamonds stand confessed at
once. It puts me in mind of a search after the philosopher’s stone,
but I believed not one of the followers of that phantom has come
so near the mark as you, my good friend. I handed a copy of your
discoveries to the Committee, which now consists of Harrison, R.
H. Lee, Hooper, Dr. Witherspoon, Johnson, you, and myself; and
honestly told them who it was from, because measures are necessary in
consequence of it; but I have not received any directions yet.
Congress responded, however, by giving orders for a supply of blankets,
clothing, flints, and lead to be shipped in armed vessels, and these
were to enter the service of the United States.
Shortly after this another cipher was adopted by the Government, which
continued to be used by the Department of State after the inauguration
of the Government under the Constitution, down to as recent a date as
1867. It was very seldom used, however, after the War of 1812. It was
constructed upon the principle of a combination of numbers ranging
from 1 to 1600, each number representing either punctuation-marks,
letters, syllables, or in some few instances complete words. It
was a cumbersome, laborious cipher, suited, perhaps, to ordinary
correspondence, with the merit of being easily deciphered by an expert.
It was found not only very inconvenient for corresponding by means of
the cable, but exceedingly expensive. A similar cipher, however, is now
being used by at least one of the principal powers of Europe.
In 1864 the French government under the Emperor Napoleon III, taking
advantage of the Civil War in the United States, occupied Mexico
and placed Maximilian on the throne as emperor. As soon as the war
was over, Mr. Seward took steps to force the French to retire from
that country, and by that means enabled the people to choose between
Maximilian as emperor and Juarez as president, without being influenced
by the presence of the French military forces. A cabinet meeting was
called, at which General Grant was present by invitation. The result of
the conference was that an instruction was prepared by Secretary Seward
to our minister at Paris that plainly stated the sentiments of the
United States, which was to the effect that the French must evacuate
Mexico at once, or the United States would send her troops into that
country and help the forces of the republic. The Atlantic cable had
only just been completed, and the president of the company wanted the
patronage of the Government to aid the enterprise. He called upon Mr.
Seward and requested him to use the cable, promising that the rates
should be entirely satisfactory to the Government, notwithstanding
those to the public were ten dollars per word. In addition to the
ordinary charge, the cable company imposed double rates upon all
messages in which a cipher code was used. The instruction was given to
the writer to put it in cipher, when he called the attention of the
secretary to the great expense that would attend its transmission by
cable, as each syllable in the instruction would be represented by four
figures, and the cable company considered each figure as an equivalent
for a word, and charged double rates accordingly. Having in view the
assurances of the president of the company that the charges would not
be excessive, Mr. Seward gave directions to have the instruction put
in cipher and sent by cable, which was done. The instruction would
occupy in print about a page and a quarter of an ordinary congressional
document. The bill of the cable company was afterward submitted, and
it amounted to over $23,000, which Mr. Seward, not considering it
reasonable, refused to pay. The rates were soon reduced to the public
one half, and several other reductions followed, but the bill which
Mr. Seward refused to pay was never paid.
During the occupation of Mexico by the French, cipher telegrams were
sent to General Bazaine, commander of the French forces. Some of these
coming into the possession of the authorities of the United States
were deciphered by an army officer and much valuable information was
obtained.
The value and importance of secret writing is of course obvious, but
the advantages which have accrued from it, while easily surmised, have
become known only in a vague and general way. A specific illustration
of a particular benefit derived from it by the United States in a very
important matter and at a very critical time relates to the treaty of
1871 between this country and Great Britain, whereby the so-called
“Alabama Claims” were to be adjusted by a Tribunal of Arbitration at
Geneva, and which came very near being nullified in consequence of our
presentation to that tribunal of what was known as “indirect claims,”
namely, claims not for actual losses, but for the deprivation of
prospective profits, etc. Great Britain sought to use the presentation
of these claims as a ground for setting aside the jurisdiction of
the tribunal, and consequently subverting it. Our agent before the
tribunal, Judge J. C. Bancroft Davis, devised a plan for saving the
case of the United States and preserving the tribunal. The nature of
this plan was such as to require the approval of the President before
it could be put into operation, and had to be communicated to him
quickly as well as secretly. In anticipation of some such emergency,
the writer, at Mr. Davis’s request, had prepared for him, just before
his departure for Geneva, a cipher which, while perfectly secret,
could be easily managed and the key of which could be memorized. Mr.
Davis and Secretary Fish had recourse to this cipher for the purpose
of the important correspondence above referred to, which could not
have been conducted openly and which resulted in the maintenance of
the Geneva Tribunal. An amusing feature of this correspondence was the
perturbation it caused our minister at London, General Schenck. The
messages were relayed through his office, and he, not being in the
secret of the cipher, insisted upon having them repeated, because, as
he said, he found them to be only “a jargon of unmeaning words.”
The Government, as such, has no distinct cipher, but each of the three
departments, State, War, and Navy, the only departments really needing
methods for secrecy of correspondence, is provided with a cipher of its
own.
During the Civil War the Navy Department devised a cipher which was
simply a substitution of one letter of the alphabet for another, and
this was operated by a mechanical contrivance consisting of disks,
one of which was stationary and the other movable. The stationary
disk contained the letters of the “true reading,” and the movable
disk the cipher substitutes. The process of its operation was tedious
and awkward, but it was continued in use until the middle of the
eighties, when several naval officers were designated to prepare a more
convenient code. The new system is a combination of numerals and cipher
words to represent words and phrases, following the general principle
of most commercial codes. While not as full as it might be, it answers
its purpose very well. Through overcaution, however, its operation has
been made unnecessarily complicated, two translations being required to
decipher a message, while one should be sufficient. Words have to be
translated into figures and the figures then translated into the true
meaning.
The code-book of this cipher is always kept in a canvas bag lined with
zinc and heavily weighted. The bag is in the personal custody of the
commanding officer, whose orders are, that in the event of danger of
capture by the enemy, it is to be thrown overboard. Hence there is
little likelihood of the code ever falling into improper hands.
The cipher of the War Department is very simple in its nature, and by
virtue of its simplicity, easiness of operation, its inscrutability,
and above all the readiness with which, in the event of its capture, a
new and entirely different key can be substituted, commends itself as
possessing a superiority over all others for military purposes. It may
in a general way be described as an ingenious method of distorting the
order of the words in a message, and further obscuring the sense by the
systematic interpolation of irrelevant words and the introduction of
meaning and meaningless names. The variety of distortions is great, and
whenever a copy of the cipher is captured, another can be supplied and
communicated to all parties interested in a very short space of time.
This cipher is an elaboration of one that was designed for the governor
of Ohio, at the beginning of our Civil War, to facilitate secret
correspondence between him and the governors of Indiana and Illinois.
Its effectiveness soon became recognized, and it was generally used
during the war for the direction of military operations and the
correspondence between our generals and the War Department.
In this connection it may be stated that during our Civil War the
telegraph and the cipher system for the first time in history became
important factors in the matter of tactics and strategy. The telegraph
was first utilized as a military aid during the Crimean War (1854-55),
but its use was confined to being merely a means of communication
between the headquarters of the allied forces. But in our Civil War
the telegraph and cipher were the principal channels for the direction
of military operations, embodying, as they did, all the elements of
celerity and secrecy, and rendering the signal corps picturesque but
very ancient fire or flag system, in general, of very little practical
value. By way of illustration, the fact may here be stated that during
the siege of Petersburg, General Meade received and sent in five hours
over three hundred telegrams, being more than one in every three
minutes. Such a feat is readily seen to be far beyond the capacity of
any system of wigwagging, fire, or flag signals, no matter how ancient
or modern. It must be admitted, however, that these signal systems are
at times of great and essential value, especially when telegraph lines
cannot be established. The victory of the Federal troops at Lookout
Mountain was mainly due to the skill of our signal corps in deciphering
the signals of the Confederates and advising our generals accordingly.
For military purposes, telegraph operators were looked upon as
possessing the best qualifications for enciphering and deciphering
secret communications, but the sense of self-importance or esteem
which seemed to attach to the person intrusted with these operations
caused the staff-officers eagerly to seek such employment. As the war
progressed, however, the work gradually devolved entirely upon the
telegraphers, but not until after some discomfiting experiences on
the part of some distinguished officers. General Grant undertook to
send from La Grange, Tennessee, a cipher message to General Hamilton,
who was at the front. Hamilton could not understand it, and had it
repeated, but all to no purpose. Grant insisted that the message was
correctly enciphered, but very soon afterward he gladly abandoned the
cipher business to his operators. On another occasion General Grant,
upon leaving his headquarters at Chattanooga to go to Knoxville, failed
to take his telegraph operator with him. While at Knoxville he received
several telegrams from Washington which he could not understand, and
being consequently much annoyed, he directed his operator to turn
over the cipher-key to his chief of staff, so that he would not be
troubled with unintelligible telegrams in the future. For doing this he
was reprimanded by General-in-Chief Halleck, who, in a letter, dated
January 22, 1864, said:
A new and very complicated cipher was prepared for communications
between you and the War Department which, by direction of the
Secretary of War was to be communicated to only two individuals--one
at your headquarters and one in the War Department. It was to be
communicated to no one else--not even to me or any member of my
staff.... On account of this cipher having been communicated to Col.
Comstock, the Secretary has directed another to be prepared in its
place, which is to be communicated _to no one, no matter what his
rank_, without his special authority.
General Grant replied that he had regarded the whole matter of the
cipher management as merely an exhibition of departmental bureaucracy,
and that he had considered himself as capable as the director of the
bureau of telegraph matters in Washington to select a proper person
to intrust with the cipher, but he was no stickler for forms and was
always ready to obey any order or even wish of the Secretary of War,
or any of his superiors, no matter how conveyed, if he only knew or
thought it came from him. This ended the episode, and in a few hours
the new cipher was ready for use.
Copies of our military cipher messages frequently got into the hands
of the Confederates by means of tapping the wires, but they never
succeeded in deciphering them, although they went to the extent of
advertising them in their newspapers for decipherment, and it may be
added, to the credit of our corps of military telegraph operators, that
no operator ever proved recreant to his trust.
As compared with the simplicity of complexity and celerity of operation
of the Government’s military cipher, that of the Confederates was
very crude and clumsy. All their methods of secret communication were
unraveled by our signal corps and telegraph operators. In addition
to their signal system, the Confederates had a cipher for use in
telegraphing and one for sending secret information through the mail.
The first telegraph cipher message captured by our forces was the
following:
Vicksburg, Dec. 26, 1862.
Gen. J. E. Johnston, Jackson.
I prefer oaavyr, it has reference to xhvkjqchffabpzelreqpzwnyk
to prevent anuzeyxswstpjw at that point, raeelpsghvelvtzfautl
ilasltlhifnaigtsmmlfgcca jd.
~J. C. Pemberton~,
_Lt. Gen. Comdg._
After translation it read:
I prefer _Canton_. It has reference to _fortifications at
Yazoo City_ to prevent _passage of river_ at that point.
