Woven beauty is a home product, and in the house we are most free to

use and admire it. The "street dress," even the most unsophisticated,

is under some restrictions; but the house dress may be anything we

please. There is nothing in the mechanical limitations of house life to

pervert or check this form of loveliness. We are free to make and to

use the most exquisite materials, to wear the most pleasing of textures

and shapes.

Why, then, do we find in this line of development such hideously

inartistic things? Because the discords of domestic industries and

functions prevent a sense of harmony even here. Because the woman,

confined to a primitive, a savage plane of occupation, continues to

manifest an equally savage plane of æsthetic taste.

One of the most marked features of early savage decoration is in its

distortion and mutilation of the body to meet arbitrary standards of

supposed beauty. An idea of beauty, true or false, is apprehended, its

line of special evolution rapidly followed, and there is no knowledge

of physiology or grasp of larger harmonies of bodily grace to check the

ensuing mutilation.

The Zulus decorate their cattle by cutting the dewlap into fringe, and

splitting and twisting the growing horns into fantastic shapes. Some

savage women tie the gastrocnemius muscle tightly above and below, till

the "calf of the leg" looks like a Dutch cheese on a broomstick. Some

tie strings about the breasts till they dangle half detached; some file

the teeth or pluck out the eyebrows.

In the home, among women, still appear these manifestations of a crude

beauty-sense, unchecked by larger knowledge. Our best existent examples

are in the Chinese foot-binding custom, and ours of waist-binding. The

initial idea of the corset is in a way artistic. We perceive that the

feminine form has certain curves and proportions, tending thus and so;

and following the tendency we proceed to exaggerate those curves and

proportions and fix them arbitrarily. This is the same law by which we

conventionalise a flower for decorative purposes, turning the lily of

the field into the _fleur-de-lis_ of the tapestry. The Egyptians

did it, to an extreme degree, in their pictorial art, reducing the

human body to certain fixed proportions and attitudes.

The application of these principles to living bodies is peculiar to the

savage, and its persistence among our women is perhaps the strongest

proof of the primitive nature of the home. As women enter the larger

life of the world these limitations are easily outgrown; the

working-woman cannot make a conventionalised ornament of her body, and

the business woman does not care to; the really educated woman knows

better, and the woman artist would be bitterly ashamed of such an

offence against nature; only the home-bound woman peacefully maintains

it.

To the scientific student, man or woman, the sturdy reappearance of

this very early custom is intensely interesting; he sees in the "newest

fashion" of holding and binding the body a peculiar survival of the

very oldest fashion in personal decoration known to us. The latest

corset advertisement ranks ethnologically with the earliest Egyptian

hieroglyph, the Aztec inscriptions, and races far behind them.

The woman's love of beauty finds its freest expression along lines of

personal decorations, and there, as in the decoration of the house, we

see the same crippling influence.

She loves beautiful textures, velvet, satin, and silk, soft muslin and

sheer lawn; she loves the delicate fantasy of lace, the alluring

richness of fur; she loves the colour and sparkle of gems, the

splendour of burnished metal, and, in her savage crudity of taste, she

slaps together any and every combination of these things and wears them

happily.

A typical extreme of this ingenuous lack of artistic principles is the

recent, and still present, enormity of trimming lace with fur. This

combines the acme of all highly wrought refinement of texture and

exquisite delicacy of design, a fabric that suggests the subtleties of

artistic expression with a gossamer tenuity of grace; this, and dressed

hide with the hair still on, the very first cover for man's nakedness,

the symbol of savage luxury and grandeur, of raw barbaric wealth, which

suggests warmth, ample satisfying warmth and crude splendour in its

thick profusion! We cut up the warmth and amplitude into threads and

scraps which can only suggest the gleanings of a tan-yard rag-picker,

and use these shabby fragments to _trim lace_! Trim what is in

itself the sublimated essence of trimming, with the leavings of the

earliest of raw materials! Only the soul which spends its life in a

group of chambers connected merely by mechanical force; in a group of

industries connected merely by iron tradition, could bear a combination

like that--to say nothing of enjoying it. Domestic art is almost a

contradiction in terms.

The development of art, like the development of industry, requires the

specialisation, the life-long devotion, impossible to the arbitrary

combinations of home life. Where you find great beauty you find a great

civic sense, most clearly in that high-water mark of human progress in

this direction, ancient Greece. Within the limits of their cities, the

Greeks were more fully "civilised" than any people before or since.

They thought, felt, and acted in this large social contact; and so

developed a sufficient breadth of view, a wide, sweet sanity of mind,

which allowed of this free growth of the art-sense. Great art is always

public, and appears only in periods of high social development. The one

great art of the dark ages--religious architecture--flourished in that

universal atmosphere of "Christendom," the one social plane on which

all met.

