Quaker (_The_), 1777, Dibdin. C.O.
Quaker’s Opera (_The_), 1728, Th. Walker.
Quarantine (_The_), * Ware. C.
Queen and Concubine (_The_), 1653, Brome. D.
Queen Elizabeth’s Troubles, in two parts, 1606-1609, Thomas
Heywood. H.Pl.
Queen Juta of Denmark, 19th cent., Bojé. T.
Queen Mab, 1760, Burney. O.
Queen Mary [of England], 1875, Tennyson. T.
Queen Mother (_The_), 1861, Swinburne. T.
Queen of Arragon, 1635, Habington. T.C.
Queen of Corinth, 1647, Beaumont and Fletcher.
Queen of Scots (_The_), 1684, Banks. T.
Queens, 1616, Jonson.
Queen’s Arcadia (_The_), 1606, Daniel. P.T.
Queen’s Shilling (_The_), 1879, Godfrey. C. (an English version of
_Un Fils de Famille_; see also “The Discarded Son”).
Queer subject (_The_), 1837, Coyne. C.
Qui Femme a, Guerre a, about 1830, Brohan. C.
Quintus Fabius, 1573, Anon. H.Pl.
Quip for an Upstart Courtier (_A_), 1592, Greene. C.
Quitte ou Double, about 1830, Brohan. C. (The English adaptation is
_Double or Quits_.)
Rabages, 1872, Sardou. C.
Rage (1765-1841), Reynolds. C.
Raging Turk (_The_), 1631, Goffe. T. (Bajazet II.).
Ragout. (See “Mons. Ragout.”)
Raising the Wind, 1803, Kenney. F.
Rake and His Pupil (_The_), 1834, Buckstone. C.
Ralph Roister Doister, 1534, Udal (the first English comedy). (See
“Gammer Gurton’s Needle” and “Mesogonus.”)
Ram Alley, or Merry Tricks, 1611, Barry. C.
Rambling Justice, 1677, Leanerd. C.
Rambling Lady (1659-1746), Southerne. C.
Rape of Lucrece (_The_), 1608, Th. Heywood. T.
Rapparee (_The_), or The Treaty of Limerick, 1870, Boucicault.
Rare Triumphs of Love and Fortune (_The_), 1580, Anon. Pl.
Re Teodoro, 1785, Paisiello. O.
Rebecca (1830-1877), Halliday. D.
Rebellion (_The_), 1640, Rawlins. T.
Rebellion Defeated, or The Fall of Desmond, 16th cent., Cutts. T.
Rebels (_The_), 1749-1832, Goethe. C.
Recess (_The_), 1785, Miss Lee.
Réconciliation Normande, 1719, Dufresny. C.
Reconciliation, or The Two Brothers, 1799, C. (from Kotzebue).
Recruiting Officer (_The_), 1706, Farquhar. C.
Recruiting Sergeant, 1770, Bickerstaff. Mu.E.
Reculer pour Mieux Sauter, 1854, Dartois. C.
Red Cross Knight, 1794, Holman.
Red Mask (_The_), 1834, Planché.
Regent (_Le_), 1831, Ancelot. V.
Regicide (_The_), 1747, acted 1749, Smollett. T.
Register Office (_The_), 1723-1787, Reed. F.
Regolo (Attilio), 1740, Metastasio. O.
Regular Fix (1764-1838), Morton. C.
Régulus (1632-1698), Pradon. T.
Régulus (1734-1780), C. J. Dorat. T.
Regulus, 1774, Mrs. H. More. T.
Rehearsal (_The_), 1671, Duke of Buckingham. B.
Reinald (1789-1862), Ingemann.
Reine de Chypre (_La_), 1799-1862, Halévy. O.
Reine de Golconde. (See “Aline,” etc.)
Reine de Saba, 1862, Gounod. O. (libretto by Curré).
Relapse (_The_), 1697, Vanbrugh. C.
Religious (1624-1673), Margaret, Duchess of Newcastle. T.C.
