WITCHCRAFT.[98]

Credulity, as a mental and moral phenomenon, manifests itself in widely

different ways, according as it chances to be the daughter of fancy or

terror. The one lies warm about the heart as Folk-lore, fills moonlit

dells with dancing fairies, sets out a meal for the Brownie, hears the

tinkle of airy bridle-bells as Tamlane rides away with the Queen of

Dreams, changes Pluto and Proserpine into Oberon and Titania, and makes

friends with unseen powers as Good Folk; the other is a bird of night,

whose shadow sends a chill among the roots of the hair: it sucks with the

vampire, gorges with the ghoule, is choked by the night-hag, pines away

under the witch's charm, and commits uncleanness with the embodied

Principle of Evil, giving up the fair realm of innocent belief to a murky

throng from the slums and stews of the debauched brain. Both have

vanished from among educated men, and such superstition as comes to the

surface now-a-days is the harmless Jacobitism of sentiment, pleasing

itself with the fiction all the more because there is no exacting reality

behind it to impose a duty or demand a sacrifice. And as Jacobitism

survived the Stuarts, so this has outlived the dynasty to which it

professes an after-dinner allegiance. It nails a horseshoe over the door,

but keeps a rattle by its bedside to summon a more substantial watchman;

it hangs a crape on the beehives to get a taste of ideal sweetness, but

obeys the teaching of the latest bee-book for material and marketable

honey. This is the aesthetic variety of the malady, or rather, perhaps,

it is only the old complaint robbed of all its pain, and lapped in waking

dreams by the narcotism of an age of science. To the world at large it is

not undelightful to see the poetical instincts of friends and neighbors

finding some other vent than that of verse. But there has been a

superstition of very different fibre, of more intense and practical

validity, the deformed child of faith, peopling the midnight of the mind

with fearful shapes and phrenetic suggestions, a monstrous brood of its

own begetting, and making even good men ferocious in imagined

self-defence.

Imagination, has always been, and still is, in a narrower sense, the

great mythologizer; but both its mode of manifestation and the force with

which it reacts on the mind are one thing in its crude form of childlike

wonder, and another thing after it has been more or less consciously

manipulated by the poetic faculty. A mythology that broods over us in our

cradles, that mingles with the lullaby of the nurse and the

winter-evening legends of the chimney-corner, that brightens day with the

possibility of divine encounters, and darkens night with intimations of

demonic ambushes, is of other substance than one which we take down from

our bookcase, sapless as the shelf it stood on, and remote from all

present sympathy with man or nature as a town history. It is something

like the difference between live metaphor and dead personification.

Primarily, the action of the imagination is the same in the mythologizer

and the poet, that is, it forces its own consciousness on the objects of

the senses, and compels them to sympathize with its own momentary

impressions. When Shakespeare in his "Lucrece" makes

"The threshold grate the door to have him heard,"

his mind is acting under the same impulse that first endowed with human

feeling and then with human shape all the invisible forces of nature, and

called into being those

"Fair humanities of old religion,"

whose loss the poets mourn. So also Shakespeare no doubt projected

himself in his own creations; but those creations never became so

perfectly disengaged from him, so objective, or, as they used to say,

extrinsical, to him, as to react upon him like real and even alien

existences. I mean permanently, for momentarily they may and must have

done so. But before man's consciousness had wholly disentangled itself

from outward objects, all nature was but a many-sided mirror which gave

back to him a thousand images more or less beautified or distorted,

magnified or diminished, of himself, till his imagination grew to look

upon its own incorporations as having an independent being. Thus, by

degrees, it became at last passive to its own creations. You may see

imaginative children every day anthropomorphizing in this way, and the

dupes of that super-abundant vitality in themselves, which bestows

qualities proper to itself on everything about them. There is a period of

development in which grown men are childlike. In such a period the fables

which endow beasts with human attributes first grew up; and we luckily

read them so early as never to become suspicious of any absurdity in

them. The Finnic epos of "Kalewala" is a curious illustration of the same

fact. In that every thing has the affections, passions, and consciousness

of men. When the mother of Lemminkäinen is seeking her lost son,--

"Sought she many days the lost one,

Sought him ever without finding;

Then the roadways come to meet her,

And she asks them with beseeching:

'Roadways, ye whom God hath shapen,

Have ye not my son beholden,

Nowhere seen the golden apple,

Him, my darling staff of silver?'

Prudently they gave her answer,

Thus to her replied the roadways:

'For thy son we cannot plague us,

We have sorrows too, a many,

Since our own lot is a hard one

And our fortune is but evil,

By dog's feet to be run over,

By the wheel-tire to be wounded,

And by heavy heels down-trampled.'"

It is in this tendency of the mind under certain conditions to confound

the objective with subjective, or rather to mistake the one for the

other, that Mr. Tylor, in his "Early History of Mankind," is fain to seek

the origin of the supernatural, as we somewhat vaguely call whatever

transcends our ordinary experience. And this, no doubt, will in many

cases account for the particular shapes assumed by certain phantasmal

appearances, though I am inclined to doubt whether it be a sufficient

explanation of the abstract phenomenon. It is easy for the arithmetician

to make a key to the problems that he has devised to suit himself. An

immediate and habitual confusion of the kind spoken of is insanity; and

the hypochondriac is tracked by the black dog of his own mind. Disease

itself is, of course, in one sense natural, as being the result of

natural causes; but if we assume health as the mean representing the

normal poise of all the mental facilities, we must be content to call

hypochondria subternatural, because the tone of the instrument is

lowered, and to designate as supernatural only those ecstasies in which

the mind, under intense but not unhealthy excitement, is snatched

sometimes above itself, as in poets and other persons of imaginative

temperament. In poets this liability to be possessed by the creations of

their own brains is limited and proportioned by the artistic sense, and

the imagination thus truly becomes the shaping faculty, while in less

regulated or coarser organizations it dwells forever in the _Nifelheim_

of phantasmagoria and dream, a thaumaturge half cheat, half dupe. What

Mr. Tylor has to say on this matter is ingenious and full of valuable

suggestion, and to a certain extent solves our difficulties. Nightmare,

for example, will explain the testimony of witnesses in trials for

witchcraft, that they had been hag-ridden by the accused. But to prove

the possibility, nay, the probability, of this confusion of objective

with subjective is not enough. It accounts very well for such apparitions

as those which appeared to Dion, to Brutus, and to Curtius Rufus. In such

cases the imagination is undoubtedly its own _doppel-gänger_, and sees

nothing more than the projection of its own deceit. But I am puzzled, I

confess, to explain the appearance of the _first_ ghost, especially among

men who thought death to be the end-all here below. The thing once

conceived of, it is easy, on Mr. Tylor's theory, to account for all after

the first. If it was originally believed that only the spirits of those

who had died violent deaths were permitted to wander,[99] the conscience

of a remorseful murderer may have been haunted by the memory of his

victim, till the imagination, infected in its turn, gave outward reality

to the image on the inward eye. After putting to death Boëtius and

Symmachus, it is said that Theodoric saw in the head of a fish served at

his dinner the face of Symmachus, grinning horribly and with flaming

eyes, whereupon he took to his bed and died soon after in great agony of

mind. It is not safe, perhaps, to believe all that is reported of an

Arian; but supposing the story to be true, there is only a short step

from such a delusion of the senses to the complete ghost of popular

legend. But, in some of the most trustworthy stories of apparitions, they

have shown themselves not only to persons who had done them no wrong in

the flesh, but also to such as had never even known them. The _eidolon_

of James Haddock appeared to a man named Taverner, that he might interest

himself in recovering a piece of land unjustly kept from the dead man's

infant son. If we may trust Defoe, Bishop Jeremy Taylor twice examined

Taverner, and was convinced of the truth of his story. In this case,

Taverner had formerly known Haddock. But the apparition of an old

gentleman which entered the learned Dr. Scott's study, and directed him

where to find a missing deed needful in settling what had lately been its

estate in the West of England, chose for its attorney in the business an

entire stranger, who had never even seen its original in the flesh.

