=Tro´ilus= (3 _syl._), a son of Priam, king of Troy. In the picture

described by Virgil (_Æneid_, i. 474-478), he is represented as having

thrown down his arms and fleeing in his chariot, not equal to meeting

Achilles; he is pierced with a lance, and, having fallen backwards,

still holding the reins, the lance with which he is transfixed

“scratches the sand over which it trails.”

In the _Troilus and Creseide_ of Chaucer, and the _Troilus and

Cressida_ of Shakespeare, we have a story unknown to classic fiction.

Chaucer pretends to take it from Lollius, but who Lollius was, has

never been discovered. In this story Troilus falls in love with

Cressid, daughter of the priest Chalchas, and Pandărus is employed as

a go-between. After Troilus has obtained a promise of marriage from

the priest’s daughter, an exchange of prisoners is arranged, and

Cressid, falling to the lot of Diomed, prefers her new master to her

Trojan lover.

Chaucer’s _Troilus and Creseide_ is not one of the _Canterbury Tales_,

but quite an independent one, in five books. It contains 8246 lines,

nearly 3000 of which are borrowed from the _Filostrato_ of Boccaccio.

=Trois Chapitres= (_Les_), or THE THREE CHAPTERS, three theological

works on the “Incarnation of Christ and His dual nature.” The authors

of these “chapters” are Theodore of Mopsuestia, Theodoret of Cyrrhus,

and Ibas of Edessa. The work was condemned in 553 as heretical.

=Trois Echelles=, executioner.--Sir W. Scott, _Quentin Durward_ and

_Anne of Geierstein_ (time Edward IV.).

=Trojan=, a good boon companion, a plucky fellow or man of spirit.

Gadshill says, “There are other Trojans [_men of spirit_] that ... for

sport sake are content to do the profession [_of Thieving_] some

grace.” So in _Love’s Labor’s Lost_ “Unless you play the honest

Trojan, the poor wench is cast away” (unless you are a man of

sufficient spirit to act honestly, the girl is ruined).

“He is a regular Trojan,” means he is _un brave homme_, a capital

fellow.

=Trompart=, a lazy but wily-witted knave, grown old in cunning. He

accompanied Braggadoccio as his squire (bk. ii. 3), but took to his

heels when Talus shaved the master, “reft his shield,” blotted out his

arms, and broke his sword in twain. Being overtaken, Talus gives him a

sound drubbing (bk. v. 3).--Spenser, _Faëry Queen_ (1590-6).

=Trondjem’s Cattle= (_Remember the bishop of_), _i.e._, look sharp

after your property; take heed, or you will suffer for it. The story

is, that a certain bishop of Trondjem [_Tron´.yem_] lost his cattle by

the herdsmen taking his eyes off them to look at an elk. Now this elk

was a spirit, and when the herdsman looked at the cattle again they

were no bigger than mice; again he turned towards the elk, in order to

understand the mystery, and while he did so, the cattle all vanished

through a crevice into the earth.--Miss Martineau, _Feats on the

Fiord_ (1839).

=Tropho´nios=, the architect of the temple of Apollo, at Delphi. After

death he was worshipped, and had a famous cave near Lebadia, called

“The Oracle of Trophonios.”

The month of this cave was three yards high and two wide. Those who

consulted the oracle had to fast several days, and then to descend a

steep ladder till they reached a narrow gullet. They were then seized

by the feet, and dragged violently to the bottom of the cave, where

they were assailed by the most unearthly noises, howlings, shrieks,

bellowings, with lurid lights and sudden glares, in the midst of which

uproar and phantasmagoria the oracle was pronounced. The votaries were

then seized unexpectedly by the feet, and thrust out of the cave

without ceremony. If any resisted, or attempted to enter in any other

way, he was instantly murdered.--Plutarch, _Lives_.

