IV

PRINCE TOWN,

_August_.

1

When I took leave of the Widgers, there was the question of payment for

my board and lodging. We were just finishing breakfast; the children

had been driven out, Mrs Widger was resting awhile, and the table, the

whole kitchen, was in extreme disorder.

I asked Mrs Widger what I owed, and, as I had expected, she replied

only: "What you'm minded to pay."

"Three and six a day," I suggested.

"Not so much as that," said Mrs Widger. "'Tisn't like as if us could du

for 'ee like a proper lodging house."

"Don' 'ee think, Missis," said Tony, "as we might ask 'en jest to make

hisself welcome."

It was out of the question, of course. The mackerel season has been so

bad. Mrs Widger shot at Tony a look he failed to see. Otherwise, she

did not let herself appear to have heard him.

The discussion hung.

"Say three shillings, then," I suggested again.

"That 'll du," returned Mrs Widger, allowing nothing of the last few

minutes' brain-work to show itself in her voice.

[Sidenote: _HOTEL LIFE_]

Mrs Widger knows what it is to have to keep house and feed several

hungry children on earnings which vary from fairly large sums (sums

whose very largeness calls for immediate spending) to nothing at all

for weeks together.

As I was setting out, Jimmy said to his mother: "Don' 'ee let Mister

Ronals go, Mam 'Idger." He followed me to the end of the Gut; would

have come farther had I not sent him back. That, and Tony's desire to

make me welcome, brightened the bright South Devon sunshine. I kept

within sight of the sea as long as possible. The little sailing boats

on it looked so nimble. I have a leaning to go back, a sort of

hunger....

2

[Sidenote: _DAWDLING v. WALKING_]

I don't think I can remain here. To-morrow I shall move on, and tramp

around the county back to Seacombe. The Moor is as splendid as ever,

but this hotel life, following so soon on the life of Under Town....

Though the good, well-cooked food, neither so greasy nor so starchy as

Mrs Widger's, is an agreeable change, I sit at the table d'hote and

rage within. I am compelled to hear a conversation that irritates me

almost beyond amusement at it. These people here are on holiday. Most

of them, by their talk, were never on anything else. They chirp in

lively or bored fashion, as the case may be, of the things that don't

matter, of the ornamentations, the superfluities and the relaxations of

life. At Tony Widger's they discuss--and much more merrily--the things

that do matter; the means of life itself. Here, they say: "Is the table

d'hote as good as it might be? Is the society what it might be? Is it

not a pity that there is no char-a-banc or a motor service to Cranmere

Pool and Yes Tor?" There, the equivalent question is: "Shall us hae

money to go through the winter? Shall us hae bread and scrape to eat?"

Here, a man wonders if in the strong moorland air some slight

non-incapacitating ailment will leave him: illness is inconvenient and

disappointing, but not ruinous. There, Tony wonders if the exposure and

continual boat-hauling are not taking too much out of him; if he is not

ageing before his time; if he will not be past earning before the

younger children are off his hands. Here, they laugh at trifles,

keeping what is serious behind a veil of conventional manners, lest,

appearing in broad daylight, it should damp their spirits. There, they

laugh too, and at countless trifles; but also courageously, in the face

of fate itself. By daring Nemesis, they partially disarm her. With a

laugh and a jest--no matter if it be a raucous laugh and a coarse

jest--they assert: "What will be, will be; us can't but du our best,

for 'tis the way o'it." Here, they skate over a Dead Sea upon the ice

of convention; but there, they swim in the salted waters, swallow great

gulps, and nevertheless strike out manfully, knowing no more than

anyone else exactly where the shore lies, yet possessing, I think, an

instinct of direction. Here, comfort is at stake: there, existence.

Coming here is like passing from a birth and death chamber into a

theatre, where, if the actors have lives of their own, apart from

mummery, it is their business not to show them. It is like watching a

game from the grand stand, instead of playing it; betting on a race

instead of running it. The transition hither is hard to make. Retired

athletes, we know, suffer from fatty degeneration of the heart; retired

men of affairs decay. I have walked lately at five miles an hour with

the Widgers, and I do not relish dawdling at the rate of two with these

people here. Better risk hell for heaven than lounge about paradise for

ever.

V

UNDER TOWN, SEACOMBE,

_September_.

1

A fine tramp from Totnes--and such a welcome back! Jimmy met me

three-quarters of a mile up the road, very much farther than he usually

strays from the beach. "I thought as yu was coming this way 'bout now,

Mister Ronals. Dad's been out hooking an' catched five dozen mackerel

before breakfast. Mam's sick. I be coming out wiv yu t'morrow morning.

Dad couldn't go out after breakfast, 'cause it come'd on to blow. I've

'schanged my pencil, what yu give'd me, for a knife wi' two blades." So

anxious was he to take me in house that he scarcely allowed me time to

go down to the Front and look at the sea and at the boats lying among a

litter of nets and gear the length of the sunny beach.

Mrs Widger hastened to bring out the familiar big enamelled teapot,

flung the cloth over the table and began to cut bread and butter.

"Coo'h! tay!" exclaimed Jimmy. "That's early, 'cause yu be come, Mister

Ronals."

"Be yu glad Mr Ronals 's come back?" his mother asked.

[Sidenote: _THE CHILDREN_]

"Iss...."

"What for?" I asked jocularly.