Whatever its origin, a belief in spirits seems to have been common to all

the nations of the ancient world who have left us any record of

themselves. Ghosts began to walk early, and are walking still, in spite

of the shrill cock-crow of _wir haben ja aufgeklärt._ Even the ghost in

chains, which one would naturally take to be a fashion peculiar to

convicts escaped from purgatory, is older than the belief in that

reforming penitentiary. The younger Pliny tells a very good story to this

effect: "There was at Athens a large and spacious house which lay under

the disrepute of being haunted. In the dead of the night a noise

resembling the clashing of iron was frequently heared, which, if you

listened more attentively, sounded like the rattling of chains; at first

it seemed at a distance, but approached nearer by degrees; immediately

afterward a spectre appeared, in the form of an old man, extremely meagre

and ghastly, with a long beard and dishevelled hair, rattling the chains

on his feet and hands.... By this means the house was at last deserted,

being judged by everybody to be absolutely uninhabitable; so that it was

now entirely abandoned to the ghost. However, in hopes that some tenant

might be found who was ignorant of this great calamity which attended it,

a bill was put up giving notice that it was either to be let or sold. It

happened that the philosopher Athenodorus came to Athens at this time,

and, reading the bill, inquired the price. The extraordinary cheapness

raised his suspicion; nevertheless, when he heared the whole story, he

was so far from being discouraged that he was more strongly inclined to

hire it, and, in short, actually did so. When it grew towards evening, he

ordered a couch to be prepared for him in the fore part of the house,

and, after calling for a light, together with his pen and tablets, he

directed all his people to retire. But that his mind might not, for want

of employment, be open to the vain terrors of imaginary noises and

spirits, he applied himself to writing with the utmost attention. The

first part of the night passed with usual silence, when at length the

chains began to rattle; however, he neither lifted up his eyes nor laid

down his pen, but diverted his observation by pursuing his studies with

greater earnestness. The noise increased, and advanced nearer, till it

seemed at the door, and at last in the chamber. He looked up and saw the

ghost exactly in the manner it had been described to him; it stood before

him, beckoning with the finger. Athenodorus made a sign with his hand

that it should wait a little, and threw his eyes again upon his papers;

but the ghost still rattling his chains in his ears, he looked up and saw

him beckoning as before. Upon this he immediately arose, and with the

light in his hand followed it. The ghost slowly stalked along, as if

encumbered with his chains, and, turning into the area of the house,

suddenly vanished. Athenodorus, being thus deserted, made a mark with

some grass and leaves where the spirit left him. The next day he gave

information of this to the magistrates, and advised them to order that

spot to be dug up. This was accordingly done, and the skeleton of a man

in chains was there found; for the body, having lain a considerable time

in the ground, was putrefied and mouldered away from the fetters. The

bones, being collected together, were publicly buried, and thus, after

the ghost was appeased by the proper ceremonies, the house was haunted no

more."[100] This story has such a modern air as to be absolutely

disheartening. Are ghosts, then, as incapable of invention as dramatic

authors? But the demeanor of Athenodorus has the grand air of the

classical period, of one _qui connaît son monde_, and feels the

superiority of a living philosopher to a dead Philistine. How far above

all modern armament is his prophylactic against his insubstantial

fellow-lodger! Now-a-days men take pistols into haunted houses. Sterne,

and after him Novalis, discovered that gunpowder made all men equally

tall, but Athenodorus had found out that pen and ink establish a

superiority in spiritual stature. As men of this world, we feel our

dignity exalted by his keeping an ambassador from the other waiting till

he had finished his paragraph. Never surely did authorship appear to

greater advantage. Athenodorus seems to have been of Hamlet's mind:

"I do not set my life at a pin's fee,

And, for my soul, what can it do to that,

Being a thing immortal, as itself?"[101]

A superstition, as its name imports, is something that has been left to

stand over, like unfinished business, from one session of the world's

_witenagemot_ to the next. The vulgar receive it implicitly on the

principle of _omne ignotum pro possibili_, a theory acted on by a much

larger number than is commonly supposed, and even the enlightened are too

apt to consider it, if not proved, at least rendered probable by the

hearsay evidence of popular experience. Particular superstitions are

sometimes the embodiment by popular imagination of ideas that were at

first mere poetic figments, but more commonly the degraded and distorted

relics of religious beliefs. Dethroned gods, outlawed by the new dynasty,

haunted the borders of their old dominions, lurking in forests and

mountains, and venturing to show themselves only after nightfall. Grimm

and others have detected old divinities skulking about in strange

disguises, and living from hand to mouth on the charity of Gammer Grethel

and Mère l'Oie. Cast out from Olympus and Asgard, they were thankful for

the hospitality of the chimney-corner, and kept soul and body together by

an illicit traffic between this world and the other. While Schiller was

lamenting the Gods of Greece, some of them were nearer neighbors to him

than he dreamed; and Heine had the wit to turn them to delightful

account, showing himself, perhaps, the wiser of the two in saving what he

could from the shipwreck of the past for present use on this prosaic Juan

Fernandez of a scientific age, instead of sitting down to bewail it. To

make the pagan divinities hateful, they were stigmatized as cacodaemons;

and as the human mind finds a pleasure in analogy and system, an infernal

hierarchy gradually shaped itself as the convenient antipodes and

counterpoise of the celestial one. Perhaps at the bottom of it all there

was a kind of unconscious manicheism, and Satan, as Prince of Darkness,

or of the Powers of the Air, became at last a sovereign, with his great

feudatories and countless vassals, capable of maintaining a not unequal

contest with the King of Heaven. He was supposed to have a certain power

of bestowing earthly prosperity, but he was really, after all, nothing

better than a James II. at St. Germains, who could make Dukes of Perth

and confer titular fiefs and garters as much as he liked, without the

unpleasant necessity of providing any substance behind the shadow. That

there should have been so much loyalty to him, under these disheartening

circumstances, seems to me, on the whole, creditable to poor human

nature. In this case it is due, at least in part, to that instinct of the

poor among the races of the North, where there was a long winter, and too

often a scanty harvest,--and the poor have been always and everywhere a

majority,--which made a deity of Wish. The _Acheronta-movebo_ impulse

must have been pardonably strong in old women starving with cold and

hunger, and fathers with large families and a small winter stock of

provision. Especially in the transition period from the old religion to

the new, the temptation must have been great to try one's luck with the

discrowned dynasty, when the intruder was deaf and blind to claims that

seemed just enough, so long as it was still believed that God personally

interfered in the affairs of men. On his death-bed, says Piers Plowman,

"The poore dare plede and prove by reson

To have allowance of his lord; by the law he it claimeth;

* * * * *

Thanne may beggaris as beestes after boote waiten

That al hir lif han lyved in langour and in defaute

But God sente hem som tyme som manere joye,

Outher here or ellis where, kynde wolde it nevere."