=Trotley= (_Sir John_), an old-fashioned country gentleman, who

actually prefers the obsolete English notions of domestic life,

fidelity to wives and husbands, modesty in maids, and constancy in

lovers, to the foreign free and easy manners which allow married

people unlimited freedom, and consider licentiousness _bon

ton_.--Garrick, _Bon Ton_ (1776). (See PRIORY.)

=Trotter= (_Job_), servant to Alfred Jingle. A sly, canting rascal,

who has at least the virtue of fidelity to his master. Mr. Pickwick’s

generosity touches his heart, and he shows a sincere gratitude to his

benefactor.--C. Dickens, _The Pickwick Papers_ (1836).

_Trotter_ (_Nelly_) fishwoman at old St. Ronan’s.--Sir W. Scott, _St.

Ronan’s Well_ (time, George III.).

=Trotters=, the Punch and Judy showman; a little, good-natured,

unsuspicious man, very unlike his misanthropic companion, Thomas

Codlin, who played the panpipes, and collected the money.

His real name was Harris, but it had gradually merged into Trotters,

with the prefatory adjective “Short,” by reason of the small size of

his legs. Short Trotters, however, being a compound name, inconvenient

in friendly dialogue, he was called either Trotters or Short, and

never Short Trotters, except on occasions of ceremony.--C. Dickens,

_The Old Curiosity Shop_, xvii. (1840).

=Trotty=, the sobriquet of Toby Veck, ticket-porter and jobman.

They called him Trotty from his pace, which meant speed, if it didn’t

make it. He could have walked faster, perhaps; most likely; but rob

him of his trot, and Toby would have taken to his bed and died. It

bespattered him with mud in dirty weather; it cost him a world of

trouble; he could have walked with infinitely greater ease; but that

was one reason for his clinging to his trot so tenaciously. A weak,

small, spare old man; he was a very Herculês, this Toby, in his good

intentions.--C. Dickens, _The Chimes_, i. (1844).

=Trotwood= (_Betsey_), usually called “Miss Betsey,” great aunt of

David Copperfield. Her idiosyncrasy was donkeys. A dozen times a day

would she rush on the green before her house to drive off the donkeys,

and donkey-boys. She was a most kind-hearted, worthy woman, who

concealed her tenderness of heart under a snappish austerity of

manner. Miss Betsey was the true friend of David Copperfield. She

married in her young days a handsome man, who ill-used her, and ran

away, but preyed on her for money till he died.--C. Dickens, _David

Copperfield_ (1849).

=Trouil´logan=, a philosopher, whose advice was, “Do as you like.”

Panurge asked the sage if he advised him to marry. “Yes,” said

Trouillogan. “What say you?” asked the prince. “Let it alone,” replied

the sage. “Which would you advise?” inquired the prince. “Neither,”

said the sage. “Neither?” cried Panurge; “that cannot be.” “Then

both,” replied Trouillogan. Panurge then consulted several others, and

at last the oracle of the Holy Bottle.--Rabelais, _Pantagruel_, iii.

35 (1545).

Molière has introduced this joke in his _Marriage Forcé_ (1664).

Sganarelle asks his friend Géronimo, if he would advise him to marry,

and he answers “No.” “But,” says the old man, “I like the young

woman.” “Then marry her, by all means.” “That is your advice?” says

Sganarelle. “My advice is, do as you like,” says the friend.

Sganarelle next consults two philosophers, then some gypsies, then

declines to marry, and is at last compelled to do so, _nolens volens_.

=Trovato´re= (4 _syl._), or “The Troubadour” in Manrico, the supposed

son of Azuce´na, the gypsy, but in reality, the son of Garzia (brother

of the conte di Luna). The Princess Leono´ra falls in love with the

troubadour, but the count, entertaining a base passion for her, is

about to put Manrico to death, when Leonora intercedes on his behalf,

and promises to give herself to him, if he will spare her lover. The

count consents; but while he goes to release his captive Leonora kills

herself by sucking poison from a ring. When Manrico discovers this sad

calamity, he dies also.--Verdi, _Il Trovatore_ (1853).

