LETTER XIII.

On a first survey, nothing appears more opposed than these two

impulsions; one having for its object change, the other immutability, and

yet it is these two notions that exhaust the notion of humanity, and a

third fundamental impulsion, holding a medium between them, is quite

inconceivable. How then shall we re-establish the unity of human nature,

a unity that appears completely destroyed by this primitive and radical

opposition?

I admit these two tendencies are contradictory, but it should be noticed

that they are not so in the same objects. But things that do not meet

cannot come into collision. No doubt the sensuous impulsion desires

change; but it does not wish that it should extend to personality and its

field, nor that there should be a change of principles. The formal

impulsion seeks unity and permanence, but it does not wish the condition

to remain fixed with the person, that there should be identity of

feeling. Therefore these two impulsions are not divided by nature, and

if, nevertheless, they appear so, it is because they have become divided

by transgressing nature freely, by ignoring themselves, and by

confounding their spheres. The office of culture is to watch over them

and to secure to each one its proper limits; therefore culture has to

give equal justice to both, and to defend not only the rational impulsion

against the sensuous, but also the latter against the former. Hence she

has to act a twofold part: first, to protect sense against the attacks of

freedom; secondly, to secure personality against the power of sensations.

One of these ends is attained by the cultivation of the sensuous, the

other by that of reason.

Since the world is developed in time, or change, the perfection of the

faculty that places men in relation with the world will necessarily be

the greatest possible mutability and extensiveness. Since personality is

permanence in change, the perfection of this faculty, which must be

opposed to change, will be the greatest possible freedom of action

(autonomy) and intensity. The more the receptivity is developed under

manifold aspects, the more it is movable and offers surfaces to

phenomena, the larger is the part of the world seized upon by man, and

the more virtualities he develops in himself. Again, in proportion as

man gains strength and depth, and depth and reason gain in freedom, in

that proportion man takes in a larger share of the world, and throws out

forms outside himself. Therefore his culture will consist, first, in

placing his receptivity in contact with the world in the greatest number

of points possible, and in raising passivity, to the highest exponent on

the side of feeling; secondly, in procuring for the determining faculty

the greatest possible amount of independence, in relation to the

receptive power, and in raising activity to the highest degree on the

side of reason. By the union of these two qualities man will associate

the highest degree of self-spontaneity (autonomy) and of freedom with the

fullest plenitude of existence, and instead of abandoning himself to the

world so as to get lost in it, he will rather absorb it in himself, with

all the infinitude of its phenomena, and subject it to the unity of his

reason.

But man can invert this relation, and thus fail in attaining his

destination in two ways. He can hand over to the passive force the

intensity demanded by the active force; he can encroach by material

impulsion on the formal impulsion, and convert the receptive into the

determining power. He can attribute to the active force the

extensiveness belonging to the passive force, he can encroach by the

formal impulsion on the material impulsion, and substitute the

determining for the receptive power. In the former case, he will never

be an Ego, a personality; in the second case, he will never be a Non-Ego,

and hence in both cases he will be neither the one nor the other,

consequently he will be nothing.

In fact, if the sensuous impulsion becomes determining, if the senses

become lawgivers, and if the world stifles personality, he loses as

object what he gains in force. It may be said of man that when he is

only the contents of time, he is not and consequently he has no other

contents. His condition is destroyed at the same time as his

personality, because these are two correlative ideas, because change

presupposes permanence, and a limited reality implies an infinite

reality. If the formal impulsion becomes receptive, that is, if thought

anticipates sensation, and the person substitutes itself in the place of

the world, it loses as a subject and autonomous force what it gains as

object, because immutability implies change, and that to manifest itself

also absolute reality requires limits. As soon as man is only form, he

has no form, and the personality vanishes with the condition. In a word,

it is only inasmuch as he is spontaneous, autonomous, that there is

reality out of him, that he is also receptive; and it is only inasmuch as

he is receptive that there is reality in him, that he is a thinking

force.

Consequently these two impulsions require limits, and looked upon as

forces, they need tempering; the former that it may not encroach on the

field of legislation, the latter that it may not invade the ground of

feeling. But this tempering and moderating the sensuous impulsion ought

not to be the effect of physical impotence or of a blunting of

sensations, which is always a matter for contempt. It must be a free

act, an activity of the person, which by its moral intensity moderates

the sensuous intensity, and by the sway of impressions takes from them in

depth what it gives them in surface or breadth. The character must place

limits to temperament, for the senses have only the right to lose

elements if it be to the advantage of the mind. In its turn, the

tempering of the formal impulsion must not result from moral impotence,

from a relaxation of thought and will, which would degrade humanity. It

is necessary that the glorious source of this second tempering should be

the fulness of sensations; it is necessary that sensuousness itself

should defend its field with a victorious arm and resist the violence

that the invading activity of the mind would do to it. In a word, it is

necessary that the material impulsion should be contained in the limits

of propriety by personality, and the formal impulsion by receptivity or

nature.

Aesthetical Essays of Friedrich Schiller · 第 25 / 57 题