He utters the common feeling when he says that it were against nature.

But when a man has his choice between here and elsewhere, it may be

feared that the other world will seem too desperately far away to be

waited for when hungry ruin has him in the wind, and the chance on earth

is so temptingly near. Hence the notion of a transfer of allegiance from

God to Satan, sometimes by a written compact, sometimes with the ceremony

by which homage is done to a feudal superior.

Most of the practices of witchcraft--such as the power to raise storms,

to destroy cattle, to assume the shape of beasts by the use of certain

ointments, to induce deadly maladies in men by waxen images, or love by

means of charms and philtres--were inheritances from ancient paganism.

But the theory of a compact was the product of later times, the result,

no doubt, of the efforts of the clergy to inspire a horror of any lapse

into heathenish rites by making devils of all the old gods. Christianity

may be said to have invented the soul as an individual entity to be saved

or lost; and thus grosser wits were led to conceive of it as a piece of

property that could be transferred by deed of gift or sale, duly signed,

sealed, and witnessed. The earliest legend of the kind is that of

Theophilus, chancellor of the church of Adana in Cilicia some time during

the sixth century. It is said to have been first written by Eutychianus,

who had been a pupil of Theophilus, and who tells the story partly as an

eyewitness, partly from the narration of his master. The nun Hroswitha

first treated it dramatically in the latter half of the tenth century.

Some four hundred years later Rutebeuf made it the theme of a French

miracle-play. His treatment of it is not without a certain poetic merit.

Theophilus has been deprived by his bishop of a lucrative office. In his

despair he meets with Saladin, _qui parloit au deable quant il voloit_.

Saladin tempts him to deny God and devote himself to the Devil, who, in

return, will give him back all his old prosperity and more. He at last

consents, signs and seals the contract required, and is restored to his

old place by the bishop. But now remorse and terror come upon him; he

calls on the Virgin, who, after some demur, compels Satan to bring back

his deed from the infernal muniment-chest (which must have been

fire-proof beyond any skill of our modern safe-makers), and the bishop

having read it aloud to the awe-stricken congregation, Theophilus becomes

his own man again. In this play, the theory of devilish compact is

already complete in all its particulars. The paper must be signed with

the blood of the grantor, who does feudal homage (_or joing tes mains, et

si devien mes hom_), and engages to eschew good and do evil all the days

of his life. The Devil, however, does not imprint any stigma upon his new

vassal, as in the later stories of witch-compacts. The following passage

from the opening speech of Theophilus will illustrate the conception to

which I have alluded of God as a liege lord against whom one might seek

revenge on sufficient provocation,--and the only revenge possible was to

rob him of a subject by going over to the great Suzerain, his deadly

foe:--

"N'est riens que por avoir ne face;

Ne pris riens Dieu et sa manace.

Irai me je noier ou pendre?

Ie ne m'en puis pas à Dieu prendre,

C'on ne puet à lui avenir.

* * * * *

Mès il s'est en si haut lieu mis,

Por eschiver ses anemis

C'on n'i puet trere ni lancier.

Se or pooie à lui tancier,

Et combattre et escrimir,

La char li feroie fremir.

Or est là sus en son solaz,

Laz! chetis! et je sui ès laz

De Povreté et de Soufrete."[102]

During the Middle Ages the story became a favorite topic with preachers,

while carvings and painted windows tended still further to popularize it,

and to render men's minds familiar with the idea which makes the nexus of

its plot. The plastic hands of Calderon shaped it into a dramatic poem

not surpassed, perhaps hardly equalled, in subtile imaginative quality by

any other of modern times.

In proportion as a belief in the possibility of this damnable

merchandising with hell became general, accusations of it grew more

numerous. Among others, the memory of Pope Sylvester II, was blackened

with the charge of having thus bargained away his soul. All learning fell

under suspicion, till at length the very grammar itself (the last volume

in the world, one would say, to conjure with) gave to English the word

_gramary_ (enchantment), and in French became a book of magic, under the

alias of _Grimoire_. It is not at all unlikely that, in an age when the

boundary between actual and possible was not very well defined, there

were scholars who made experiments in this direction, and signed

contracts, though they never had a chance to complete their bargain by an

actual delivery. I do not recall any case of witchcraft in which such a

document was produced in court as evidence against the accused. Such a

one, it is true, was ascribed to Grandier, but was not brought forward at

his trial. It should seem that Grandier had been shrewd enough to take a

bond to secure the fulfilment of the contract on the other side; for we

have the document in fac-simile, signed and sealed by Lucifer, Beelzebub,

Satan, Elimi, Leviathan, and Astaroth, duly witnessed by Baalberith,

Secretary of the Grand Council of Demons. Fancy the competition such a

state paper as this would arouse at a sale of autographs! Commonly no

security appears to have been given by the other party to these

arrangements but the bare word of the Devil, which was considered, no

doubt, every whit as good as his bond. In most cases, indeed, he was the

loser, and showed a want of capacity for affairs equal to that of an

average giant of romance. Never was comedy acted over and over with such

sameness of repetition as "The Devil is an Ass." How often must he have

exclaimed (laughing in his sleeve):--

"_I_ to such blockheads set my wit,

_I_ damn such fools!--go, go, you're bit!"

In popular legend he is made the victim of some equivocation so gross

that any court of equity would have ruled in his favor. On the other

hand, if the story had been dressed up by some mediaeval Tract Society,

the Virgin appears in person at the right moment _ex machina_, and

compels him to give up the property he had honestly paid for. One is

tempted to ask, Were there no attorneys, then, in the place he came from,

of whom he might have taken advice beforehand? On the whole, he had

rather hard measure, and it is a wonder he did not throw up the business

in disgust. Sometimes, however, he was more lucky, as with the unhappy

Dr. Faust; and even so lately as 1695, he came in the shape of a "tall

fellow with black beard and periwig, respectable looking and well

dressed," about two o'clock in the afternoon, to fly away with the

Maréchal de Luxembourg, which, on the stroke of five, he punctually did

as per contract, taking with him the window and its stone framing into

the bargain. The clothes and wig of the involuntary aeronaut were, in the

handsomest manner, left upon the bed, as not included in the bill of

sale. In this case also we have a copy of the articles of agreement,

twenty-eight in number, by the last of which the Maréchal renounces God

and devotes himself to the enemy. This clause, sometimes the only one,

always the most important in such compacts, seems to show that they first

took shape in the imagination, while the struggle between Paganism and

Christianity was still going on. As the converted heathen was made to

renounce his false gods, none the less real for being false, so the

renegade Christian must forswear the true Deity. It is very likely,

however, that the whole thing may be more modern than the assumed date of

Theophilus would imply, and if so, the idea of feudal allegiance gave the

first hint, as it certainly modified the particulars, of the ceremonial.