_Force landed about three thousand, above mouth of river._
This code was merely a system of transposition or substitution of
letters, which was effected by the use of either one of the three
following keys, “Manchester Bluff,” “Complete victory,” or “Come
retribution,” in connection with a square formed by twenty-six
alphabets, the letters of each being written horizontally, one alphabet
under the other, the first beginning with “a,” the second with “b,”
the third with “c,” and so on, following the regular sequence of the
letters. In the foregoing despatch the key “Manchester Bluff” was
used, and by placing those letters over the enciphered letters of the
message and applying the squared alphabets and beginning with the
letters _oaavvr_, we look for “o” under the letter m in the top
alphabet and find it in the alphabet which begins with c, and translate
it c. Then we look for “a” under the letter a (the second letter of
Manchester), and find that it means a; then we look for “a” under n
(the third letter of Manchester) in the top alphabet, and find it in
the alphabet which begins with n, and we translate it n, and so on.
This system has no special merit except its age. The ancients used it,
and it is generally the plan adopted by tyros in cryptography. The
tediousness of its process makes it impractical.
The mail cipher consisted of substituted letters; telegraphic
characters; parts of geometric figures, like the inscription on one of
the tombs in Trinity churchyard
[Illustration]
(meaning “Remember death”); and a few hieroglyphics. A letter from
a Confederate agent which was intercepted in 1863 by the postmaster
at New York was written in this cipher. Notwithstanding its puzzling
appearance, it was deciphered readily, and the information obtained
enabled the Government to seize a large quantity of bank-notes and the
machinery for printing them which had been prepared for the Confederacy
in that city. The lack of ingenuity and skill and the great crudity and
cumbersomeness displayed by the Confederates in their ciphers must be
regarded as surprising.
The cipher of the Department of State is the most modern of all in
the service of the Government. It embraces the valuable features of
its predecessors and the merits of the latest inventions. Being used
for every species of diplomatic correspondence, it is necessarily
copious and unrestricted in its capabilities, but at the same time
it is economic in its terms of expression. It is simple and speedy
in its operation, but so ingenious as to secure absolute secrecy.
The construction of this cipher, like many ingenious devices whose
operations appear simple to the eye but are difficult to explain in
writing, would actually require the key to be furnished for the purpose
of an intelligible description of it.
Ciphers are now more generally used than at any other period of the
world’s history. Introduced for the first time by the United States
in connection with the telegraph as a war factor, telegraphic ciphers
have now become incorporated in the military systems of all nations.
But it is in peaceful pursuits that the largest field for their
operations has been found. They are now an essential element of all
financial, commercial, and industrial enterprises. In former times they
were employed for purposes of evil and cruelty, and were consequently
looked upon with horror and aversion. Their functions now, however, are
chiefly to benefit humanity by facilitating commerce and industry, and
hence they merit public interest and favor.
[Illustration]
[Illustration]
[Illustration]
[Illustration]
THE GRAPES OF ESHCOL
BY EMILY HUNTINGTON MILLER
WITH DECORATIONS BY FRANK VINCENT DU MOND
I have not entered in: across my way,
Shining and deep, a silent river lies;
But sometimes, in the dawning of the day,
I see the vision of its vineyards rise.
And once, when Joy and I walked hand in hand,
One passed, his staff with purple clusters bent;
The winey juices dripped along the sand,
And all the air throbbed fragrance as he went.
He spake no word, but in his eyes there shone
The steady radiance of the evening star,
And wooing breath of music, lightly blown
By fitful winds, came stealing from afar.
And still I wait till, on some raptured morn,
Astir with wings, and tremulous with light,
The grapes of Eschol, through the desert borne,
May gleam again upon my eager sight.
Tranquil and cool, a little path will run
Through smiling meadows downward to the sea.
Through fruitful vineyards shining in the sun,
And Joy, that fled, will walk again with me.
[Illustration]
THE FRATERNITY IDEA AMONG COLLEGE WOMEN
WHAT DOES IT STAND FOR?
BY EDITH RICKERT
The wide attention that lately has been attracted to the influence
of the fraternities in men’s colleges and universities, from the
social and democratic points of view, has suggested the treatment
of the somewhat similar societies in colleges for women. At our
request, Miss Rickert has made a comprehensive and impartial
investigation, the results of which are embodied in the present paper
and in one to follow, entitled, “What Can We Do About It?” Parents,
college authorities, fraternity members, and other students will be
interested in the facts and conclusions here presented.--~The
Editor.~
A trifling device of Greek letters in gold and enamel is a potent
badge of social distinction in our democratic country, a hallmark of a
certain sort of aristocracy.
[Illustration]
The college fraternities are aristocratic in that they are
self-perpetuating. Their privileges are not to be won through the
conquest of adverse conditions and opposing forces; they are handed
down by the older generations. Theoretically, admittance depends upon
congeniality of spirit; virtually, clanship of race is coming to count
more than kinship of soul. The chapters to-day show an increasing
proportion of brothers, daughters, cousins, and friends. “If we build
a chapter-house, Mrs. Vangoelet will allow her two sisters to come in
with us; otherwise not,” expresses this attitude.
The Pan Hellenic Society is an organization of nearly fifty thousand
college women, which is spreading enormously. Sixty chapters were
established between 1890 and 1900, and two hundred between 1900 and
1910. It has a foothold in seventy-five of our leading coeducational
institutions (that is, in all but about three), and several of the
large women’s colleges. It is elaborately inspected and regulated by
Pan-Hellenics, national and local.
The fraternities are aristocratic in that they are destructive to
freedom of intercourse. The fraternal spirit is the great modern
separator. It builds first a high wall between the Greeks and the
barbarians, and then a maze of social distinctions between fraternity
and fraternity. Are there not Attic Greeks and Doric, and Greeks from
the far Ionian Isles?
The women’s fraternities began as sororities, and the change of name
is significant. It means, they claim, that women as human beings
have as much right to be included in the word “fraternity” as in the
phrase “the brotherhood of man.” It means more than that. Consciously
or unconsciously they have been moved by the aristocratic impulse to
attach the early traditions, to create the social atmosphere, of the
men’s fraternities; in other words, to lengthen the pedigree of their
organization.
Is this unjust? The fraternity women have responded most generously to
my inquiries; they have heaped upon me a small mountain of manuscript
in explanation and defense of their theories and their practice. How
shall I get at the truth? It is almost impossible to say anything that
is not true of one fraternity or one chapter and at the same time
untrue of others; but I have tried to understand their ideals and to
follow up and judge the tendencies of their practice.
With college men the fraternity is frankly a social privilege which
may become an invaluable business asset in after life. With women
it is theoretically a means of completing individual development:
“The university endeavors to graduate a student; the fraternity a
significant, unselfish, gracious woman.”
The fraternity idea, however, reaches about one student in ten!
But forget for a time the nine tenths, the heterogeneous mass of the
“barbarians,” and look at the system as it develops the elect few;
and, to be just, consider it in its ideal form, toward which all the
chapters are striving. Here is a group of between fifteen and thirty
girls living in a dignified, well-appointed chapter-house near the
campus, with a “house mother,” or chaperon. They are good-looking,
well-dressed, all-round girls; athletic, dramatic, social-minded,
rarely given to overstudy, almost always popular with men. They are
not all rich, and not all of patrician family. One is a governor’s
daughter, one a milliner’s; one spends all her summers abroad, one
earns next year’s fees by teaching in a vacation school; one has always
helped with the housework at home, another has never touched a duster
or a broom until she takes her turn in polishing the chapter-house
floors. If they have one common quality, it is this, as an observant
college officer says, that they “do not have to be explained; they are
so instantaneously attractive as to make the reason for their selection
immediately evident.”
These girls make a happy family of elder and younger sisters, the
elder feeling strongly responsible for the physical, intellectual,
and spiritual welfare of the younger, the younger bound to heed the
precepts and to follow the examples of the elder. They are closely
linked by observance of a ritual which is said to be beautiful and
uplifting. One enthusiast writes me: “That mere girls could have
written our rituals, given expression and symbol to our creeds and
initiation ceremonies, seems almost impossible, yet a proof of the
divinity of clear-eyed womanhood.”
They are said to be outspoken in criticizing one another in the light
of their ideals, meek in accepting criticism. One chapter even went to
the length of establishing after its service a special meeting in which
members were subjected to the fire of anonymous criticisms from their
fellows, and so set to cure dominant faults. They manage their own
household and business affairs with a precision and technic alarming to
read about. They learn independence and self-reliance, on the one hand;
self-control and a graceful yielding to the will of the majority on the
other.
Their friendships are more loyal than the outsider can well imagine.
Pushed to extremes, this loyalty even led, in one instance, to a
concealment of theft and a levying of contributions to make up the
loss; in two other cases cited, to expulsion from a chapter for “loose
morals,” with, however, a rigid silence in the presence of outsiders as
to the cause.
Indeed, life in the chapter-house seems to call out most of the
virtues--unselfishness, neatness, tidiness, promptness, and general
efficiency. In this college home, which to the fraternity girls is far
more the vital center of their college experience than the classroom or
the laboratory, there is much exchange of hospitality between chapters
and individuals. Members of the faculty and distinguished guests are
entertained. The girls are at the opposite pole from the poor student
who cooks her own breakfast in her room, from the unfortunate “barb”
who is left to the promiscuous friendships of the cheap boarding-house.
They learn to plan a successful dinner, to pacify an enraged cook,
to distinguish between porterhouse and sirloin, to lay out money to
the best advantage in entertainment, to undertake without a quiver
a reception for a thousand guests with only an afternoon of actual
preparation. They learn to preside and to receive with grace and charm,
to deal tactfully with many temperaments, to shuffle guests. Briefly,
they become skilled in the complete art of the social game.
To sum up, according to the claims made for the fraternity girl in
the handbook of her organization; she develops individuality and the
power to lead; she acquires invaluable business training and womanly
charm. She is given a wider outlook over the field of collegiate
education than her less fortunate sisters; she is blessed with
congenial friendships that amount almost to a continuance of family
relationships, and “whatever the line of service to which she may
consecrate herself,” she “will always be a success.”
This is a composite picture, made up from scores of glowing accounts of
the benefits of the system. Is it true?
Certainly the shield has a reverse side. Over against the select
fraternity of the pillared porch, let us place that which, during a
severe winter, had to go outside the pale and take in new members in
order to pay the coal bill. Let us also remember the chaperon who is
also the cook, and does not appear at functions.
“Good-looking?” Yes, I have heard of a would-be chapter that was almost
excluded from the national organization because the photograph sent
on showed that they did not do their hair becomingly; and they were
solemnly admonished to this effect in a type-written letter!
“Well-dressed?” One would scarcely believe the difference it makes to a
“rushee” whether she is wearing a smart fall hat or a summer left-over;
and if her belt pin should one day fail to do its duty, her cause might
as well be lost. One method of choosing likely members is to send
delegates to the station to observe the new girls as they arrive. There
is witnessed the triumph of the tailored suit over the dowdy frills
of the country dressmaker, of the suitcase that has lived abroad over
the bulging valise that is packed with home-grown apples and home-made
cookies.
“All-round?” Yes, with possibly a slight depression on the side of
scholarship. I have heard of a good many cases in which girls were
dragged out of the mire of conditions and hauled through their college
course by the zeal of fraternity sisters pulling all together for the
glory of the chapter. They have ideals of scholarship, indeed they are
trying to establish a standard for admission, and they even carry off
a share of the honors; but, on the whole, their social mind interferes
with the scholastic attitude, and prevents over-application to mental
effort.
