So it is fear that produces the class war and the belief that it must

always continue. It is our own fears that cut us off from happiness by

making us despair of it. The man who has capital sees it as a means of

protecting himself and his children from poverty; it is to him a

negative, defensive thing, at best the safeguard of a negative,

defensive happiness. So others see it as something which he has and they

have not, something they would like to snatch from him if they could.

But if he saw capital as a creative thing, like the powers of the mind,

like the genius of the artist, then it would be to him a means of

positive happiness both for himself and for others. He would say to

himself, not How can I protect myself with this against the tyranny of

the struggle for life? not How can I invest this? but What can I do with

this? He would see it as Michelangelo saw the marble when he looked for

the shape within it. And then he would rise above the conception of mere

duty as something we do against our own wills, or of virtue as a luxury

of the spirit to which we escape in our little leisure from the

struggle for life. Virtue, duty, would be for him life itself; in

creation he would attain to that harmony of duty and pleasure which is

happiness.

If only we could see that the superfluous energy of mankind is something

out of which to make the happiness of mankind we should find our own

happiness in the making of it. There is still for us a gulf between

doing good to others and the delight of the artist, the craftsman, in

his work. The artist is one kind of man and the philanthropist another;

the artist is a selfish person whom we like, and the philanthropist an

unselfish person whom we do not like. What we need is to fuse them in

our use of capital, in our exercise of the superfluous energy of

mankind. There are single powerful capitalists who know this joy of

creation, who are benevolent despots, and yet are suspect to the poor

because of their great power. But it never enters the head of the

smaller investor that he, too, might create instead of merely investing;

that, instead of being a shareholder in a limited liability company, he

might be one of a creative fellowship, not merely earning dividends but

transforming cities, exalting things of use into things of beauty,

giving to himself and to mankind work worth doing for its own sake,

work in which all the obsolete conflicts of rich and poor could be

forgotten in a commonwealth. That is the vision of peace which our

sacrifices in the war may earn for us. We have learned sacrifice and the

joy of it; but, so far, only so that we may overcome an enemy of our own

kind. There remains to be overcome, by a sacrifice more joyful and with

far greater rewards, this other old enemy not of our own kind, the enemy

we call nature or human nature, the enemy that is so powerful merely

because we dare not believe that she does not exist.

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Essays on Art · 第 7 / 7 段