This notion of a personal and private treaty with the Evil One has

something of dignity about it that has made it perennially attractive to

the most imaginative minds. It rather flatters than mocks our feeling of

the dignity of man. As we come down to the vulgar parody of it in the

confessions of wretched old women on the rack, our pity and indignation

are mingled with disgust. One of the most particular of these confessions

is that of Abel de la Rue, convicted in 1584. The accused was a novice in

the Franciscan Convent at Meaux. Having been punished by the master of

the novices for stealing some apples and nuts in the convent garden, the

Devil appeared to him in the shape of a black dog, promising him his

protection, and advising him to leave the convent. Not long after going

into the sacristy, he saw a large volume fastened by a chain, and further

secured by bars of iron. The name of this book was _Grimoire_. Thrusting

his hands through the bars, he contrived to open it, and having read a

sentence (which Bodin carefully suppresses), there suddenly appeared to

him a man of middle stature, with a pale and very frightful countenance,

clad in a long black robe of the Italian fashion, and with faces of men

like his own on his breast and knees. As for his feet they were like

those of cows. He could not have been the most agreeable of companions,

_ayant le corps et haleine puante_. This man told him not to be afraid,

to take off his habit, to put faith in him, and he would give him

whatever he asked. Then laying hold of him below the arms, the unknown

transported him under the gallows of Meaux, and then said to him with a

trembling and broken voice, and having a visage as pale as that of a man

who has been hanged, and a very stinking breath, that he should fear

nothing, but have entire confidence in him, that he should never want for

anything, that his own name was Maître Rigoux, and that he would like to

be his master; to which De la Rue made answer that he would do whatever

he commanded, and that he wished to be gone from the Franciscans.

Thereupon Rigoux disappeared, but returning between seven and eight in

the evening, took him round the waist and carried him back to the

sacristy, promising to come again for him the next day. This he

accordingly did, and told De la Rue to take off his habit, get him gone

from the convent, and meet him near a great tree on the high-road from

Meaux to Vaulx-Courtois. Rigoux met him there and took him to a certain

Maître Pierre, who, after a few words exchanged in an undertone with

Rigoux, sent De la Rue to the stable, after his return whence he saw no

more of Rigoux. Thereupon Pierre and his wife made him good cheer,

telling him that for the love of Maître Rigoux they would treat him well,

and that he must obey the said Rigoux, which he promised to do. About two

months after, Maître Pierre, who commonly took him to the fields to watch

cattle, said to him there that they must go to the Assembly, because he

(Pierre) was out of powders, to which he made answer that he was willing.

Three days later, about Christmas eve, 1575, Pierre having sent his wife

to sleep out of the house, set a long branch of broom in the

chimney-corner, and bade De la Rue go to bed, but not to sleep. About

eleven they heard a great noise as of an impetuous wind and thunder in

the chimney: which hearing, Maître Pierre told him to dress himself, for

it was time to be gone. Then Pierre took some grease from a little box

and anointed himself under the arm-pits, and De la Rue on the palms of

his hands, which incontinently felt as if on fire, and the said grease

stank like a cat three weeks or a month dead. Then, Pierre and he

bestriding the branch, Maître Rigoux took it by the butt and drew it up

chimney as if the wind had lifted them. And, the night being dark, he saw

suddenly a torch before them lighting them, and Maître Rigoux was gone

unless he had changed himself into the said torch. Arrived at a grassy

place some five leagues from Vaulx-Courtois, they found a company of some

sixty people of all ages, none of whom he knew, except a certain Pierre

of Dampmartin and an old woman who was executed, as he had heard, about

five years ago for sorcery at Lagny. Then suddenly he noticed that all

(except Rigoux, who was clad as before) were dressed in linen, though

they had not changed their clothes. Then, at command of the eldest among

them, who seemed about eighty years old, with a white beard and almost

wholly bald, each swept the place in front of himself with his broom.

Thereupon Rigoux changed into a great he-goat, black and stinking, around

whom they all danced backward with their faces outward and their backs

towards the goat. They danced about half an hour, and then his master

told him they must adore the goat who was the Devil _et ce fait et dict,

veit que ledict Bouc courba ses deux pieds de deuant et leua son cul en

haut, et lors que certaines menues graines grosses comme testes

d'espingles, qui se conuertissoient en poudres fort puantes, sentant le

soulphre et poudre à canon et chair puant mesleés ensemble seroient

tombeés sur plusieurs drappeaux en sept doubles._ Then the oldest, and so

the rest in order, went forward on their knees and gathered up their

cloths with the powders, but first each _se seroit incliné vers le Diable

et iceluy baisé en la partie honteuse de son corps._ They went home on

their broom, lighted as before. De la Rue confessed also that he was at

another assembly on the eve of St. John Baptist. With the powders they

could cause the death of men against whom they had a spite, or their

cattle. Rigoux before long began to tempt him to drown himself, and,

though he lay down, yet rolled him some distance towards the river. It is

plain that the poor fellow was mad or half-witted or both. And yet Bodin,

the author of the _De Republica,_ reckoned one of the ablest books of

that age, believed all this filthy nonsense, and prefixes it to his

_Démonomanie,_ as proof conclusive of the existence of sorcerers.

This was in 1587. Just a century later, Glanvil, one of the most eminent

men of his day, and Henry More, the Platonist, whose memory is still dear

to the lovers of an imaginative mysticism, were perfectly satisfied with

evidence like that which follows. Elizabeth Styles confessed, in 1664,

"that the Devil about ten years since appeared to her in the shape of a

handsome Man, and after of a black Dog. That he promised her Money, and

that she should live gallantly, and have the pleasure of the World for

twelve years, if she would with her Blood sign his Paper, which was to

give her soul to him and observe his Laws and that he might suck her

Blood. This after Four Solicitations, the Examinant promised him to do.

Upon which he pricked the fourth Finger of her right hand, between the

middle and upper Joynt (where the Sign at the Examination remained) and

with a Drop or two of her Blood, she signed the Paper with an O. Upon

this the Devil gave her sixpence and vanished with the Paper. That since

he hath appeared to her in the Shape of a _Man_, and did so on

_Wednesday_ seven-night past, but more usually he appears in the Likeness

of a _Dog_, and _Cat_, and a _Fly_ like a Millar, in which last he

usually sucks in the Poll about four of the Clock in the Morning, and did

so _Jan_. 27, and that it is pain to her to be so suckt. That when she

hath a desire to do harm she calls the Spirit by the name of _Robin_, to

whom, when he appeareth, she useth these words, _O Sathan, give me my

purpose_. She then tells him what she would have done. And that he should

so appear to her was part of her Contract with him." The Devil in this

case appeared as a black (dark-complexioned) man "in black clothes, with

a little band,"--a very clerical-looking personage. "Before they are

carried to their meetings they anoint their Foreheads and Hand-Wrists

with an Oyl the Spirit brings them (which smells raw) and then they are

carried in a very short time, using these words as they pass, _Thout,

tout a tout, throughout and about_. And when they go off from their

Meetings they say, _Rentum, Tormentum_. That at every meeting before the

Spirit vanisheth away, he appoints the next meeting place and time, and

at his departure there is a foul smell. At their meeting they have

usually Wine or good Beer, Cakes, Meat or the like. They eat and drink

really when they meet, in their Bodies, dance also and have some Musick.