“Rich?” Not necessarily; yet would not the girl who drives her own
automobile have some advantage over the one who works her way through
college, and the girl whose parents have a delightful home most
suitable for “rushing” purposes near the campus be preferred to any
sweet madonna-of-the-boarding-house? I heard only the other day how
an initiation fee was raised to five times its original amount on the
plea, “The girls will appreciate it _so_ much more if they have to
pay a _lot_!”
“Family?” Not at all, yet I know of a girl who was rushed hard and as
suddenly dropped because it was discovered that her father had been a
butcher; of another, who was regarded as eligible until it was found
out, what neither her name nor her features suggested, that her really
distinguished family was of Jewish strain.
These instances must be set over against the ideal picture of the
governor’s daughter and the milliner’s child, the mother’s helper and
the patrician of the South, scrubbing floors together.
Family jars, I am told, are beneath the dignity of the fraternities.
It is difficult not to be skeptical as to the power of the ritual or
of the pin to keep twenty healthy girls from splitting into factions
over nothing at all; but even if outer harmony is maintained, is
it conceivable that there should not very often be discomfort and
even actual suffering among the minority? Suppose a chapter one year
includes twelve students and eight butterflies, and the next year
changes to three students and seventeen butterflies? What of the
occasional “mistake”? I know a Theta girl whose mother was a Beta,
but this fact was not discovered by the Betas until she was pledged.
“What a pity!” they lamented; but “What an escape!” said she. As it
happened, she felt entirely at home with the Thetas and could not bear
the Betas; but suppose the situation had been reversed! She would have
had no remedy except to withdraw, which would have made her painfully
conspicuous and set everybody to wondering about the reason, or to
change her college. But a girl out of harmony with a crowd and obliged
to live with them in intimate association, is greatly to be pitied,
whether she conforms or holds her own. What is to be said of the
ethics of forcing an Episcopalian to dance in Lent against her strong
religious scruples? Can it be doubted that such a minority often yields
its own convictions to keep pace with the others, or, not yielding, is
painfully out of step?
As to the wonderful ritual devised by “clear-eyed womanhood,” I have
heard it also described as “childish,” “poppycock,” “bunk.” The ideals
are necessarily those of immaturity, and have all the vagueness and
some of the wrong-headedness of youth. “They are not harmful,” writes a
dean, a fraternity woman who is familiar also with a college where no
fraternities exist, “except that they are sentimental.” I take this to
mean that they are more suited to discourses at fraternity banquets, as
a kind of leaven to reminiscences of good old times, than to practical
application outside the fraternity world.[3] That they may “have a
dynamic force upon character” is doubtless true of the persons who do
not develop beyond the stage at which they are propounded; that they
lead to much real kindness among fraternity sisters in time of illness
and trouble need not be doubted. But a loyalty which hides a thief and
turns her loose in the world without warning may be a dangerous thing,
and when it expels a girl for “loose morals,” and gives no further
explanation, it is cruel, if the term means cigarettes or slight
indiscretions with men, and dangerous if her character is such that she
ought not to be allowed to remain on the campus.
“Manage their own households and business affairs?” Yes, but a peep
behind the scenes reveals a case of cutting out breakfast to save up
for a tea, of giving a formal dinner and living on bread and potatoes
for a week to make up the expense. An inspector’s story hints that this
business management is not unlike the average amateur performance. A
dean, herself a fraternity woman of many years’ experience, writes:
“Usually ... the accounts of such an organization are not so well
looked after as those of the more general women’s organizations in
which less of the ‘family’ idea prevails,” and “the business training
of these undergraduates” ... is “probably inferior to that gained
by officers in such bodies as the Women’s League, the Young Women’s
Christian Association, the Student Government Association, or the
boards of college publications.”
Then are the conclusions quoted by the handbook as to the influence
of the fraternities on their members warranted by the facts? Do they
cultivate individuality? How is it possible? In the first place, the
fraternity girl is essentially “clubable”; and by the statute of
limitations in personality she is bound to be more conventional, yes,
even more superficial in her attractions, than the girl who is strongly
individual. The fraternities are admitted to be groups in which like
seeks like, and the whole flock aims to induce still greater likeness
to the pattern of the group. The girl with a streak of genius cannot
easily find her like, so she flocks not at all; the poor, proud girl
fears patronage, and will not; the awkward, ill-bred country girl
can’t; the dig dare not for fear of missing some intellectual good
thing. All these must develop more or less as individuals; but the
fraternity girl, unless she enters as an individual strong enough to
dominate her companions, must herself be dominated by them.
“Cultivate leadership?” Probably, in that they give to all their
members in some measure the poise that comes only from an assured
social position; and poise is the first requisite for leadership.
Again, the fraternity girl who takes a leading part in outside college
activities has always an advantage in that she does this with the
backing of her group, who are all prepared to do team-work when
occasion demands.
In the same way, it is only the few that from the first show executive
and business ability who get much training in these directions through
fraternity membership.
As to the wide outlook over the field of collegiate education, it is
limited in two ways: first, in that the fraternity women are more or
less segregated from the other students, and second, in that they do
not come into contact at all with the great women’s colleges, Vassar,
Wellesley, Smith, Radcliffe, and Bryn Mawr.[4]
[Illustration:
GAMMA PHI BETA DELTA GAMMA
ALPHA PHI KAPPA KAPPA GAMMA
ALPHA CHI OMEGA CHI OMEGA
A GROUP OF WOMEN’S FRATERNITY HOUSES (UNIVERSITY OF WISCONSIN)]
Then is the fraternity woman bound to be a success? Few of them, even
while they claim inestimable benefits inexplicable to the outsider, say
this. Some of them think that when the admitted defects in the system
are removed, when rushing is prohibited, when pledge-day is postponed
until the new students have had time to find themselves intellectually
and socially and to make their friends, when a uniform scholarship
standard and uniform house-rules are enforced, it will make for the
finest type of womanhood.
[Illustration: Drawn by J. Norman Lynd
“ONE METHOD OF CHOOSING LIKELY MEMBERS IS TO SEND DELEGATES TO THE
STATION TO OBSERVE THE NEW GIRLS AS THEY ARRIVE”]
Doubtless there is need of these things. When rushing reaches the point
of tying a girl in the rooms of a fraternity house until she puts on
the fraternity-badge, it is time to take measures. When of two girls
who are intimate friends, one is pledged because she knows better how
to make use of her good points, while, with the breaking up of their
friendship, the other, made of equally fine stuff, is left forlorn
because she lacks an intangible something that attracts all the girls
in a chapter, or has an intangible something that repels one member of
it, a remedy should be found. When a popular girl has an engagement for
five nights in a single week, or averages from sixty to eighty “dates”
in a year, it almost looks as though scholarship needs attention. When
the chaperon exerts her influence from the kitchen, and social events
are untrammeled as to numbers and hours and expense, it is almost time
for a reform. In other words, while there are chapters that are almost
wholly admirable in their constituency and conduct, there are also
others that reflect in the miniature college world the pace of the
civilization about them.
But if all these reforms were accomplished,--and it is difficult to see
how enough pressure can be brought by the National Pan-Hellenic to do
this except sporadically,--the evils of the system remain as before,
inherent and ineradicable. As regards those within, the fraternity idea
means _type_; as regards those outside, it means _caste_.
“You’d never think Caroline was a Chi Chi, would you? She ought to have
been a Tau Tau!” is overheard on the campus. What does this mean but
type?
“The girl who sits next to me is an Alpha; I knew it before I saw her
pin.” What does this mean but type?
[Illustration: Drawn by J. Norman Lynd
A NOVEL METHOD OF EXTRACTING A PROMISE TO WEAR A FRATERNITY-BADGE]
“I knew a chapter that was made up of three distinct types, digs,
butterflies, and Y. W. C. A.’s.... To be sure, it rather _slumped_
for a time.” Why?
When a shrewd member of the faculty can forecast that certain freshmen
will make Gamma Gamma, and certain others Omicron Omega, it must be
admitted that not only is there a general fraternity type, but there is
a tendency to type for each combination of Greek letters that is worn
on a pin.
[Illustration: A TYPICAL SITTING-ROOM IN A GIRL’S WELL-APPOINTED
FRATERNITY HOUSE]
No doubt in the leveling up to type, many individual faults, such as
selfishness, self-distrust, laziness, frivolity, lack of initiative,
lack of self-control, bad temper, bad manners, and so on, are
corrected; but in so far as the system is artificial, it is bound
to develop conventionality. It is artificial because it chooses and
restricts friendships. Close intimacy with outsiders is almost always
made impracticable by circumstances and the mutual attitude of the
elect and the non-elect; and in some cases it is held to be disloyal to
the chapter. It is artificial because it strives to eliminate from a
girl’s experience all incongruous and hostile elements, and these are
often conducive to growth. The fraternity girl’s position is comparable
to that of the child who is fed on soft foods.
That is, the trouble is that she _is cultivated_ instead of being
allowed to grow freely. She is rushed, pledged, initiated; she is
studied, counseled, criticized, disciplined, drawn out, molded. Her
power of initiative is developed only in that she “_is made_ to go
out and do things.” Even as an upper classman, when it is her turn to
uphold the fraternity ideals and to mold her younger sisters, she still
lives in the rarefied atmosphere of an artificially selected community,
where there is no chance for the free play of the individual. The
fraternity girl, with all her initiative, her poise, her charm, her
efficiency, is crippled by the fact that she is not allowed to come to
grips with all sort of conditions and people, by which alone is gained
the personal, as opposed to the group, attitude toward life.
Does the fraternity idea mean caste? Are fraternity girls snobbish?
This question brought an emphatic denial from fraternity women on all
sides. The existence of snobbery here and there, in chapters and in
individuals, is admitted; but the attitude of the organization, I am
told, is to root it out, and by all means to encourage democracy. The
only difficulty here is that snobbery is the foundation-stone of the
system, and when it goes, the system topples. This is the way of it.
If you and I have a secret, and we talk together in the presence of a
third person who does not know it, by no means in our human power can
we avoid a snobbish attitude toward that third person. We ourselves
may forget the secret; but the person outside, by the very fact that
he is shut out from it, magnifies its importance, and no equality of
dealing is possible between him and ourselves. Extend the picture to
a houseful of girls, linked together by a common knowledge, a common
family, and a common social life, and give these girls the right to say
who shall be privileged to join them, what chance for equal dealing
has the outsider, or even a less closely organized group of outsiders,
against their united social attitude? The fraternity girl may not feel
_snobbish_, but if the barbarian is _snubbed_, the result is
much the same. What though the “frat” girl claims that the “barb” will
not meet her half-way? As long as there is consciousness of effort to
bridge the gap, the gap is plainly there.
