My own explanation was immediately suggested by the followin

Established by Edward L. Youmans

APPLETONS'

POPULAR SCIENCE

MONTHLY

EDITED BY

WILLIAM JAY YOUMANS

VOL. LIV

NOVEMBER, 1898, TO APRIL, 1899

NEW YORK

D. APPLETON AND COMPANY

1899

COPYRIGHT, 1899,

BY D. APPLETON AND COMPANY.

VOL. LIV. ESTABLISHED BY EDWARD L. YOUMANS. NO. 6.

APPLETONS' POPULAR SCIENCE MONTHLY.

APRIL, 1899.

_EDITED BY WILLIAM JAY YOUMANS._

CONTENTS.

PAGE

I. The Stuff that Dreams are made of. By HAVELOCK ELLIS 721

II. The Best Methods of Taxation. By the Late Hon. DAVID A.

WELLS. Part I 736

III. Mental Defectives and the Social Welfare. By MARTIN W.

BARR, M. D. (Illustrated.) 746

IV. The Wheat Problem again. By EDWARD ATKINSON 759

V. The Coming of the Catbird. By SPENCER TROTTER 772

VI. Guessing, as Influenced by Number Preferences. By F. B.

DRESSLAR 781

VII. Concerning Weasels. By WILLIAM E. CRAM. (Illustrated.) 786

VIII. Care of the Throat and Ear. By W. SCHEPPEGRELL, M. D. 791

IX. The Physical Geography of the West Indies. I. The Mammals

of the Antilles. By Dr. F. L. OSWALD 802

X. Iron in the Living Body. By M. A. DASTRE 807

XI. The Malay Language. By Prof. R. CLYDE FORD 813

XII. Life on a South Sea Whaler. By FRANK T. BULLEN 818

XIII. Sketch of Manly Miles. (With Portrait.) 834

XIV. Editor's Table: Science and Culture.--Survival of the

Fittest 842

XV. Scientific Literature 845

XVI. Fragments of Science 854

XVII. Index to Vol. LIV 865

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[Illustration: MANLY MILES.]

APPLETONS' POPULAR SCIENCE MONTHLY.

APRIL, 1899.

THE STUFF THAT DREAMS ARE MADE OF.

BY HAVELOCK ELLIS.

In our dreams we are taken back into an earlier world. It is a world

much more like that of the savage, the child, the criminal, the

madman, than is the world of our respectable civilized waking life.

That is, in large part, it must be confessed, the charm of dreams. It

is also the reason of their scientific value. Through our dreams we

may realize our relation to stages of evolution we have long left

behind, and by the self-vivisection of our sleeping life we may learn

to know something regarding the mind of primitive man and the source

of some of his beliefs, thus throwing light on the facts we obtain by

ethnographic research.

This aspect of dreams has not always been kept steadily in sight,

though it can no longer be said that the study of dreams is neglected.

From one point of view or another--not only by the religious sect

which, it appears, constitutes a "Dream Church" in Denmark, but by

such carefully inquisitive investigators as those who have been

trained under the inspiring influence of Prof. Stanley Hall--dreaming

is seriously studied. I need not, therefore, apologize for the fact

that I have during many years taken note from time to time and

recorded the details and circumstances of vivid dreams when I could

study their mechanism immediately on awakening, and that I have

occupied myself, not with the singularities and marvels of

dreaming--of which, indeed, I know little or nothing--but with their

simplest and most general laws and tendencies. A few of these laws and

tendencies I wish to set forth and illustrate. The interest of such a

task is twofold. It not only reveals to us an archaic world of vast

emotions and imperfect thoughts, but by helping us to attain a clear

knowledge of the ordinary dream processes, it enables us in advance to

deal with many of the extraordinary phenomena of dreaming, sometimes

presented to us by wonder-loving people as awesomely mysterious, if

not indeed supernatural. The careful analysis of mere ordinary dreams

frequently gives us the key to these abnormal dreams.

Perhaps the chief and most frequent tendency in the mechanism of

dreaming is that by which isolated impressions from waking life flow

together in dreams to be welded into a whole. There is then produced,

in the strictest sense, a confusion. For instance, a lady, who in the

course of the day has admired a fine baby and bought a big fish for

dinner, dreams with horror and surprise of finding a fully developed

baby in a large codfish. The confusion may be more remote, embodying

abstract ideas and without reference to recent impressions. Thus I

dreamed that my wife was expounding to me a theory by which the

substitution of slates for tiles in roofing had been accompanied by,

and intimately associated with, the growing diminution of crime in

England. Amid my wife's rather contemptuous opposition, I opposed this

theory, pointing out the picturesqueness of tiles, their cheapness,

greater comfort both in winter and summer, but at the same time it

occurred to me as a peculiar coincidence that tiles should have a

sanguinary tinge suggestive of criminal bloodthirstiness. I need

scarcely say that this bizarre theory had never suggested itself to my

waking thoughts. There was, however, a real connecting link in the

confusion--the redness--and it is a noteworthy point, of great

significance in the interpretation of dreams, that that link, although

clearly active from the first, remained subconscious until the end of

the dream, when it presented itself as an entirely novel coincidence.