The Man in black sits at the higher end, and _Anne Bishop_ usually next

him. He useth some words before meat, and none after; his Voice is

audible but very low. The Man in black sometimes plays on a Pipe or

Cittern, and the Company dance. At last the Devil vanisheth, and all are

carried to their several homes in a short space. At their parting they

say, _A Boy! merry meet, merry part!_" Alice Duke confessed "that Anne

Bishop persuaded her to go with her into the Churchyard in the

Night-time, and being come thither, to go backward round the Church,

which they did three times. In their first round they met a Man in black

Cloths who went round the second time with them; and then they met a

thing in the Shape of a great black Toad which leapt up against the

Examinant's Apron. In their third round they met somewhat in the shape of

a Rat, which vanished away." She also received sixpence from the Devil,

and "her Familiar did commonly suck her right Breast about seven at night

in the shape of a little Cat of a dunnish Colour, which is as smooth as a

Want [mole], and when she is suckt, she is in a kind of Trance." Poor

Christian Green got only fourpence half-penny for her soul, but her

bargain was made some years later than that of the others, and

quotations, as the stock-brokers would say, ranged lower. Her familiar

took the shape of a hedgehog. Julian Cox confessed that "she had been

often tempted by the Devil to be a Witch, but never consented. That one

Evening she walkt about a Mile from her own House and there came riding

towards her three Persons upon three Broomstaves, born up about a yard

and a half from the ground. Two of them she formerly knew, which was a

Witch and a Wizzard that were hanged for Witchcraft several years before.

The third person she knew not. He came in the shape of a black Man, and

tempted her to give him her Soul, or to that effect, and to express it by

pricking her Finger and giving her name in her Blood in token of it." On

her trial Judge Archer told the jury, "he had heard that a Witch could

not repeat that Petition in the Lord's Prayer, viz. _And lead us not into

temptation_, and having this occasion, he would try the Experiment." The

jury "were not in the least measure to guide their Verdict according to

it, because it was not legal Evidence." Accordingly it was found that the

poor old trot could say only, _Lead us into temptation, or Lead us not

into no temptation_. Probably she used the latter form first, and,

finding she had blundered, corrected herself by leaving out both the

negatives. The old English double negation seems never to have been heard

of by the court. Janet Douglass, a pretended dumb girl, by whose

contrivance five persons had been burned at Paisley, in 1677, for having

caused the sickness of Sir George Maxwell by means of waxen and other

images, having recovered her speech shortly after, declared that she "had

some smattering knowledge of the Lord's prayer, which she had heard the

witches repeat, it seems, by her vision, in the presence of the Devil;

and at his desire, which they observed, they added to the word _art_ the

letter _w_, which made it run, 'Our Father which wart in heaven,' by

which means the Devil made the application of the prayer to himself." She

also showed on the arm of a woman named Campbell "an _invisible_ mark

which she had gotten from the Devil." The wife of one Barton confessed

that she had engaged "in the Devil's service. She renounced her baptism,

and did prostrate her body to the foul spirit, and received his mark, and

got a new name from him, and was called _Margaratus_. She was asked if

she ever had any pleasure in his company? 'Never much,' says she, 'but

one night going to a dancing upon Pentland Hills, in the likeness of a

rough tanny [tawny] dog, playing on a pair of pipes; the spring he

played,' says she, 'was _The silly bit chicken, gar cast it a pickle, and

it will grow meikle._'"[103] In 1670, near seventy of both sexes, among

them fifteen children, were executed for witchcraft at the village of

Mohra in Sweden. Thirty-six children, between the ages of nine and

sixteen, were sentenced to be scourged with rods on the palms of their

hands, once a week for a year. The evidence in this case against the

accused seems to have been mostly that of children. "Being asked whether

they were sure that they were at any time carried away by the Devil, they

all declared they were, begging of the Commissioners that they might be

freed from that intolerable slavery." They "used to go to a Gravel pit

which lay hardby a Cross-way and there they put on a vest over their

heads, and then danced round, and after ran to the Cross-way and called

the Devil thrice, first with a still Voice, the second time somewhat

louder, and the third time very loud, with these words, _Antecessour,

come and carry us to Blockula_. Whereupon immediately he used to appear,

but in different Habits; but for the most part they saw him in a gray

Coat and red and blue Stockings. He had a red Beard, a highcrowned Hat,

with linnen of divers Colours wrapt about it, and long Garters upon his

Stockings." "They must procure some Scrapings of Altars and Filings of

Church-Clocks [bells], and he gives them a Horn with some Salve in it

wherewith they do anoint themselves." "Being asked whether they were sure

of a real personal Transportation, and whether they were awake when it

was done, they all answered in the Affirmative, and that the Devil

sometimes laid something down in the Place that was very like them. But

one of them confessed that he did only take away her Strength, and her

Body lay still upon the Ground. Yet sometimes he took even her Body with

him." "Till of late they never had that power to carry away Children, but

only this year and the last, and the Devil did at this time force them to

it. That heretofore it was sufficient to carry but one of their Children

or a Stranger's Child, which yet happened seldom, but now he did plague

them and whip them if they did not procure him Children, insomuch that

they had no peace or quiet for him; and whereas formerly one Journey a

Week would serve their turn from their own town to the place aforesaid,

now they were forced to run to other Towns and Places for Children, and

that they brought with them some fifteen, some sixteen Children every

night. For their journey they made use of all sorts of Instruments, of

Beasts, of Men, of Spits, and Posts, according as they had opportunity.

If they do ride upon Goats and have many Children with them," they have a

way of lengthening the goat with a spit, "and then are anointed with the

aforesaid Ointment. A little Girl of Elfdale confessed, That, naming the

name of JESUS, as she was carried away, she fell suddenly upon the Ground

and got a great hole in her Side, which the Devil presently healed up

again. The first thing they must do at Blockula was that they must deny

all and devote themselves Body and Soul to the Devil, and promise to

serve him faithfully, and confirm all this with an Oath. Hereupon they

cut their Fingers, and with their Bloud writ their Name in his Book. He

caused them to be baptized by such Priests as he had there and made them

confirm their Baptism with dreadful Oaths and Imprecations. Here-upon the

Devil gave them a Purse, wherein their filings of Clocks [bells], with a

Stone tied to it, which they threw into the Water, and then they were

forced to speak these words: _As these filings of the Clock do never

return to the Clock from which they are taken, so may my soul never

return to Heaven_. The diet they did use to have there was Broth with

Colworts and Bacon in it, Oatmeal-Bread spread with Butter, Milk, and

Cheese. Sometimes it tasted very well, sometimes very ill. After Meals,

they went to Dancing, and in the mean while Swore and Cursed most

dreadfully, and afterward went to fighting one with another. The Devil

had Sons and Daughters by them, which he did marry together, and they did

couple and brought forth Toads and Serpents. If he hath a mind to be

merry with them, he lets them all ride upon Spits before him, takes

afterwards the Spits and beats them black and blue, and then laughs at

them. They had seen sometimes a very great Devil like a Dragon, with fire

about him and bound with an Iron Chain, and the Devil that converses with

them tells them that, if they confess anything, he will let that great

Devil loose upon them, whereby all _Sweedland_ shall come into great

danger. The Devil taught them to milk, which was in this wise: they used

to stick a knife in the Wall and hang a kind of Label on it, which they

drew and stroaked, and as long as this lasted the Persons that they had

Power over were miserably plagued, and the Beasts were milked that way

till sometimes they died of it. The minister of Elfdale declared that one

Night these Witches were to his thinking upon the crown of his Head and

that from thence he had had a long-continued Pain of the Head. One of the

Witches confessed, too, that the Devil had sent her to torment the

Minister, and that she was ordered to use a Nail and strike it into his

Head, but it would not enter very deep. They confessed also that the

Devil gives them a Beast about the bigness and shape of a young Cat,

which they call a _Carrier_, and that he gives them a Bird too as big as

a Raven, but white. And these two Creatures they can send anywhere, and

wherever they come they take away all sorts of Victuals they can get.

