A VALEDICTION TO ST. VALENTINE.

(_By an Old-fashioned Fellow._)

Old friend of the lass and the lover,

They say you are moribund now,

Your rule--it was gentle--is over,

Because--it is "vulgar" to vow,

"No class" to be vassal to Cupid,

"Bad form" to go wooing in verse!

Well, Saint, your old rhymings _were_ stupid

But new ones seem worse.

Your hearts and your darts were as healthy

As daffodils, larks or Spring lamb.

But now we're so wise, and so wealthy,

Simplicity strikes us as sham;

Your empire was kind, if despotic,

And blent of the smile and the tear.

But now we're all "new" and "neurotic,"

And slaves to the queer.

A Beardsley design, now, would shock you.

And so would a verse by VERLAINE.

Our Art, modern Art, would but mock you,

Our poetry give you much pain.

Oh Woman, New Woman, thou clamorest

Loudly for right to revolt.

But oh! from our latter-day Amorist

S. V. would _bolt!_

'Tis well, good Saint Valentine, truly,

That you have got notice to quit,

For, faith! you must find us unduly

Devoted to cynical wit.

The poor dear conventional passions,

You voiced, with bird-pipings, in Spring,

Are not "up to date." Love's new fashions

_You_ never could sing!

Good gracious! LE GALLIENNE'S lyrics,

And DAVIDSON'S Lavender-scent,

Would certainly give you hysterics.

Song now, just like wine, must _ferment_.

The dewdroppy old dithyrambics

You loved, in our day don't go down.

Our maidens like brisk galliambics

On which you would frown.

Indeed ithyphallics--but, bless us!

Our poesy, Saint, unto you

Would be like a new shirt of Nessus.

Our art is all yellow--or blue.

And so, poor old boy, 'tis a blessing

You're off, with a tear in your eye.

Like soft hearts and simple caressing,

You're vulgar! Good-bye!

* * * * *

STRANGE OMEN.--Sir FRANK LOCKWOOD, Solicitor-General, was

"entertained," says the _Daily Telegraph_, "to dinner"--(observe, not

"entertained _at_ dinner"; perhaps he had to do the entertaining,

then)--"at the House of Commons, his host, Mr. JOHN AIRD" (always a

host in himself), "being a Conservative," while the other guests were

either Conservatives or Unionists. DANIEL in the lions' den is the

parallel that arises to everyone's mind; but in this instance DANIEL

actually dined with the lions, and probably felt none the worse for

the "feast of reason and the flow of soul."

* * * * *

We haven't as yet seen _An Artist's Model_ at Daly's, but as the piece

seems to depend for its "go" mainly on the music composed for it by

Mr. OWEN HALL (to clever lyrics by Mr. GREENBANK), it would not be

unfair to say that it is to its music it is OWEN HALL its success.

* * * * *

ANTICIPATORY.--Should HENRY IRVING, as the acknowledged leading

representative of the Histrionic side of Dramatic Art in this country,

receive the honour of knighthood, the Lyceum bill might be headed,

"Great Success! First Knight!"

* * * * *

[Illustration: "'AD ANY BREAKFUS' 'S MORNIN'?"

"NOT A DROP!"]

* * * * *

Punch, or the London Charivari, Volume 108, February 23, 1895 · 第 19 / 22 题