In regard to the literary reputation of MILLIN, I well know that, in

England, it is rather the fashion to sneer at him; but this sneer may

proceed as often from ignorance, as from superiority of information. The

truth is, M. Millin does _too much_ to do every thing _well_. At one

moment, he is busied with a dyptych: at another, he is examining a coin or

a medal: during the third, he is lost in admiration over a drawing of a

tomb or statue:--his attendant enters with a proof-sheet to engage his

fourth moment--and so it goes on--from sunrise to sunset; with pen in hand,

or blank or printed paper before him, he is constantly occupied in the

pursuit of some archaeological enquiry or other. THIS praise, however--and

no mean or unperishable praise it is--most indisputably belongs to him. He

was almost the ONLY ONE in France; who, during the reign of terror,

bloodshed, and despotism--cherished and kept alive a taste for NATIONAL

ANTIQUITIES. But for _his_ perseverance, and the artists employed by _him_,

we should not now have had those _graphic_ representations of many

buildings, and relics of art, which have since perished irretrievably.

Another praise also belongs to him; of no very insignificant description.

He is among the most obliging and communicative of literary Parisians; and

does not suffer his good nature to be soured, or his activity to abate,

from the influence of _national_ prejudice. He has a large acquaintance

among foreigners; and I really think that he loves the English next best to

his own countrymen. But whoever applies to him with civility, is sure to be

as civilly received. So much for MILLIN.[160]

This group of literary _whole lengths_ would however be imperfect without

the introduction of Monsieur LANGLÈS. The _forte_ of M. Langlès consists in

his cultivation of, and enthusiastic ardor for, _oriental literature_. He

presides, in fact, over the Persian, Arabic, and other Oriental MSS. and he

performs the duties of his office, as a public librarian, with equal

punctuality and credit. He has also published much upon the languages of

the East, but is considered less profound than DE SACY: although both his

conversation and his library attest his predilection for his particular

studies. M. Langlès is eclipsed by no one for that "gaieté de coeur" which,

when joined with good manners and honourable principles, renders a

well-bred Frenchman an exceedingly desirable companion. He loves also the

arts; as well of sculpture as of painting and of engraving. His further

room affords unquestionable evidence of his attachment to _English Prints_.

Wilson, West, and Wilkie--from the burins of Woollett, Raimbach, and

Burnet--struck my eye very forcibly and pleasingly. M. Langlès admires and

speaks our language. "Your charming Wilkie (says he) pleases me more and

more. Why does he not visit us? He will at least find here some _good

proofs_ of my respect for his talents." Of course he could not mean to pun.

I was then told to admire his impression of Woollett's _Battle of La

Hogue_; and indeed I must allow that it is one of the very best which I

have seen. He who possesses _that_, need not distress himself about any of

the impressions of the _Death of Wolfe_; which is also in the collection of

Langlès.

His library is probably less extensive than Millin's; but it is not less

choice and valuable. His collection of books (in which are a great number

of our best Voyages and Travels) relating to Asia--and particularly his

philological volumes, as connected with the different languages of that

country, cannot be too much commended. I saw Sir John Malcolm's _History of

Persia_ lying upon his table. "How do you like that work, M. Langlès?" "Sir

(replied he) I more than like it--I love it: because I love the author." In

fact, I knew that Sir John and he were well acquainted with each other, and

I believe that the copy in question bore the distinctive mark of being "ex

dono auctoris." I have had a good deal of interesting conversation with M.

Langlès about the history of books during the Revolution; or rather about

that of the ROYAL LIBRARY. He told me he was appointed one of the

commissioners to attend to the distribution of those countless volumes

which were piled up in different warehouses, as the produce of the

_ransacked monasteries_. I am not sure, whether, within the immediate

neighbourhood of the Royal Library, he did not say that there were at least

_half a million of books_. At that time, every public meeting of

Parisians--whatever might be the professed object--was agitated, and

often furious. One of the red-hot demagogues got up in the assembly, and

advised "mangling, maiming, or burning the books: they were only fit for

cartridges, wadding, or fuel: they were replete with marks of feudalism and

royalty--for they had arms or embellishments on them, which denoted them to

belong to Aristocrats." This speech made some impression: his comrades were

for carrying the motion immediately into execution, by sword and faggot....