Remorse, 1797, acted 1813, Coleridge. T.
Rencontre (_The_), 1827, Planché.
Rendezvous Bourgeois (_Les_), 1794, Hoffman. O.C. (music by Méhul).
Renegado (_The_), 1624, Massinger. T.C.
Rent Day, 1830, Jerrold. C.
Reprisals, or The Tars of Old England, 1757, Smollett. F.
Rescued, 1879, Boucicault. Sen.D.
Retaliation (1752-1820), Macnally. F.
Retour de Napoléon, 1841, Sejour. D.
Retribution, 1856, Bennett and Taylor. H.P.
Return from Parnassus (_The_), 1606, Anon. Pl.
Return of the Druses, 1865, R. Browning. T.
Revenge (_The_), 1680, Anon. C. (This is the _Dutch Courtezan_
revived.)
Revenge (_The_), 1721, Young. T.
Revenge, or a Match at Newgate, 1680, Betterton.
Revenge for Honor, 1654, Chapman. T.
Revenge of Bussy d’Amboise, 1613, Chapman. T.
Revenger’s Tragedie (_The_), 1607, Tourneur. T.
Revers de la Medaille (_Le_), 1861, Demolière. C.
Review (_The_), or Wags of Windsor, 1798, Colman. F.
Rewards of Vertue (_The_), 1661, Fountaine. C. (altered by Shadwell,
and called _The Royal Shepherdess_, 1669).
Rich Jew of Malta, 1586, Marlowe. T.
Rich and Poor, 1812, Lewis. C.O.
Richard Cœur de Lion, 1781, Sedaine. O. (music by Grétry).
Richard Cœur de Lion, 1782, Burgoyne. H.R. (the above
Anglicized).
Richard Cœur de Lion (1752-1820), Macnally. O.
Richard Cœur de Lion (1830-1877), Halliday. H.D.
Richard Cœur de Lion, 1863, Benedict. O.
Richard I., 1728, Sewell. T.
Richard II., 1597, Shakespeare. H.D.
Richard III., 1597, Shakespeare. H.T.
Richard, Duke of York, 1595, Marlowe. T.
Richelieu, 1839, Lord Lytton. H.Pl.
Richelieu (_La Jeunesse de_), 1833, Ancelot. V.
Richmond Heiress (_The_), 1693, D’Urfey. C.
Rienzi, 1828, Miss Mitford. T.
Rienzi, 1841, Wagner, O. (libretto by Jackson).
Right Woman (_A_), 1615, Beaumont and Fletcher. C.
Rightful Heir (_The_), 1868, Lord Lytton. T. (same as _The Sea
Captain_).
Rigoletto, 1852, Verdi. O. (libretto from Victor Hugo).
Rimini (_Francesca di_), 1819, Pellico. T.
Rinaldo, 1711, Hill. O. (music by Handel; this was the first piece
he set to music).
Rinaldo and Armida, 1699, Dennis. D.
Riquet, 1836, Planché.
Rival Candidates, 1774, Dudley. Mu.Int.
Rival Friends (_The_), 1632, Hausted. C.
Rival Kings (_The_), 1677, Banks.
Rival Ladies, 1663, Dryden. C.
Rival Modes, 1726, Moore. C.
Rival Queens, 1677, Lee.
Rivals (_The_), 1668, Davenant. C.
Rivals (_The_), 1775, Sheridan. C.
Rivals (_The_), 1830, Balfe. O. (_I Rivali_).
Road to Ruin, 1792, Holcroft. C.
Roaring Girl (_The_), 1611, Middleton. C. (_i.e._ Moll Cutpurse).
Rob Roy, 1832, Flotow. O.
Rob Roy MacGregor (1782-1835), Pocock. O.D. (from Sir W. Scott’s
novel).
Robbers (_The_), 1781, Schiller. T.
Robbers of Calabria, * Lane. D. (adapted).
Robert le Diable, 1831, Meyerbeer O. (libretto by Scribe).