The best simile for the mechanism of the most usual type of dream

phenomena is the magic lantern. Our dreams are like dissolving views

in which the dissolving process is carried on swiftly or slowly, but

always uninterruptedly, so that, at any moment, two (often indeed

more) incongruous pictures are presented to consciousness which

strives to make one whole of them, and sometimes succeeds and is

sometimes baffled. Or we may say that the problem presented to

dreaming consciousness resembles that experiment in which

psychologists pronounce three wholly unconnected words, and require

the subject to combine them at once in a connected sentence. It is

unnecessary to add that such analogies fail to indicate the subtle

complexity of the apparatus which is at work in the manufacture of

dreams.

It is the presence of the strife I have just referred to between

apparently irreconcilable groups of images, in the effort of

overcoming the critical skepticism of sleeping consciousness--a feeble

skepticism, it may be, but, as many people do not seem to recognize,

a real skepticism--that the impressive emotional effects of dreams are

often displayed. It sometimes happens that two irreconcilable groups

of impressions reach sleeping consciousness, one flowing from a recent

stratum of memories, the other from an older stratum. A typical form

of this phenomenon often occurs in our dreams of dead friends.

Professor Sully remarks that in dreams of the dead "awareness of the

fact of death wholly disappears, or reduces itself to a vague feeling

of something delightfully wonderful in the restored presence." That,

however, as I have elsewhere shown,[1] is not the typical process in

dreaming of the dead; although in the later dreams of those who often

see their dead friends during sleep, the process is abbreviated, and

the friend's presence is accepted without a struggle--a very

interesting point, for it tends to show that in dreams, as in the

hypnotic state, the recollection of previous similar states of

consciousness persists, and the illusion is strengthened by

repetition.

In typical dreams of a dead friend there is a struggle between that

stream of recent memories which represents him as dead and that older

stream which represents him as living. These two streams are

inevitably caused by the fact of death, which sets up a barrier

between them and renders one set of memories incongruous with the

other set. In dreams we are not able to arrange our memories

chronologically, but we are perpetually reasoning and striving to be

logical. Consequently the two conflicting streams of memories break

against each other in restless conflict, and sleeping consciousness

endeavors to propound some theory which will reconcile them. The most

frequent theories are, as I have found, either that the news of the

friend's death was altogether false, or that he had been buried alive

by mistake, or else that having really died his soul has returned to

earth for a brief space. The mental and emotional conflict which such

dreams involve renders them very vivid. They make a profound

impression even after awakening, and for some sensitive persons are

too sacred to speak of. Even so cautious and skeptical a thinker as

Renan, when, after the death of his beloved sister Henriette, he

dreamed more than once that she had been buried alive, and that he

heard her voice calling to him from her grave, had to still his

horrible suspicions by the consideration that she had been tended by

experienced doctors. On less well-balanced minds, and more especially

in primitive stages of civilization, we can scarcely doubt that such

dreams, resting as they do on the foundation of consciousness, have

had a powerful influence in persuading man that death is but a

transient fact, and that the soul is independent of the body. I do not

wish to assert that they suffice to originate the belief.[2]

While dreams are thus often formed by the molding together of more or

less congruous images by a feeble but still intelligent sleeping

activity, another factor is to be found in the involuntary wavering

and perpetually mere meaningless change of dream imagery. Such

concentration as is possible during sleep always reveals a shifting,

oscillating, uncertain movement of the vision before us. We are, as it

were, reading a sign-post in the dusk, or making guesses at the names

of the stations as our express train flashes by the painted letters.

Any one who has ever been subject to the hypnagogic imagery sometimes

seen in the half-waking state, or who has ever taken mescal, knows

that it is absolutely impossible to fix an image. It is this factor in

dreams which causes them so often to baffle our analysis. In addition

to the mere, as it were, mechanical flowing together of images and

ideas, and the more or less intelligent molding of them into a whole,

there is thus a failure of sleeping attention to fix definitely the

final result--a failure which itself may evidently serve to carry on

the dream process by suggesting new images and combinations. I dreamed

once that I was with a doctor in his surgery, and saw in his hand a

note from a patient saying that doctors were fools and did him no

good, but he had lately taken some _selvdrolla_, recommended by a

friend, and it had done him more good than anything, so please send

him some more. I saw the note clearly, not, indeed, being conscious of

reading it word by word, but only of its meaning as I looked at it;

