CHAPTER VII.

ITALIA.

Seen by daylight, the entrance to Drea's house was not unlike the

entrance of a cave. The house itself was in a corner of the canal,

flush with the water, below the level of the street, and consisted of

two rooms--the long, large entrance room where the table had been laid

for the birthday supper, and another much smaller chamber beyond, which

belonged to Italia, and was lighted by a very small round window like

the port-hole of a ship, which looked out upon the water on the other

side of the bridge. The whole place indeed had been originally

designed for a Government boat-house and store-house, and was sunk in

the thickness of the massive stone pier.

On a sunny morning like this, when the door was thrown wide open, any

painter passing that way would have been charmed by the mysterious look

of the interior, the dark raftered ceiling, the smoke-embrowned

fireplace, above which a row of bright brass plates made round spots of

light in the darkness, and then the heavy coils of rope and the spare

oars, arranged with all a sailor's habit of neatness, against the

whitewashed wall. At dusk, and when the fire was burning, it was like

looking at an interior of Rembrandt's to watch the play of light and

shadow over the rich ruddy brown tones of the room; but on this

particular morning the fire had been allowed to sink to a mere handful

of red embers, and the room was full of the fresh smell of the sea air

and the brightness of the March sunshine.

At the foot of the stone steps leading down from the street before

Drea's door there was a narrow strip of stone pavement, and a floating

wooden stage where the boat was moored. In the corner there, where the

angle of the great granite buttress made a sheltered spot, was Italia's

favourite seat. By sitting well back in the shadow one was entirely

out of sight, unless indeed some especially adventurous spirit

bethought himself to take the trouble to lean bodily over the parapet

of the bridge overhead. But it was too busy a part of Leghorn for much

idling: all day long the tramp, tramp of hurrying feet, and the hollow

rumbling of the weighted carts rolling towards the lading ships, made a

dull, continuous bass, which effectually covered any sound of voices.

Italia could sing there by the hour over her work, sure of never being

heard, save perhaps by some taciturn weather-beaten fisherman poling

his flat-bottomed boat into the quieter water of the canal. It was

Drea's own landing-stage, and he was jealous of his rights to it,

giving but few boats the privilege of mooring there for an hour. Since

the building of the railway, now that the canal has ceased to be of use

for the heavier traffic between Leghorn and Pisa, a quieter spot than

this could scarcely be imagined. For even the supposititious idler

would scarcely be tempted to look this way when, just across the

bridge, by leaning over the opposite balustrade, one could look down

upon all the hurry and interest of the Old Port, and watch the slow

heaving of the anchors, the puffing excitement of the blackened vessels

getting up steam, or the continual come-and-go of the little boats

among the shipping.

The noise and the hurry passed like an unheeded stream around Italia's

sheltered corner. Dino had compared her once to an enchanted princess,

and her quaint rooms, with the silent, sunny platform in front of them,

to a strip of enchanted ground set apart from the disturbing

commonplaces of life. The remembrance of the old fancy brought a smile

upon his lips as he ran lightly down the steps that morning. Drea was

not there, and the old boat was not at her mooring, but Italia was

sitting just where he had expected to find her. She held a book in her

hand, but she was not reading, she was looking dreamily at the lazy

lapping of the water against the old wooden stage. She wore the same

blue cotton dress as on the previous night, but she had taken off her

beads and clasp, and tied a scarlet handkerchief about her neck. Her

hat was lying on the ground beside her; Dino picked it up, and his

first greeting was one of playful reproof.

'Bareheaded in this March sunshine, my Italia? _Pazzarella_! Your

father was right indeed when he said it required two of us to look

after you.'

'Dino _mio_!'

She looked up at him with a wide, dreamy glance, which suddenly grew

bright and loving. The hot colour rushed to her cheeks, and she put up

her little brown hands as if to hide them, while she laughed and shook

her head.

'_Marzo pazzo_, ah, yes, I know it. But indeed, Dino, this is much

more likely to drive me to distraction.' She opened the book on her

lap, and turned over half a dozen pages. 'I have really tried to learn

it, really. But it is so difficult; you have no idea how difficult it

is, Dino.'

'Poor little thing! It is a shame to give it such hard lessons,' said

Dino in a caressing tone, looking down at the rough brown hair. He

threw himself down on the pavement in the shadow at her feet, and put

up his hand for the book.

'Here! let me have a look at it, and see if I can't do something to

make it easier for you. What is it? Arithmetic? Oh! but this is what

I gave you to do long ago. No wonder you find it difficult; you have

had time to forget all my explanations. Let me see now; have you a

pencil?'

'Yes; but you can't write with it. I've broken the point.'

'Give it here, then, you helpless baby!'