Robert the Invalid, 1870, C. Reade. C. (a version of Molière’s _Le
Malade Imaginaire_).
Robin Hood, pt. i., 1597, Munday. D.
Robin Hood, pt. ii., 1598, Chettle. D.
Robin Hood, 1741, Dr. Arne and Burney. O.
Robin Hood, 1787, O’Keefe. O. (music by Shield).
Robin Hood (1752-1820), Macnally. C.O. (See “Death of Robert, Earl
of Huntington.”)
Robin Hood, 1860, Macfarren. O.
Robin des Bois, 1824, Weber. O.
Robinson Crusoé, 1805, Guilbert de Pixérécourt. V.
Robinson Crusoe, 1806, Pocock (the above in English).
Rock of Rome, 1849, Knowles. H.Pl.
Roderigo, 1706, Handel. O.
Rodogune, 1646, Corneille. T.
Rodogune, or The Rival Brothers, 1765, Aspinwall. T. (from T.
Corneille).
Rodolphe, before 1822, Scribe. Pt.Pc.
Roef-Krage, 1770, Ewald. D.
Roi Fainéant (_Le_), 1830, Ancelot. T.
Roi d’Yvetot (_Le_), 1842, Adam. O.C.
Roi et le Fermier, 1762, Sedaine. O.C. (music by Monsigny).
Roland, 1778, Piccini. O.
Roland for an Oliver, 1819, Th. Morton. C.
Rolla, 1798, Kotzebue. T.
Rolla, 1799, Lewis. T. (from the above).
Rollo, 1639, Beaumont and Fletcher.
Roman (_The_), 1850, S. Dobell. D.Pm.
Roman Actor (_The_), 1629, Massinger.
Roman Brother (_The_), 19th cent., Heraud. T.
Roman Comique (_Le_), 1861, Offenbach. O.Bf.
Roman Empress (_A_), 1622-1706, Joyner. D.
Roman Father (_The_), 1750, Whitehead. T. (based on the _Horace_ of
Corneille).
Roman Revenge, 1753, Hill.
Roman d’Une Heure, or La Folle Gageure, 1803, Hoffmann. C.
Roman Virgin (_The_), or The Unjust Judge, 1679, Betterton. T. (the
tale of Virginius).
Romance and Reality, J. Brougham. D.Pc.
Romance for an Hour, 1771, Kelly. C.
Rome Sauvée, 1752, Voltaire. T.
Romeo and Juliet, 1595, Shakespeare. T.
Romeo et Juliette, 1828, Soulié. T.
Romildare Constanza, 1819, Meyerbeer. O.
Romp (_The_), * Anon. C.O. (altered from Bickerstaff’s _Love in the
City_).
Rosalinda, 1762, Lockman. Mu.D.
Rosamond, 1706, Addison. O. (music by Arne).
Rosamond, 1861, Swinburne. Po.D.
Rosamond (_Fair_), 1879, Tennyson. T.
Rosamond (_The Fair_), 1812, Korner. T.
Rosamond the Fair, 1836, Barnett. H.O.
Rose (_The_), 1710-1778, Arne. C.O. (from the French).
Rose Blanche (_La_), et la Rose Rouge, 1809, Guilbert de
Pixérécourt. D. (See “Two Roses.”)
Rose de St. Fleur (_La_), Offenbach. O.Bf.
Rose et Colas, 1764, Sedaine. O.C.
Rose of Arragon, 1842, Knowles. D.
Rose of Castille, 1857, Balfe. O.
Rosière de Salency (_La_), 1774, Grétry. O.
Rosière et Norrice, 1842, Barrière. D.
Rosina, 1782, Miss Brooke. Pl.
Rosina, 1783, Shield. O.
Rosmonda, 1525, Rucelleri. T.
Rosmunda, 1783, Alfieri. T. (based on Bandello’s novel).
Rosmunda, 1840, Gil y Zarate. (See “Henry” and “Complaint.”)