the one word I actually seemed to see, letter by letter, was the name

of the drug, and that changed and fluctuated beneath my vision as I

gazed at it, the final impression being _selvdrolla_. The doctor took

from a shelf a bottle containing a bright yellow oleaginous fluid, and

poured a little out, remarking that it had lately come into favor,

especially in uric-acid disorders, but was extremely expensive. I

expressed my surprise, having never before heard of it. Then, again to

my surprise, he poured rather copiously from the bottle on to a plate

of food, saying, in explanation, that it was pleasant to take and not

dangerous. This was a vivid morning dream, and on awakening I had no

difficulty in detecting the source of its various minor details,

especially a note received on the previous evening and containing a

dubious figure, the precise nature of which I had used my pocket lens

to determine. But what was _selvdrolla_, the most vivid element of the

dream? I sought vainly among my recent memories, and had almost

renounced the search when I recalled a large bottle of salad oil seen

on the supper table the previous evening; not, indeed, resembling the

dream bottle, but containing a precisely similar fluid. _Selvdrolla_

was evidently a corruption of "salad oil." I select this dream to

illustrate the uncertainty of dream consciousness, because it also

illustrates at the same time the element of certainty in dream

_subconsciousness_. Throughout my dream I remained, consciously, in

entire ignorance as to the real nature of _selvdrolla_, yet a latent

element in consciousness was all the time presenting it to me in

ever-clearer imagery.

While the confusions of dreaming are usually the union of unconnected

streams of imagery which have, as it were, come from widely remote

parts of the memory system to strike together at the narrow focus of

shaping consciousness, in some rarer cases the fused images are really

suggested by analogy and are not accidental. Maury records successions

of dream imagery strung together by verbal resemblances; I have found

such dreams rare, but other forms of association fairly common. Thus I

once dreamed that I was with a dentist who was about to extract a

tooth from a patient. Before applying the forceps he remarked to me

(at the same time setting fire to a perfumed cloth at the end of

something like a broomstick in order to dissipate the unpleasant odor)

that it was the largest tooth he had ever seen. When extracted I found

that it was indeed enormous, in the shape of a caldron, with walls an

inch thick. Taking from my pocket a tape measure (such as I always

carry in waking life) I founds the diameter to be not less than

twenty-five inches; the interior was like roughly hewn rock, and there

were sea-weeds and lichenlike growths within. The size of the tooth

seemed to me large, but not extraordinarily so. It is well known that

pain in the teeth, or the dentist's manipulations, cause those organs

to seem of extravagant extent; in dreams this tendency rules

unchecked; thus a friend once dreamed that mice were playing about in

a cavity in her tooth. But for the dream first quoted there was no

known dental origin; it arose solely or chiefly from a walk during the

previous afternoon among the rocks of the Cornish coast at low tide,

and the fantastic analogy, which had not occurred to waking

consciousness, suggested itself during sleep.

The following dream illustrates an association of quite a different

order: I imagined I was sitting at a window, at the top of a house,

writing. As I looked up from my table I saw, with all the emotions

naturally accompanying such a sight, a woman in her night dress appear

at a lofty window some distance off and throw herself down. I went on

writing, however, and found that in the course of my literary

employment--I am not clear as to its precise nature--the very next

thing I had to do was to describe exactly such a scene as I had just

witnessed. I was extremely puzzled at such an extraordinary

coincidence: it seemed to me wholly inexplicable. Such dreams,

reduplicating the imagery in a new sensory medium, are fairly common,

with me at all events, though I can not easily explain them. The

association is not so much of analogy as of sensory media, in this

case the visual image becoming a verbal motor image. In other cases a

scene is first seen as in reality, and then in a picture. It is

interesting to observe the profound astonishment with which sleeping

consciousness apperceives such simple reduplication.

It sometimes happens that the confused imagery of dreams includes

elements drawn from forgotten memories--that is to say, that sleeping

consciousness can draw on faint impressions of the past which waking

consciousness is unable to reach. This is a very important type of

dream because of its bearing on the explanation of certain dream

phenomena which we are sometimes asked to bow down before as

supernatural. I may illustrate what I mean by the following very

instructive case. I woke up recalling the chief items of a rather

vivid dream: I had imagined myself in a large old house, where the

furniture, though of good quality, was ancient, and the chairs

threatened to give way as one sat on them. The place belonged to one

Sir Peter Bryan, a hale old gentleman who was accompanied by his son

and grandson. There was a question of my buying the place from him,

and I was very complimentary to the old gentleman's appearance of

youthfulness, absurdly affecting not to know which was the grandfather

and which the grandson. On awaking I said to myself that here was a

purely imaginative dream, quite unsuggested by any definite

experiences. But when I began to recall the trifling incidents of the

previous day I realized that that was far from being the case. So far

from the dream having been a pure effort of imagination I found that

every minute item could be traced to some separate source. The name of

Sir Peter Bryan alone completely baffled me; I could not even recall

that I had at that time ever heard of any one called Bryan. I

abandoned the search and made my notes of the dream and its sources. I

had scarcely done so when I chanced to take up a volume of

biographies which I had glanced through carelessly the day before. I

found that it contained, among others, the lives of Lord

_Peter_borough and George _Bryan_ Brummel. I had certainly seen those

names the day before; yet before I took up the book once again it

would have been impossible for me to recall the exact name of Beau

Brummel, and I should have been inclined to say that I had never even

heard the name of Bryan. I repeat that I regard this as,

psychologically, a most instructive dream. It rarely happens (though I

could give one or two more examples from the experience of friends)