[Illustration: Drawn by J. Norman Lynd
MEETING DISTINGUISHED GUESTS AT A FRATERNITY HOUSE, AND--]
Where there is a gap, there is caste, and where caste is recognized,
snobbery is inevitable. When the fraternity woman disclaims snobbery,
she means that she is careful not to emphasize the distinctions between
herself and others. She is like the teacher who, in order to preserve
strict impartiality, takes off her fraternity-pin when she goes to
class. No, the fraternity woman, aware as she is of the “greater
blessings of her lot,” does not snub those less fortunate than herself;
she either ignores them or is kind to them. Sometimes she manages
both attitudes at the same time, as in the case of a party given to
all the students, in which the programs of the fraternity members are
filled weeks ahead. And if the outsiders who go feel like parasites,
it is surely their own fault. Admit, on the one hand, a fund of common
knowledge and common acquaintance, extensive social experience, and
the assurance of social standing, and, on the other, instead of
these things, the ever-present sense of having been passed over as
negligible, or, what is yet worse, of having been tried and found
wanting. Can the gap be bridged?
[Illustration: PREPARING HER OWN DINNER]
Nor do the attempts of the fraternities to bridge the gap bear out
their claims of democracy. In a recent report on social customs made
by a committee of the Pan-Hellenic, only three chapters mentioned any
effort to be “nice” to the whole student body. One spoke of a spring
picnic; two, of attempts at occasional “open houses,” in one case
dubbed a failure by some members; and the third, “prospects of a party
for all college women and a freshman scholarship”! I am afraid it is
impossible to deny that the fraternities live in a world by themselves,
shut off by an insuperable barrier from those who are not “their sort.”
And if this is not caste, what is?
The system, however, does create a sort of noblesse oblige, which in
some cases makes the fraternity girls leaders in the class and student
organizations, Young Women’s Christian Association, and various other
college activities, although in this they are sometimes thwarted
by inter-fraternal rivalries and jealousies, and by the combined
hostilities of the barbarians. Further, they are said to coöperate
earnestly and efficiently with deans and presidents in coercing
refractory members of their own body, and in helping put through
reforms and other measures for the good of the whole student body. They
are the most loyal part of the alumnæ, and through their permanent
connection with their chapters, continue to come back and show interest
in their alma mater long after other students have broken the tie.
[Illustration: Drawn by J. Norman Lynd
“THE UNFORTUNATE ‘BARB’ WHO IS LEFT TO THE PROMISCUOUS FRIENDSHIPS OF
THE CHEAP BOARDING-HOUSE”]
So far I have said little about the girl who is left out. To many of
the fraternity women she seems the most deplorable feature of the
system. Except in the college where the societies contain all but a
very few of the students, her case does not seem to me serious. To be
sure, she misses a great deal of fun and social training; but if she
is worth saving, she saves herself in the end; and if she gives up in
despair and goes home because she does not “make a frat,” she is not
of the stuff that the college needs. Probably some sensitive girls are
embittered for a long time by the slight, but the finer ones conquer,
even though the sting lingers throughout their course. A large number
in the great mass of the students are unaffected by the fraternity
problems. They do not expect or wish to get in, and they have virtually
very little to do with the fraternity girls except as they work in the
same student organizations. They have their own sets, their own social
life, averaging more good times, perhaps, than they are credited with
by their pitying superior sisters. What the university fails to do to
counteract the effects of poverty, ill breeding, bad preparation, and
inexperience is another thing altogether. Individual tragedies settle
themselves, and those who win come out stronger, finer women for their
victory over adverse conditions than any fraternity girl for whom the
way has been made smooth.
But the fraternity idea must be judged not so much by those whom it
shuts out from special privilege as by the results that it produces in
those whom it fosters.
The Pan Hellenic Society believes itself specially chosen and trained
for service. And what has it done? Aside from a vague and general
interest in alumnæ activities, this service is reduced to scholarships,
some isolated attempts in education and philanthropy, a certain
“dynamic force” upon the character of its members, scarcely apparent
to outsiders, and continued perfection of organization, thus far for no
more evident purpose than the reform of its own body.
[Illustration: “‘WORSHIPING AT THEIR OWN LITTLE SHRINE’”]
In other words, the fraternity system seems grotesquely out of
proportion in the general scheme of things. Why should this one feature
of undergraduate life be magnified by means of publications, council
meetings, and conventions, if it is to fulfil no other purpose than
the perpetuation of itself? How does it stand in relation to the many
needs of the world? Is it not rather like a crystallization of an
immature stage of development? Why should a fraternity woman go about
the world seeking only her own kind, like the missionary to China who
wrote to her fraternity paper of the various social advantages that
came to her through her encounters there with Greek sisters? It looks
to me very much like an actual limitation of growth. Take the case of
the country girl whom college has unfitted for her home environment.
It was cited as one of the inestimable blessings of the system that her
sole interest now lies in her fraternity literature and friends. To my
mind this relationship is rather a handicap that retards the shifting
of focus that must take place in her before she can make her life a
success.
For these reasons I believe that the fraternities, notwithstanding
individual benefits, are hastening on our “French Revolution”; they are
creating a type that rules by habit rather than by individual power and
wisdom; and by their inflexible system of caste they are emphasizing
the gap, already more than sufficient for women as for men, between
privilege and the working world.
A college president recently said to me in substance: “I always think
of the fraternity men as in a circle, hand in hand, facing outward; but
of the women as turned the other way, worshiping at their own little
shrine, with their backs to the winds of the world.”
[Illustration: “‘WITH THEIR BACKS TO THE WINDS OF THE WORLD’”]
[3] And yet I read in a belated answer from a broadminded fraternity
woman: “The vows of these childish secret societies are regarded
as just as binding as marriage-vows.”
[4] In Wellesley the societies are local, and in Smith they are not
properly fraternities at all.
[Illustration]
DAVY
BY LOUISE IMOGEN GUINEY
Davy, her knight, her dear, was dead:
Low in dust was the silken head.
“Isn’t there heaven,”
(She was but seven)
“Isn’t there” (sobbing) “for dogs?” she said.
“Man is immortal, sage or fool:
Animals end, by different rule.”
So had they prated
Of things created,
An hour before, in her Sunday-school.
Trusty and glad and true, who could
Match her hero of hardihood,
Rancorless, selfless,
Prideless, pelfless?--
How I should like to be half so good!
Firebrand eye and icicle nose;
Ear inwrought like a guelder-rose;
All the sweet wavy
Beauty of Davy;--
Sad, not to answer whither it goes!
“Isn’t there heaven for dogs that’s dead?
God made Davy, out of His head:
If He unmake him,
Doesn’t He take him?
Why should He throw him away?” she said.
The birds were busy, the brook was gay,
But the little hand was in mine all day.
Nothing could bury
That infinite query:
“Davy,--_would_ God throw him away?”
[Illustration: Copyright by Amy Otis
HORACE HOWARD FURNESS
FROM A PENCIL PORTRAIT BY AMY OTIS]
[Illustration]
OUR GREAT SHAKSPERE CRITIC
THE LATE HORACE HOWARD FURNESS
~November 2, 1833--August 13, 1912~
BY TALCOTT WILLIAMS
Only a great man can accomplish a great task. For fifteen of
Shakspere’s most familiar plays, Horace Howard Furness condensed the
criticism of three centuries for each play in a single volume, save
“Hamlet,” which has two.[5] From 6000 to 8000 works have been published
on Shakspere. All on each play is brought within the compass of its
volume. Who holds this volume holds the fruits of all past criticism
and comment on the play.
Mere industry can do much, but mere industry could never build the
monument of these volumes. I confess I never look at the impressive row
without amazement at the labor for which they stand. It would be much,
if this were all. Long labor of this order grinds like a glacier over a
writer’s style and individuality. Textual criticism saps men. There is
a certain form of stupidity never found except in “notes.”
Small have continual plodders ever won
Save bare authority, from others’ books.
Nothing saves a man from this but personality. The first great tonic
is humor. Dr. Furness, man and work together, brim with it. Who else
would have made a merry mark of the one word in Shakspere--in “The
Tempest,” “young _scamels_ from the rock”--for which no one has
even suggested a convincing or even plausible meaning? The humor
needed to salt these barrels and barrels of Shaksperian pemmican is
much more than the capacity to see a joke. This is to humor what a
pocket-dictionary is to an encyclopedia. What is needed for adequate
comment on Shakspere, the most English of all figures in the world
of letters, is that numberless capacity to see the broad laugh in
all things which lies so near to tears that when the coin of fate is
flipped no man knows which is to be uppermost. This gives sanity. It
enables the editor of a variorum to know from time to time what a fool
a German scholar can make of himself and his author. I suppose no man
could see Horace Howard Furness, that solid figure, that sturdy step,
that firm face of roomy planes and liberal modeling, those twinkling
eyes, that air of benignant wisdom and general good-nature, without
seeing that the worst joke of all, life itself, could not daunt this
resolution or dull this humor.
There is a look we all know on the face of the judge--a detached
habit of thought. It comes on the bench, and it comes, too, let me
assure you, if a man has had before his bar for forty years all the
culprits who for two centuries have been writing about Shakspere. His
beam will stand sure and he will “poise the cause in justice’s equal
scales.” There are scholars whose lives are given to the great in
letters who become surfeited with honey and “in the taste confound the
appetite.” Nothing saves from this but the incommunicable capacity for
the perception of the best. This capacity grows by what it feeds upon.
Through these volumes there has grown certainty of touch and serenity
of judgment, but from the first issue there was apparent, as in the
man, the norm which is not to be corrupted even by the Elizabethan
extravagance of the greatest of Elizabethans.
Dr. Furness came to his life task through the Kemble tradition. The
Kembles, who succeeded Garrick, first gave dignity to Shakspere. Three
critics of the contemporary stage, dramatic critics all, Coleridge,
Lamb, and Hazlitt, two of them working journalists, began the present
attitude. It has since been impossible for any scholar to say, as
Samuel Johnson did, that a passage in a third-rate play, Congreve’s
“Mourning Bride,” was better than anything in Shakspere.
The stage was dear to him, and he believed that no play could be
adequately understood unless it was heard. The foremost players of his
day he knew, and each had counseled with him, and he had gladly learned
from them. With Fanny Kemble and her light touch and perspicuous,
penetrating interpretation as a model, he read the familiar plays
himself to many audiences, interspersing comment. To all who read or
act he was a living proof that lines are “read” by the mind and that he
or she who fully understands will fully express, and he or she alone.
Deaf as he was, stress, cadence, emphasis, intonation, and expression
were as manifold, accurate, and illuminating as his comment. All was
suffused with the cheer and glow of strength, and had behind that
incomparable organ of interpretation, a mind that knew, loved, and
voiced the inner meaning of the uttered word.
It is now sixty-five years since Dr. Furness, a boy of fourteen,
received from Fanny Kemble a season ticket for her readings. In her
readings she sat at a green baize-covered table still cherished in his
library. She made him a Shaksperian for life. He was living in a city
which, until Boston took its place a little over twenty years ago,
as Chicago is doing to-day, gave the stage a more serious, steady,
intelligent, and consistent support than any other.