Rösten i Oerken, 1815, Ingemann.
Rough Diamond (1802-1879), Buckstone. Cdta.
Roundheads (_The_), 1682, Mrs. Behn. C.
Rover (_The_), 1677, Mrs. Behn; pt. ii., 1681. C.
Roving (_The_), 17th cent., Middleton. C.
Roxana, 1592, Alabaster. T. (Latin).
Roxana, 1772, Magnocavallo. T. (a prize play).
Royal Captive (_The_), 1745, J. Maxwell. T.
Royal Combat, 17th cent., Ford and Dekker.
Royal Command (_By_), 19th cent., Stirling. C.O.
Royal Convert, 1708, Rowe. T. (_i.e._, Rodogune).
Royal Garland, 1768, Bickerstaff.
Royal King and Loyal Subject (_The_), 1737, Th. Heywood. T.C.
Royal Martyr (_The_), 1669, Dryden. T.
Royal Master (_The_), 1638, Shirley. C.
Royal Mischief, 1696, Mrs. Manley.
Royal Mistress (_The_), 1696, Mrs. Manley.
Royal Shepherd (_The_), 1764, R. Holt. O. (from Metastasio).
Royal Shepherdess, 1669, Shadwell. C. (This is Fountaine’s comedy
_The Rewards of Vertue_, 1661, altered.)
Royal Slave (_The_), 1637, Cartwright. T.C.
Royalist (_The_), 1682, D’Urfey. C.
Rubans d’Ivonne, 1850, Thiboust.
Rudens, or The Rope (B.C. 154-184), Plautus. C. (Latin, adapted from
a Greek play by Diphulos). Translated into blank verse by Messrs.
Thornton, Rich, Warner and Colman, 1769-74.
Rugantio, 1805, Lewis. Mel.
Ruines de Babylone (_Les_), 1819, Guilbert de Pixérécourt.
Ruines de Vaudemont, 1845, Boule.
Rule a Wife and Have a Wife, 1624, Beaumont and Fletcher. C.
(altered by Garrick).
Rump (_The_), 1660, Tatham. C.
Runaway (_The_) 1776, Mrs. Cowley. C.
Runnimede, 1783, J. Logan. T.
Rural Felicity, 1834, Buckstone. C.
Ruy Blas, 1840, Victor Hugo. R.D.
Sabots de la Marquis, 1854, Boulanger. O.C.
Sackfull of News (_The_), 1557, Anon. Pl.
Sacrifice d’Iphigénie, 1861, Dennery. T.
Sad One (_The_), 1609-1641, Suckling. T.
Sad Shepherd (_The_), left at death unfinished, 1637, Jonson. P.
Sailor’s Daughter (_The_), 1800, Cumberland. C.
St. Clement’s Eve, 1862, Sir H. Taylor. D.
St. Genest, 1641, Rotrou. T.
St. Patrick for Ireland, 1640, Shirley. C.
St. Patrick’s Day, 1775, Sheridan. F.
St. Peter, 1866, Benedict. Or.
Saint’s Tragedy, 1846, Kingsley. D.Pm.
Salmacida Spolia, 1639, Davenant. M.
Salvator, 19th cent., Herault. T.
Samor, 1818, Milman.
Samson, 1742, Handel. Or.
Samson Agonistes, 1671, Milton. D.Pm.
Sappho, 1850, Gounod. O.
Sappho and Phao, 1591, J. Lyly. Myt.D.
Saratoga, 1874, Marshall (brought out in London under the title of
_Brighton_).
Sardanapalus, 1821, Byron. T.
Satanella, 1858, Balfe. O.
Satiro-mastix, 1602, Dekker. Sat.C.
Saucy Valets (1730-1805), King.
Saul, 1738, Handel. Or.
Saul, 1739, Hill. T.
Saul, 1782, Alfieri. T.
Saul, 1801, Kalkbrenner. Or.
Saul (_King_), 1872, Armstrong. T.
Saul (_König_), 1839, Gutzkow. D.