(This opera is based on the drama of _Gargia Guttierez_, a fifteenth

century story.)

=Troxartas= (3 _syl._), king of the mice, and father of Psycarpax, who

was drowned. The word means “bread-eater.”

Fix their counsel ...

Where great Troxartas crowned in glory reigns ...

Psycarpax’ father, father now no more!

Parnell, _Battle of the Frogs and Mice_, i. (about 1712).

=Trudge=, in _Love in a Bottle_, by Farquhar (1698).

=True Thomas=, Thomas the Rhymer. So called from his prophecies, the

most noted of which was his prediction of the death of Alexander III.

of Scotland, made to the earl of March. It is recorded in the

_Scotichronĭcon_ of Fordun (1430).

=Trueworth=, brother of Lydia, and friend of Sir William Fondlove.--S.

Knowles, _The Love-Chase_ (1837).

=Trull= (_Dolly_). Captain Macheath says of her, “She is always so

taken up with stealing hearts, that she does not allow herself time to

steal anything else” (act ii. 1).--Gay, _The Beggar’s Opera_ (1727).

=Trulla=, the daughter of James Spenser, a Quaker. She was first

dishonored by her father, and then by Simeon Wait (_or_ Magna´no), the

tinker.

He Trulla loved, Trulla more bright

Than burnished armor of her knight,

A bold virago, stout and tall

As Joan of France or English Mall.

S. Butler, _Hudibras_, i. 2 (1663).

=Trul´liber= (_Parson_), a fat clergyman; ignorant, selfish, and

slothful.--Fielding, _The Adventures of Joseph Andrews_ (1742).

Parson Barnabas, Parson Trulliber, Sir Wilful Witwould, Sir Francis

Wronghead, Squire Western, Squire Sullen; such were the people who

composed the main strength of the Tory party for sixty years after the

Revolution.--Macaulay.

⁂ “Sir Wilful Witwould,” in _The Way of the World_, by Congreve; “Sir

Francis Wronghead,” in _The Provoked Husband_, by C. Cibber; “Squire

Western,” in _Tom Jones_, by Fielding; “Squire Sullen,” in _The Beaux’

Stratagem_, by Farquhar.

=Trunnion= (_Commodore Hawser_), a one-eyed naval veteran, who has

retired from the service in consequence of injuries received in

engagements; but he still keeps garrison in his own house, which is

defended with drawbridge and ditch. He sleeps in a hammock, and makes

his servants sleep in hammocks, as on board ship, takes his turn on

watch, and indulges his naval tastes in various other ways. Lieutenant

Jack Hatchway is his companion. When he went to be married, he rode on

a hunter which he steered like a ship, according to the compass,

tacking about, that he might not “go right in the wind’s eye.”--T.

Smollett, _The Adventures of Peregrine Pickle_ (1750).

It is vain to criticize the manœuvre of Trunnion, tacking his way

to church on his wedding day, in consequence of a head wind.--_Encyc.

Brit._, Art. “Romance.”

⁂ Dickens has imitated this in Wemmick’s house, which had flag and

drawbridge, fortress and gun in miniature; but the conceit is more

suited to “a naval veteran” than a lawyer’s clerk. (See WEMMICK.)

=Truscott= (_Jack_), officer in U. S. Army, and, according

to his wife, “gallant, noble, gentle, tender, true,

faithful--and--um--_sweet_!” Truscott’s character, said to be drawn

from life, is one of the finest in Captain Charles King’s series of

military novels. Truscott leads the rescuing party to the cottonwood

copse where a handful of U. S. soldiers are penned in by Indians.