He took a knife out of his pocket, and picking up the pencil began to

sharpen it while she sat watching him, her dark eyes full and bright

with such an expression of unquestioning content as one is not

accustomed to expect on faces which have outgrown their first childish

calm. The water of the canal was as blue that morning as the stainless

sky which it reflected, and it seemed almost as still; only now and

then the faintest ripple breaking against the step with a weak splash

and stir which made the sunbeams sparkle under the wooden platform.

Beyond the dark archway of the bridge the white-sailed boats came and

went; her glance followed their movement with a vague sense of happy

peace. She was realising for the first time the ideal of all

loving-natured women: she was feeling her happiness depend upon the

will of the man she trusted. When Dino looked up at her inquiringly

she started, as if indeed awakened from a dream.

'Have you understood? Is that plain enough? Oh, Italia! Italia! for

shame! Is that the way to treat a learned professor? You have not

been looking at the book after all,' he said laughing, but shaking his

head with mock severity.

The colour rushed back to her cheeks. 'Oh! I am so sorry, Dino; I

forgot.'

'Now, if I were your father I should tell you that one does not carry

flowers to the mill when what one wants is bread; and the quickest way

to become an arithmetician is not to sit watching for the boat. By the

way, speaking of the boat, Sor Drea must have gone out early this

morning.'

'Yes; he went at daybreak; he woke me up to tell me he was going. He

took Maso with him to help with the nets.'

'Ah! I wish I had known,' said Dino quickly.

'Father thought of going for you; then he said you would be tired--you

had a hard day yesterday. And Sora Catarina would not know yet of your

arrangement; she would have been frightened if you had been fetched

away suddenly in the middle of the night.'

She glanced quickly at him, and added, 'I am glad they did not go for

you; you look so tired this morning, Dino, as if you had not slept.'

'I did not sleep--much,' he said absently.

He threw his arm up and laid his head against it. His face was almost

on a level now with the blue ripple of the water. There was a handful

of loose straw floating about among the piles: he watched it come and

go as the current sucked in under the landing-stage. What was the good

of thinking--of remembering? Why had Italia alluded to last night?

Was he never to forget it for five minutes?

He sat up abruptly, brushing the hair out of his eyes; but as he moved

she spoke.

'Won't you give me the book now, Dino?' She bent her head down over

it: 'I did not mean to vex you; I did not mean to tease you when you

are so tired.'

She looked so like a child submitting to some half-understood reproof

that Dino could scarcely restrain the impulse of mingled tenderness and

adoration which made him long to take her in his arms and kiss her.

But he forced himself to answer lightly: 'What nonsense, little one; as

if anything you did could vex me!' He looked about him: 'I suppose I

ought to be going now. There is no telling when Sor Drea will be in if

he has taken the nets; but I wish you would sing to me--just one song

before I go.' He took the book away from her and closed it gently.

'After all, you are right; it is better to have music than to do one's

lesson on such a morning. Sums are made for different weather, are

they not, Italia _mia_? For days when the _libeccio_ blows, and one

does not mind wasting a whole morning over one terrible bit of

multiplication.'

'Oh, but even I am not quite so bad as that,' said Italia quickly. 'I

had only just brought out my book when you came; before then I had been

talking to the signor Padrone.'

'What!' said Dino, in quite an altered voice. He noticed the change

himself, but he could not prevent it; it was all he could do to ask the

question quietly, 'Has--has the Marchese Gasparo been here?'

'Surely,' said Italia, looking at him with some surprise; 'he came here

about an hour ago to speak about the boat to my father. He wants to

take a party of his friends out for a sail.' She added: 'I thought you

knew he had been here; he told me he had met you.'

'No, I did not know it,' said Dino, speaking between his teeth.

All the radiant sweetness of the day seemed blotted out before him. It

was very well for that child there innocently to accept this fiction

about the boat; but did not he, Dino, understand Gasparo better? A

dozen stories of the handsome Captain's powers of fascination flashed

back across him. He thought of the woman to whom he had carried the

letter that very morning. The letter! It was a trick to get him out

of the way; that was why Gasparo had turned that friendly smiling face

upon him, and talked of 'old times,' of 'days when they were boys

together,' and all the while he was planning this visit to Italia--damn

him!

He forgot all about Italia's presence. With a sudden prophetic feeling

he seemed looking straight ahead into the future. He could see exactly

what would happen, such an old, old story; and to think that such

misery could even come near Italia, his little playfellow, his little

girl. If he had only known in time; if he had warned that strange lady

when he spoke to her this morning, that would indeed have been fighting

Gasparo with his own weapons! And then he remembered the tone of her

voice when she spoke to him; to him, a man, not a girl, thrown upon her

mercy. 'When the waves beat too fiercely against the shore the rock

breaks them,' she said. And he was to go away, he had sworn it, and it

was in such hands that he was to leave the future of Italia!