Sauney, the Scot, 1698, Lacy. C.
Savage (_Richard_), 19th cent., Gutzkow. D.
Savonarola, 1881, Austin. T.
Scapegoat (_The_), about 1840, Poole. F.
Scholar (_The_), 1649, Lovelace. C.
Scholar (_The_), 1802-1879, Buckstone. C.
School, 1869, Robertson. C.
School for Arrogance (1745-1809), Holcroft. C.
School for Authors (1770-1804), Tobin. C.
School for Coquettes (1799-1861), Mrs. Gore. Prose C.
School for Fathers (_The_), 1770, Bickerstaff. C.
School for Grown Children, 1826, Morton. C.
School for Grown Gentlemen, 1827, Morton. C.
School for Lovers, 1762, Whitehead. C. (See “L’École des Amants.”)
School for Scandal, 1777, Sheridan. C.
School for Wives, 1774, Kelly. C. (See “L’École des Femmes.”)
School of Complement, 1631, Shirley. C.
School of Reform, 1817, Thomas Morton. C. (See “L‘École.”)
Scipio Africanus, 1729, Beckingham. T. (from Pradon’s _Scipion
l‘Africain_).
Scipion l‘Africain, 1632-1698, Pradon. T.
Scornful Lady (_The_), 1616, Beaumont and Fletcher. C.
Scots Figaries (_The_), 1652, Tatham. C.
Scowerers (_The_), 1691, Shadwell. C.
Scythes, 1761, Voltaire. T.
Sea-Captain (_The_), 1839, Lytton. T. (often called _The Rightful
Heir_).
Sea-Voyage, 1647, Beaumont and Fletcher. C.
Search after Happiness, 1773, H. More. P.
Search for Money (_A_), 1609, Rowley. C.
Seasons (_The_), 1800, Haydn. O.
Sebastian. (See “Don Sebastian.”)
Second Maiden’s Tragedy, before 1620, Anon. T. (ascribed to
Chapman).
Second Thoughts, 19th cent., Buckstone.
Secret (_Le_), 1793, Hoffmann. O.C. (music by Méhul).
Secret Love, 1667, Dryden. C.
Secrets Worth Knowing, 1798, Th. Morton. C.
Secrétaire et le Cuisinier (_Le_), before 1822, Scribe. Pt.Pc.
See Me and See Me Not, 1618, Belcher. C. (adapted from a play by
Hans Beerpot).
Sejanus, 1602, Jonson. T.
Séjour Militaire, 1813, Auber. O.
Self-immolation, or The Sacrifice of Love, 1799, Newman. Pl. (from
Kotzebue).
Selindra, 1665, Sir W. Killigrew. Pl.
Semele, 1698, Congreve. Mu.D. (music by Handel).
Semiramide, 1729, Metastasio. O.
Semiramide, 1819, Meyerbeer. O.
Semiramide, 1823, Rossini. O.
Sémiramis, 1748, Voltaire. T.
Senile Odium, 1633, Hausted. C.
Serail, 1782, Mozart. O.
Serious Family (_A_), about 1850, Buckstone (music by Barnett).
Sertorious, 1662, Corneille. T.
Servius Tullius, 1826, Bouzique. T.
Sesostris, 1667, Amore. T.
Seven against Thebes (_The_), B.C. 471, Æschylus. T. (Greek).
Translated by Potter, 1777; Buckley, 1849; Davies, 1864; Plumptre,
1869.
Shaughraun, 1874, Boucicault. D.
She Stoops to Conquer, 1773, Goldsmith. C.
She Stoops to Conquer, 1864, Macfarren. O.
She Would and She Would Not, 1703, Cibber. C.
She Would if She Could, 1668, Etherege. C.
Shepherd of Tolosa, 1829, Ingemann.
Shepherd’s Artifice, 1761, Dibdin. O.
Shepherd’s Holiday (_The_), 1635, Rutten. P.T.C.