To a local stage possessing this tradition the Philadelphia of
threescore years ago added through his father, William Henry Furness,
for fifty years head of the Unitarian Church founded by Joseph
Priestley, a more intimate contact with the romantic movement in
England than fell to other young Americans of the period. It was in
Philadelphia that Wordsworth was first appreciated at his full value by
an American. It was there that Coleridge was first printed. There, in a
commonwealth for two centuries nearer Germany than any other American
State, German translation began. William Henry Furness early addressed
himself to this field. His daughter, Mrs. Annis Lee Wister, continued
the task through thirty years, her last work appearing in a volume of
her brother’s variorum series. Where other commentators in our tongue,
in either home of our race, have looked to English comment, Dr. Furness
from the first significant dedication of his “Hamlet” (1877), written
in personal exultation over German triumph as proving Germany no longer
the “Hamlet of Nations,” has seen Shakspere as a world poet, has come
close to German authority and research, and equaled its thorough and
exact character without falling into its pedantry or its far-fetched
gloss.
From many causes he knew all it is to be a gentleman, and when every
year he rose as dean of the Shakspere Society on St. George’s day
to give the solitary toast, “William Shakspere, gentleman,” it was
on the last word that his sturdy accent fell. Beyond all the other
great voices of our tongue, Shakspere was “gentle.” The author of
“Coriolanus” loathed the general mass. He scarce mentions it without
touching on its evil smell. Its sweaty nightcap ever stank in his
nostrils. Certain sympathies are needed for full critical appreciation
of the poet who was the last word of the feudalism of the past to the
democracy of the future, and these sympathies Dr. Furness had.
The Shakspere Society first began his study. For sixty-one years
its fortnightly meetings have gathered a group of men foremost in
Philadelphia. One has read Shakspere there with a cabinet-minister, a
chancellor of the bar association, a judge of the first rank, a great
physician as well known in the art of letters as in the letters of his
art, and a novelist whose best seller has not had its total exceeded.
It was in a like practical atmosphere that, a young man not yet thirty,
Dr. Furness was stirred half a century ago to try to compare texts by
the aid of a scrap-book. Out of this grew the Variorum, first with the
first folio for a basis and later the Cambridge text. He had leisure,
a perilous gift. He early collected, until 7000 volumes were at hand
in a building for their use; but most collectors are swamped by their
apparatus. “A Concordance of Shaksperian Poems,” 1874, by Mrs. Furness,
bespoke a common bond in a perfect union. In 1883 she was taken. After
a generation, those who then saw his grief from without will not
adventure to speak of it. A sense of loss was never absent from him.
It drove him to arduous labors, which the years made a habit of life.
Save a single volume of his father’s intimate friendship with Emerson,
he wrote nothing but the Variorum. His prefaces, his addresses, and his
letters should, now that he is gone, make a volume. He preserved the
epistolary gift, lost in our day. His simplest note had style, charm,
and weight.
In his research he was to the end a firm believer in the study of the
plays and the plays alone. The order in which the plays were written
did not interest him. For “weak endings,” “incomplete lines,” and
all the newer apparatus of Shakspere study, he had an unconcealed
disregard. It was not for him. He would have questioned his personal
identity as soon as question the personal authorship of Shakspere’s
plays.
The happy fortune befell me once at his side and over his ear-trumpet
to say of him that which greatly pleased. It was at the luncheon
when the New Theatre gave him a gold medal and he monopolized the
affectionate attention of every woman in the room. His appreciation
gave whatever value there was to my words, in which I said that it was
not as a scholar unrivaled and a critical authority unequaled that
he would be most loved and remembered, but because his work had made
accurate study possible to the wandering player, given the solitary
teacher on the frontier the best of past criticism, and armed the
smallest village club with a library of learning, making the best of
Shakspere the general possession of all. It was for this he labored.
It was this American ideal that inspired him. It was in the service of
this ideal that he renounced all royalties.
It is only as a friend I write of Horace Howard Furness, as one of
those that loved and knew. It is ever ill writing of one’s friends
when they are gone, but his going changed the very horizon of life for
us all, robbed of its landmark the landscape of the years, and left a
gap where once we all looked up and learned and had new sense of the
fashion in which long purpose, fulfilled and never forgotten, shapes
character and carves cliffs from which men see afar.
For forty years he sat at a desk and worked to make books from books
on a book. In all our American life there is no other, few in any
land, who so encysted himself in a task wholly of letters. There goes
with this for most, as all know, the bent figure, the absent-minded
or the self-conscious gaze, aloofness from the actual. Not he. To
the last there was the sturdy, erect figure, the ruddy, full face,
shaped and blocked as of a man of many tasks, the resolute mustache,
the solid chin, the stiff, short, aggressive hair, early whitened by
tears and tasks--“your white-haired son,” as he wrote in an inimitable
acknowledgment to his father in one of his volumes. Even a year from
eighty his very step was decision. He bore down Chestnut Street in his
weekly visit from his country home like “a royal, good, and gallant
ship, freshly beheld in all her trim.”
There is in Philadelphia a little group which has dined together just
short of four decades every three weeks for eight months of each year.
He was of the first that met, and the last of the first to go. To one
who began thirty years ago as the youngest of those who sat at this
board, and now, alas! finds himself among the elder at a table peopled
with the past, nothing so bulks in all the round of a manifold social
contact as this dominant figure, alert, awake, clear-visioned, felt
through all this gathered group of men. Each of them was himself felt
in all the various walks of life, on the bench, in law, in medicine,
in letters, in art, in journalism, and in affairs; yet he the center,
stone-deaf. How did he do it? I do not know. I only saw. He alone had
the secret. Gay, responsive, indomitable, flashing sheer personality,
and with a big silver ear-trumpet moving here and there, into which
some one at his side poured a reversion of the passing talk, who is
there whom you know, or whom you have known, who could have done it?
None other that I know. Yet he so did it that one felt that the best
recipe and assurance of unflagging talk, of explosive, masculine
laughter, of a perpetual source of the dearest and most precious thing
on earth, the easy interchange, conflict, and contact of friends
with friends--the best recipe for all this was to have there a great
scholar, unable to hear a word until it was dropped into the silver
trumpet, yet giving edge, guidance, direction, and inspiration to all
the flow of mutual utterance that has run in this well-worn channel for
twoscore years.
To do this was more like his very self than all his throned volumes;
and I am not sure but that, in the great chancery of existence, it is
better worth while to have made friends gay, high-spirited, and ready
to give a frolic welcome to all the years as they came than to be known
ever after, as he will be, as foremost in his great field. It was like
him to concentrate all his social life on this one group. Elsewhere he
was always sought and scarcely seen, though his house was graced by an
open hospitality the loss of which in time he made up by night work.
How wise to know your friends in your forties, and to gather them and
to be with them to the very threshold of the eighties! How far wiser
than the wandering way in which, like children, we fill our hands so
full that we can neither use, nor give, nor leave, nor enjoy! It was
like him resolutely to keep this dinner of high talk and plain fare,
with men who dined much and well elsewhere, to a dollar apiece, as a
constant protest against a lavish age which kills all by gilding it, as
with the luckless boy in the Medicean festival.
Life was compounded by him of simples; but they were “collected from
all simples that have virtue under the moon.” He lived in one city and
loved it. Two homes housed all his years.
He sprang of a goodly ancestry and was justly and openly proud of it.
He held high the long descent of men given to the works of the mind.
His father was known before him, and his sons were known with him and
will be known after him.
His heart visibly and frankly warmed, though without word or bruit,
when in a narrow span of years he and his son Horace Howard Furness,
Jr., published each his volume which garner the comment of all the
years on a play of Shakspere. Another son, Dr. W. H. Furness, in the
same span, wrote an authoritative volume on the Dyaks of Borneo,
placing in the Museum of the University of Pennsylvania the best
existing monographic collection on the region he studied. A daughter,
Mrs. Horace Jayne (Caroline Furness Jayne), issued the one most
important book ever published on the perplexing, fascinating, and
almost unknown field of cat’s-cradles, a mine of patient research
and accurate, skilful description. His sister, Mrs. Caspar Wister,
published the long series of translations from German novels the
success of which, among a score of failures in this field, was wholly
due to the skill with which the “translator” adapted this fiction “made
in Germany” to the English-speaking world. Five years ago this brother
and sister were at work side by side, Mrs. Wister on the proof-sheets
of her fortieth German translation, “The Lonely House,” by Adolph
Streckfuss, and he on the proof-sheets of “Antony and Cleopatra,”
the twelfth in his monumental march. Her first translation, “Seaside
and Fireside Fairies,” from George Blum and Louis Wahl, had appeared
forty-three years, and his “Romeo and Juliet” thirty-six years, before.
His brother, Frank Furness, whose death preceded his by so short a
span, was, when a mere lad, in Rush’s Lancers, and all his life looked
the cavalryman, with his drooping, yellow mustache and his seamed face.
He retained to the end the walk of a man who, for years together in
his youth, has felt the saddle-leathers between his legs. Like Lever’s
hero, he once escaped capture by taking a barn-yard fence no other man
would have dared or persuaded his cavalry mount to venture. By carrying
powder to a battery not only under fire, but through burning woods,
he won a medal of honor. At Cold Harbor he risked life openly and
flagrantly by walking out between two firing-lines a few rods apart to
give a wounded Confederate a drink of water. Years later, when there
came to this dauntless soul heartbreaking grief, he solaced himself by
finding through a newspaper friend, who sowed the strange and moving
tale broadcast in Southern papers, the man whose life he had saved,
bringing him to Philadelphia and filling a month with mutual memories
for both. To the world Frank Furness was known as an architect, a pupil
of Richard Morris Hunt.
It could be only in such a family that, as a family lark at a family
dinner, a novel was written, the first chapter by Horace Howard
Furness, the others in turn by the rest, three sons, a daughter, a
son-in-law, and a daughter-in-law, no author to kill a character
without the consent of its creator, and all printed in seven copies
as “Grace Auchester.” I foresee a pretty penny for this volume in
catalogues of Shaksperiana a century hence.
It is the odd blunder of a dull world that social buoyancy and the
notable mind seldom march together; but, as an acute thinker has said,
a man with a strong pair of legs can walk east as easily as he walks
west, and our great Shaksperian had all the mirth that rang under the
rafters of the Mermaid. He made the Hasty Pudding Club at Harvard.
He was the dancer of his year and led in the play of more than sixty
years ago. I like it that after his death there were found, preserved
through all the half century, the pink tights and the spangled skirt
which the toil-worn commentator had worn in glad youth as _Mlle.
Furnessina_. In the world of silence in which he lived so long
he seemed to know laughter by instinct. His speech on the “Miseries
of Old Age” at a Harvard dinner four years ago swept the tables. He
presided over a dinner or a meeting marvelously. His instinct, his
attention, his capacity to interpret a look as easily as a word,
carried him through all. Nor was humor ever far from the ceremonial
surface of things. For example, at the lunch given at the opening of
the Bryn Mawr College library--it was on the hottest of June days, and
he was sweltering under the crimson trappings and beef-eater hat of
his Cambridge degree of Litt.Doc. (1899), when a young friend spoke a
consoling word to him. He replied, “Ah, Mademoiselle, il faut souffrir
pour être _swell_.”