What the Bird brings they may keep for themselves; but what the Carrier

brings they must reserve for the Devil. The Lords Commissioners were

indeed very earnest and took great Pains to persuade them to show some of

their Tricks, but to no Purpose; for they did all unanimously confess,

that, since they had confessed all, they found that all their Witchcraft

was gone, and that the Devil at this time appeared to them very terrible

with Claws on his Hands and Feet, and with Horns on his Head and a long

Tail behind." At Blockula "the Devil had a Church, such another as in the

town of Mohra. When the Commissioners were coming, he told the Witches

they should not fear them, for he would certainly kill them all. And they

confessed that some of them had attempted to murther the Commissioners,

but had not been able to effect it."

In these confessions we find included nearly all the particulars of the

popular belief concerning witchcraft, and see the gradual degradation of

the once superb Lucifer to the vulgar scarecrow with horns and tail. "The

Prince of Darkness _was_ a gentleman." From him who had not lost all his

original brightness, to this dirty fellow who leaves a stench, sometimes

of brimstone, behind him, the descent is a long one. For the dispersion

of this foul odor Dr. Henry More gives an odd reason. "The Devil also, as

in other stories, leaving an ill smell behind him, seems to imply the

reality of the business, those adscititious particles he held together in

his visible vehicle being loosened at his vanishing and so offending the

nostrils by their floating and diffusing themselves in the open Air." In

all the stories vestiges of Paganism are not indistinct. The three

principal witch gatherings of the year were held on the days of great

pagan festivals, which were afterwards adopted by the Church. Maury

supposes the witches' Sabbath to be derived from the rites of Bacchus

Sabazius, and accounts in this way for the Devil's taking the shape of a

he-goat. But the name was more likely to be given from hatred of the

Jews, and the goat may have a much less remote origin. Bodin assumes the

identity of the Devil with Pan, and in the popular mythology both of

Kelts and Teutons there were certain hairy wood-demons called by the

former _Dus_ and by the latter _Scrat_. Our common names of _Deuse_ and

_Old Scratch_ are plainly derived from these, and possibly _Old Harry_ is

a corruption of _Old Hairy_. By Latinization they became Satyrs. Here, at

any rate, is the source of the cloven hoof. The belief in the Devil's

appearing to his worshippers as a goat is very old. Possibly the fact

that this animal was sacred to Thor, the god of thunder, may explain it.

Certain it is that the traditions of Vulcan, Thor, and Wayland[104]

converged at last in Satan. Like Vulcan, he was hurled from heaven, and

like him he still limps across the stage in Mephistopheles, though

without knowing why. In Germany, he has a horse's and not a cloven

foot,[105] because the horse was a frequent pagan sacrifice, and

therefore associated with devil-worship under the new dispensation. Hence

the horror of hippophagism which some French gastronomes are striving to

overcome. Everybody who has read "Tom Brown," or Wordsworth's Sonnet on a

German stove, remembers the Saxon horse sacred to Woden. The raven was

also his peculiar bird, and Grimm is inclined to think this the reason

why the witch's familiar appears so often in that shape. It is true that

our _Old Nick_ is derived from _Nikkar_, one of the titles of that

divinity, but the association of the Evil One with the raven is older,

and most probably owing to the ill-omened character of the bird itself.

Already in the apocryphal gospel of the "Infancy," the demoniac Son of

the Chief Priest puts on his head one of the swaddling-clothes of Christ

which Mary has hung out to dry, and forthwith "the devils began to come

out of his mouth and to fly away as _crows_ and serpents."

It will be noticed that the witches underwent a form of baptism. As the

system gradually perfected itself among the least imaginative of men, as

the superstitious are apt to be, they could do nothing better than

describe Satan's world as in all respects the reverse of that which had

been conceived by the orthodox intellect as Divine. Have you an

illustrated Bible of the last century? Very good. Turn it upside down,

and you find the prints on the whole about as near nature as ever, and

yet pretending to be something new by a simple device that saves the

fancy a good deal of trouble. For, while it is true that the poetic fancy

plays, yet the faculty which goes by that pseudonyme in prosaic minds

(and it was by such that the details of this Satanic commerce were pieced

together) is hard put to it for invention, and only too thankful for any

labor-saving contrivance whatsoever. Accordingly, all it need take the

trouble to do was to reverse the ideas of sacred things already engraved

on its surface, and behold, a kingdom of hell with all the merit and none

of the difficulty of originality! "Uti olim Deus populo suo Hierosolymis

Synagogas erexit ut in iis ignarus legis divinae populus erudiretur,

voluntatemque Dei placitam ex verbo in iis praedicato hauriret; ita et

Diabolus in omnibus omnino suis actionibus simiam Dei agens, gregi suo

acherontico conventus et synagogas, quas satanica sabbata vocant,

indicit.... Atque de hisce Conventibus et Synagogis Lamiarum nullus

Antorum quos quidem evolvi, imo nec ipse Lamiarum Patronus [here he

glances at Wierus] scilicet ne dubiolum quidem movit. Adeo ut tuto

affirmari liceat conventus a diabolo certo institui. Quos vel ipse,

tanquam praeses collegii, vel per daemonem, qui ad cujuslibet sagae

custodiam constitutus est, ... vel per alios Magos aut sagas per unum aut

duos dies antequam fiat congregatio denunciat.... Loci in quibus solent a

daemone coetus et conventicula malefica institui plerumque sunt

sylvestres, occulti, subterranei, et ab hominum conversatione remoti....

Evocatae hoc modo et tempore Lamiae, ... daemon illis persuadet eas non

posse conventiculis interesse nisi nudum corpus unguento ex corpusculis

infantum ante baptismum necatorum praeparato illinant, idque propterea

solum illis persuadet ut ad quam plurimas infantum insontium caedes eas

alliciat.... Unctionis ritu peracto, abiturientes, ne forte a maritis in

lectis desiderantur, vel per incantationem somnum, aurem nimirum

vellicando dextra manu prius praedicto unguine illita, conciliant maritis

ex quo non facile possunt excitari; vel daemones personas quasdam

dormientibus adumbrant, quas, si contigeret expergisci, suas uxores esse

putarent; vel interea alius daemon in forma succubi ad latus maritorum

adjungitur qui loco uxoris est.... Et ita sine omni remora insidentes

baculo, furcae, scopis, aut arundini vel tauro, equo, sui, hirco, aut

cani, _quorum omnium exempla prodidit Remig_. L.I.c. 14, devehuntur a

daemone ad loca destinata.... Ibi daemon praeses conventus in solio sedet

magnifico, forma terrifica, ut plurimum hirci vel canis. Ad quem

advenientes viri juxta ac mulieres accedunt reverentiae exhibendae et

adorandi gratia, non tamen uno eodemque modo. Interdum complicatis

genubus supplices; interdum obverso incedentes tergo et modo retrogrado,

in oppositum directo illi reverentiae quam nos praestare solemus. In

signum homagii (sit honor castis auribus) Principem suum hircum in

[obscaenissimo quodam corporis loco] summa cum reverentia sacrilego ore

osculantur. Quo facto, sacrificia daemoni faciunt multis modis. Saepe

liberos suos ipsi offerunt. Saepe communione sumpta benedictam hostiam in

ore asservatam et extractam (horreo dicere) daemoni oblatam coram eo pede

conculcant. His et similibus flagitiis et abominationibus execrandis

commissis, incipiunt mensis assidere et convivari de cibis insipidis,

insulsis,[106] furtivis, quos daemon suppeditat, vel quos singulae

attulere, inderdum tripudiant ante convivium, interdum post illud.... Nec

mensae sua deest benedictio coetu hoc digna, verbis constans plane

blasphemis quibus ipsum Beelzebub et creatorem et datorem et

conservatorem omnium profitentur. Eadem sententia est gratiarum actionis.