Shoemaker a Gentleman (_A_), 1638, Rowley. C.
Shoemaker’s Holiday (_The_), 1600, Dekker. C.
Shore. (See “Jane Shore.”)
Si j’étais Roi, 1854, Adam. Pt.Pc.
Sicilian Summer (_A_), 1850, Henry Taylor. C.
Sicilian Vespers, 1840, Kenney.
Sicilian Vespers, 1819, Delavigne. T.
Sicilien ou L’Amour Peintre, 1667, Molière. C.
Siege (_The_), or Love’s Convert, 1651, Cartwright. C.
Siège of Aguileia, 1760, Home.
Siege of Babylon (_The_), 1678, Pordage. T.
Siege of Belgrade, 1796, Cobb. C.O. (music by Storace; an English
version of _La Cosa Rara_).
Siege of Berwick, 1806, Jerningham. T.
Siege of Damascus, 1720, Hughes. T.
Siege of Grenada, 1671, Dryden. H.Pl.
Siege of Ischia, (1778-1824), Kemp. O.
Siege of Memphis (_The_), 1676, D’Urfey. T.
Siege of Rhodes, 1656, Davenant. Pl.
Siege of Rochelle, 1835, Balfe. O.
Siege of Sinope, 1781, Miss Brooke. T.
Siege of Troy (_The_), 1715. D.
Siege of Urbin, 1666, Sir W. Killigrew. Pl.
Sigurd (_King_), 19th cent., Bojé. T.
Silent Woman (_The_), 1609, Jonson. C.
Silver Age (_The_), 1613, Thomas Heywood. C.
Silvia, 1731, Lillo.
Single Life, about 1835, Buckstone. C.
Sir Barnaby Whigg, 1681, D’Urfey. C.
Sir Courtley Nice, 1685, Crowne. C. (from the _Mayor Imposible_ of
Lope de Vega).
Sir Fopling Flutter, 1676, Etherege. C.
Sir George Etherege’s Comical Revenge (1642-1689), Mrs. Behn. C.
Sir Harry Gaylove, 1772, Miss Marshall. C.
Sir Harry Wildair, 1701, Farquhar. C.
Sir Hercules Buffoon, 1684, Lacy. C.
Sir John Cockle at Court, 1737, Dodsley. F.
Sir John Falstaff in Masquerade, 1741, S. Johnson. C.
Sir John Oldcastle. (See “Oldcastle.”)
Sir Marmaduke Maxwell, 1827, Cunningham. C.
Sir Martin Marplot (1592-1670), William, Duke of Newcastle. C.
(founded on Molière’s _L’Etourdi_).
Sir Martin Marrall, 1667, Dryden. C. (This is _Sir Martin Marplot_
adapted for the stage.)
Sir Patient Fancy, 1678, Mrs. Behn. C.
Sir Richard Grinvile, 1595, Markham. T.
Sir Solomon, or The Cautious Coxcomb, 1671, Caryl. C.
Sir Thomas Moore, 1792, Hurdis. T.
Sir Thomas Overbury, 1726, Savage. T.
Sir Thomas Overbury’s Life and Untimely Death, 1614, Ford. T.
Sir Thomas Wyat, 1607, Webster and Dekker. T.
Sir Walter Raleigh, 1720, Sewell. T.
Sirène (_La_), 1844, Scribe. O.C.
Siroe (_Il_), 1728, Metastasio. O.
Sisters (_The_), 1652, Shirley. C.
Sisters (_The_), 1769, Mrs. Lennox. C.
Slanderer (_The_), 1778, Foote.
Slave (_The_), 1816, Bishop. O.
Slave Life (1817-1880), Tom Taylor, etc.
Sleeping Beauty, 1805, Skeffington. Pn.
Sleeping Beauty, 1840, Planché.
Slighted Maid (_The_), 1663, Stapylton. C.
Snake in the Grass, 1759, Hill. C. (altered by Buckstone, 19th
cent.)
Society, 1865, Robertson. C.