that we can so clearly and definitely demonstrate the presence of a

forgotten memory in a dream; in the case of old memories it is usually

impossible. It so happened that the forgotten memory which in this

case re-emerged to sleeping consciousness was a fact of no consequence

to myself or any one else. But if it had been the whereabouts of a

lost deed or a large sum of money, and I had been able to declare, as

in this case, that the impression received in my dream had never to my

knowledge existed in waking consciousness, and yet were to declare my

faith that the dream probably had a simple and natural explanation, on

every hand I should be sarcastically told that there is no credulity

to match the credulity of the skeptic.

The profound emotions of waking life, the questions and problems on

which we spread our chief voluntary mental energy, are not those which

usually present themselves at once to dream consciousness. It is, so

far as the immediate past is concerned, mostly the trifling, the

incidental, the "forgotten" impressions of daily life which reappear

in our dreams. The psychic activities that are awake most intensely

are those that sleep most profoundly. If we preserve the common image

of the "stream of consciousness," we might say that the grave facts of

life sink too deeply into the flood to reappear at once in the calm of

repose, while the mere light and buoyant trifles of life, flung

carelessly in during the day, at once rise to the surface, to dance

and mingle and evolve in ways that this familiar image of "the stream

of consciousness" will not further help us to picture.

So far I have been discussing only one of the great groups into which

dreams may be divided. Most investigators of dreams agree that there

are two such groups, the one having its basis in memories, the other

founded on actual physical sensations experienced at the moment of

dreaming and interpreted by sleeping consciousness. Various names have

been given to these two groups; Sully, for instance, terms them

central and peripheral. Perhaps the best names, however, are those

adopted by Miss Calkins, who calls the first group representative, the

second group presentative.

All writers on dreaming have brought forward presentative dreams, and

there can be no doubt that impressions received during sleep from any

of the external senses may serve as a basis for dreams. I need only

record one example to illustrate this main and most obvious group of

presentative dreams. I dreamed that I was listening to a performance

of Haydn's Creation, the chief orchestral part of the performance

seeming to consist chiefly of the very realistic representation of the

song of birds, though I could not identify the note of any particular

bird. Then followed solos by male singers, whom I saw, especially one

who attracted my attention by singing at the close in a scarcely

audible voice. On awakening the source of the dream was not

immediately obvious, but I soon realized that it was the song of a

canary in another room. I had never heard Haydn's Creation, except in

fragments, nor thought of it at any recent period; its reputation as

regards the realistic representation of natural sounds had evidently

caused it to be put forward by sleeping consciousness as a plausible

explanation of the sounds heard, and the visual centers had accepted

the theory.

It is a familiar fact that internal sensations also form a frequent

basis of dreams. All the internal organs, when disturbed or distended

or excited, may induce dreams, and especially that aggravated kind of

dreaming which we call nightmare. This fact is so well known that such

dreams are usually dismissed without further analysis. It is a

mistake, however, so to dismiss them, for it seems probable that it is

precisely here that we may find the most instructive field of dream

psychology. On account of the profoundly emotional effect of such

dreams they are very interesting to study, but this very element of

emotion renders them somewhat obscure objects of study. I do not

venture to offer with absolute certainty one or two novel suggestions

which dream experiences have led me to regard as probable.

Dreams of flying have so often been recorded--from the time of St.

Jerome, who mentions that he was subject to them--that they may fairly

be considered to constitute one of the commonest forms of dreaming.

All my life, it seems to me, I have at intervals had such dreams in

which I imagined myself rhythmically bounding into the air and

supported on the air. These dreams, in my case at all events, are not

generally remembered immediately on awakening (seeming to indicate

that they depend on a cause which does not usually come into action at

the end of sleep), but they leave behind them a vague but profound

sense of belief in their reality and reasonableness.[3] Several

writers have attempted to explain this familiar phenomenon. Gowers

considers that a spontaneous contraction of the stapedius muscle of

the ear during sleep causes a sensation of falling. Stanley Hall, who

has himself from childhood had dreams of flying, boldly argues that we

have here "some faint reminiscent atavistic echo from the primeval

sea"; and that such dreams are really survivals--psychic vestigial

remains--taking us back to the far past, in which man's ancestors

needed no feet to swim or float. Such a theory may accord with the

profound conviction of reality that accompanies such dreams, though

this may be more simply accounted for, even by mere repetition, as

with dreams of the dead; but it is rather a hazardous theory, and it

seems to me infinitely more probable that such dreams are a

misinterpretation of actual internal sensations.