"'Cause yu gives us bananas--an' pennies sometimes."

"'Sthat all yu'm glad for?" said Mrs Widger. "Pennies an' bananas?"

"No vear!" said Jimmy; and he meant it.

All the while, Tommy (Jimmy's younger brother, about five years old)

was sitting up to table, looking at the jam-jar with one eye and at me

with the other. He squints most comically, and is a more self-contained

young person than Jimmy. Four of the children are at home; Bessie,

Mabel, Jimmy and Tommy; George and the eldest girl are away. Bessie and

Mabel, too, are out the greater part of the day, either at school, or

else helping their aunts, or minding babies (poor little devils!), or

running errands for the many relatives who live hereabout. Both of them

are more featureless, show less of the family likeness, than the boys.

One cannot so easily forecast their grown-up appearance. At times,

during the day, they come in house with a rush, but say little, except

to blurt out some (usually inaccurate) piece of news, or to tell their

step-mother that: "Thic Jimmy's out to baych--I see'd 'en--playin' wi'

some boys, an' he's got his boots an' stockings so wet as...."

"Jest let 'en show his face in here! _He_ shan't hae no tea! He shall

go straight to bed!" shouts Mrs Widger, confident that hunger will

eventually drive Jimmy into her clutches.

The two girls, in fact, do not seem to enter so fully as the boys into

the life of the household, though they are always very ready to take up

the responsibility of keeping the boys in order.

"Jimmy! Tommy--there! Mother, look at thic Jimmy! Mother, Tommy's

fingering they caakes!"

"I'll gie thee such a one in a minute! Let 'lone.... Ther thee a't,

Mabel, doin' jest the same, 's if a gert maid like yu didn't ought to

know better."

"Did 'ee ever hear the like o'it?" asks Tony. "Such a buzz! Shut up,

will 'ee, or _I'll_ gie thee summut to buzz for! Wher's thic stick?"

The children merely laugh at him.

2

[Sidenote: _TONY'S WEDDING_]

At supper to-night, Tony was talking about his second wedding and about

his children, who, dead and alive, number twelve. "Iss, 'tis a round

dozen, though I'd never ha' thought it," he said reckoning them up on

his fingers. "Ther be six living an' four up to the cementry, an' two

missing, like, what nobody didn' know nort about, did they, Annie?

Janie--that's my first wife, afore this one,--her losted three boys

when they was two year an' ten months old, an' one year an' seven

months, an' nine months old. An' her died herself when Mabel here was

six months old, didn' 'er, Annie? An' yu've a-losted Rosie, an' the

ones what never appeared in public. Our last baby, after Tommy, wer two

boys, twinses. One wer like George an' one like Tommy most; one wer my

child an' t'other wer yours, Annie. Six on 'em dead! Aye, Tony've a

see'd some trouble, I can tell 'ee, an' he ain't so old as what some on

'em be for their age, now, thru it all. But it du make a man's head

turn like."

Mrs Widger's gaze at him while he talked about the dead children was

wonderful to see--wide-eyed, soft, unflinching--wifely and motherly at

once.

"John," Tony continued, speaking of his youngest brother who has only

two children, "John du say as a man what's got seven or eight childern

be better off than a man what's got on'y two, like he, 'cause he don't

spend so much on 'em. 'Tis rot, I say! Certainly, he du spend so much

on each o' his as us du on two o' ours p'raps; but I reckon a hundred

pounds has to be wrenched an' hauled out o' these yer ol' rheumaticy

arms o' mine for each child as us rears up."

"Yes--'t has--gude that," said Mrs Widger.

"'Tisn' that I don' du it willingly. I be willing enough. But it du

maake a man du more'n he'd hae to du otherwise, an' it wears 'en out

afore his time. Tony's an ol' man now, almost, after the rate, though

he bain't but forty or thereabout, an' s'pose us has six or a dozen

more come along, Annie...."

"Gude Lord! 'Twon't be so bad as that, for sure. An' if 'tis, can't be

helped. Us must make shift wi' 'em."

Then they went on to talk about their wedding. Best remembered,

apparently, are the _hot_ wedding breakfast (an innovation then in

these parts), the Honiton lace that Mrs Widger's mother made her, and

the late arrival home from the village where they were married--a trick

which procured them quietness, whilst depriving the people in the

Square of an excitement they had stayed up half the night to witness.

"When us come'd home, 'twas all so dark and quiet as a dead plaace, an'

the chil'ern asleep upstairs, an' all," said Tony.

"Yes, 'twer," Mrs Widger broke in, her eyes brightening at the

recollection of the successful trick. "But 'twer queer, like, wi' the

childern asleep upstairs what wer to be mine, an' wasn't. I did wonder

to meself what I wer starting on. Howsbe-ever I wer fair maazed all

thic day. _I_ wasn' ready when Tony drove out to where us lived, not

I."

"No-o-o! Her had her sleeves tucked up like 's if her 'adn't finished

her housework. Her wern't dressed nor nothin' to ree-ceive me."

"I didn' know what I wer doing all thic day."

[Sidenote: _LOVE-PLAY_]

"An' the parson, _I_ had to pay for he, an' he give'd the money back to

she 'cause her wer a nice li'I thing--bit skinny though. 'Twer a maazed

muddle like. _I_ ought to ha' had thic money be rights."