But M. Langlès rose ... calm, collected, and actuated by feelings a little

more accordant with the true spirit of patrotism. "Citizens," said the

Orientalist, "we must not do mischief, in the desire of doing good. Let the

books remain where they are. If you set fire to them, can you say how far

the flames shall extend? Our own great national library, so renowned and

celebrated throughout Europe! may become the prey of the devouring element,

and _then_ how will you be reproached by posterity! Again--if you convert

them to _other_ purposes of destruction, how can you hope to prevent the

same example from being followed in other places? The madness of the

multitude will make no distinction; and as many pikes and swords may be

carried within the great library, as within the various depositories of the

monastic books. Pause awhile. Respect those collections of books, and you

will both respect yourselves and preserve the great national library. In

due time, we shall make a proper selection from them, and enrich the book

stores of the capital!" So spake M. Langlès; and the Assembly assented to

his contre-projet--luckily for Paris and themselves.[161]

But nearly all these worthy characters, of whom I have just made mention,

had an opportunity of exhibiting their social qualities, of whatever

description, at a sort of FESTIVAL which I gave the other day (last

Wednesday) in honour of the _Roxburghe Club_--which met on that same day, I

presume, at the Clarendon Hotel. This Parisian Roxburghe Banquet went off

upon the whole with flying colours. You shall know as much about it as is

likely to interest you. Having secured my guests, (Messrs. DENON, GAIL,

LANGLÈS, VAN PRAET and MILLIN) and fixed both the place and hour of repast,

I endeavoured to dress out a little bill of fare of a _bibliomaniacal_

description--to rival, in its way, that of _Mons. Grignon_, in the _Rue

Neuve des Petits Champs_, (within two minutes walk of the Royal Library,)

where we were to assemble, at five o'clock. I knew that Millin would put my

toasts or sentiments into good French, and so I took courage against the

hour of meeting. I had secured a ground-floor apartment, looking upon a

lawn, with which it communicated by open doors. The day was unusually hot

and oppressive. After finishing my labours at the Royal Library, I returned

to my hotel, arranged my little matters connected with the by-play of the

festival--dressed--and resorted to Grignon's. Every thing looked well and

auspiciously. Our room was in the shade; and a few lingering breezes seemed

to play beneath the branches of an acacia. The dark green bottles, of

various tapering shapes, were embedded in pails of ice, upon the table: and

napkins and other goodly garniture graced the curiously woven cloth. I hung

up, in the simplicity of my heart--over the seat which I was to occupy,--

the portrait of _John King of France_, which M. Coeuré had just finished;--

not considering that this said John had been beaten and taken prisoner, at

the battle of Poictiers by our Black Prince! Never was a step more

injudicious, or an ornament more unappropriate. However, there it hung

throughout the day. A dinner of the very best description, exclusively of

the wine, was to be served up for _twelve francs_ a head. I make no doubt

but the Club paid a _little_ more where they assembled in London!

At length came the hour of dinner, and with the hour the guests. I

requested Brother Van Praet to be deputy chairman; and taking my seat

beneath the unfortunate John King of France, gave the signal for a general

attack--upon whatever was placed before the guests. Monsieur Denon,

however, did not arrive till after the first course. He had been detained

by a visit from the Duke of Bedford. M. Millin sat at my right hand, and M.