He had been silent so long that she thought him very tired. Perhaps he

was depressed, too, about this sudden change in his fortunes. His

mother might have been finding fault with him; Italia was always a

little afraid of the Sora Catarina, who was associated in her mind with

dark reproving looks and a generally grave and joyless view of life.

It was always a matter of secret wonder to her when she heard her

father allude to the days when Dino's mother had been a young and

handsome girl. In her heart Italia could never imagine her looking

otherwise than imperious and miserable. It seemed quite probable now

that she should be the cause of Dino's look of unhappiness.

'I think you would be pleased to hear one thing,' she said gently.

'Signor Gasparo was talking to me this morning about my father. You

know the old Marchese always used to say that he should leave my father

something in his will because of the service he did that night when the

steamer was wrecked. You know, Dino; when we were children. And

Signor Gasparo says that since his father forgot to put it into his

will in writing, it makes no difference at all. He is going to speak

to the lawyers and to the Signora Marchesa about it, and my father will

have the money just the same. It is a great deal of money, three

hundred francs, in gold. Father can buy a new boat with it--dear

father! Are you not glad, Dino?' She was silent for a moment, and

then, for the first time, a shadow came across her face. 'I thought

you would be so glad. That was half the pleasure of it,--the telling

you,' she said rather wistfully.

'I _am_ glad,' Dino answered, in a harsh mechanical voice.

And then the blank look of disappointment on the sweet face bending

over him struck him like a pang. He sat up, rubbing both hands over

his head, and ruffling up his thick curly hair. 'My Italia, you must

know without my telling you if I am glad to hear of any good fortune

coming to you or to Drea. But you must be patient with me this

morning, _carina_. I have things to vex me; and I am very weary.'

'Poor Dino! It is my fault for tiring you. But I will sing to you

now. That will rest you better than anything else,' she said

soothingly, gazing down at him with frank loving eyes.

Dino smiled faintly. This sudden reawakening of thought was like the

clutch of a physical pain. 'Sing to me with your guitar. That is more

formal. It is more like making a stranger of me,' he said, answering

her look. As she moved away he shut his eyes, and buried his face

again on his folded arm. The last hope was gone. After this what

would be the use of warning Drea? The simple loyal-hearted old man was

as incapable of tempering his gratitude for a gift, with a criticism of

the giver's motives as the veriest child. His little store of wisdom

held no formula for such a case. It would be next to impossible to

make him believe in any form of treachery connected with the handsome

open-handed young master; and, even if it were possible, Dino foresaw

only too clearly what would be the first--the immediate result. For

had he not pledged himself to care for and protect Italia? And what

more natural than that her father should turn to him in this emergency?

He lay so quiet that Italia believed him to be half asleep. She looked

down at him two or three times as she sat there tuning her guitar; but

as he did not move she did not speak to him. Presently she began to

sing.

She sang song after song; odds and ends of old ballads; love-catches

such as the peasants sing to themselves while the sheep are grazing;

full rythmical snatches of modern Greek she had learned from wandering

sailors. She sang softly, _a mezza voce_, with an exquisite liquid

tenderness in her voice, like the lowest notes of a brooding bird.

Once, as there came a sound of dripping oars, she broke off suddenly.

A boat passed very near them, and she nodded with a smile to the stout

man in the faded uniform who was seated in the bows.

'What is it?' asked Dino, without lifting his head--he too had heard

the sharp click of the rowlocks.

'Dino! are you awake? And I thought you were sleeping so sweetly. Did

that boat wake you then? It was nothing; only the custom-house men

rowing old Captain Piero home to get his dinner. See! there he is

still waving his hand to me. I see him every day; he always passes at

this hour.'

'But he does not always see you singing a visitor asleep,' said Dino,

sitting up rather hastily and looking after the departed boat. 'No, I

was not dreaming, my Italia; unless it be a dream to feel one's whole

heart and soul full of you.' The words slipped out unintentionally; an

instant later he would have given anything to recall them. He felt

sure she had taken in their full meaning by the very silence which fell

upon her. She sat absolutely motionless; he was sure of it, but he

would not trust himself to look at her. He only added, in a tone which

he tried to make quite impersonal, 'I am afraid your Captain Piero will

only have a poor opinion of my politeness. Do you think we could

explain to him that I was not quite so insensible as I seemed?'

'I don't know,' said Italia, rising and laying down the guitar. She

moved away a few steps and stood leaning against the gray buttress, her

scarlet neck handkerchief making a vivid spot of colour there like a

flower.

'I can see--I think I can see my father's boat,' she said, bending

forward and taking hold of the edge of the bridge's arch.

'Take care!'

Dino got up and went and stood beside her.