"G'out! But I did the ol' parson up here. Us didn' hae no banns put up

to Seacombe. I told the clergyman to our home that Tony'd been livin'

there dree days, or dree weeks, or whatever 'twas, an' _he_ didn' know

no better. 'Twon't be the first lie I've told, says I to meself n'eet

[nor yet] the last. I saved thee thic money, Tony."

"Ah, yu'm a saving dear, ben' 'ee. Spends all my money."

"Well for yu! I should like to know what yu'd do wi' it if yu hadn't

had me to lay it out for 'ee."

Tony did not wish to question that. The recollection of the wedding had

put him in high spirits. He got up from his second supper (so long as

food remains on the table he takes successive meals with intervals for

conversation between them), and pirouetted round the table singing,

"Sweet Ev-eli-na, sweet Ev-eli-na!

My lo-ove for yu-u

Shall nev-ver, never die...."

He dragged Mrs Widger out of her chair, whisked her across the room.

"There!" he said, setting her down flop. "'En't her a perty li'I dear!"

Once again, after another little supper, he got up and held Mrs Widger

firmly by the chin, she kicking out at his shins the while. "Did 'ee

ever see the like o'it? Eh? Fancy ol' Tony marryin' thic! Wouldn' 'ee

like a kiss o'it? I du dearly. Don' I, Missis?"

"G'out!" says Mrs Widger, speaking furiously, but smiling affectionately.

"G'out, you fule! Yu'm mazed!"

Tony returned to his third supper quite seriously, only remarking: "I

daresay yu thinks Tony a funny ol' fule, don' 'ee?"

[Sidenote: _BIRTH IN THE SQUARE_]

That, I did not. Indeed, I begin to think them peculiarly wise. There

is the spontaneity of animals about their play, and a good deal of the

unembarassed movements of animals--with something very human

superadded. One reads often enough about the love-light in the eyes of

lovers, and sometimes one catches sight of it. Either frank ridicule,

or else great reverence, is the mood for witnessing so delicate and

strong, so racial a thing. Yet this love-light, seen in the eyes of a

man and wife who have been married ten years, and have settled down

long ago to the humdrum of married life, seems to me a far finer

manifestation of the hither mysteries, a far greater triumph. What

freshness, what perpetual rejuvenation they must possess! The more one

regards such a thing, the more magnificent and far-reaching it appears.

No philosophical bulwark against trouble can compare with it. Such love

ceases to be a matter for novels and selected moments and certain lusty

ages; ceases to be exceptional. It is the greatest of those very great

things, the commonplaces. Tony tells me that when he comes in at night,

cold from fishing, Mrs Widger always turns over to the other side of

the bed, leaving him a warm place to creep into. Mrs Widger says that

no matter what time Tony comes in or gets up, he never fails to make,

and take her up, a cup o' tay. So does their love direct the prosaic

details of living in one house together. I do not think I am wrong in

fancying that it percolates right down through the household, and even

contributes to the restfulness I feel here, spite of unorderly children

and the strident voices. "Yu dang'd ol' fule!" can mean so much. Here

it appears to be an expression of almost limitless confidence.

Mrs Widger has put me this time into the front bedroom, which overlooks

the Square and has, through the Gut, a narrow view of the sea.

Tony's sister, who lives almost next door, is giving birth to a child

this evening. I can see the light in her window--a brighter light than

usual,--and the shadows passing across the yellow blind. Many other

eyes are turned towards the window. There is a subdued chatter in the

Square.

3

Little did I foresee what sleeping in the front bedroom means. Tony's

sister gave birth to a boy about ten o'clock. On hearing that

everything was as it should be, I went to bed, but, alack! not to

sleep. For the subdued chatter grew into an uproar which continued till

fully midnight. All the women in the neighbourhood seemed to have come

this way; and they meg-megged, and they laughed, and when their

children awoke they shouted up at the windows from outside. I heard

snatches of childbearing adventures, astonishing yarns, interspersed

with hard commonsense, not to say cynicism--the cynicism of people who

cannot afford to embroider much the bare facts of existence or to turn

their attention far from the necessities of life. "Her'll be weak," one

woman said, "an' for a long time--never so strong as her was before.

'Tis always worse after each one you has, 'cepting the first, which is

worst of all, I say. But there, her must take it as it comes...."

Sundry other bits of good practical philosophy I perforce listened to;

and at last, when everybody had turned in (I imagined their pleasant

lightheadedness as they snuggled under the bedclothes in the stuffy

cottage rooms--the witticisms and echoes of laughter that were running

through their heads); when, I say, everybody had turned in, an offended

dog in the hotel yard began to howl.

If it were not that the window of the back bedroom is over the

scullery, the ash-heap and the main drain, I would ask to move back

there.

In Under Town a birth makes the stir that is due to such a stupendous

event.

4

[Sidenote: _THE KITCHEN_]

The Widger's kitchen is an extraordinary room--fit shrine for that

household symbol, the big enamelled tin teapot. At the NW. corner is

the door to the scullery and to the small walled-in garden which

contains--in order of importance--flotsam and jetsam for firewood, old

masts, spars and rudders, and some weedy, grub-eaten vegetables. At the

top of the garden is a tumble-down cat-haunted linhay, crammed to its

leaky roof with fishing gear. No doubt it is the presence everywhere of

boat and fishing gear which gives such a singular unity to the whole

place.