My own explanation was immediately suggested by the following dream. I

dreamed that I was watching a girl acrobat, in appropriate costume,

who was rhythmically rising to a great height in the air and then

falling, without touching the floor, though each time she approached

quite close to it. At last she ceased, exhausted and perspiring, and

had to be led away. Her movements were not controlled by mechanism,

and apparently I did not regard mechanism as necessary. It was a vivid

dream, and I awoke with a distinct sensation of oppression in the

chest. In trying to account for this dream, which was not founded on

any memory, it occurred to me that probably I had here the key to a

great group of dreams. The rhythmic rising and falling of the acrobat

was simply the objectivation of the rhythmic rising and falling of my

own respiratory muscles under the influence of some slight and unknown

physical oppression, and this oppression was further translated into a

condition of perspiring exhaustion in the girl, just as it is recorded

that a man with heart disease dreamed habitually of sweating and

panting horses climbing up hill. We may recall also the curious

sensation as of the body being transformed into a vast bellows which

is often the last sensation felt before the unconsciousness produced

by nitrous oxide gas. When we are lying down there is a real rhythmic

rising and falling of the chest and abdomen, centering in the

diaphragm, a series of oscillations which at both extremes are only

limited by the air. Moreover, in this position we have to recognize

that the whole internal organism--the circulatory, nervous, and other

systems--are differently balanced from what they are in the upright

position, and that a disturbance of internal equilibrium

always accompanies falling. Further, it is possible that the

misinterpretation is confirmed to sleeping consciousness by sensations

from without, by the absence of the tactile pressure produced by

boots on the foot, or the contact of the ground with the soles; we are

at once conscious of movement and conscious that the soles of the feet

are in contact only with the air. Thus in normal sleep the conditions

may be said to be always favorable for producing dreams of flying or

of floating in the air, and any slight thoracic disturbance, even in

healthy persons, arising from lungs, heart, or stomach, and serving to

bring these conditions to sleeping consciousness, may determine such a

dream.

There is another common class of dreams which, it seems fairly evident

to me, must also find their psychological explanation chiefly in the

visceral sensations--I mean dreams of murder. Many psychologists have

referred with profound concern to the facility and prevalence of

murder in dreams, sometimes as a proof of the innate wickedness of

human nature made manifest in the unconstraint of sleep, sometimes as

evidence of an atavistic return to the modes of feeling of our

ancestors, the thin veneer of civilization being removed during sleep.

Maudsley and Mme. de Manacéïne, for example, find evidence in such

dreams of a return to primitive modes of feeling. It may well be that

there is some element of truth in this view, but even if so we still

have to account for the production of such dreams. For this we must,

in part at least, fall back upon the logical outcome of dream

confusions, owing to which, for instance, a lady who has carved a duck

at dinner may a few hours later wake up exhausted by the imaginary

effort of cutting off her husband's head. But I think we may find

evidence that the dream of murder is often a falsely logical deduction

from abnormal visceral and especially digestive sensations.

I may illustrate such dreams by the following example: A lady dreamed

that her husband called her aside and said: "Now, do not scream or

make a fuss; I am going to tell you something. I have to kill a man.

It is necessary, to put him out of his agony." He then took her into

his study and showed her a young man lying on the floor with a wound

in his breast, and covered with blood. "But how will you do it?" she

asked. "Never mind," he replied, "leave that to me." He took something

up and leaned over the man. She turned aside and heard a horrible

gurgling sound. Then all was over. "Now," he said, "we must get rid of

the body. I want you to send for So-and-so's cart, and tell him I wish

to drive it." The cart came. "You must help me to make the body into a

parcel," he said to his wife; "give me plenty of brown paper." They

made it into a parcel, and with terrible difficulty and effort the

wife assisted her husband to get the body down stairs and lift it into

the cart. At every stage, however, she presented to him the

difficulties of the situation. But he carelessly answered all

objections, said he would take the body up to the moor, among the

stones, remove the brown paper, and people would think the murdered

man had killed himself. He drove off and soon returned with the empty

cart. "What's this blood in my cart?" asked the man to whom it

belonged, looking inside. "Oh, that's only paint," replied the

husband. But the dreamer had all along been full of apprehension lest

the deed should be discovered, and the last thing she could recall,

before waking in terror, was looking out of the window at a large

crowd which surrounded the house with shouts of "Murder!" and threats.

This tragedy, with its almost Elizabethan air, was built up out of a

few commonplace impressions received during the previous day, none of

which impressions contained any suggestion of murder. The tragic

element appears to have been altogether due to the psychic influences

of indigestion arising from a supper of pheasant. To account for our

oppression during sleep, sleeping consciousness assumes moral causes

which alone appear to it of sufficient gravity to be the adequate

cause of the immense emotions we are experiencing. Even in our waking

and fully conscious states we are inclined to give the preference to

moral over physical causes, quite irrespective of the justice of our

preferences; in our sleeping states this tendency is exaggerated, and

the reign of purely moral causes is not disturbed by even a suggestion

of mere physical causation.