'Don't lean too far forward, dear. Is that Drea's boat? What eyes you

have, my Italia! See, the wind is against her; she will have to come

in on another tack.'

The patched sail bent and dipped as he spoke. The boat seemed gliding

away from them.

He looked down at her. They were standing so close together now he

could see the quick rise and fall of her breath; the stirring of the

wind in her roughened hair; the quivering shadow where the long lashes

rested on her cheek.

One hand hung loosely by her side. He barely touched it, with fingers

that trembled.

'Italia!'

What were resolutions or remembrance? All the world had faded away;

there were no living presences now but himself and this girl beside

him, and that far-off winged boat moving slowly towards them across the

shining water. 'My Italia?' She turned a radiant face towards him.

The momentary shyness which had made her leave her place was gone now;

there was only left a deep look of rapture in the dark loving eyes.

'Yes, Dino. You _do_ love me. I know it,' she said simply. She did

not change her expectant attitude; but she moved her hand until the

little brown fingers clasped his.

They stood so for fully a minute without speaking, their eyes fixed on

the approaching boat. 'And you love me too, Italia? You will say that

you love me?' Dino said in a half whisper. He had not meant to say

this. He had resolved not to say it; but what was the good of prudence

now? The patched sail was drawing nearer; there was only this one

moment left in which fearfully to snatch at perfect joy. He held his

breath lest she should delay to speak.

But Italia answered him with grave simplicity. There was not the

shadow of a doubt in her heart, not a cloud upon her heaven of content.

Perhaps they had never been farther apart, these two, in all their

sensations, than at this first moment of supreme understanding.

'I do love you,' she said, in her clear full voice. And then at the

sound of her own words she started; Dino felt the movement of her

fingers in his; her eyes filled with happy tears, and the colour swept

in a quick wave over her pale face and throat. 'I think I have always

loved you--after my father--always, since I was a little girl, my

Dino,' she said softly.

'Only--after your father, Italia?'

She hesitated; but he had asked his question an instant too late, for

now the wind had really caught the flapping sail of the _Bella Maria_;

they could see the quick movement of old Drea's hand on the tiller, and

hear his voice calling out an order to Maso. In another moment the two

men had brought the old brown boat cleverly alongside. Dino made a

quick catch at the rope that was flung to him; there was a momentary

struggle of strong-armed Maso with the heavy sail.

'Well, lad,' said Drea, standing up at his place by the helm and

looking about him. 'Well, my little girl!'

'Was it a good morning's work, father?'

'_Mah_! ... I've seen worse days, child, I've seen worse days. Mind

what you are about with those nets, you Maso! That's right, lad; give

him a hand. We wanted another man with us, but I've seen worse hauls

for all that. You'll be ready to go out with us to-night, eh, Dino?'

'Yes, Sor Drea.'

'Ay, ay. You'd have come with us this morning fast enough, I'm

thinking, but the girl there wouldn't hear of my sending for you. "He

has had a hard day; he will be so tired, father," she said. Tired!

_Santissima Vergine!_ and she a sailor's daughter!' The old man

chuckled, straightening his back and rubbing his stiffened shoulder

joints. 'But, bless you, they're all alike, and even one's own

daughter is a woman. Women! they'll pray all day for rain, and be

frightened the first minute they see a cloud in the sky.--You'll get

your dinner here, Maso.'

Maso, a broad-backed young fellow in a blue jacket, looked up from the

wet heap of nets with a smile which showed all his white teeth. 'Ay,

Sor Drea.'

'And I must be off home,' said Dino, looking at Italia.

'Ay, lad. You'll stay another time likely. There won't be too much

dinner to-day for three of us,' the fisherman said simply, 'and Maso

has earned his share. The chestnut is for the man who takes its shell

off: that's my way o' thinking.'

'I could not stop in any case; thanking you kindly all the same, Sor

Drea. I told my mother I'd be back to dinner. By the way, I was to

ask you if it is all settled about our going up there?' he nodded in

the direction of Monte Nero.

'Ay, ay. 'Tis settled for Sunday fast enough. Sora Catarina has only

to get herself ready. We might have had worse luck, Maso; we might

have had worse luck. 'Twas stiffish work with only two of us,' old

Drea said, sitting down on the edge of the platform with his feet in

the boat to light his pipe. '_Mah! ... che volete_? There's nothing

like the day after a storm for finding out the colour o' the bottom o'

things. There's good in every wind that blows, lad, for a man who

knows how to set his sail.'

He thrust a heap of the wet shining fish aside with his foot.

'When there's not so many o' the big there's more o' the little. You

know what I'm always telling you. The Devil himself, _con rispetto

parlando_, the Devil himself has a curly tail.'

END OF VOL. I.

Vestigia. Vol. I. · 第 7 / 7 章