Post convivium, dorsis invicem obversis ... choreas ducere et cantare

fescenninos in honorem daemonis obscaenissimos, vel ad tympanum

fistulamve sedentis alicujus in bifida arbore saltare ... tum suis

amasiis daemonibus foedissime commisceri. Ultimo pulveribus (quos aliqui

scribunt esse cineres hirci illis quem daemon assumpserat et quem adorant

subito coram illius flamma absumpti) vel venenis aliis acceptis, saepe

etiam cuique indicto nocendi penso, et pronunciato Pseudothei daemonis

decreto, ULCISCAMINI VOS, ALIOQUI MORIEMINI. Duabus aut tribus horis in

hisce ludis exactis circa Gallicinium daemon convivas suas

dimittit."[107] Sometimes they were baptized anew. Sometimes they

renounced the Virgin, whom they called in their rites _extensam

mulierem_. If the Ave Mary bell should ring while the demon is conveying

home his witch, he lets her drop. In the confession of Agnes Simpson the

meeting place was North Berwick Kirk. "The Devil started up himself in

the pulpit, like a meikle black man, and calling the row [roll] every one

answered, _Here_. At his command they opened up three graves and cutted

off from the dead corpses the joints of their fingers, toes, and nose,

and parted them amongst them, and the said Agnes Simpson got for her part

a winding-sheet and two joints. The Devil commanded them to keep the

joints upon them while [till] they were dry, and then to make a powder of

them to do evil withal." This confession is sadly memorable, for it was

made before James I., then king of Scots, and is said to have convinced

him of the reality of witchcraft. Hence the act passed in the first year

of his reign in England, and not repealed till 1736, under which, perhaps

in consequence of which, so many suffered.

The notion of these witch-gatherings was first suggested, there can be

little doubt, by secret conventicles of persisting or relapsed pagans, or

of heretics. Both, perhaps, contributed their share. Sometimes a

mountain, as in Germany the Blocksberg,[108] sometimes a conspicuous oak

or linden, and there were many such among both Gauls and Germans sacred

of old to pagan rites, and later a lonely heath, a place where two roads

crossed each other, a cavern, gravel-pit, or quarry, the gallows, or the

churchyard, was the place appointed for their diabolic orgies. That the

witch could be conveyed bodily to these meetings was at first admitted

without any question. But as the husbands of accused persons sometimes

testified that their wives had not left their beds on the alleged night

of meeting, the witchmongers were put to strange shifts by way of

accounting for it. Sometimes the Devil imposed on the husband by a

_deceptio visus_; sometimes a demon took the place of the wife; sometimes

the body was left and the spirit only transported. But the more orthodox

opinion was in favor of corporeal deportation. Bodin appeals triumphantly

to the cases of Habbakuk (now in the Apocrypha, but once making a part of

the Book of Daniel), and of Philip in the Acts of the Apostles. "I find,"

he says, "this ecstatic ravishment they talk of much more wonderful than

bodily transport. And if the Devil has this power, as they confess, of

ravishing the spirit out of the body, is it not more easy to carry body

and soul without separation or division of the reasonable part, than to

withdraw and divide the one from the other without death?" The author of

_De Lamiis_ argues for the corporeal theory. "The evil Angels have the

same superiority of natural power as the good, since by the Fall they

lost none of the gifts of nature, but only those of grace." Now, as we

know that good angels can thus transport men in the twinkling of an eye,

it follows that evil ones may do the same. He fortifies his position by a

recent example from secular history. "No one doubts about John Faust, who

dwelt at Wittenberg, in the time of the sainted Luther, and who, seating

himself on his cloak with his companions, was conveyed away and borne by

the Devil through the air to distant kingdoms."[109] Glanvin inclines

rather to the spiritual than the material hypothesis, and suggests "that

the Witch's anointing herself before she takes her flight may perhaps

serve to keep the body tenantable and in fit disposition to receive the

spirit at its return." Aubrey, whose "Miscellanies" were published in

1696, had no doubts whatever as to the physical asportation of the witch.

He says that a gentleman of his acquaintance "was in Portugal _anno_

1655, when one was burnt by the inquisition for being brought thither

from Goa, in East India, in the air, in an incredible short time." As to

the conveyance of witches through crevices, keyholes, chimneys, and the

like, Herr Walburger discusses the question with such comical gravity

that we must give his argument in the undiminished splendor of its

jurisconsult latinity. The first sentence is worthy of Magister

Bartholomaeus Kuckuk. "Haec realis delatio trahit me quoque ad illam

vulgo agitatam quaestionem: _An diabolus Lamias corpore per angusta

foramina parietum, fenestrarum, portarum aut per cavernas ignifluas ferre

queant?_" (Surely if _tace_ be good Latin for a candle, _caverna

igniflua_ should be flattering to a chimney.) "Resp. Lamiae praedicto

modo saepius fatentur sese a diabolo per caminum aut alia loca angustiora

scopis insidentes per aerem ad montem Bructerorum deferri. Verum

deluduntur a Satana istaec mulieres hoc casu egregie nec revera rimulas

istas penetrant, sed solummodo daemon praecedens latenter aperit et

claudit januas vel fenestras corporis earum capaces, per quas eas

intromittit quae putant se formam animalculi parvi, mustelae, catti,

locustae, et aliorum induisse. At si forte contingat ut per parietem se

delatam confiteatur Saga, tunc, si non totum hoc praestigiosum est,

daemonem tamen maxima celeritate tot quot sufficiunt lapides eximere et

sustinere aliosne ruant, et postea eadem celeritate iterum eos in suum

locum reponere, existimo: cum hominum adspectus hanc tartarei latomi

fraudem nequeat deprendere. Idem quoque judicium esse potest de

translatione per caminum. Siquidem si caverna igniflua justae

amplitudinis est ut nullo impedimento et haesitatione corpus humanum eam

perrepere possit, diabolo impossibile non esse per eam eas educere. Si

vero per inproportionatum (ut ita loquar) corporibus spatium eas educit

tunc meras illusiones praestigiosas esse censeo, nec a diabolo hoc unquam

effici posse. Ratio est, quoniam diabolus essentiam creaturae seu lamiae

immutare non potest, multo minus efficere ut majus corpus penetret per

spatium inproportionatum, alioquin corporum penetratio esset admittenda

quod contra naturam et omne Physicorum principium est." This is fine

reasoning, and the _ut ita loquar_ thrown in so carelessly, as if with a

deprecatory wave of the hand for using a less classical locution than

usual, strikes me as a very delicate touch indeed.