The Greeks were unified in many ways; and their highly socialised minds

gave room for a more general development of art, as well as many other

social faculties.

Household decoration was not conspicuous, nor elaborate attire; and

while their women were necessarily beautiful as the daughters of such

men, it was the men whose beauty was most admired and immortalised. The

women stayed at home, as now, but the home did not absorb men, too, as

it does now. When art caters to private tastes, to domestic tastes, to

the wholly private and domestic tastes of women, art goes down.

The Home was the birthplace of Art, as of so many other human

faculties, but is no sufficing area for it. So long as the lives of our

women are spent at home, their tastes limited by it, their abilities,

ambitions, and desires limited by it, so long will the domestic

influence lower art.

"So much the worse for art!" will stoutly cry the defenders of the

home; and they would be right if we could have but one. We can have

both.

A larger womanhood, a civilised womanhood, specialised, broad-minded,

working and caring for the public good _as well as the private_,

will give us not only better homes, but homes more beautiful. The child

will be cradled in an atmosphere of harmonious loveliness, and its

influence will be felt in all life. This is no trifle of an

artificially cultivated æsthetic taste; it is one of nature's deepest

laws. "Art" may vary and suffer in different stages of our growth, but

the laws of beauty remain the same; and a race reared under those laws

will be the nobler.

These more developed women will outgrow the magpie taste that hoards

all manner of gay baubles; the monkey-taste that imitates whatever it

sees; the savage taste that distorts the human body; they will

recognise in that body one infinitely noble expression of beauty, and

refuse to dishonour it with ugliness.

They will learn to care for proportion as well as plumpness, for health

as well as complexion, for strength and activity as essentials to

living loveliness, and to see that no dress can be beautiful which in

any way contradicts the body it should but serve and glorify. We do not

know, because we have not seen, the difference to our lives which will

be made by this large sense of beauty in the woman--in the home; but we

may be assured that, while she stays continually there, we shall have

but our present stage of domestic art.

IX

DOMESTIC ETHICS

The relation of the home to ethics is so vital, so intimate, so

extensive, as to call for the utmost care and patience in its study.

The "domestic virtues" are well known to us, and well loved. We have a

general conviction that all our virtues as well as charity begin at

home; that the ethical progress of man is a steady stream flowing out

of the home, and as far as we compare one virtue with another, we

assume the domestic virtues to be the best.

In half the race we ask nothing but the domestic virtues; in the other

half we look for something further; but consider such civic and social

virtues as appear to be offshoots of the domestic. We call the home

"the cradle of all the virtues," and never imagine for a moment that it

can cradle anything else--in the line of ethics.

Now let us make a careful examination of this field; first establishing

a standard of human conduct and character, and then studying the

relation of the home to that standard. The same consideration referred

to in previous chapters is here most urgently pressed upon the reader:

that all the qualities found in the home do not necessarily originate

there. As a race rises and improves, its improvement appears in the

home, as elsewhere. But that improvement is in itself due to varying

conditions. The diffusion of intelligence following the discovery of

the art of printing lifted the general average mind, and so lifted the

home as well as other departments of life. But that increase of

intelligence did not originate in home life, and is in no way due to

its influence.

The sense of human liberty which spread rapidly among us in the early

years of the settlement of this country, following, as it did, the

splendid dash for religious liberty which brought so many of our

ancestors here, has borne fruit in our home life. We have more freedom

in the family relation than is found in older forms of government, but

this larger freedom did not originate in the home and is in no way to

be accredited to it.

Home-life, as such, does in itself tend to produce certain ethical

qualities; qualities not produced, or not in any such degree, by other

fields of life. Constant association with helpless infancy develops a

generous care and kindness--that is, it does so when the helpless

infants are one's own. The managers of foundling and orphan asylums do

not seem always to be so affected. Constant association with the

inevitable errors and mistakes of childhood develops patience and

sympathy, or tends to do so. There are qualities brought out in home

life which extend their influence into the life of the world. The young

man or woman who has had good home influence shows that advantage all

through life. But there are also qualities brought out in the world's

life apart from the home; and the man or woman affected by these shows

them in the home life. We find in our homes the gathered flowers of

civilisation, of Christianity, of progress in general; and

unconsciously accredit the homes with the production of these beautiful

results--quite erroneously.

The influence of religion, as we all know when we stop to think of it,

has done much more for us than the influence of the home. The

Canaanites had homes--yet gave their children to Moloch. The demand of

the idol had more power than the appeal of the child. The Hindoos have

homes, yet give their babies to the water, their widows to the fire.

Besides religion there are many other influences which affect human

character and conduct; the influences of our government, our education,

our business. We are seeking here to point out precisely what ethical

qualities are developed by home life, good or bad; and to show further

that the present condition of the home is not final, nor vitally

essential. We may so change the conditions of home life as to retain

all that modifies character for good, and to discard all that modifies

it for evil.

