Quard started and jerked out a "What?"

"I said, let me alone," she repeated in the same manner, looking him

steadily in the face.

He coloured darkly, mumbled something indistinguishable, and flashed

into a short-lived fit of temper.

"What's the matter with you, anyway?" he demanded hotly.

[Illustration: "What's the matter with you, anyway?" he demanded,

hotly.]

"Nothing," she replied quietly; "only I don't want to be pawed."

"No?" he exclaimed with sarcasm. "Is that straight?"

"Yes, that's straight--and so'm I!"

Recollecting himself, Quard attempted to carry off his discomfiture with

a shrug and a laugh: "Oh, all right. Don't get huffy. I didn't mean

anything."

"I know you didn't, but don't do it again."

He turned out into the corridor; hesitated. "Well--let it go at that,

can't you?"

"All right," she said sulkily: "_you_ let it go at that."

Quard tramped off without saying anything more, and, whatever his

resentment and disappointment, schooled himself to control them, and met

her half-way to a reconciliation when the approaching hour of their

first public appearance brought them together in the wings.

And by this time Joan had been sufficiently diverted by other

experiences to have regained her normal poise. The dingy, stuffy, and

evil-smelling dressing-room to which she had been assigned had suffered

an invasion of three other women: two worn and haggard clog-dancers and

a matronly ballad-singer who, having donned an excessively soiled but

showy evening gown, had settled down calmly to her knitting: an

occupation which had interfered not in the least with her flow of

animated and not unkindly gossip. Joan gathered that her voice was the

main support of a small family, consisting of a shiftless husband and

three children, for the younger of whom the mother was knitting a pair

of small, pink bootees. These last had immediately enlisted the

sympathetic interest of the clog-dancers, one of whom boasted of the

precocity of her only child, a boy of eight living with his grandmother

in Omaha, while the other told simply of the death of two children, due

to neglect on the part of those to whom she had been obliged to entrust

them while on the road....

Joan was the first to reach the entrance to the dingy "kitchen-set"

which was to figure as a star dressing-room for the purposes of their

sketch (and, for the purposes of subsequent offerings, as the

drawing-room of a mansion on Fifth Avenue and the palm room of a

fashionable hotel). About ten times the size of any dressing-room ever

constructed, it was still atmospherically cheerless and depressing. She

looked it over momentarily to make sure that the various simple

properties were in place, and turned to find Quard approaching. Beneath

the jaunty assurance which even his hang-dog make-up couldn't wholly

disguise, she was able to detect traces of some uneasiness and anxiety.

It was a fact that he had grown a trifle afraid of her.

The discovery impressed her as so absurd that she smiled; and instantly

the man was himself again. He thrust out a hand, to which with covert

reluctance she entrusted her own.

"All right now?" he asked cheerfully.

Joan Thursday: A Novel · 第 43 / 104 题