Gail at my left. The first course consisted chiefly of fruit, and slices of

anchovy, crossed. A large paper copy of a _melon_ cut a magnificent

appearance in the centre; but all this quickly gave way to fish, flesh, and

fowl of a various but substantial description. Poor Millin had no appetite,

and would only carve. He looked particularly ill. The rest ate, drank, and

were merry. The desert was of the very best quality: and this was succeeded

by the introduction of a little of English fashion and manners. We drank

toasts, connected with the object of the day's festival; and never were a

set of guests more disposed to relish both the wine and the sentiment which

accompanied each glass. They even insisted upon a "three times three" for

"Lord Spencer and the Club!" But if we were merry, we were wise. Shortly

after dinner, M. Gail rose, as if in a moment of inspiration, from his

seat--and recited the Latin verses which are here enclosed.[162] They will

at least make you admire the good humour of thé poet. He afterwards chanted

a song: his own literal version of thé XIXth ode of Anacreon, beginning

[Greek: Hê gê melaina pinei]. The guests declared that they had never sat

so long at table, or were more happy. I proposed a stroll or a seat upon

the lawn. Chairs and benches were at hand; and we requested that the coffee

might be brought to us out of doors. It was now after sun-set; and a lurid

sky was above our head. Our conversation was desultory as to topics, but

animated as to manner. I had never witnessed M. Van Praet more alive to

social disquisition. We talked of books, of pictures, and of antiquities...

and I happened, with the same witless simplicity which had pinned the

portrait of King John over my seat at dinner, to mention that volume, of

almost unparalleled rarity, ycleped _the Fables of Pfister, printed at

Bamberg_ in 1461:--which they had recently RESTORED to the Wolfenbuttel

Library! It was "more than enough" for the acute feelings of the devoted

head-librarian. M. Van Praet talked with legs and arms, as well as with

tongue, in reply to my observations upon the extraordinary worth and

singular rarity of that singular volume. "Alas, Sir, nothing pained me

more. Truly--"Here a smart flash of lightning came across us--which

illumined our countenances with due effect: for it had been sometime past

almost wholly dark, and we had been talking to each other without

perceiving a feature in our respective faces. M. Langlès joined in M. Van

Praet's lamentation; and the Baron Denon, who (as I learnt) had been the

means of obtaining that identical precious volume, united his tones of

commiseration with those of his brethren.

The lightning now became more frequent, and in larger flashes--but neither

sharp nor very dazzling. Meanwhile the notes of a skilfully touched harp

were heard from one of the windows of a neighbouring house, with a mingled

effect which it was difficult to describe. _Pfister_, books, busts, and

music, now wholly engrossed our attention--and we were absolutely enveloped

in blue lightning. We had continued our discourse till towards midnight,

had not the rain come down in a manner equally sudden and severe. It was

one of the heaviest showers which I remember to have witnessed. The storm

was directly in the centre of Paris, and over our heads. We retreated

precipitately to the deserted banqueting room; and had a reinforcement of

coffee. After such a series of melting hot weather, I shall not easily

forget the refreshing sweetness emitted from every shrub upon the lawn.

About ten o'clock, we thought of our respective homes.[163] I went into

another room to pay the reckoning; liberated King John from his second

confinement; shook hands very heartily with my guests--and returned to my

lodgings by no means out of humour or out of heart with the day's

entertainment. Whether they have been more rational, or more _economical_,

in the celebration of the same festival, AT HOME, is a point, which I have

some curiosity, but no right, to discuss. Certainly they could not have

been happier.

Having come to the conclusion of my account of the ROXBURGHE BANQUET, and

it being just now hard upon the hour of midnight, I must relinquish my

correspondent for my pillow. A good night.

[156] He died on the 24th of May, 1828; on the completion of his 85th year.

See the next note but one.