There is certainly no profounder emotional excitement during sleep

than that which arises from a disturbed or distended stomach, and is

reflected by the pneumogastric to the accelerated heart and the

impeded respiration.[4] We are thereby thrown into a state of

uninhibited emotional agitation, a state of agony and terror such as

we rarely or never attain during waking life. Sleeping consciousness,

blindfolded and blundering, a prey to these massive waves from below,

and fumbling about desperately for some explanation, jumps at the idea

that only the attempt to escape some terrible danger or the guilty

consciousness of some awful crime can account for this immense

emotional uproar. Thus the dream is suffused by a conviction which the

continued emotion serves to support. We do not--it seems most simple

and reasonable to conclude--experience terror because we think we have

committed a crime, but we think we have committed a crime because we

experience terror. And the fact that in such dreams we are far more

concerned with escape from the results of crime than with any agony of

remorse is not, as some have thought, due to our innate indifference

to crime, but simply to the fact that our emotional state suggests to

us active escape from danger rather than the more passive grief of

remorse. Thus our dreams bear witness to the fact that our

intelligence is often but a tool in the hands of our emotions.[5]

I have had frequent occasion to refer to the objectivation of

subjective sensations as a phenomenon of dreaming. It is, indeed, so

frequent and so important a phenomenon that it needs some further

reference. In hysteria (which by some of the most recent authorities,

like Sollier, is regarded as a species of somnambulism), in

"demon-possession," and many other abnormal phenomena it is well known

that there is, as it were, a doubling of personality; the _ego_ is

split up into two or more parts, each of which may act as a separate

personality. The literature of morbid psychology is full of

extraordinary and varied cases exhibiting this splitting up of

personality. But it is usually forgotten that in dreams the doubling

of personality is a normal and constant phenomenon in all healthy

people. In dreaming we can divide our body between ourselves and

another person. Thus a medical friend dreamed that in conversation

with a lady patient he found his hand resting on her knee and was

unable to remove it; awakening in horror from this unprofessional

situation he found his own hand firmly clasped between his knees; the

hand had remained his own, the knee had become another person's, the

hand being claimed, rather than the knee, on account of its greater

tactile sensibility. Again, we sometimes objectify our own physical

discomforts felt during sleep in the emotions of some other person, or

even in some external situations. And, possibly, every dream in which

there is any dramatic element is an instance of the same splitting up

of personality; in our dreams we may experience shame or confusion

from the rebuke or the arguments of other persons, but the persons who

administer the rebuke or apply the argument are still ourselves.

When we consider that this dream process, with its perpetual

dramatization of our own personality, has been going on as long as man

has been man--and probably much longer, for it is evident that animals

dream--it is impossible to overestimate its immense influence on human

belief. Men's primitive conceptions of religion, of morals, of many of

the mightiest phenomena of life, especially the more exceptional

phenomena, have certainly been influenced by this constant dream

experience. It is the universal primitive explanation of abnormal

psychic and even physical phenomena that some other person or spirit

is working within the subject of the abnormal experience. Certainly

dreaming is not the sole source of such conceptions, but they could

scarcely have been found convincing, and possibly could not ever have

arisen, among races who were wholly devoid of dream experiences. A

large part of all progress in psychological knowledge, and, indeed, a

large part of civilization itself, lies in realizing that the

apparently objective is really subjective, that the angels and demons

and geniuses of all sorts that seemed at first to take possession of

the feeble and vacant individuality are themselves but modes of action

of marvelously rich and varied personalities. But in our dreams we are

brought back into the magic circle of early culture, and we shrink and

shudder in the presence of imaginative phantoms that are built up of

our own thoughts and emotions, and are really our own flesh.

There is one other general characteristic of dreams that is worth

noting, because its significance is not usually recognized. In dreams

we are always reasoning. It is sometimes imagined that reason is in

abeyance during sleep. So far from this being the case, we may almost

be said to reason much more during sleep than when we are awake. That

our reasoning is bad, even preposterous, that it constantly ignores

the most elementary facts of waking life, scarcely affects the

question. All dreaming is a process of reasoning. That artful

confusion of ideas and images which at the outset I referred to as the

most constant feature of dream mechanism is nothing but a process of

reasoning, a perpetual effort to argue out harmoniously the absurdly

limited and incongruous data present to sleeping consciousness. Binet,

grounding his conclusions on hypnotic experiments, has very justly

determined that reasoning is the fundamental part of all thinking, the

very texture of thought. It is founded on perception itself, which

already contains all the elements of the ancient syllogism. For in all

perception, as he shows, there is a succession of three images, of

which the first fuses with the second, which in its turn suggests the

third. Now this establishment of new associations, this construction

of images, which, as we may easily convince ourselves, is precisely

what takes place in dreaming, is reasoning itself.