The home as a permanent institution in society, if rightly placed and

understood, works for good. The home in its non-essential conditions,

if wrongly placed in our scheme of thought, if misunderstood, if out of

proportion and loaded with anachronisms, works evil. In the complex

group of qualities which make up the human character to-day, for good

and ill, many influences are traceable; and we wish here to disentangle

from among them some lines of influence, and show what place is held by

the home in making us what we are and what we wish to be.

What is the preferred type of excellence in humanity according to our

social instincts and to the measure of history? We began as savages,

and the savage standard of ethics is easily grasped; we have progressed

a long way beyond that savage standard; but ours is still well within

the reach of common understanding. Without seeking for careful sequence

let us enumerate our principal human virtues:

Love; with derivatives of kindness, sympathy, courtesy, etc. Truth;

with honesty, accuracy, etc. Courage; connects with strength and

wisdom. Justice; with a right humility. Self-control; with endurance,

patience, and again with courtesy; also with temperance and chastity.

Honour; a high, inflexible standard of various virtues.

These are arbitrary general types, but do fairly enough for this study.

A human being possessed of these in high degree we should call "good."

They all combine well with one another, and have many derivatives, some

of which are above noted. Their common opposites are as easily given:

Hate; unkindness, coldness, rudeness. Falsehood; lying, dishonesty,

inaccuracy. Cowardice; connects with weakness and ignorance. Injustice;

this allows pride--rests on ignorance. Self-indulgence; followed by

intemperance, unchastity, impatience, and other vices. Dishonour;

meaning a low standard of virtues in general.

Man the savage had of these courage, in some lines; endurance and

patience, in some lines; civilised man surpasses him in these, and has

developed all the others. What are the conditions which have brought

forth this degree of virtue in us, and how does the home rank among

those conditions?

Let us first do it full justice. Mother-love is the foundation and

permanent force of home life; and, mother-love is, indeed, the parent

of all the love we know. Altruism was born of babyhood. The continued

existence of the child--of a succession of children; the permanent

presence of helplessness and its irresistible demands for care; this

forced us into a widening of the sympathies, a deepening of

sensitiveness to others' needs; this laid the foundations of human

love. In this sense, the home is the cradle of one of our very greatest

virtues. Love began with the mother; but it should not stop with her.

"Mother-love" is precisely limited to its own children.

Few, indeed, are the mothers who love other women's children. As

"mother" is a synonym for all kindness, so "stepmother" is a synonym

for all unkindness. Folklore and fairy-tale indicate old fact. Infant

helplessness and orphan need are not only what appeals to the

mother--it is most the blood-tie, the physical relation.

Civilisation and Christianity teach us to care for "the child,"

motherhood stops at "my child."

Still, in the home we do find the nursery of all the lines of family

affection, parental, filial, fraternal, and these are good. Hearts able

to love ten could more easily take in twenty; the love of one's own

parents spread to our present care for the aged; the power of loving

grew, and, as soon as it overstepped the limits of the home, it grew

more rapidly. We have learned to love our neighbours--if not as

ourselves, at least, better than strangers. We have learned to love our

fellow-citizens, fellow-craftsmen, fellow-countrymen. To-day the first

thrills of international good-will are stealing across the world--and

we are extending our sympathy even to the animals.

All this beautiful growth of love began at home; but the influence of

the home, as it now exists upon the growth, is not so wholly

gratifying. The love that we call human, the love of one another, the

love Christ teaches us, is extra-domestic. We are not told, "Inasmuch

as you have done it to your own families you have done it unto me." We

are not exhorted to an ever-increasing intensity of devotion to our own

blood-relations.

Both the teaching of our religion and the tendency of social progress

call for a larger love, and the home, in its position of arrested

development, primitive industry, and crippled womanhood, tends rather

to check that growth than to help it. The man's love for his family

finds expression in his labour for other people--he serves society, and

society provides for him and his dear ones; so good will spreads and

knits; comradeship and fellow-feeling appear, friendship brings its

pure height of affection; this is the natural line of development in

the great social virtue, love.

But the woman, still expressing her love for her family in direct

personal service, misses all that. The primitive father, to feed the

child, went forth himself and killed some rabbit--and the primitive

mother cooked it: love, in grade A. The modern father, to feed his

child, takes his thousandth part in some complex industry, and receives

his thousand-fold share of the complex products of others' industry,

and so provides for the child far more richly than could the savage:

love, in grade Z. But the modern mother--if we can call her so by

courtesy--to feed her child still does nothing but cook for it, still

loves in grade A; and the effect of that persistence of grade A is to

retard the development of grade Z. Mother-love is the fountain of all

our human affection; but mother-love, _as limited by the home_,

does not have the range and efficacy proper to our time. The home, as

at present maintained, checks the growth of love.

