AUTHORITIES--ANCIENT AND MODERN

Not by any means was cob exclusively the poor man's material, and

several old homes of this sort still survive that are of some

consideration.

[Headnote: Raleigh's House]

Amongst them is Hayes Barton, the birthplace of Sir Walter Raleigh.

Writing of Raleigh and his home, Mr. Charles Bernard says:

* * *

_Sir Walter Raleigh's House._--"He had great affection for his boyhood's

home--the old manor-house at Hayes Barton where he was born, and did his

best to secure it from its then owner. 'I will,' he wrote, 'most

willingly give you whatsoever in your conscience you shall deme it worth

. . . for ye naturall disposition I have to that place, being borne in

that house, I had rather see myself there than anywhere else.' But alas!

it was not to be, and the snug and friendly Tudor homestead passed into

other hands. The house at Hayes Barton was probably not newly built when

Raleigh's parents lived there, and it says much for the character of cob

that the house is as good to-day as ever it was; though for all that it

has, to use Mr. Eden Phillpotts' words, 'been patched and tinkered

through the centuries,' it 'still endures, complete and sturdy, in

harmony of old design, with unspoiled dignity from a far past.' Lady

Rosalind Northcote gives the following description of the house in her

_Devon_. She writes: "In front of the garden, a swirling stream crosses

a strip of green; and in the garden, at the right time, one may see the

bees busy among golden-powdered clusters of candytuft, and dark red

gillyflowers, and a few flame rose-coloured tulips, proud and erect. The

house is very picturesque; it has cob walls and a thatched roof, and is

built in the shape of the letter +E+; a wing projects at either

end, and in the middle the porch juts out slightly. The two wings are

gabled; there is a small gable over the porch and two dormer ones over

the windows at each side of it, the windows having lattice lights and

narrow mullions. Dark carved beams above them show up well against the

cream-coloured walls. The heavy door is closely studded with nails, and

over it fall the delicate sprays and lilac "butterfly" blossoms of

wistaria.'"

[Illustration:

+Ceilings of Modelled Plaster from old Cob Houses in Devon.+]

[Illustration:

+A Cob Garden-wall with Thatched Coping.+]

_Reed Thatch._--In recent years slates or tiles have replaced thatch for

the roofing of cob buildings and walls, owing to the cost of reed (the

local name for the straw from which the grain has been hand-threshed by

flail to prevent the straw being broken), and the difficulty of getting

good thatchers. The opinion is held by many that the lasting quality of

thatch has deteriorated since the practice of liming the cornland has

unfortunately been given up.

_Primitive Methods._--Formerly the ground floors of cob cottages were

all cobbled, but these have, generally speaking, been replaced by lime,

ash, or cement floors. The cob builders of past generations apparently

made no use of the square, plumb-line, or level. No laths were used for

the walls, which were plastered within; outside, rough-cast or

"slap-dash" was laid on.

[Headnote: Mr. Baring-Gould]

_Mr. Baring-Gould's Testimony._--Mr. S. Baring-Gould, in his _Book of

the West_, writing on the subject says: "No house can be considered more

warm and cosy than that built of cob, especially when thatched. It is

warm in winter and cool in summer, and I have known labourers bitterly

bewail their fate in being transferred from an old fifteenth or

sixteenth century cob cottage into a newly-built stone edifice of the

most approved style, as they said it was like going out of warm life

into a cold grave."

Cottage Building in Cob, Pisé, Chalk and Clay: A Renaissance (2nd edition) · 第 29 / 74 题