Sofonisbe, 1718, Leo. O. (See “Sophonisba.”)
Soirée à la Bastille, 1845, Decourcelle. C.
Soirée d’Auteuil (_La_), 1804, Andrieux. C.
Soldier (_The_), 1649, Lovelace. T.
Soldier’s Daughter (_The_), 1804, Cherry. C.
Soldier’s Fortune, 1681, Otway. C.
Soldier’s Last Stake (_The_), 1686-1744, G. Jacob.
Soldier’s Return, 1805, Hook. C.
Soliman and Persida, 1599, Anon [? Kyd]. T.
Soliman II. (1710-1792), Favart. O.C.
Solliciteur (_Le_), before 1822, Scribe. Pt.Pc.
Solomon, 1748, Handel. Or.
Solomon, 1748, Klopstock. S.D. (translated by R. Huish, 1809).
Solomon (_King_), 1876, Armstrong. T.
Somnambule (_La_), 1819, Delavigne. D.
Sonnambula, 1831, Bellini. O.
Sophi (_The_). (See “Sophy.”)
Sophister (_The_), 1639, Zouch. C.
Sophonisba, 1514, Trissino. T. (the first Italian tragedy). (See
“Ferrex,” etc.)
Sophonisba, or The Wonder of Women, 1606, Marston. T. (See
“Sofonisbe.”)
Sophonisba, 1729, Thomson. T.
Sophonisba, 1783, Alfieri. T. (translated by Lloyd, 1815).
Sophonisbe, 1630, Mairet. T. (imitated from Trissino; the first
French Tragedy).
Sophonisbe (1606-1684), Corneille. T.
Sophonisbe (1677-1758), Lagrange-Chancel. T.
Sophy (_The_), 1641, printed 1642, Denham. T.
Sorcerer (_The_), 1876, Gilbert and Sullivan. Opta.
Sorcière (_La_), 1863, Bourgeois and Barbier. C.
Sordello, 1839, R. Browning.
Sosies, 1639, Rotrou. C.
Sot toujours Sot, 1693, De Brueys. C.
Spaniard in Peru (_The_), 1797, Kotzebue. T. (The English version is
called _Pizarro_).
Spanish Bawd (_The_), 1631, Fernando de Roias. C. (the longest play
ever published).
Spanish Curate (_The_), 1622, Fletcher (Beaumont died 1616). C.
(based on _The Unfortunate Spaniard_ by Gonsalvo de Cespides).
Spanish Dollars, 1807, Cherry. M.D.
Spanish Father (_The_), 1745-1831, H. Mackenzie. T.
Spanish Fryar (_The_), 1680, Dryden. C.
Spanish Gipsy, 1653, Middleton and Rowley. C.
Spanish Gypsy, 1865, rewritten 1867, and published 1868, “G. Eliot”
[Mrs. Lewes]. D.Pm.
Spanish Masquerado, 1589, Greene. C.
Spanish Rogue (_The_), 1674, Duffett. C.
Spanish Student (_The_), 1845, Longfellow. D.Pm.
Spanish Tragedy (_The_), or Jeronimo Mad Again, 1603, Kyd. T.
(forming pt. ii. to _Jeronimo_).
Spanish Viceroy, 1653, Massinger.
Spartacus, 1746, Saurin. T.
Spartan Dame (_The_), 1721, Southerne. T.
Speculation (1765-1841), Reynolds. C.
Speed the Plough, 1798, Thomas Morton. C.
Spoilt Child (_The_), 1805 (?) Bickerstaff. C.
Spouter (_The_), 1756, Murphy. F.
Sprigs of Laurel, 1798, O’Keefe. M.F. (music by Shield).
Spring and Autumn, 1827, Kenney. C.
Spring’s Glory (_The_), 1638, Nabbes. M.
Squeeze to the Coronation, 1821, Thomson. C.
Squire of Alsatia (_The_), 1688, Shadwell. C. (same as _Gentleman of
Alsatia_).