The kitchen is not a very light room: its low small-paned window is in

the N. wall. Then, going round the room, the courting chair stands in

the NE. corner, below some shelves laden with fancy china and

souvenirs--and tackle. The kitchener, which opens out into quite a

comforting fireplace, is let into the E. wall, and close beside it is

the provision cupboard, so situated that the cockroaches, having ample

food and warmth, shall wax fat and multiply. Next, behind a low dirty

door in the S. wall, is the coalhole, then the high dresser, and then

the door to the narrow front passage, beneath the ceiling of which are

lodged masts, spars and sails. The W. wall of the kitchen is decorated

with Tony's Oddfellow 'cistificate,' with old almanacs and with a

number of small pictures, all more or less askew.

There is an abundance of chairs, most of them with an old cushion on

the seat, all of them more or less broken by the children's racket.

Over the pictures on the warm W. wall--against which, on the other

side, the neighbour's kitchener stands--is a line of clean

underclothing, hung there to air. The dresser is littered with fishing

lines as well as with dry provisions and its proper complement of odd

pieces of china. Beneath the table and each of the larger chairs are

boots and slippers in various stages of polish or decay. Every jug not

in daily use, every pot and vase, and half the many drawers, contain

lines, copper nails, sail-thimbles and needles, spare blocks and

pulleys, rope ends and twine. But most characteristic of the kitchen

(the household teapot excepted) are the navy-blue garments and jerseys,

drying along the line and flung over chairs, together with innumerable

photographs of Tony and all his kin, the greater number of them in

seafaring rig.

Specially do I like the bluejacket photographs; magnificent men, some

of them, though one strong fellow looks more than comical, seated amid

the photographer's rustic properties with a wreath of artificial fern

leaves around him and a broadly smiling Jolly-Jack-Tar face protruding

from the foliage. Some battleships, pitching and tossing in fearful

photographers' gales[3] and one or two framed memorial cards complete

the kitchen picture gallery.

[3] Composite pictures apparently; made from a photograph of a

ship and of a bad painting of a hurricane.

It is a place of many smells which, however, form a not disagreeable

blend.

An untidy room--yes. An undignified room--no. Kitchen; scullery (the

scullery proper is cramped and its damp floor bad for the feet); eating

room; sitting room; reception room; storeroom; treasure-house; and at

times a wash-house,--it is an epitome of the household's activities and

a reflexion of the family's world-wide seafaring. Devonshire is the sea

county--at every port the Devonian dialect. It is probably the pictures

and reminders of the broad world which, by contrast, make Mrs Tony's

kitchen so very homely.

5

[Sidenote: _A DUTCH AUCTION_]

Almost every evening, just now, Mrs Widger goes off to a Dutch auction

of hardware and trinkets at the Market House. She usually brings home

some small purchase, worth about half the money she has paid; but if

she were to go to an entertainment at the Seacombe Hall she would be

not nearly so well amused as by the auctioneer and the other

housewives, and at the end of the evening she would have nothing

whatever to show for her money. Besides, the children would never go

off to bed quietly if they imagined that she was going to a real

entertainment. As she did not return very early last night, Tony and I

got our own supper--bread, cheese, a great deal of Worcester sauce, and

a pint of mother-in-law [stout and bitter] from the Alexandra. Then we

drew up to the fire and smoked. John, healthy and powerful fellow, had

been arguing in the daytime on the beach, that if a youth cannot do a

man's work at seventeen, he never will. Tony disagreed. Twenty-five to

thirty-five, he says, is a man's prime for strength and endurance

together. Nevertheless, he is sure that he often did more than a man's

work long before he was seventeen, which led him to talk about his

boyhood, when Granfer and Gran Widger had frequently not enough food in

the house for their many children to eat. "Us had to rough it when I

wer a boy, I can tell 'ee," says Tony. "'Twer often bread an' a scraape

o' fat an' _Get 'long out o'it_!"

[Sidenote: _TONY'S DUTIES_]

At nine years old, Tony was put with old Cloade, the grocer, now dead;

and by the time he was twelve, he was earning four shillings a week,

not a penny of which he ever saw or had as 'spending money'; for his

mother used to go to the shop every Saturday night and lay out all poor

Tony's wages in groceries. The only pocket-money he ever received was a

copper or two 'thrown back' from what he could earn by going to sea for

mackerel early enough to return to work by half-past six in the

morning. Besides running errands, he had to clean boots and knives and

to scrub out and tidy up the bar, which in those days was attached to

every Devon grocery. Then he could go home to breakfast. And if old

Cloade was going up on land, shooting, Tony had to get up and wake him

at half-past three and to cork bottles or something of that sort before

the master started out for his day's sport. And again, if Tony had

fallen foul of any of the shop assistants during the day, had cheeked

them perhaps, or stayed overlong at meals, then, waiting till closing

time at eight or nine in the evening, they would send him a couple of

miles inland, to the top of the hills, with a late parcel of groceries.

His possible working day was from 3.30 a.m. to 10.0 p.m.

The chief part of his work, when he was not cleaning up or running

errands, was the sorting of fruit and the cracking of sugar. Every nail

of his fingers has come off more than once on account of the damage

done them by the sugar-cracker. Better than any national event, he

recollects the introduction of cube sugar. "When they tubs o'

ready-cracked sugar fust come'd down to Seacombe, 'twer thought a gert

thing--an' so 'twas."