Reasoning is a synthesis of images suggested by resemblance and

contiguity, indeed a sort of logical vision, more intense even than

actual vision, since it produces hallucinations. To reasoning all

forms of mental activity may finally be reduced; mind, as Wundt has

said, is a thing that reasons. When we apply these general statements

to dreaming, we may see that the whole phenomenon of dreaming is

really the same process of image-formation, based on resemblance and

contiguity, which is at the basis of reasoning. Every dream is the

outcome of this strenuous, wide-ranging instinct to reason. The

supposed "imaginative faculty," regarded as so highly active during

sleep, is simply the inevitable play of this automatic logic. The

characteristic of the reasoning of dreams is that it is unusually bad,

and this badness is due chiefly to the absence of memory elements that

would be present to waking consciousness, and to the absence of

sensory elements to check the false reasoning which without them

appears to us conclusive. That is to say--to fall back on the

excellent generalization which Parish has elaborately applied to all

forms of hallucination--there is a process of dissociation by which

ordinary channels of association are temporarily blocked and the

conditions prepared for the formation of the hallucination. It is, as

Parish has argued, in sleep and in those sleep-resembling states

called hypnagogic that a condition of dissociation leading to

hallucination is most apt to occur.

The following dream illustrates the part played by dissociation: A

lady dreamed that an acquaintance wished to send a small sum of money

to a person in Ireland. She rashly offered to take it over to Ireland.

On arriving home she began to repent of her promise, as the weather

was extremely wild and cold. She began, however, to make preparations

for dressing warmly, and went to consult an Irish friend, who said she

would have to be floated over to Ireland tightly jammed in a crab

basket. On returning home she fully discussed the matter with her

husband, who thought it would be folly to undertake such a journey,

and she finally relinquished it, with great relief. In this dream--the

elements of which could all be accounted for--the association between

sending money and postal orders which would at once occur to waking

consciousness was closed; consciousness was a prey to such suggestions

as reached it, but on the basis of these suggestions it reasoned and

concluded quite sagaciously. The phenomena of dreaming furnish a

delightful illustration of the fact that reasoning, in its rough form,

is only the crudest and most elementary form of intellectual

operation, and that the finer forms of thinking only become possible

when we hold in check this tendency to reason. "All the thinking in

the world," as Goethe puts it, "will not lead us to thought."

It is in such characteristics as these--at once primitive, childlike,

and insane--that we may find the charm of dreaming. In our sleeping

emotional life we are much more like ourselves than we are in our

sleeping intellectual life. It is a mistake to imagine that our moral

and æsthetic instincts are abolished in dreams; they are often

weakened, but by no means abolished. Such a result is natural when we

remember that our emotions and instincts are both more primitive and

less under the dominion of the external senses than are our ideas. Yet

in both respects we are removed a stage backward in our dreams.

The emotional intensity, the absurd logic, the tendency to

personification--nearly all the points I have referred to as

characterizing our dreams--are the characteristics of the child, the

savage, and the madman. Time and space are annihilated, gravity is

suspended, and we are joyfully borne up in the air, as it were, in the

arms of angels; we are brought into a deeper communion with Nature,

and in his dreams a man will listen to the arguments of his dog with

as little surprise as Balaam heard the reproaches of his ass. The

unexpected limitations of our dream world, the exclusion of so many

elements which are present even unconsciously in waking life, imparts

a splendid freedom and ease to the intellectual operations of the

sleeping mind, and an extravagant romance, a poignant tragedy, to our

emotions. "He has never known happiness," said Lamb, speaking out of

his own experience, "who has never been mad." And there are many who

taste in dreams a happiness they never know when awake. In the waking

moments of our complex civilized life we are ever in a state of

suspense which makes all great conclusions impossible; the

multiplicity of the facts of life, always present to consciousness,

restrains the free play of logic (except for that happy dreamer, the

mathematician) and surrounds most of our pains and nearly all our

pleasures with infinite qualifications; we are tied down to a sober

tameness. In our dreams the fetters of civilization are loosened, and

we know the fearful joy of freedom.

At the same time it is these characteristics which make dreams a fit

subject of serious study. It was not until the present century that

the psychological importance of the study of insanity was recognized.

So recent is the study of savage mind that the workers who have laid

its foundation are yet all living. The systematic investigation of

children only began yesterday. To-day our dreams begin to seem to us

an allied subject of study, inasmuch as they reveal within ourselves a

means of entering sympathetically into ideas and emotional attitudes

belonging to narrow or ill-adjusted states of consciousness which

otherwise we are now unable to experience. And they have this further

value, that they show us how many abnormal phenomena--possession,

double consciousness, unconscious memory, and so forth--which have

often led the ignorant and unwary to many strange conclusions, really

have a simple explanation in the healthy normal experience of all of

us during sleep. Here, also, it is true that we ourselves and our

beliefs are to some extent "such stuff as dreams are made of."