[157] The reader may be amused with the following testy note of my vigilant

translator, M. Crapelet: the very Sir Fretful Plagiary of the minor

tribe of French critics! "Cette phrase, qui n'est pas Française, est

ainsi rapportée par l'auteur. M. l'Abbé Bétencourt, aura dit a peu

près: "Il mourra sans laisser d'élève." M. Dibdin qui parle et entend

fort bien le Français, EST IL EXCUSABLE DE FAIRE MAL PARLER UN

ACADEMICIEN FRANÇAIS, et surtout de rendre vicieuses presque toutes

les phrases qu'il veut citer textuellement? L'exactitude!

l'exactitude! C'est la première vertu du bibliographe; on ne saurait

trop le répéter a M. Dibdin." CRAPELET. vol. iv. 124. Quære tamen?

Ought not M. Crapelet to have said "il mourrira?" The sense implies

the future tense: But ... how inexpiable the offence of making a

French Academician speak bad French!!--as if every reader of common

sense would not have given _me_, rather than the _Abbé Bétencourt_,

credit for this bad speaking?

[158] [In a short, and pleasing, memoir of him, in the _Révue

Encyclopédique, 115th livraison, p. 277, &c._ it is well and

pleasantly observed, that, "such was his abstraction from all

surrounding objects and passing events, he could tell you who was

Bishop of such a diocese, and who was Lord of such a fief, in the

XIIth century, much more readily, and with greater chance of being

correct, than he would, who was the living Minister of the Interior,

or who was the then Prefect of the department of the Seine?" By the

kindness of a common friend, I have it in my power to subjoin a

fac-simile of the autograph of this venerable Departed:]

[Autograph]

[159] The _Thucydides_ was published first; in twelve volumes 8vo.

VOL. II. 1807; with various readings, for the first time, from

thirteen MSS. not before submitted to the public eye. The French

version, in four volumes, with the critical notes of the Editor, may

be had separately. The VELLUM 4to. copy of the Thucydides consists of

fourteen volumes; but as the volumes are less bulky than those of the

Xenophon, they may be reduced to seven. The _Xenophon_ was published

in 1809, in seven volumes, 4to. The Latin version is that of

Leunclavius; the French version and critical notes are those of M.

Gail. The vellum copy, above alluded to, is divided into ten volumes;

the tenth being an Atlas of fifty-four maps. Some of these volumes are

very bulky from the thickness of the vellum.

Upon this unique copy, M. Gail submitted to me, in writing, the

following remarks. "Of the Xenophon, two vellum copies were printed;

but of these, one was sent to the father of the present King of Spain,

and received by him in an incomplete state--as the Spanish Ambassador

told M. Gail: only six volumes having reached the place of their

destination. The Editor undertakes to give authenticated attestations

of this fact." "If," say M. Gail's written observations, "one

considers that each sheet of vellum, consisting of eight pages, cost

five francs ten sous, and three more francs in working off--and that

skins of vellum were frequently obliged to be had from foreign

countries, owing to the dearth of them at Paris--whereby the most

extravagant demands were sometimes obliged to be complied with--add to

which, that fifteen years have passed away since these sums were paid

down in hard cash,--the amount of the original expenses is doubled."

The volumes are in stout boards, and preserved in cases. In one of his

letters to me, respecting the sale of his vellum copy--the worthy

Professor thus pleasantly remarks: "Je ne veux pas m'enricher avec ce

livre qui, lorsque je serai cendres, aura un bien grand prix. Je n'ai

que le desir de me débarrasser d'une richesse qui m'est à charge, et

ne convient nullement à un modeste et obscur particulier, comme moi."

I subjoin the autograph of this worthy and learned Professor: hoping

yet to shake the hand heartily which guided the pen.

[Autograph]

[160] M. Millin DIED about the middle of the following month, ere I had

reached Vienna. His library was sold by auction in May 1819, under the

superintendence of Messrs. Debure, who compiled the sale catalogue. It

produced 53,626 francs. The catalogue contained 2556 articles or

numbers; of which several were very long sets. One article alone, no.

866., consisted of 326 volumes in folio, quarto, and octavo. It is

thus designated, "RECUEIL DE PIECES SUR LES ARTS, LA LITTE'RATURE, LES

ANTIQUITE'S, _en Latin, en Italien, et en François_. This article

produced 4501 francs, and was purchased by the Grand Duke of Tuscany.