Nearly every year an attack of (sub-acute?) rheumatic fever gave him a

painful holiday, during which he crawled about the crowded cottage at

home on his hands and knees. The one advantage of his irregularly long

hours was that, if work were slack, he could linger over his meals. It

was the assistants who kept a sharp eye on his movements. Them he

hated--and cheeked. "The more I done, the worse they treated me. An' as

I grow'd up an' did often enough more'n a man's work, so I got to know

it. One day I stayed home more'n an hour to breakfast, an' one on 'em

asted me wer I'd a-been, an' I said as I'd had me half-hour to

breakfast, an' he said as I'd had an hour an' a half, an' I told 'en

'twern't no business o' his an' dared 'en to so much as touch me or I'd

knock his head in, which I could easily ha' done--an' there wer the

master standin' by! 'Fore I knowed, he gie'd me one under one yer wi'

one hand, an' one under t'other yer wi' t'other hand; knocked me half

silly; an' said if he had any more o' my chake he'd send me going

thereupon. 'Iss, I said, 'an I _will_ go, an' if I can't pick up a

livin' on the baych wi' fishin' (I 'adn't no boats then, n'eet for

years a'ter), an' if I couldn't pick up a livin' wi' fishin', I'd go to

sea. An' I took an' lef the shop, an' went wi'out me pay due nor nort

further about it.

"Well, I should think as I stayed away two or dree days, saying as, if

I couldn' live _by_ the sea, I'd go off _tu_ sea. By'm-by, ol' Mr

Cloade--I could al'ys get on all right wi' he hisself--'twer they

assistants.... Mr Cloade come'd down to baych an' said as he'd rise me

wages be two shillings, from four shillings to six a week. So I went

back. But 'twern't for long, for I wer turned seventeen then, an'

strong, an' I knowed that six shillin's a week, every penny o' which

mother laid out in groceries--p'raps givin' me dreepence for meself

latterly--that wern't no wage for me doing more'n a man's work, early

an' laate, at everybody's beck an' call. 'Twern't vitty.

[Sidenote: _BRUISED ORANGES AND BRUISES_]

"It come'd soon a'ter.... I wer sorting oranges, an' one o' the

assistants called like they al'ays did: 'Widger, Widger! _Widger!_

Yer, Widger!' 'Twer al'ays, 'Widger! Widger!' in thic show--blarsted

row! 'I wants 'ee to take thees yer parcel to Mr Brindley-Botton's

(what used to live to Southview House) in time for lunch. Hurry up!'"

Tony, in short, put a couple of the bruised oranges into his pocket,

ran off, and delivered his parcel at Southview House. On the way back,

he ate one of the oranges and, boyishly, threw the peel about outside

Mr Brindley-Botton's side gate. He heard someone shouting to him

and--but without turning his head--he shouted "Hell about it!" airily

back. Then, as it was the dinner hour, he loitered on the Green Patch

to play marbles with some other lads, and to share the second bruised

orange. On returning to Cloade's:

"Whu did I see but Mr Brindley-Botton's coachman wi' a little packet in

white paper. 'Twas thic orange peel, all neatly done up, an' a li'I

note saying as I'd a-been cheeky to him, which I hadn't, not knowingly.

Mr Cloade, he called me into his little office, asted me what I'd been

doing, where I went, an' where I got the oranges.

"'Bought 'em,' says I.

"'Twas a lie, an' I hadn't no need for to tell it, seeing I was al'ays

free to take a bruised orange or two when I wer sorting of 'em. On'y I

wer frightened. 'Where did you get them?' he asked.

"'Up to Mrs Ashford's for a penny,' says I.

"'Did you?'

"'Yes, sir,' says I.

"'Are you telling me a lie? I can find out, mind.'

"'No, sir,' I said.

"'Be you sure you ain't telling of a lie?'

"Then I broked down, an' I said they was bruised ones what I'd a-took.

Father, he wer working to Mr Cloade's then, fishing being bad, an' the

master called he. _He_ walloped me--walloped me with a rope's end. An'

I swore as I'd never go back no more, an' I didn't. Every time Father

tried to make me, I up an' said as I'd go to sea.

[Sidenote: _OUT DRIFTING ALL NIGHT_]

"Ay! for all I'm a man now, I 'ouldn't like to work like I did

then--more'n a man's work an' less'n a boy's pay, an' hardly a penny

for meself. I tells John _he_ don't know what 'tis to work like I did

then. _I_'ouldn't du it no more."

But, with his father's boat, Tony did work far harder--hooking mackerel

at dawn, in with a catch and out to sea again, or up on land hawking

them round; out drifting all night; crabbing, lobster-potting,

shrimping,[4] wrinkling,[5] or taking out frights,[6] wet and dry,

rough and calm, day and night. "Aye, an' I be suffering from it now.

Thees yer bellyache what thins me every summer an' wears a fellow out,

don't come from nothing but tearing about then. I wer al'ays on the

tear, day an' night, in from sea to meals an' out again 'fore I'd had

time to bolt down two mouthfuls. Often I wer so tired that Father'd hae

to call me a dozen times afore I cude wake up, an' then I'd cry, _cry_,

if I wer ten minutes laate to work--when I had summut to du on land,

that was. Half the day I wer more asleep than awake, wi' bein' out

fishing all night. But I didn' let 'em see it. Not I! Rather'n that,

I'd go up to the closet an' catch off there for five minutes, before

they shude see I wern't fit to du me work. An' I never had nort o' me

own for years, for all I done. Whether I earned two pound, or thirty

shillings, or nothing at all, I never had so much as a penny for

pocket-money, to call me own. I had to take it all in house--aye! an'

tips too, when I got 'em. Father, he wern't doing much then, an' ther

were seven younger'n me. That's where my earnings went. An' me, as did

the work, was wearing Mother's boots an' Father's jacket."