The world narrowly missed in him a great Arabic scholar. His trip
abroad after his graduation at Harvard carried him far afield. He was
in Damascus when the Crimean War set the East ablaze. He saw Richard
Burton, imperious-souled, a vision of masterful will, holding his
consular court; and to the vision he recurred again and again. He had a
week or two in the desert. He became enamoured of Arabic and its study,
of which relics exist in a grammar and reader that he owned. But his
brief days over Semitics had this strange by-product. In the polychrome
Bible, projected by Professor Haupt of Johns Hopkins, and halted midway
for lack of support, Dr. Furness, perhaps the only man alive so versed
in Elizabethan English that it was as the tongue to which he was born,
and knowing enough of Hebrew, furnished the translation of the revised
text. In the Hebrew lyrics and psalms translated for this edition of
the Old Testament he reached the summit of his style, an incomparable
mingling of nice scholarship and exalted utterance. How fit it was that
the Bible and Shakspere should attract the same critical capacity!
If I were to sum by a single inanimate object the temper and tradition
of Dr. Furness, I would turn to the gloves, in his unrivaled
collection, which one is glad to believe were Shakspere’s. They are
manifestly the gloves of an Elizabethan gentleman not too large in
build, gold-embroidered, and shapely. They were treasured as genuine by
the descendants of Shakspere’s son-in-law, the physician who attended
him in his last illness, and were handed down in that family. They
passed to Garrick, who gave them to Philip Kemble, and so by descent
again they passed from Fanny Kemble to their recent owner. There again
is the double line of grace, the descent both of line and of genius,
to make precious the gloves that rested on Shakspere’s hand, took its
shape and knew its strength and beauty.
[5] The plays edited by Dr. Furness are “Romeo and Juliet,” 1871;
“Macbeth,” 1873; “Hamlet,” two volumes, 1877; “King Lear,”
1880; “Othello,” 1886; “The Merchant of Venice,” 1888; “As You
Like It,” 1890; “The Tempest,” 1892; “Midsummer-Night’s Dream,”
1895; “The Winter’s Tale,” 1898; “Much Ado about Nothing,” 1899;
“Twelfth Night,” 1901; “Love’s Labour’s Lost,” 1904; “Antony
and Cleopatra,” 1909, and “Cymbeline,” completed and to appear.
His son Horace Howard Furness, Jr., will complete his father’s
task, and has already published “Richard III,” 1911, and revised
“Macbeth.”
THE HUNGRY SHEEP
BY WILLIAM LYON PHELPS
Lampson Professor of English Literature at Yale University
“_The hungry sheep look up, and are not fed,
But swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread._”
~Milton~, “_Lycidas_.”
One of to-day’s favorite questions, both in private speculation and in
public debate, is this, “Why do not more men go regularly to church?”
Like all questions of real interest, it is much easier to ask than
to answer. The pews undoubtedly contain more women than men, though
this fact by itself need occasion no alarm. It does not prove that
the church has “lost its hold” or that the habit of going to church
is relatively unimportant. Women have always taken more interest in
religious organizations than men, both because they have more leisure
for contemplation, and because public worship appeals more to a woman’s
nature than it does to a man’s. If the mere fact that the minister sees
in front of him more brilliant hats than bald heads be a sign that the
church does not appeal to the solid intelligence of humanity, then
the symphony concert and the art museum fail even more signally. The
masculine proportion of listeners at a high-class musical entertainment
or among the visitors at an art gallery is even less than it is at
church. Indeed, it is rather interesting to observe that at almost
any public spectacle the number of men is in inverse ratio to the
intellectual value of the performance. At a vaudeville the men vastly
outnumber the women, and amid the enormous throng at a prize-fight
there are hardly any women at all. Thus the fact that the seats at a
prize-fight are crowded with men, while the pews are filled with women,
does not in itself indicate that the church is on the down-grade.
Still, it is unfortunate that more men do not attend church, and it is
more unfortunate for the men than it is for the church. Men need the
church more than the church needs men. The real difficulty is not a
fundamental one; it does not lie in the nature of religion or in the
nature of man. Next to questions of sex and means of subsistence, the
average man is at heart more interested in religion than in any other
one thing. The ordinary man is a natural theologian. He takes keen
interest in constructing his God, his scheme of the universe, and the
problem of life after death has always had, and probably always will
have, an irresistible fascination.
The main trouble with the church to-day is not in the pews; it is in
the pulpit. There is more Christian faith in the average congregation
than there is in the average preacher. During the short period of
Emerson’s pastorate, he was obliged to call on an old man who was
dying. The young minister murmured apologetically a number of confused
and clumsy commonplaces, and finally his aged client cried sharply,
“Young man, if you don’t know your business, you had better go home.”
Emerson, who came to give advice, took it, like the honest and sincere
man that he was; and he had no peace until he left the church for good
and all. He was totally unfitted to be a minister because he had no
Christian faith, and as soon as he realized his unfitness, he sought
another occupation, and became enormously useful to humanity in other
ways.
A United States senator met three clergymen in three different parts
of the country, and each complained that he could not get a large
audience. The senator asked the first man if he believed that the Bible
was the word of God; the cleric smiled pityingly, and said that of
course he did not in the crude and ordinary sense, and then he launched
a mass of vague metaphysical phrases. The senator asked the second
man if he believed in the future life, and the reverend gentleman said
that he did not believe in personal immortality, but that the essence
of life was indestructible, or some such notion. The senator asked the
third man, a pastor of an orthodox evangelical church, if he believed
in the divinity of Jesus Christ; the shepherd of souls replied that all
men were divine. The three clergymen had themselves supplied abundant
reasons why their audiences were small. They had nothing to offer them
but wind. The hungry sheep looked up, and were not fed.
A vital Christian faith is the prime essential for a man who wishes to
succeed in the ministry. It is worth more to him than all the learning
in the world. If an honest man cannot believe, we surely ought not to
blame him or quarrel with him; but he has no business in the pulpit.
Christian faith is just as necessary a prerequisite for a clergyman
as a knowledge of mathematics is for a civil engineer. Without it, he
is not merely ineffective; he is futile and absurd. I remember being
present once in a vast audience where Mr. Moody was talking, and at
the end of his remarks he said that he would be glad to answer any
questions. Some one asked, “What, in your judgment, is the best work
a modern minister can do?” Before Mr. Moody had time to reply, there
was a voice from the throng, which cried out, “This is the work of
God, that ye believe on him whom He hath sent.” The great evangelist
hesitated a moment, and then said that he had nothing to add.
The Protestant clergy of to-day are sadly weakened by a spirit of
compromise. They are afraid to preach Christianity, partly because
they do not believe in it, and partly because they are afraid it won’t
“draw.” They attempt to beguile men into the church by announcing
secular themes, by the discussion of timely political and literary
topics. As a matter of fact, the ungodly respect heartily a Christian
minister who is absolutely sincere and who confines his sermons to
religion, and they despise a vacillating and worldly minded pastor,
who seems to apologize for his religion, and who substitutes lectures
on politics and socialism for the preaching of the gospel. No mistake
is greater than the mistake of the minister who conceives it to be his
duty to preach politics from the pulpit. To an audience who have read
the daily papers all the week, and the Sunday paper that very morning,
nothing is more superfluous than a political discourse in church.
I remember the case of a prominent clergyman who, during a whole
Presidential campaign, preached Sunday after Sunday against one of the
candidates, to a constantly diminishing audience. On the night when the
returns came in, the object of his attacks was apparently successful,
and he cried out in despair, “What can be done now?” He was effectively
answered by one of the ungodly who happened to be present. “I don’t see
that there is anything left for you now, Doctor, except to preach the
gospel.”
The tremendous strength of the Roman Catholic Church lies in its
fidelity to principle, in its religious vitality, and in its hatred
of compromise. It should be an object-lesson to all Protestant
ministers. They may not believe its dogmas, they may not accept any
theological dogmas at all; but they ought to learn that the chief duty
of a preacher is to hold forth Christianity, and not to discourse on
sanitation, political economy, or literature. People everywhere are
eager for the gospel, and always respond to it when it is convincingly
set forth, whether by men like Phillips Brooks or men like Billy
Sunday. The great Boston bishop never had any trouble in getting
an audience; and although he was a man of the highest and broadest
cultivation, interested in every modern movement in literature,
politics, and art, he never preached anything but the Christian
religion. He used all his remarkable gifts in that one direction.
The result was that his congregations were enormous, and that he was
beloved and respected by all classes of men.
The pastor should be a leader, not a follower. If he has less
conviction than his audience, how can he lead them? What would be
thought of the general of an army who had no definite ideas as to where
he ought to take his men, and no conviction that his cause was good?
If the trumpet give an uncertain sound, who shall prepare himself for
battle? The main difficulty with the church to-day is that the people
in the pews do not have the gospel preached to them. The hungry sheep
look up, and are not fed.
[Illustration]
THE FEMINIST OF FRANCE
BY ETHEL DEAN ROCKWELL
I
Feminists include as many different kinds of women in France as
elsewhere. The term can be applied equally to a George Sand or a
Marguérite Audoux. We find the movement as marked, too, in France
as in other countries. But the interesting thing about it is that
though similar to all the others in basic principles, the French
feminist is instinctively individual, always French. Compare her, for
instance, with her sister across the channel. In England she bends all
her energies to winning the suffrage, to carrying reforms by act of
Parliament; in France she takes no part in political campaigns, cares
not at all for the vote. In England the ladies of the aristocracy
are the prime movers; in France, with few exceptions, the women of
the upper classes look on the movement with indifference, and the
leaders come from a small group of intelligent and ambitious women of
the bourgeoisie. In England women are working for the cause of all
women rather than for individual advantage; in France they impress
one as working for their own benefit, not for humanity. In England,
throwing off their feminine garb, they often become blatant, clamorous,
unwomanly; in France, believing that woman’s deadliest weapon is her
womanliness, they never withdraw the battery of their feminine charms.
In England the feminist is still a conformist to moral law; in France,
unfortunately, she is too often a rebel against moral as well as social
restrictions.
The tendency has existed in many brilliant women since French history
began. We naturally think of the women of the salons, for instance.
But they were only sporadic examples of cleverness. A general “woman
movement” was not known till the French Revolution.
“Since when have women occupied themselves with politics?” asked
Napoleon of Mme. de Staël.
“Since they have been guillotined,” was her reply.
But the Revolution brought them no recognition, for upon its heels
came Napoleon, who took from them even that which they had. Two other
movements also came to naught: followers of St. Simon, the Socialist,
who believed in the complete emancipation of woman and in her entire
equality with man, owed their failure to the extravagance of some
of their doctrines, and to lack of organization. The other attempt
was snuffed out in 1851 with the _coup d’état_ of Napoleon III.
Through the twenty years of political reaction succeeding that event,
there were always women, often famous, who fought valiantly, if not
always wisely, for emancipation; and since the establishment of the
republic, their efforts have made uninterrupted headway.
II
We speak of steady advance. Yet measured by American standards, or
those of other Northern countries, Frenchwomen must yet travel far to
reach the point where these were fifty years ago. Americans accept as a
matter of course liberty of thought and action, equal opportunities for
study and work, and the respect of men. Frenchwomen are not generally
possessed of these blessings. Why this difference? Among many causes,
three stand out preëminent--social, civil, and religious reasons.