Millin had brought up from boyhood, and rescued from poverty and

obscurity, a lad of the name of _Mention_. This lad lived with him

many years, in the capacity of a valet and private secretary. In his

second and last voyage to Italy, Millin declined taking him with him,

but left him at home, in his house, with a salary of fifty francs per

month. Five months after his departure, in February, 1812, a great

quantity of smoke was seen issuing from the windows of Millin's

apartments. Several people rushed into the room. They found the

drawings and loose papers taken from the portfolios, rolled up

lightly, and the room on fire at the four corners! A lighted candle

was placed in the middle of the room. Suspicion immediately fell upon

Mention. They ran to his bed chamber: found the door fastened: burst

it open--and saw the wretched valet weltering in his blood ... yet

holding, in his-right hand, the razor with which he had cut his

throat! He was entirely dead. Millin's collection of Letters from his

numerous Correspondents perished in the flames.

This accident, which also deprived Millin of a fund of valuable

materials that he was preparing for a _Dictionary of the Fine Arts_,

and for a _Recueil de Pièces gravées Inédites_--might have also had an

infinitely more fatal tendency: as it occurred _within_ the walls

which contain the ROYAL LIBRARY! Millin received the news of this

misfortune, in Italy, with uncommon fortitude and resignation. But

this second voyage, as has been already intimated, (see p. 260)

hastened his dissolution. He planned and executed infinitely too much;

and never thoroughly recovered the consequent state of exhaustion of

body and mind. As he found his end approaching, he is reported to have

said--"I should like to have lived longer, in order to have done more

good--but God's will be done! I have lived fifty-nine years, the

happiest of men--and should I not be ungrateful towards Providence, if

I complained of its decrees?!" And when still nearer his latter

moments--he exclaimed: "I have always lived, and I die, a Frenchman:

hating no one: complaining only of those who retard the cause of

reason and truth. I have never, intentionally, hurt a single creature.

If I have injured any one, I ask pardon of him for the error of my

understanding." He died on the 18th of August, and his body was

interred in the churchyard of Père la Chaise. His old friend and

colleague, M. GAIL, pronounced a funeral discourse over his grave--in

which, as may be well supposed, his feelings were most acutely

excited. I subjoin a facsimile of Millin's autograph: from the richly

furnished collection of Mr. Upcott, of the London Institution.

[Autograph: A.L. Millin]

[161] [Mons. Langlès survived the above account between five and six years;

dying January 28, 1824. His Library was sold by auction in March,

1825. It was copious and highly creditable to his memory. From the

source whence the preceding autograph was derived, I subjoin the

following autograph.

[Autograph: L Langlès]

[162] Monsieur Millin had been before hand in his description of this day's

festival, but his description was in prose. It appeared in the

_Annales Encyclopédiques_, for the ensuing month, July, 1818, and was

preceded by a slight historical sketch of the Club, taken chiefly from

the Bibliographical Decameron. His account of the festival may amuse

some of my readers, who have not been accustomed to peruse _English

toasts_ cloathed in French language. It is briefly thus:

"Pendant que les membres du Roxburghe Club célébroient le 17 juin 1818

la mémoire des premiers imprimeurs de Boccace, à Venise et en

Angleterre, sous la présidence de sa grâce lord Spencer; M. Dibdin,

vice-président, s'unissoit à ce banquet bibliographique par une

répétition qu'il en faisoit à Paris. Il avoit appelé à ce banquet M.

DENON, à qui la France doit encore une grande partie des manuscrits et

des éditions rares dont elle s'est enrichie, et plusieurs

conservateurs de la bibliothèque royale, MM. VANPRAET, LANGLE'S, GAIL,

et MILLIN. On pense bien que l'histoire littéraire, la bibliographie,

devinrent un inépuisable sujet pour la conversation. L'entretien

offrit un mélange de gaïté et de gravité qui convient aux banquets des

muses; et selon l'adage antique, les convives étoient plus que trois

et moins que neuf. M. Gail lut sur cette réunion des vers latins, dont

les toasts bruyans ne permirent pas de savourer d'abord tout le sel et

l'esprit. Ils doivent être imprimés dans _l'Hermes Romanus_.