FOOTNOTES:

[1] On Dreaming of the Dead. Psychological Review, September, 1895. In

this paper I reported several cases showing the nature and evolution

of dreams concerning dead friends. I have since received evidence from

various friends and correspondents, scientific and unscientific, of

both sexes, confirming my belief in a frequency of this type of dream.

Professor Binet (L'Année Psychologique, 1896) has also furnished a

case in support of my view, and is seeking for further evidence.

[2] In Japan stories of the returning of the dead are very common.

Lafcadio Hearn gives one as told by a Japanese which closely resembles

the type of dream I am discussing. "A lover resolves to commit suicide

on the grave of his sweetheart. He found her tomb and knelt before it

and prayed and wept, and whispered to her that which he was about to

do. And suddenly he heard her voice cry to him 'Anata!' and felt her

hand upon his hand; and he turned and saw her kneeling beside him,

smiling and beautiful as he remembered her, only a little pale. Then

his heart leaped so that he could not speak for the wonder and the

doubt and the joy of that moment. But she said: 'Do not doubt; it is

really I. I am not dead. It was all a mistake. I was buried because my

parents thought me dead--buried too soon. Yet you see I am not dead,

not a ghost. It is I; do not doubt it!'"

[3] Many saints (Saint Ida, of Louvain, for example) claimed the power

of rising into the air, and one asks one's self whether this faith may

not be based on dream experiences mistranslated by a disordered brain.

M. Raffaelli, the eminent French painter, who is subject to these

sleeping experiences of floating on the air, confesses that they are

so convincing that he has jumped out of bed on awaking and attempted

to repeat the experience. "I need not tell you," he adds, "that I have

never been able to succeed."

[4] Other pains and discomforts--toothache, for instance--may,

however, give rise to dreams of murder.

[5] It may be added that they also present evidence--to which

attention has not, I believe, been previously called--in support of

the James-Lange or physiological theory of emotion, according to which

the element of bodily change in emotion is the cause and not the

result of the emotion.

* * * * *

The harmonious and equitable evolution of man, says President

Dabney, of the University of Tennessee, "does not mean that every

man must be educated just like his fellow. The harmony is within

each individual. That community is most highly educated in which

each individual has attained the maximum of his possibilities in

the direction of his peculiar talents and opportunities."

THE BEST METHODS OF TAXATION.

BY THE LATE HON. DAVID A. WELLS.

PART I.

This historical survey of tax experience among peoples widely

differing in their economic condition and social relations, and this

examination of the scope and practice of taxation, with especial

reference to the tax systems of the United States as defined and

interpreted by judicial authority, prepare the way for a discussion of

the best methods of taxation for a country situated as is the United

States. General as are the theoretical principles underlying taxation,

the application of these principles to existing conditions must be

modified to meet the long usage and inherited prejudice of the people,

and the form of production or manner of distributing wealth. This

holds true in the face of appearances so opposed to it as to defy

definition and acceptance. No less promising field for an income tax

can be pictured than British India, and few more promising fields than

France. Yet India has borne such a tax for years, while France will

not permit a true tax on income to be adopted as a part of its revenue

system. In the latter country the plea is made that the upper and

middle classes already pay under other forms of taxation more than

their due proportion of the public burdens, and an additional and

necessarily discriminating duty laid upon them will only make this

inequality the greater. Class interest may thus oppose its veto to a

change that promises to reduce the burdens of one class of taxpayers

at the expense of another; or may even oppose a change that offers the

chance of collecting a larger revenue with less real difficulty and

sacrifice on the part of the taxed. No opposition can set aside even

temporarily the great rules that clearly define a tax from tribute, a

legal and beneficial taking by the state of a certain part of the

public wealth from a demand that involves waste or mischievous

expenditure, for which the state or people derive no advantage

commensurate with the cost, or from which individuals obtain a gain

not defensible in justice, and at the expense of only one part of the

community.

After so many centuries of experiment, in which hardly a possible

source of state revenue has escaped attention, some knowledge of the

great principles of taxation might have been evolved. Unfortunately,

the experience of one nation is not accepted as containing lessons

applicable to the needs or conditions of another, and one generation

rarely appeals to history save to defend its own experiments.

Ignorance, half knowledge, which is quite as dangerous, and interest

guide or influence legislation, and those who predict failure or

danger are regarded as theorists, and denounced as unpractical.

Nowhere is the tendency to move independent of enlightened knowledge

more evident than in the United States. At every appearance of the tax

question, State and national legislatures are overwhelmed with

measures that have been tried in the past, and after a thorough test

condemned beyond any hope of defense.

Appletons' Popular Science Monthly, April 1899 Volume LIV, No. 6, April 1899 · 第 1 / 18 段