Socially, France belongs with the Latin races. In these countries man
has generally treated woman with gallantry, but not respect, and has
received her attempts at higher life in a spirit of mockery which it
has been almost impossible to overcome. Because her happiness depended
on his good will, her one aim in life has been to please him. As
Pierre de Coulevain expresses it, “She is entirely absorbed by man and
maternity.” The moral standard of both men and women has been low, and
the well-known bargaining about the dowry has added sordidness. The
case of the _jeune fille_ serves as an example. Her carefully
guarded, restricted life, her interests, and her education, not fitting
her to think or to be of service to her community, are too well known
to need amplification. It well illustrates how, in Southern countries,
their Latin heritage has been a strong social factor in the retarded
awakening of women.
In France these conditions were fixed still more immutably by
Napoleon’s civil code, which thus becomes the second, or civil, reason.
Napoleon’s only use for women was as producers of more men for his
wars. “Make them believers, not thinkers,” was his command. In legal
status he classed them with children, imbeciles, and criminals. A
married woman could possess no property; her husband owned what she
brought him in marriage and what she inherited or earned thereafter.
The pitiful plight of Balzac’s _Eugénie Grandet_ and her mother
was not an exceptional case, but the rule. Furthermore, she could not
testify in civil suits, or be a witness to any legal document, or have
any part in the family council for the government of her children.
Yet this Frenchwoman, a nullity in the eyes of the law, is respected
by all the world for her marvelous common sense and managing ability.
So marked is this that virtually all the petty retail business in the
country is in her hands, and she manages her business, her children,
and her husband as a matter of course.
This principle of the subjection of woman to the higher authority
of man, installed by immemorial custom, fast bound in civil law by
Napoleon’s code, has in general also been emphasized by the church.
It has consistently developed the passive virtue of sacrifice and
the cheerful acceptance of things as they are. Therefore, although
conditions have changed, to-day, and there are many noble Catholic
feminists, it has in the past been the exception rather than the rule;
and Frenchwomen of the upper classes have been led by their convent
training to accept without question the position assigned them by
social custom and the Napoleonic code. Two of these three conditions
are aptly summed up by Pierre de Coulevain when she says, “France
is the land of femininity, not of feminism: femininity is Latin and
Catholic; feminism is Anglo-Saxon and Protestant.”
Against these germs of arrested development have sprung up other germs
which have almost killed the first and have produced the present
epidemic of feminism. World forces which affect even China are of
course felt in France. One of these is economic pressure. By the
introduction of machinery and the constantly increasing cost of living,
women of the lower classes have been forced into industry in France
as everywhere else, until it has been stated that sixty per cent. of
the women of France are now wage-earners. Naturally, then, industrial
conditions have compelled them to demand recognition on the same basis
as men. In the middle classes this same pressure postpones the age of
marriage for the man, thus throwing the burden of support for a longer
time on the girl’s father; at the same time it makes it increasingly
difficult for the father to provide the necessary dot. It therefore
sends girls into professions to ease the family burden, instead of
into the convent. “To ease the family burden,” I say, for she seldom
works, as do so many American young women, for her own enrichment. Her
earnings go to her parents.
[Illustration:
Photograph by T. T.
MME. MARGUÉRITE DURAND
Editor and journalist.
Photograph by Chéri-Rousseau
MME. DIEULAFOY
Lecturer and archæologist.
Photograph by Henri Manuel
MME. CURIE
The joint discoverer of radium,
who succeeded her husband
in a chair of physics and
chemistry at the Sorbonne.
From the portrait by Gandara
COUNTESS MATHIEU DE NOAILLES
Novelist and poet.
Photograph by Touranchet
MME. BLANC (~Th. Bentzon~)
Novelist and journalist.
]
Then, too, the tradition that every girl must marry or retire to
a convent has left too many women unaccounted for in the social
scheme. Four and a half million women in France have no home or
children--unmarried women, widows, divorcées, or mothers whose children
are grown. Olive Schreiner says that the woman movement is the endeavor
on the part of women to find new fields of labor as the old slip from
them--a demand for a continued share in the work of the world. And
these millions of Frenchwomen with no home ties are clamoring for their
share. They claim the privilege of employing their hitherto ingrowing
energy in useful work, and in whatever field they wish.
To these economic and social stimuli a third factor should be
added--the result of the separation of church and state in 1905; and
with time this change will be increasingly felt. Since the convents
exerted a conservative influence, their dissolution minimizes that
tendency. The convents had been almost exclusively the schools of the
girls of the higher classes; they had been the refuge of unmarried
and unfortunate women; the sisters had had charge of the hospitals,
nursing, and nearly all other charities. But since girls must now
follow the nuns to the border countries for their education, not so
many go; and those who stay at home receive a more modern and less
conservative training. Since the unsought in marriage must leave France
in order to take refuge in a convent, more stay in the world. And since
the hungry and sick were left without caretakers, other women had to
take up the works of charity discontinued by the nuns. Thus perforce,
since the separation, new fields of activity, new occupations, new
responsibilities have been thrust upon the women of France. The
withdrawal of the nuns created a vacuum into which others have rushed.
They are ready for these fresh fields and pastures new. They see
women of other nations so engaged, and example is contagious. A gain
for feminism in Sweden gives impetus in France; a rebellion against
long-established custom in Constantinople gives courage for one in
Paris. Above all, the several international women’s conferences that
have met in Chicago, Berlin, London, and Paris in the last fifteen
years have been great educators, great awakeners. Then, too, Parisians
never lack for foreign examples, for Paris is cosmopolitan, and
Americans especially she has always with her. The Frenchwoman, who,
when her children are grown, is inclined to lose all interest in life,
and settle down to old age, sees American grandmothers making a tour of
the world, and tries to find the secret of their eternal youth. Thus it
may be that as French diplomats have won half Africa by the skilful use
of American inventions and institutions, so Frenchwomen may yet win all
France by clever adaptation of the American type of woman.
Englishwomen also furnish examples in their interest in sport. “Sport”
is fashionable. Bicycling was once a fad; tennis, riding, and swimming
are popular. The girls’ schools are now advertising swimming-pools and
tennis-courts. For one woman that you met skating thirty years ago, you
now meet five hundred. We long ago learned, if we ever had to learn,
the moral and intellectual value of exercise. The French, both men
and women, are only now discovering it. We find, therefore, that the
hothouse products are vanishing, and with them, morbidity, unhealthy
thoughts, overstimulated emotions, sluggish brains. In their stead we
find healthy bodies, healthy minds, initiative, organizing ability,
development of the dormant will power, and last, but not least, natural
and unrestrained meeting with men in all sorts of games.
Certain classes of men have been strong and active supporters of the
feminist cause. Indeed, this is one of the most characteristic features
of the movement in France. It seems sometimes as though the men were
more ardent and intelligent feminists than the women themselves. The
little band of French Protestants is naturally in the forefront of
sympathy for the movement. There are fewer Protestants in all France
than there are Jews in New York City, but they exercise an influence
for progress far out of proportion to their small number. Almost all
literary men, no matter what their creed, and lawyers, teachers,
professional men in general, as well as a few deputies and senators,
are on the side of the feminists. The constant pounding away on the
question by playwrights and poets such as Brieux, Lavédan, Mirbeau,
and Jules Bois, has done much to break down prejudice and widen the
point of view. The Odéon and Comédie Française have struck sounding
blows against the old order of “The Doll’s House,” and novelists like
Victor Margueritte, and Marcel Prévost have done their part in arousing
sympathy for the _Noras_ of France. Socialists, too, espouse the
women’s cause.
III
In the combination of all these causes, then, economic, industrial,
cosmopolitan, social, religious, and literary, the awakening has
come to the women--and men--of France. The successive steps, seeming
slow as they were laboriously gained, become rapid in retrospect. In
professional studies, since 1868, when the first woman was admitted to
a medical school, one after another all barriers have come down, till
to-day all doors are wide open, and in the University of Paris alone
there are over two thousand women students. After permission to study
and take a degree was obtained, came the more arduous struggle to be
allowed to practise their profession, for prejudice acted as a complete
boycott. The prejudice was of two sorts. One was that of friends and
family, who considered a woman utterly disgraced if she worked. This
attitude is still general, and is the cause of untold unhappiness
and estrangement. The other prejudice, and a strong one, was from
her competitors, the men. Women medical students could obtain their
degree, but had no opportunity to attend clinics or to be internes in
hospitals. Law students, likewise, could not take the bar examinations
or practise. It is owing to the unflagging efforts of two or three able
women that this competitive struggle is also now a thing of the past.
Mlle. Jeanne Chauvin was the test case in law practice. She won after
a long and bitter struggle only ten years ago. In the profession of
university teaching women have been on a par with men since Mme. Curie,
having twice won the Nobel prize for her benefits to mankind through
her chemical discoveries, was appointed to succeed her deceased
husband in the chair of physics and chemistry in the Sorbonne. Three
years ago she became the test case in yet another contest--a contest
over the right of women to public recognition of their attainments
by admission to the Academy. In this first engagement, like most
pioneers, she lost; but the decision raised such a storm of protest and
discussion that there is scarcely a question of the ultimate victory in
this also. We shall yet see women taking their honored place among the
seats of the famous Forty.
The struggle to change woman’s legal status has been particularly long
and hard, and is still in progress. This cause owes much to Mlle. Maria
Chéliga, a Pole, who has lived most of her life in Paris, and by her
essays, lectures, stories, and plays has awakened public sympathy; and
to Mlle. Jeanne Schmahl, editor of “L’Avant Courrière,” who succeeded
after many years of effort in getting a bill through the Chamber of
Deputies giving to married women the control of their own earnings. At
first it failed in the Senate. Undaunted, she worked for eleven years
more until, in 1907, she wrested from an unwilling Senate the vote
in favor of the bill. For the last five years, therefore, a married
woman has been able to spend what she earns, and to have her own
bank-account. Within the last four years women at the head of large
business houses have been able to vote for the judges of the tribunals
of commerce, and thus see that their business interests are not
unfairly dealt with by this powerful body. Women teachers have for some
time been allowed to vote for the members of the board of education,
though women are not eligible for office in either of these bodies. A
married woman can now testify, and act as a witness in legal documents.
She still has no voice in the family council, a vital institution in
France; and if she invests her earnings in furniture or other portable
property, these possessions belong to the husband.
[Illustration:
Photograph by Henri Manuel JEAN BERTHEROY (~Mme. Le
Barillier~) Poet and historical novelist.
Photograph by Henri Manuel MME. HENRI DE REGNIER (~Gérard
D’Houville~) Poet and novelist.
Photograph by Ogerau MME. SÉVÉRINE A fervent and eloquent public
speaker, whose conférences at the Odéon are a feature of Parisian
life.
Photograph by Nadar JUDITH GAUTIER Daughter of Théophile Gautier.
Photograph by Boisonnas and Tapouler MARCELLE TINAYRE Author of “La
Maison du Péché.”
]
Another sign of the times is the ever-present discussion over the
education and training of the _jeune fille_. Thirty years ago
there was not a public school for girls in the country. To-day there
are many, though five for the whole of Paris seems insufficient. The
inadequate curriculum is a constant bone of contention, and has
already been much widened and strengthened in both state and Catholic
schools to meet the demand for vocational training. The _jeune
fille_ is gaining slowly in independence, and we find her in novels,
spoken of as looking forward quite naturally to activities and spheres
of usefulness outside of, as well as within the home. “A whole woman is
too much for a man,” one heroine declares.