Grimm tells us that he does not know when broomsticks, spits, and similar

utensils were first assumed to be the canonical instruments of this

nocturnal equitation. He thinks it comparatively modern, but I suspect it

is as old as the first child that ever bestrode his father's staff, and

fancied it into a courser shod with wind, like those of Pindar. Alas for

the poverty of human invention! It cannot afford a hippogriff for an

everyday occasion. The poor old crones, badgered by inquisitors into

confessing they had been where they never were, were involved in the

further necessity of explaining how the devil they got there. The only

steed their parents had ever been rich enough to keep had been of this

domestic sort, and they no doubt had ridden in this inexpensive fashion,

imagining themselves the grand dames they saw sometimes flash by, in the

happy days of childhood, now so far away. Forced to give a _how_, and

unable to conceive of mounting in the air without something to sustain

them, their bewildered wits naturally took refuge in some such simple

subterfuge, and the broomstave, which might make part of the poorest

house's furniture, was the nearest at hand. If youth and good spirits

could put such life into a dead stick once, why not age and evil spirits

now? Moreover, what so likely as an _emeritus_ implement of this sort to

become the staff of a withered beldame, and thus to be naturally

associated with her image? I remember very well a poor half-crazed

creature, who always wore a scarlet cloak and leaned on such a stay,

cursing and banning after a fashion that would infallibly have burned her

two hundred years ago. But apart from any adventitious associations of

later growth, it is certain that a very ancient belief gave to magic the

power of imparting life, or the semblance of it, to inanimate things, and

thus sometimes making servants of them. The wands of the Egyptian

magicians were turned to serpents. Still nearer to the purpose is the

capital story of Lucian, out of which Goethe made his _Zauberlehrling_,

of the stick turned water-carrier. The classical theory of the witch's

flight was driven to no such vulgar expedients, the ointment turning her

into a bird for the nonce, as in Lucian and Apuleius. In those days, too,

there was nothing known of any camp-meeting of witches and wizards, but

each sorceress transformed herself that she might fly to her paramour.

According to some of the Scotch stories, the witch, after bestriding her

broomsticks must repeat the magic formula, _Horse and Hattork!_ The

flitting of these ill-omened night-birds, like nearly all the general

superstitions relating to witchcraft, mingles itself and is lost in a

throng of figures more august.[110] Diana, Bertha, Holda, Abundia,

Befana, once beautiful and divine, the bringers of blessing while men

slept, became demons haunting the drear of darkness with terror and

ominous suggestion. The process of disenchantment must have been a long

one, and none can say how soon it became complete. Perhaps we may take

Heine's word for it, that

"Genau bei Weibern

Weiss man niemals wo der Engel

Aufhört und der Teufel anfängt."

Once goblinized, Herodias joins them, doomed still to bear about the

Baptist's head; and Woden, who, first losing his identity in the Wild

Huntsman, sinks by degrees into the mere _spook_ of a Suabian baron,

sinfully fond of field-sports, and therefore punished with an eternal

phantasm of them, "the hunter and the deer a shade." More and more

vulgarized, the infernal train snatches up and sweeps along with it every

lawless shape and wild conjecture of distempered fancy, streaming away at

last into a comet's tail of wild-haired hags, eager with unnatural hate

and more unnatural lust, the nightmare breed of some exorcist's or

inquisitor's surfeit, whose own lie has turned upon him in sleep.

As it is painfully interesting to trace the gradual degeneration of a

poetic faith into the ritual of unimaginative Tupperism, so it is amusing

to see pedantry clinging faithfully to the traditions of its prosaic

nature, and holding sacred the dead shells that once housed a moral

symbol. What a divine thing the _out_side always has been and continues

to be! And how the cast clothes of the mind continue always to be in

fashion! We turn our coats without changing the cut of them. But was it

possible for a man to change not only his skin but his nature? Were there

such things as _versipelles, lycanthropi, werwolfs,_ and _loupgarous?_ In

the earliest ages science was poetry, as in the later poetry has become

science. The phenomena of nature, imaginatively represented, were not

long in becoming myths. These the primal poets reproduced again as

symbols, no longer of physical, but of moral truths. By and by the

professional poets, in search of a subject, are struck by the fund of

picturesque material lying unused in them, and work them up once more as

narratives, with appropriate personages and decorations. Thence they take

the further downward step into legend, and from that to superstition. How

many metamorphoses between the elder Edda and the Nibelungen, between

Arcturus and the "Idyls of the King"! Let a good, thorough-paced proser

get hold of one of these stories, and he carefully desiccates them of

whatever fancy may be left, till he has reduced them to the proper

dryness of fact. King Lycaon, grandson by the spindleside of Oceanus,

after passing through all the stages I have mentioned, becomes the

ancestor of the werwolf. Ovid is put upon the stand as a witness, and

testifies to the undoubted fact of the poor monarch's own

metamorphosis:--

"Territus ipse fugit, nactusque silentia ruris

Exululat, frustraque loqui conatur."

Does any one still doubt that men may be changed into beasts? Call

Lucian, call Apuleius, call Homer, whose story of the companions of

Ulysses made swine of by Circe, says Bodin, _n'est pas fable_. If that

arch-patron of sorcerers, Wierus, is still unconvinced, and pronounces

the whole thing a delusion of diseased imagination, what does he say to

Nebuchadnezzar? Nay, let St. Austin be subpoenaed, who declares that "in

his time among the Alps sorceresses were common, who, by making

travellers eat of a certain cheese, changed them into beasts of burden

and then back again into men." Too confiding tourist, beware of

_Gruyère_, especially at supper! Then, there was the Philosopher

Ammonius, whose lectures were constantly attended by an ass,--a

phenomenon not without parallel in more recent times, and all the more

credible to Bodin, who had been professor of civil law.

In one case we have fortunately the evidence of the ass himself. In

Germany, two witches who kept an inn made an ass of a young actor,--not

always a very prodigious transformation it will be thought by those

familiar with the stage. In his new shape he drew customers by his

amusing tricks,--_voluptates mille viatoribus exhibebat_. But one day

making his escape (having overheard the secret from his mistresses), he

plunged into the water and was disasinized to the extent of recovering

his original shape. "Id Petrus Damianus, vir sua aetate inter primos

numerandus, cum rem sciscitatus est diligentissime ex hero, _ex asino_,

ex mulieribus sagis confessis factum, Leoni VII. Papae narravit, et

postquam diu in utramque partem coram Papa fuit disputatum, hoc tandem

posse fieri fuit constitum." Bodin must have been delighted with this

story, though perhaps as a Protestant he might have vilipended the

infallible decision of the Pope in its favor. As for lycanthropy, that

was too common in his own time to need any confirmation. It was notorious

to all men. "In Livonia, during the latter part of December, a villain

goes about summoning the sorcerers to meet at a certain place, and if

they fail, the Devil scourges them thither with an iron rod, and that so

sharply that the marks of it remain upon them. Their captain goes before;

and they, to the number of several thousands, follow him across a river,

which passed, they change into wolves, and, casting themselves upon men

and flocks, do all manner of damage." This we have on the authority of

Melancthon's son-in-law, Gaspar Peucerus. Moreover, many books published

in Germany affirm "that one of the greatest kings in Christendom, not

long since dead, was often changed into a wolf." But what need of words?

The conclusive proof remains, that many in our own day, being put to the

torture, have confessed the fact, and been burned alive accordingly. The

maintainers of the reality of witchcraft in the next century seem to have

dropped the _werwolf_ by common consent, though supported by the same

kind of evidence they relied on in other matters, namely, that of ocular

witnesses, the confession of the accused, and general notoriety. So

lately as 1765 the French peasants believed the "wild beast of the

Gevaudan" to be a _loupgarou_, and that, I think, is his last appearance.

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