[4] Prawning.

[5] Periwinkle gathering.

[6] Freights, _i.e._ pleasure parties.

When Tony was indisputably grown up, one half of what he earned went,

according to custom, to the boat-owner, in this case his father,

frequently had be thu to pay for repairs and new gear. That went on for

years after he was married--'hauling an' rowing an' slaving an' pulling

me guts out wi't!'--until, in fact, the present Mrs Widger insisted on

his buying boats of his own.

[Sidenote: _THE DEAD NOT WHOLLY SO_]

Our talk shifted to Tony's first wife, who died (and Tony almost died

too) as the result of the landlord's taking up the drains, and leaving

them open, in the height of a hot summer. Tony told me about her people

and her native place, a fishing village along the coast. He showed me

photographs of her, and a framed, pathetically ugly, imitation cameo

memorial, which is getting very dirty now. I knew he loved her very

much. He nearly went out of his mind when she died, leaving him with

four young children. The untidy little kitchen, with its bright fire,

its deep shadows and its white clothes hung along the line; Tony's

drooping figure, bent over the hearth in an old blue guernsey: the

contrasting redness of his face, and the beam of light from a cracked

lamp-shade falling across his wet, memory-stuck blue eyes.... The

kitchen seemed full of the presence of the long-dead woman whom Tony

was still grieving for in some underpart of his mind. "Iss, her was a

nice woman," he said, "a gude wife to me; a gude wife: I hadn't no

complaint to make against she."

The one shabby sentence hit into me all his sorrow, that which remains

and that which has sunk into time.

* * * * *

The Mrs Widger that is, returned from the Dutch auction with an

elaborate badly-plated cruet. "Al'ays using up my saxpinces what I has

to slave for," said Tony.

"G'out! 'Tis jest what us wants."

"You won't never use it."

"We'll hae it out on thy birthday--there! Will that zatisfy thee?"

"Not afore then? I wer born at the end o' the year, an' that's why I

al'ays gets lef' behind."

"Not a day before thy birthday! What'll yu be saying if I buys sauces

to put in all they bottles?"

"Cut glass, is it?"

"No! What d'yu think?"

"What a woman 'tis! Gie yer Tony a kiss then."

"G'out yu fule!"

The wise fool took a kiss. We had a second supper and hot grog. We were

merry. But when I said _Good night_, I saw in Tony's eyes a recognition

that I had understood (so he felt, I think) some part of what he

seldom, if ever, brings up now to talk about.

Only a yarn about a man's first wife.... If so, why did I go to bed

feeling I had been privileged beyond the ordinary? Wives die every day;

worn out, most of them. There came into my mind's eye with these

thoughts a picture of the open sea; yet hardly a picture, for I was

there in the midst of it. On the waves and low-lying clouds, and

through the murk, was the glimmer of a light which, I felt, would make

everything plain, did it but increase. For a moment it flickered

up--and there, over the stormy sea, I saw death as a kindly illusion. I

do not understand the wherefore of my little vision, nor why it made my

heart give one curious great thump....

A cats' courtship beneath my window broke it off.

6

[Sidenote: _THE "MOONDAISY"_]

Five or six years ago, when I was ill and left Seacombe, as I thought,

for good, I did not relish selling the _Moondaisy_. I was too fond

of her. So I gave her to the two men who had asked for the first and

second refusals of her, and neither of whom possessed a small sailing

boat. But I reckoned without those superficial beach jealousies which

overlie the essential solidarity of the fishermen. Neither man used her

much. Neither man looked after her. She was a bone of contention that

each feared to gnaw. While the poor little craft lay on the beach, or

in the gutter above the sea-wall, the mice ate holes into her old sail

and her gear was distributed half-way over Under Town.

Granfer, however, had in his cottage an old dinghy sail that fits the

_Moondaisy_. Her yard and boom were in his linhay, the sheet and

downhaul in Tony's. One oar, the tholepins, and the ballast bags have

not yet been found. I bent on the sail, spliced the sheet to the boom;

borrowed tholepins from Uncle Jake,[7] ballast bags and a mackerel line

with a very rusty hook from Tony, an oar from John--and, at last, put

to sea.

[7] Granfer's brother, Tony's uncle.

The wind--westerly, off land--was too puffy for making the sheet fast.

I held it with one hand and tried to fish with the other. In order not

to stop the way of the boat and risk losing the lead on the sea-bottom,

I wore her round to lew'ard, instead of tacking to wind'ard. A squall

came down, the sail gybed quickly, and the boom slewed over with a

jerk, just grazing the top of my head. Had that boom been a couple of

inches lower, or my head an inch or two higher.... I should have been

prevented from sailing the _Moondaisy_ home, pending recovery from

a bashed skull. Everything aboard that was loose, myself included,

scuttled down to lew'ard with a horrid rattle. A malicious little gush

of clear green water, just flecked with foam, spurted in over the gun'l

amidships. I wondered whether I could have swum far with a cracked

skull: the _Moondaisy_'s iron drop-keel would have sunk her, of

course. Why I was fool enough to wear the boat round so carelessly, I

don't know.