"M.D., amphitryon et président du festin, porta, comme il convenoit,

les premiers toasts:

1°. A la santé de milord Spencer et des honorables membres du

Roxburghe Club. 2°. A la mémoire de Christophe Valdarfer, inprimeur du

Boccace de 1471; livre dont l'acquisition fait par le duc de

Marlborough, fut l'occasion de la fondation du Roxburghe Club. 3°. A

la mémoire immortelle de Guillaume Caxton, premier imprimeur anglois.

4°. A la gloire de la France. 5°. A l'union perpétuelle de la France

et de l'Angleterre. 6°. A la prospérité de la bibliothèque royale de

France. 7°. A la santé de ses dignes conservateurs, dont le savoir est

inépuisable, et dont l'obligeance ne se lasse jamais. 8°. A la

propagation des sciences, des arts, des lettres, et de la bibliomanie.

9°. Au désir de se revoir le même jour chaque année.

"Les convives ont rendu ces toasts par un autre qu'ils ont porté, avec

les hurras et les trois fois d'usage en Angleterre, au vice-président

du Roxburghe-Club, qui leur avoit fait l'honneur de les rassembler.

"La Séance a fini à l'heure où le président du Roxburghe-Club lève

celle de Londres; et le vice-président, M. Dibdin, a soigneusement

réuni les bouchons, pour les porter en Angleterre comme un signe

commémoratif de cet agréable banquet."[E]

The verses of Monsieur Gail were as follow:--but I should premise that

he recited them with zest and animation.

Auspice jam Phæbo, SPENCEROQUE AUSPICE, vestrum

Illa renascentis celebravit gaudia lucis

Concilium, stupuit quondam quâ talibus emptus

Boccacius cunctorum animis, miratus honores

Ipse suos, atque ipsa superbiit umbra triumpho.

Magna quidem lux illa, omni lux tempore digna.

Cui redivivus honos et gloria longa supersit

_Atque utinam ex vobis unus, vestræque fuissem_

Lætitiæ comes, et doctæ conviva _trapezæ_.

Sed nune invitorque epulis, interque volentes

Gallus Apollineâ sedeo quasi lege Britannos.

Arridet D***: habet nos una voluptas.

Me quoque librorum meministis amore teneri,

Atque virûm studiis, quos Gallia jactat alumnos:

Nam si _Caxtonio_ felix nunc Anglia gaudet,

Non minus ipsa etiam _Stephanorum_ nomina laudat.

Hic nonnulla manent priscæ vestigia famæ.

Nobis Thucydides, Xenophon quoque pumice et auro,

Quem poliit non parca manus; felicior ille

Si possit ...[F] melius conjungere Musas!

[Greek: Koina ta panta philôn] perhibent: at semper amici

Quidquid doctorum est: tantis ego lætor amicis.

Æternum hæc vigeat concordia pocula firment

Artesque et libri, quæ nectant foedera reges,

Utramque et socient simul omnia vincula gentem.

CECINIT JOAN. B. GAIL,

Lector regius in biblioth. regiâ codd. gr. et lat. præfectus.

While one of the London morning newspapers (which shall be here

nameless) chose to convert this harmless scene of festive mirth into a

coarse and contemptible attack upon its author, the well-bred

Bibliomanes of Paris viewed it with a different feeling, and drew from

it a more rational inference. It was supposed, by several gentlemen of

education and fortune, that a RIVAL SOCIETY might be established among

themselves--partaking in some degree of the nature of that of the

ROXBURGHE, although necessarily regulated by a few different laws.

A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two · 第 16 / 26 段