Squire Oldsapp, 1679, D’Urfey. C.
Stage Beaux toss’d in a Blanket, 1704, Thomas Brown. C.
Stage Coach, 1704, Farquhar. C.
Staple of News (_The_), 1625, Jonson. C.
Star of Seville, 1837, Mrs. Butler (born Kemble).
State of Innocence, 1673, Dryden. D.Pm. (a dramatic version of
Milton’s _Paradise Lost_).
State Prisoner, 1847, Stirling.
Statira (1632-1698), Pradon. T.
Stella, 1776, Goethe. D.
Stella, 1843, Anicet Bourgeois. D.
Stephanie, 1877, Story. T.
Stepmother (_The_), 1664, Stapylton. T.C. (See “Hecyra.”)
Stepmother (_The_), 1800, Earl of Carlisle. T.
Steward (_The_). (This is merely _The Deserted Daughter_ of Holcroft,
1785, reset.)
Stichus (B.C. 254-184), Plautus. C. (Latin, adapted from a Greek
play by Menander). Translated into blank verse by Thornton, Rich,
Warner and Colman, 1769-74.
Stilicon, 1660, Thomas Corneille. T.
Still Waters Run Deep, 1855, Tom Taylor. C.
Stolen Heiress, 1703, Centlivre. C.
Stolen Kisses, 19th cent., Merritt. C.
Stafford, 1837, R. Browning. H.T.
Stafford, 1843, Sterling. H.T.
Strange Discovery (_The_), 1640, Gough. T.C.
Strange Gentleman (_The_), 1836, Dickens. Blta.
Stranger (_The_), 1797, B. Thompson. D. (from _Misanthropy and
Repentance_, by Kotzebue). Thompson’s version was greatly altered
in 1798 by Sheridan.
Straniera (_La_), 1806-1835, Bellini. O.
Strathmore, 1849, W. Marston. T.
Stratonice, 1792, Hoffmann. O.C. (music by Méhul).
Streets of London, 1862, Boucicault. D.
Struensee, 1827, Beer. T.
Success, or A Hit if You Like It, 1825, Planché. F.
Such Things Are, 1786, Inchbald. Pl.
Suite du Mentuer (_La_), 1803, Andrieux. C.
Sullen Lovers, 1668, Shadwell. C.
Sultan (_The_), 1775, Bickerstaff. F.
Summer’s Last Will, etc., 1600, Nash. C.
Summer’s Tale, 1768, Cumberland. C.O.
Sun in Aries (_The_), 1621, Middleton. C.
Sun’s Darling (_The_), 1656, Ford. M.
Superiority, 1607, Ant. Brewer. C.
Suppliants (_The_), B.C. 461, Æschylus. T. (Greek). Translated by
Potter, 1777; Buckley, 1849; Plumptre, 1869.
Supplication of Pierce Penniless, etc., 1592, Nash.
Supplice d’un Homme, 1865, Thiboust.
Supplices, B.C. 421, Euripides. T. (Greek). Translated by Potter,
1781; Wodhull, 1782.
Supposes (_The_), 1566, Gascoigne. C.
Suréna, 1674, Corneille. T.
Surprise (_Agreeable_), 1798, O’Keefe. C.
Surrender of Calais, 1791, Colman. C.
Suspicious Husband (_The_), 1747, Hoadly. C.
Svend Dyring’s House, 19th cent., Herz. R.D.
Svend Grathe, 19th cent., Bojé. T.
Sweethearts, 1874, Gilbert. D.Pc.
Sweethearts and Wives (1772-1849), Kenney. Mu.C. (music by Nathan).
Sweetman, the Woman-Hater, 1640, Anon. C.
Swindler (_The_), 1764-1838, Morton. C.
Sword and the Hand, 1832, Beer. T.
Sylvain, 1770, Marmontel. O.C. (music by Grétry).
Sylvana, 1809, Weber. O.
Sylvester Daggerwood, 1795, Colman. C.
Sylvia, 1731, Lillo.