Anyhow, I wound up the mackerel line; my catch, nil. Such an occurrence

makes one very respectful towards the fisherman who singlehanded can

sail his boat and manage five mackerel lines at once--one on the thwart

to lew'ard and one to wind'ard; a bobber on the mizzen halyard and two

bobbers on poles projecting from the boat. He must keep his hands on

five lines, the tiller and the sheet; his eyes on the boat's course,

the sea, the weather and the luff of the sail. Probably I know rather

more of the theory of sailing than he does; but, when a squall blackens

the sea to wind'ard, whilst I am thinking whether to run into the wind

or ease off the sheet; whilst by doing neither or both, I very nearly

capsize, or else stop the boat's way and lose my mackerel leads on the

bottom--he, almost without thinking, does precisely what is needful,

and another mackerel is hooked long before I should have brought the

boat up into the wind again.

[Sidenote: _FISHERMEN'S SKILL_]

The greatest charm of sailing lies in this: that it is the art of

making a boat move by dodging, by taking advantage of, a score of

possible dangers. Except when running before the wind, it is the

capsizing-power of the wind which propels the boat. The fisherman is an

artist none the less because his skill seems partly inborn; because he

sails his boat airily and carelessly, yet grimly--for life and the

bread and cheese of it. The 'poor fisherman' for whom appeals to

charity are made, as if he were a hardworking, chance-fed, picturesque

but ignorant and helpless creature, is more than a trader, more than a

skilled labourer in a factory. To a peculiar extent he sells himself as

well as his skill and his goods. He lives contingently on his own life.

7

All that day the wind out in the Channel was blowing fresh from the

sou'west, as we could see by the blackness of the horizon and the

saw-edged sea-line beyond the outer headlands. During the afternoon, a

ground-sea crept into the bay, silently rolling in like an unbidden

unannounced guest who will not name his business. And when, at the turn

of the tide, the breeze in-shore also backed to the sou'west, a busy

lop was superposed on the long heaving swell.[8] About half-past seven,

the Widgers were gathered together near their boats.

[8] A _lop_ is a short choppy sea raised by the immediate action

of a breeze. A _swell_ consists of the long heaving waves which

follow, and sometimes precede, a storm. The diverse action of

different sorts of waves on a shingle beach is interesting. Short

seas (_i.e._ short from crest to crest), even when they are very

high, have not nearly the force or _run_ of a long, though much

lower ground-swell; that is they neither run so far up the beach

nor so greatly endanger the boats. All kinds of waves possess

more run at spring than at neap tides. A lop on a swell at spring

tide is therefore the most troublesome of all to the fishermen.

"What time be it high tide?" asked Granfer. "'Bout ten, en' it?"

"Had us better haul the boats up over?" said Tony. "Tides be dead, en't

they?"

"No-o-o," replied Uncle Jake. "They 'en making."

"'Tis goin' to blow, I tell 'ee," said Granfer. "See how brassy the

sun's going down. Swell coming in too. Boats up be boats safe."

"Hould yer bloody row," said John. "What be talking 'bout? Plenty o'

time to haul up if the sea makes."

"All very well for yu," Tony protested, "living right up to Saltmeadow.

If the sea urns up to the boats in the night yu won't be down to lend a

hand, no, not wi' yer own boats. 'Tis us as lives to the beach what has

to strain ourselves to bits hauling your boats up over so well as our

own."

"Let 'em bide, then!"

"Looks dirty, I say," said Granfer. "Might jest so well haul up as bide

here talking about it. _I_ shan't sleep till I knows the boats be all

right."

"Thee't better lie awake then. An't got no patience wi' making such a

buzz afore you wants tu." With that, John shouldered his coat and

strode homewards.

[Sidenote: _JOHN WIDGER_]

The rest of us pulled the boats up, John's included, till their stems

touched the sea-wall, and we placed the two sailing boats, John's and

Tony's, close beside the steps, handy for hauling up over if need

should be.

Tony and Granfer went in house. Uncle Jake watched them go with an

ironical smile on his wrinkled old face. "Don't like the looks o' this

yer lop on a ground-swell," he said. "There! Did 'ee see how thic sea

licked the baych? Let one o' they lift yer boat.... My zenses! 'Tis all

up wi' it, an' I should pick it up in bits, up 'long, for

firewood.--Well, John's gone home along...."

John is the youngest, handsomest and most powerfully built of the

Widgers; the most independent, most brutal-tongued and most logical,

though not, I fancy, the most perceptive. The inborn toughness, the

family tendency to health and strength, which made fine men of the

elder Widgers in spite of their youthful exposure and privations, has,

in the case of John who underwent fewer hardships, resulted in the

development, unimpeded, of a wonderful physique. "Never heard o' John

being tired," says Uncle Jake.

