Eleanor More raised her eyes and looked steadfastly at the other woman.

She moved a step—and half held out her hands. But the other did not

stir and she crossed the space between them.... They were of equal

height. As Richard More turned a startled glance, he was aware of

something curiously alike in the two figures—a lift of the head,

an air of quiet endurance—but more than all, a kind of

dignity—something regal—that stirred vague memories.... When had he

stood before and seen two women thus?... Surely in some other life—in

some other age and time, he had looked on at a supreme moment of joy and

abnegation.

For a long moment, the two women confronted each other, gazing deep into

the other’s eyes. Then with a little gesture, the Oriental, in her

softly rustling garments, moved to the platform and lifted the Chinese

coat in her hands and placed it in Eleanor More’s.

Were there tears in the eyes that gazed... or only a deep, still joy?

Before Richard More could question—the look was gone. The Oriental

woman was moving from them and the door closed softly behind her.

He watched it swing together, with a sense that something irretrievable

had passed—a mystery and wonder—out of life.... Then he turned and

saw his wife’s face.

She was gazing down at the coat with a look almost of fear. “Her sons

and her sons’ sons—forever,” flashed through his mind.... She

lifted her eyes and smiled at him, holding out the coat.

“Carry it for me, Dick!”

He moved quickly toward her. “You are tired?” he said tenderly.

“No—I am not tired!” She looked about her. “I am only glad....

It was a long journey, wasn’t it?” She spoke with quiet conviction.

“But now it seems short—and easy to find....”

She looked about her again. Her eyes rested wonderingly on the shrine of

the Buddha and on the shallow platform with its coffin and the three men

standing by it....

“I have been here before, I think—and yet...” She passed her hand

across her eyes. “I cannot——”

“Never mind!” He had taken the coat from her and handed it to the

interpreter, who was folding it in slow, skilful hands.

The old Chinaman had not stirred from his place, a little to one side.

He looked on with impassive gaze.

Richard More glanced at him and a sense of something wonted came to

him... a sudden vision of the oak-tree with its great roots protruding

from the ground, and the low-swung branches. He moved quickly to the

platform. From about his neck he removed the long strings of cash and

placed them beside the coffin and from his pocket he took handfuls of

the Chinese silver “shoes” that had served them on their journey....

They would not need them now.... He piled them about the coffin.

The old eyes of the Chinaman gazed straight before him. His lips parted

in half-spoken words that the interpreter took up, translating softly.

“He will go to the grave of his ancestors.... He is old and his sons

are dead.... He will bury this son, the last of his race—” His hand

touched the lacquered surface gently. “He will offer worship at the

sacred mountain and pay vows before the tomb of his ancestors. The money

you have given shall make glad the hearts of his ancestors.”

He ceased. The old man approached the coffin. For a long moment he stood

with hands resting on it—as if he would gather from it something

of the strength of the race that was passing. Then with grave face he

lifted the strings of cash and placed them about his neck and gathered

up the silver shoes from beside the coffin and took from a little shelf

by the platform a red umbrella and a pair of half-worn sandals. With

courteous gesture he passed from the room.

XXIV |In the grove outside the city wall they paused to rest.

The interpreter, who had come with them from the house and refused

to leave them till the city gate was reached, had been paid and was

returning to the temple.

As they passed through the streets, they had been conscious of curious

whispers, glances from behind opaque windows and rustling from concealed

doorways and passages beyond—so a hive of bees despoiled of its comb

stirs with low-murmured sound and the restless whir of wings.... But no

one had approached them, no one barred passage to the light oblong box

that Richard More carried so carefully in his hand.

At the entrance to the grove he glanced at his wife.

“We shall rest here,” he said with quiet decision.

And she acquiesced—a little smile coming to her lips as they entered

the grove.

The green light filtered through the boughs. It touched the twisted

trunks with a still look of mystery and strangeness.

“How beautiful!” she said under her breath.

He made a place for her to sit down, and as she leaned against the

gnarled trunk, looking up to the boughs where the filtering light came

through, he was struck again by the pallor of her face.

“You are tired!” he exclaimed. “I shall signal Kou Ying to bring

the chairs!” He moved to the entrance of the grove—but she stayed

him.