Owing to the gap left by the nuns’ departure, we find one important
movement of humanitarian interest in the attempts to reorganize and
strengthen the profession of nursing. It had been left either to the
sisters, who were not always as modern in their methods as could be
desired, or to an outside class of _Sairey Gamps_, lower in
intelligence and decency than domestic servants. Now they are trying
to interest girls of the better classes in the profession, founding
training-schools and studying American methods.
The fact that the international professional-women’s club of London,
the Lyceum, has now a branch in Paris, and that there are many other
women’s clubs, is significant. Till recently the club movement has
found no response in France. The woman has been too much occupied
in her own household, too much claimed by an army of relatives, to
be drawn outside by clubs or anything else for the sake of her own
development. Then, again, the Frenchwoman of leisure and ability has
been content with her own lot and oblivious of her duty to her less
fortunate sisters. She has therefore not felt the need of united
effort through club organization for a common humanitarian cause.
And even when she has felt this call of duty, she has always shown
an astonishing lack of appreciation of the value of system and
organization for attaining the desired results. Sixty years ago the
feminist pioneers might have succeeded if their efforts had not been
scattered and individual. Indeed, even now French feminism gives one
an impression of ununified restlessness. That there is now a “club
movement,” therefore, shows that at last there is in France desire
for individual development, a sense of duty to one’s neighbor, and an
appreciation of the value of organization. There are still countless
activities that American women are habitually engaged in--municipal
improvement, efforts to improve labor conditions, child-labor laws,
social settlements, etc.--that have not yet reached France to a
noticeable extent. But now that a beginning has been made, we shall
look for all these and more.
Marked as is this general leavening of the lump, art and literature
show the most complete conquest. The art prizes are all open to women,
and at one time or another most of them have been won by women. To say
nothing of their success in painting, sculpture, and architecture,
women absolutely own the field in illustrating, arts-and-crafts
work and in making innumerable small art objects. They also nearly
monopolize literature: in essays, poetry, novels, journalism, their
name is legion, their influence unbounded.
Journalism in France is an influential literary profession, with strong
leaders that no other country can surpass. Women hold responsible
positions on the staff of most of the leading French reviews, and
contribute an astonishing number of articles, generally under men’s
names. Beginning with Mme. Juliette Adam, the line is unbroken. She
was the last of the old school, the first of the new, wielding high
political influence at first through her salon, then through the
pages of the “Nouvelle Révue,” which she founded in 1879. She also
wrote novels, essays, and reminiscences. Mme. Sévérine, a fervent and
eloquent public speaker, with rather a permanent instinct for revolt,
shouts her war-cry in the “Echo de Paris.” The “Révue des Deux-Mondes”
and the “Journal des Débats” include on their staff, among other
women, Mme. Arvède Barine. Three times has the Academy crowned a work
of hers, and she wears the cross of the Legion of Honor, as did Mme.
Thérèse Bentzon, who died five years ago. Mme. Blanc, as she was better
known, was on the staff of these two periodicals. This estimable
woman also wrote novels and essays, some crowned by the Academy. She
was especially loved in America, to which she made several visits,
because she was the most faithful interpreter to the French of American
literature, social customs, and educational methods. She was an ardent
Roman Catholic. Mlle. Maria Martin edits the “Journal des Femmes,” and
Marguérite Durand, “Les Nouvelles.” The latter is perhaps the most
popular woman in France, and charmingly and essentially feminine.
[Illustration:
Photograph by Eug. Pirou
MME. PEYREBRUNE
Novelist and poet.
Photograph by Chéri-Rousseau
YVONNE SARCEY
Writer and feminist.
Photograph by Ogerau
MME. ADAM (~Juliette Lamber~)
Founder of the “Nouvelle Révue.”
One of the most influential of
modern Frenchwomen.
Photograph by Henri Manuel
MME. LUCIE DELARUS-MARDRUS
Dramatist and poet.
Photograph by Chéri-Rousseau
MME. LUCIE FÉLIX-FAURE GOYAU
Daughter of Félix Faure.
]
Novelists and poets have much in common. They are rather too apt to
be feminists of most advanced type, drowned in a noxious wave of
free-thinking, swinging too far in their revolt, and disregarding moral
laws.
[Illustration: GEORGETTE LEBLANC MAETERLINCK, ACTRESS, SINGER, AND
WRITER; THE WIFE OF MAURICE MAETERLINCK]
This epidemic of free-thinking seems to be most evident in the
upper classes, leaving the women of the bourgeoisie untouched. But
perhaps all this is only the fledgling trying its wings, a phase of
development, an ugly stage of self-consciousness, which the French
temperament, essentially one of harmony, will sooner or later adjust.
In poets this characteristic manifests itself in a tendency to reveal
without restraint the inmost secrets of their woman’s soul. Mme. de
Noailles, though admitted by men critics to be in the first rank,
is no exception. She is also a novelist and is on the staff of the
“Révue des Deux-Mondes.” Gérard d’Houville is another poet as well as
novelist; and Lucie Delarus-Mardrus another, seeking unusual and exotic
effects by travels in Eastern lands. The novelists confine their plots
for the most part to studies of feminists. Thus, Marcelle Tinayre’s “La
Rebelle” is a beautiful young journalist; her heroine in “Hellé” is a
charming example of the noblest type of emancipated young womanhood;
Colette Yver’s “Les Dames du Palais” deals with women lawyers and the
divorce question; her “Princesses de Science” takes up scientific
women. Gabriel Réval’s “Ruban de Venus” shows us artists; and women
interested in sociological questions are the heroines of Renée and
Tony d’Ulmès. But the inevitable underlying theme of them all is the
irresistibility of passion, “the impossibility of woman’s escaping the
brutal laws of her own temperament,” as one commentator expresses it.
Moreover, the heroines are all selfish in their feminism; they are in
search of their individual happiness.
Of the novelists and essayists, more than a passing word should be
given to Marcelle Tinayre, conceded by men critics to be the most
vigorous and virile of women writers, and even classed by one above
George Sand. Her works have been crowned by the Academy, and she
has won the cross of the Legion of Honor. Daniel Lesueur and Mme.
Peyrebrune are both important, and have been distinguished with many
honors. Mme. Maeterlinck is opera-singer, essayist, and lecturer, as
well as novelist. Jeanne Bertheroy and Judith Gautier, daughter of
Théophile Gautier, are famous, as are also Mme. Dieulafoy and Mme.
Félix-Faure Goyau, daughter of the former president of the republic.
Colette Yver, with her “Princesses de Science,” was the first to win
the prize offered by the woman’s paper, “La Vie Heureuse.” (This is the
prize that was awarded to the seamstress Marguérite Audoux for “Marie
Claire.”) Pierre de Coulevain, remarkably cosmopolitan, and with a
wonderfully wide point of view, is read more by foreigners than by the
French. Mme. Yvonne Sarcey is exceptional in appealing to a sense of
duty as the controlling force in life.
Much as we should like to linger over this long literary list, we must
pass on to other topics. In the matter of the suffrage, progress is
not so marked. Small suffrage societies here and there have existed
for twenty-five years, but the National French Woman’s Suffrage
Association was formed only three years ago. It has converted many
teachers and employees of the post, telegraph, and telephone service,
but has not made any impression on the women of the working-classes.
In 1911 it had a membership of 3000 out of a total female population
of 20,000,000. So it can be seen that the suffrage movement in France
is still in its swaddling-clothes. The most encouraging thing for the
suffrage supporters is the number of “_hommes-femmes_”; that is,
influential men who give devoted service to the suffrage cause. We have
already spoken of the broad-minded men who have done much to educate
public opinion to more enlightened views on women. They generally go
further still, and are suffragists. About three years ago they formed
a men’s association, called “The Voters’ League for Woman Suffrage,”
which counts among its members two senators and nine deputies. This
league holds itself in readiness to push forward whatever legislative
measures it considers worth while. It has been working on a bill for
women’s vote in municipal elections, and it is stated as a possibility
that it may be passed. Socialists also favor the suffrage, both because
from the anti-reactionary nature of their doctrines they must, to be
consistent, and because they want the women’s vote. But their help is
of little practical value, for the labor party and the unions control
the socialist party, and these two powerful organizations are bitter
and formidable enemies of women’s entrance into the economic and
political field. Opposition is strong from the politicians in power.
Having brought about the separation of church and state seven years
ago, they fear that all the old clerical question, which has been the
cause of many years of most bitter wrangling, would be reopened by the
women at the first opportunity, under the instigation of the priests.
It is asserted, moreover, that there is no decided Catholic opposition,
as such, to woman suffrage.
It must have become evident from the foregoing pages, however, that
feminism in France is not a matter of the suffrage. There have been
other conquests to make, in the realm of thought rather than action;
old prejudices, old traditions to be removed, rights of moral and
intellectual equality to be established. Indeed, French feminism
can well be defined as “a state of mind, not yet crystallized into
aggressive agitation for reform.” After all, in the last analysis, we
see that for the realization of the feminist ideals must come, and
is coming, a change in man--in his moral standards, in his attitude
toward women, in his whole Latin conception of the social basis of
society. Olive Schreiner says that the new woman is accompanied by the
new man, or there would be no new woman. We see this development in
France to-day. Says Marcel Prévost: “The new college youth cares more
for sport, is more robust physically and is more healthy-minded. He is
less sentimental, more athletic; he does not think of woman.” In this
one statement lies more hope for the ultimate complete emancipation of
woman than in all her literary and professional achievements.
The newer type of Frenchwoman, breaking away from tradition,
strong-willed, earnest, Maeterlinck is striving to depict in his later
heroines, like _Aglavaine_ and _Ariane_. His talented wife
thus interprets them for us:
Apparently vainglorious, almost brazen, free, and unsubjected,
marching in the light of day, without faith or principle, we are
in reality the submissive slaves of to-morrow. Beneath our songs
of gladness rises a sorrowful prayer, which no one hears. No one
understands our obscure duty. Sprung from the present, we are
daughters of the future, and it is but natural that the moment which
created us should distinguish us but imperfectly. To hasten our work,
would that men might understand us better, fear us less. Let them
learn that for centuries and throughout the ages, there has been but
one divine woman, lover, mother, sister. If at the present moment we
appear different, rebellious, it is only that we may one day offer
them stronger companions and nearer to perfection. For centuries
men hailed in us a beauty that was all effacement. The women who
charm the most in the past appear like those frescoes that old
walls still offer to our eyes half-discolored, pale, ideal, frozen
in contemplative attitude, with lilies in their hands. An abyss
seems to separate these _Griseldas_ from the _Aglavaines_
and _Arianes_. And yet these two are loving handmaids of
the future.... It is customary to say that woman, influenced by
man, perfects herself according to his ideal. But to-day, grown
clearer-sighted, she seems to look over the shoulder of her mate, and
perceive what he does not yet descry on the horizon.
[Illustration]
THE SCARBOROUGH SPOONS
A STORY FOR ENGLISH AND AMERICANS
(DOINGS ON PERILOUS)