Premature toil did not bend him; what he is the others had it in them

to be, and by their labour helped to make him. Because his spirit has

never been so buffeted, let alone broken, by hard times, he is also the

most self-reliant. And like the majority of lucky men, he takes fate's

forbearance as his due and adds it to his own credit. Fair-haired,

blue-eyed, his clean-shaven face deeply and clearly coloured; a

combination of the Saxon bulldog type with the seafaring man's

alertness; his heavy yet lissome frame admirably half-revealed by the

simplicity of navy-blue guernsey and trousers,--it is one of the sights

of Seacombe to see him walk the length of the Front with his two small

boys. He lacks, however, the gift of expressing himself, except when he

is angry--and then in a torrent of thrashing words. He communicates his

good-will by smiling all over his face with a tinge of mockery in his

eyes and the bend of his long neck; whether mockery at oneself or at

things in general is not evident. (It is mainly, I think, by smiling at

one another that we remain the very good friends we are.) In any

discussion, his "Do as yu'm minded then!" is his signal for making

others do as _he_ is minded. The advantages possessed by him--health,

strength, clear-headedness, and good looks--he knows how to use, and

that without scruple. He is never hustled by man or circumstance;

seldom gives himself away; and seldom acknowledges an obligation. What

one might reasonably expect him to do in return for help or even

payment, he carelessly, deliberately, leaves undone, and performs

instead some particularly nice action when it is least of all

anticipated. His opinion is respected less because it is known, than

because it isn't known, and by playing in the outer world with a crack

football team he adds to his prestige here. "What du John say?" is

often asked when it doesn't matter even what John thinks. Without

gratitude for it, unconsciously perhaps, he exacts from others a sort

of homage, which is certainly not rendered without protest. "There's

more'n one real lady as John could ha' married if he'd a-been liked," I

heard Granfer say over his beer one day. "The way they used to get he

to take 'em out bathing in a boat.... Put 'en under the starn-sheets, I

s'pose--he-he-he-he-he! But they real ladies du tire o' gen'lemen

sometimes. Some on 'em had rather have a strong fellow like John. He

married out o' the likes o' us, as 'twas. Her what he married used to

eat wi' the gen'leman's family what her come'd yer with; sort o'

companion-nurse her was."

[Sidenote: _A NICE DISTINCTION_]

Once, when the _Moondaisy_ was mine, John charged me sixpence for

putting me ashore from the steamer, after he had been earning money

with my boat that very same day. There is no meanness in his face, and

I wondered who had taught him so to distinguish between the borrowing

of a private boat and the use of a craft that was on the beach for

hire--a perfectly sound distinction. Probably it was some

commercial-minded lodger or beach-chatterer, from whom he picked up the

opinion that nowadays, to get on, you must run with the hare and hunt

with the hounds--a precept which he quotes with cynical gusto but

carries out only so far as suits his feelings. He aims at being

businesslike, but the businesslike side of his character is the more

superficial. Pride will not allow him to boggle over bargains. "Take

it, or leave it," is his way. Most up-to-date in what he does do, he is

no pioneer, and follows a lead grudgingly when innovations are in

question. Most progressive outwardly, he is the most conservative at

heart. A reader of his daily paper, he speaks the broadest Devon of

them all; scrupulously groomed after the modern way, and a smoker of

cigarettes (he was laughed out of a pipe I've heard say), he still

wears the old-fashioned seaman's high-heeled shoes. Tobacco is his

obvious, his humane, weakness. What his other weaknesses are, I don't

know. He strikes one as master of his fate, never yet wrecked, nor

contemplating it. Did such a misfortune occur ... who knows what would

happen? He is now, in his youth, so full of strength.

* * * * *

About ten o'clock, Tony, who was snoozing in the courting chair (Mrs

Widger had gone on to bed) woke up with a "How about they boats?" I

went out to look.

[Sidenote: _THE HIGH TIDE WAVES_]

The sea was covered with that pallid darkness which comes over it when

the moon is hidden behind low rain-clouds. Out of the darkness, the

waves seemed to spring suddenly, without warning at one's very feet.

Every now and then, when a swell and a lop came in together, their

combined steady force and quick energy swept right up the beach,

rattling the pebbles round the sterns of the boats. For the better part

of an hour I waited. Then, after a sea had thrown some shingle right

into a boat, I called Tony.

"'Tis past high water, en' it?" he said sleepily.

"Thee't better come out an' see for thyself!"

He dragged himself up and out. "'Tis al'ys like thees yer wi' the likes

o' us. 'Tis a life o'it!"

"Aye," he said, "the say's goin' down now sure 'nuff. Better git in

house again. Raining is it?"

"God! Look out!"

A sea lifted Tony's and John's sailing boats; was sweeping them down

the beach. We rushed, one to each boat, and hung on. Another sea swept

the pebbles from under our feet--it felt as if the solid earth were

giving way.

"Those was the high tide waves," said Tony. "If us hadn' a-come out

both they boats 'ould ha' been losted. Yu've a-saved John his--all by

chance. Aye! that's like 'tis wi' us, I tell thee. Yu never knows.--Be

'ee going to bed now?"

I stayed out a little while longer: the loss of boats means so much to

men whose only capital they are. Just after Tony had gone in, the

clouds parted and the moonlight burst with a sudden glory over the sea.

In the moonglade, which reached from my feet to the far horizon, the

waters heaved and curled, most silvery, as if they were alive. That was

the wistful gentle sea from which, but a moment or two before, we had

wrested back our property--that sea of little strivings within a large

peace. I thought at the time that there was surely a God, and that as

surely He was there. For which reason, I was glad, when I came in

house, that Tony had gone on to bed.

* * * * *

A Poor Man's House · 第 11 / 26 题