As to Truth. This is a distinctly modern virtue. It comes in slowly,

following power and freedom. The weak lie, a small beast hides; the

lion does not hide. The slave lies--and the courtier; the king does not

lie--he does not need to.

The most truthful nations are the most powerful. The most truthful

class is the most powerful. The more truthful sex is the more powerful.

Weakness, helplessness, ignorance, dependence, these breed falsehood

and evasion; and, in child, servant, and woman, the denizens of the

home, we have to combat these tendencies. The standard of sincerity of

the father may be taught the son; but the home is not the originator of

that standard. In this, as in other virtues, gain made in quite other

fields of growth is necessarily transmitted to the home; but fair

analysis must discriminate between the effect of religion, of

education, of new social demands, and the effect of the home as such.

Courage comes along two main lines--by exposure to danger, and by

increase of strength. The home, in its very nature, is intended to

shield from danger; it is in origin a hiding place, a shelter for the

defenceless. Staying in it is in no way conducive to the growth of

courage. Constant shelter, protection, and defence may breed

gratitude--must breed cowardice. We expect timidity of "women and

children"--the housemates. Yet courage is by no means a sex attribute.

Every species of animal that shows courage shows it equally in male and

female--or even more in mother than in father. "It is better to meet a

she-bear robbed of her whelps than a fool in his folly." This dominant

terror--the fool--is contrasted with the female bear--not the male.

Belligerence, mere combativeness, is a masculine attribute; but courage

is not.

The cowardice of women is a distinctly home product. It is born of

weakness and ignorance; a weakness and an ignorance by no means

essential feminine attributes, but strictly domestic attributes. Keep a

man from birth wrapped in much cloth, shut away from sky and sun, wind

and rain, continually exhausting his nervous energy by incessant

activity in monotonous little things, and never developing his muscular

strength and skill by suitable exercise of a large and varied nature,

and he would be weak. Savage women are not weak. Peasant women are not

weak. Fishwives are not weak. The home-bound woman is weak, as would be

a home-bound man. Also, she is ignorant. Not, at least not nowadays,

ignorant necessarily of books, but ignorant of general life.

It is this ignorance and this weakness which makes women cowards;

cowards frank and unashamed; cowards accustomed to be petted and

praised, to be called "true woman" because they scream at that

arch-terror of the home--a mouse. This home-bred cowardice, so admired

in women, is of necessity transmitted to their sons as well as

daughters. It is laughed out of them and knocked out of them, but it is

born into them, relentlessly, with every generation. As black mothers

must alter the complexion of a race, so must coward mothers alter its

character. Apart from fighting--where the natural combative

sex-tendency often counts as courage--our men are not as brave as they

would be if their mothers were braver. We need courage to-day as much

as we ever needed it in our lives. Courage to think and speak the

truth; courage to face convention and prejudice, ridicule and

opposition. We need courage in men and women equally, to face the

problems of the times; and we do not get that courage from the home.

The sense of Justice is one of the highest human attributes; one of the

latest in appearance, one of the rarest and most precious. We love and

honour justice; we seek in some main lines of life to enforce it, after

a fashion; but many of our arrangements are still so palpably unjust

that one would think the virtue was but dreamed of, as yet unborn.

Justice follows equality and freedom. To apprehend it at all the mind

must first perceive the equal, and then resent the unequal. We must get

a sense of level, of balance, and then we notice a deflection. As a

matter of social evolution our system of legal justice springs from the

primitive market place, the disputes of equals, the calling in of a

third party to adjudicate. The disputants know instinctively that an

outsider can see the difficulty better than an insider. Slowly the

arbiter was given more power, more scope; out of much experience came

the crystallisation of law. "Justice!" was the cry of the lowest before

the highest; and the greatest kings were honoured most for this great

virtue.

The field for justice has widened as the state widened; it has reached

out to all classes; its high exercise distinguishes the foremost

nations of our times. Yet even in the teeth of the law-courts injustice

is still common; in everyday life it is most patent.

We have made great progress in the sense of justice and fair play; yet

we are still greatly lacking in it. What is the contribution of

domestic ethics to this mighty virtue? In the home is neither freedom

nor equality. There is ownership throughout; the dominant father, the

more or less subservient mother, the utterly dependent child; and

sometimes that still lower grade--the servant. Love is possible, love

deep and reciprocal; loyalty is possible; gratitude is possible;

kindness, to ruinous favouritism, is possible; unkindness, to all

conspiracy, hate, and rebellion is possible; justice is not possible.

Justice was born outside the home and a long way from it; and it has

never even been adopted there.

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