THE HIGHER SNOBBERY

To call an attitude snobbish, when the great and good recommend it as

the only right attitude, would be to condemn it without trial; yet I

do not know how else to name the sentiment that happiness of one sort

is better than happiness of another sort, and that perfection in one

animal is more admirable than perfection in another. I wish there was

a word for this arrangement of excellences in higher and lower classes

which did not imply approval or disapproval of such an arrangement. But

language is terribly moralistic, and I do not blame the logicians for

wishing to invent another which shall convey nothing to the mind with

which it has any previous acquaintance. The Psyche, who is the mother

of language as well as of intellect, feels things to be good or evil

before she notices what other qualities they may have: and she never

gets much beyond the first dichotomy of her feminine logic: wretch and

darling, nasty and nice. This is perhaps the true reason why Plato, who

in some respects had a feminine mind and whose metaphysics follows the

lines of language, tells us in one place that the good is the highest

of the Ideas, and the source of both essence and existence. Good and

bad are certainly the first qualities fixed by words: so that to call a

man a snob, for instance, is a very vague description but a very clear

insult. Suppose we found on examination that the person in question

had a retiring and discriminating disposition, that he shunned the

unwashed, that he resembled persons of distinction, and recognized the

superiority of those who were really his superiors; we should conclude

without hesitation that he was no snob at all, but a respectable,

right-minded person. If he had been really a snob, he would have looked

up stupidly to what has no true sublimity, like birth without money,

would have imitated what was not becoming to his station, and would

have shunned company, such as our own, which though perhaps not the

most fashionable is undoubtedly the best. As I can see no scientific

difference between this snob and that no-snob, I am constrained in my

own thoughts to class them together; but in order to remind myself that

the same principle may be approved in one case and condemned in the

other, I call snobbery, when people approve of it, the higher snobbery.

An interesting advocate of the higher snobbery is Nietzsche. Although

his admiring eye is fixed on the superman, who is to supersede our

common or garden humanity, the unique excellence of that future being

does not seem to lie merely in that he is future, or is destined to be

dominant in his day: after all, everything was once future, everything

was once the coming thing, and destined to prevail in its day. It

is only human to admire and copy the fashion of to-day, whether in

clothes, or politics, or literature, or speculation; but I have not yet

heard of any snob so far ahead of his times as to love the fashions

of doomsday. The worship of evolution, which counts for so much with

many higher snobs, does not seem essential in Nietzsche. The superman

no doubt is coming, but he is not coming to stay, since the world

repeats its evolution in perpetual cycles; and whilst he will give

its highest expression to the love of power, it does not appear that

he will care very much about controlling external things, or will be

able to control them. His superiority is to be intrinsic, and chiefly

composed of freedom. It was freedom, I think, that Nietzsche sighed

for in his heart, whilst in his cavalierly speculations he talked of

power. At least, unless by power he meant power to be oneself, the

notion that all nature was animated by the lust of power would lose

its plausibility; the ambition which we may poetically attribute

to all animals is rather to appropriate such things as serve their

use, perfection, or fancy, and to leave all else alone. There are

indications that the superman was to be a mystic and a wanderer, like

a god visiting the earth, and that what spell he exercised was to flow

from him almost unawares, whilst he mused about himself and about

higher things. So little was his power to involve subjection to what he

worked upon (which is the counterpart of all material power) that he

was to disregard the interests of others in a Spartan mood; he was to

ride ruthlessly through this nether world, half a poet, half a scourge,

with his breast uncovered to every treacherous shaft, and his head high

in the air.

Now I will not say whether such a romantic and Byronic life is worth

living in itself; there may be creatures whose only happiness is to

be like that, although I suspect that Byron and Nietzsche, Lohengrin

and Zarathustra, had not mastered the art of Socrates, and did not

know what they wanted. In any case, such a Dionysiac career would be

good only as the humblest human existence may be so; its excellence

would lie in its harmony with the nature of him who follows it,

not in its bombast, inflation, or superhumanity. Nietzsche was far

from ungenerous or unsympathetic towards the people. He wished them

(somewhat contemptuously) to be happy, whilst he and his superman

remained poetically wretched; he even said sometimes that in their own

sphere they might be perfect, and added--with that sincerity which,

in him, redeems so many follies--that nothing could be better than

such perfection. But if this admission is to be taken seriously, the

superman would be no better than the good slave. The whole principle of

the higher snobbery would be abandoned, and Nietzsche in the end would

only lead us back to Epictetus.

No, the higher snob will reply, the perfect superman may be no better

than the perfect slave, but he is _higher_. What does this word mean?

For the zealous evolutionist it seems to mean later, more complicated,

requiring a longer incubation and a more special environment. Therefore

what is higher is more expensive, and has a more precarious existence

than what is lower; so the lady is higher than the woman, fine art is

higher than useful art, and the height of the fashion in fine art is

the highest point in it. The higher is the more inclusive, requiring

everything else to produce it, and itself producing nothing, or

something higher still. Of course the higher is not merely the better;

because the standard of excellence itself changes as we proceed, and

according to the standard of the lower morality the higher state which

abolishes it will be worse. An orchid may not be more beautiful than

a lily, but it is higher; philosophy may not be truer than science,

nor true at all, but it is higher, because so much more comprehensive;

faith may not be more trustworthy than reason, but it is higher;

insatiable will may not be more beneficent than contentment in oneself

and respect for others, but it is higher; war is higher, though more

painful, than peace; perpetual motion is not more reasonable than

movement towards an end, and stilts are not more convenient than shoes,

but they are higher. In everything the higher, when not the better,

means what folly or vanity cannot bear to abandon. Higher is a word by

which we defend the indefensible; it is a declaration of impenitence on

the part of unreason, a cry to create prejudice in favour of all that

tyrannizes over mankind. It is the watchword of the higher snob. The

first to use it was Satan, when he declared that he was not satisfied

to be anything but the highest; whereas the highest thinks it no

derogation to take the form of the lowest since the lowest, too, has

its proper perfection, and there is nothing _better_ than that.

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Soliloquies in England, and Later Soliloquies · 第 28 / 68 题