“No—wait! I like it—to be alone with you.... Don’t call Kou

Ying—yet!”

She looked about with dreamy eyes. “It is so beautiful here—and

quiet—I shall rest,” she said slowly.

Then her eyes fell on the box and she smiled.

“Open it!” she commanded.

And as his fingers undid the cord and lifted the thin rustling papers

and drew the coat from its place, she laughed and chatted like a child.

And her laughter, sounding through the grove, had something sweet and

strange in it.

He lifted the coat and laid it before her. She looked down at it. She

put out her hand and stroked the dragons, the laughter still in her

eyes.

“For William Archer,” she said.

“And his sons,” responded Richard.

“And his sons’ sons forever,” she finished dreamily.

Her hand still stroked the dragons.

“I did not think you—would get it—for me!” she said.

“Of course I should get it—if you wanted it.... You had only to say

you wanted it!”

“You knew that!” he added after a minute.

“Yes, I knew.” A little sigh touched her lips.

They sat a moment in silence. Then he lifted the coat. “Put it on,”

he insisted gently.

She lifted her arms to the sleeves and smiled at him as he wrapped

it about her.... Suddenly the look of pallor was in her face. It grew

strangely quiet, and a touch of wistfulness curved the smile of the

lips.

He looked down at her, startled... the pallor in the quiet face seemed

passed to his own.

Hastily he laid down the still figure and ran to the entrance of

the grove.... At the edge of the path he paused and looked up and

motioned—gesticulating swiftly to a single figure on the plateau

above.

From his post above Kou Ying started. He leaned forward and lifted his

hand in a swift gesture.

He gave a harsh call.

The men behind him leaped to their feet and ran from the trees. There

was confusion and hurry and a swift chatter of voices, as they seized

the empty sedan chairs and slung them to their shoulders, and moved

forward toward the winding path that led from the hill.

From the edge of the hill before he descended Kou Ying looked down

again.

The valley below was still. No one moved among the trees.

From the mountain opposite, the quiet face of the Buddha looked across

to the plain.

XXV

In the grove he bent above the deathlike face. A tremor crossed it.

She brushed a hand lightly across her eyes, as if visions fled, and sat

up. The color came slowly back to her face.

“I had a dream!” she breathed.

The green light of the grove shimmered about her softly and touched her

face.

“It was William Archer and the coat. But I cannot remember—” She

passed a hand across her forehead.

“Never mind,” said Richard. “We are going to take it home to

him.”

Her hand dropped to the dragons and smoothed them absently.

“And to his sons’ sons forever!” she murmured happily.

At the entrance to the grove, dark incurious faces peered in at the

blue-robed figure that rested against the gnarled trunk.... The sound of

quick, indrawn breath passed among the leaves.

Richard More lifted her to her feet.

“Come!” he said.

They passed out of the grove where the sedan chairs waited them. The

bearers prone on their faces on the ground uttered low words that rose

in a kind of chant and ended in the long indrawn note of awe.

Kou Ying alone stood erect.

He held out his hand to the blue-robed figure and escorted it to the

sedan chair and seated it with grave care.

Richard More took his place in the chair beside her.

“We return by the lower route,” said Kou Ying.

He spoke a sharp word to the bearers. They sprang to their feet and

touched the handles of the chairs.

“Keep to the lower hill by the spur,” he commanded.

The procession moved toward the low hill that edged the plain. And as

they made their way up the long slope at an easy trot Richard More’s

eyes rested on his wife.

She sat erect beneath the canopy of the chair, the blue robe with its

gold dragons wrapped about her. Her tranquil face in its white hair

looked across the plain.... She was more beautiful than he had ever

known her! A queen in this robe of the Past!

He reached his hand till it touched the one that lay on the arm of the

chair. The face with its tranquil smile turned to him.

And he saw with a start that the blue of the eyes and the blue of the

coat were one....

They reached the spur of the hill and Kou Ying gave the signal to halt.

Behind them in the face of the cliff the seated Buddha looked across the

plain.

And ahead, far beyond them on the plain, a single figure beneath a red

umbrella plodded stolidly on, moving toward the tomb of its ancestors.

And as it went the red umbrella bobbed slowly, a spot of color in the

distant far-reaching grayness of the plain.

The Chinese Coat · 第 5 / 5 段