“More shots and yells, a trumpet-blare, and then--then, ringing like

clarion over the turmoil of the fight, echoing far across the still

valley, the sound of a glorious voice shouting the well-known words of

command,--Left--front--into line--_gallop_.” And Dana can hold in no

longer. Almost sobbing, he cries aloud--

“Jack Truscott, by all that is glorious! I’d know the voice among a

million!” Who in the ----th would not? Who in the old regiment had not

leaped at its summons, time and again?--Charles King, _Marion’s Faith_

(1886).

=Trusty= (_Mrs._), landlady of the Queen’s Arms, Romford. Motherly,

most kind-hearted, a capital caterer, whose ale was noted. Bess, “the

beggar’s daughter,” took refuge with her, and was most kindly treated.

Mrs. Trusty wished her son, Ralph, to take Bess to wife, but Bess had

given her heart to Wilford, the son of Lord Woodville, her cousin.--S.

Knowles, _The Beggar of Bethnal Green_ (1834).

=Tryamour= (_Sir_), the hero of an old metrical novel, and the model

of all knightly virtues.

=Try´anon=, daughter of the fairy king who lived on the island of

Ole´ron. “She was as white as a lily in May, or snow that snoweth on a

winter’s day,” and her “haire shone as goldê wire.” This paragon of

beauty married Sir Launfal, King Arthur’s steward, whom she carried

off to “Oliroun, her jolif isle.”--Thomas Chestre, _Sir Launfal_

(fifteenth century).

=Trygon=, a poisonous fish. Ulysses was accidentally killed by his son

Telegŏnos with an arrow pointed with trygon-bone.

The lord of Ithăca,

Struck by the poisonous trygon’s bone expired.

West, _Triumphs of the Gout_ (“Lucian” 1750).

=Tryphon=, the sea-god’s physician.

They send in haste for Tryphon, to apply

Salves to his wounds, and medicines of might;

For Tryphon of sea-god’s the sovereign leech is hight.

Spenser, _Faëry Queen_, iii. 4 (1590).

=Tubal=, a wealthy Jew, the friend of Shylock.--Shakespeare, _The

Merchant of Venice_ (a drama, 1598).

=Tuck=, a long, narrow sword (Gaelic _tuca_, Welsh _twca_, Italian

_stocco_, French _estoc_). In _Hamlet_ the word “tuck” is erroneously

printed _stuck_ in Malone’s edition.

If he by chance escape your venomed tuck,

Our purpose may hold there.

Shakespeare, _Hamlet_, act iv. sc. 7.

_Tuck_, (_Friar_), the “curtal friar of Fountain’s Abbey,” was the

father confessor of Robin Hood. He is represented as a sleek-headed,

pudgy, paunchy, pugnacious clerical Falstaff, very fat and

self-indulgent, very humorous, and somewhat coarse. His dress was a

russet habit of the Franciscan order, a red corded girdle with gold

tassel, red stockings, and a wallet.

Sir Walter Scott, in his _Ivanhoe_, calls him the holy clerk of

Copmanhurst, and describes him as a “large, strong-built man in a

sackcloth gown and hood, girt with a rope of rushes.” He had a round,

bullet head, and his close-shaven crown was edged with thick, stiff,

curly black hair. His countenance was bluff and jovial, eyebrows black

and bushy, forehead well-turned, cheeks round and ruddy, beard long,

curly and black, form brawny (ch. xv.).

In the May-day morris-dance the friar is introduced in full clerical

tonsure, with the chaplet of white and red beads in his right hand, a

corded girdle about his waist, and a russet robe of the Franciscan

order. His stockings red, his girdle red, ornamented with gold twist

and a golden tassel. At his girdle hung a wallet for the reception of

provisions, for “Walleteers” had no other food but what they received

from begging. Friar Tuck was chaplain to Robin Hood, the May-king.

(See MORRIS-DANCE.)

In this our spacious isle, I think there is not one

But he hath heard some talk of Hood and Little John;

Of Tuck, the merry friar, which many a sermon made,

In praise of Robin Hood, his outlaws and their trade.

Drayton, _Polyolbion_, xxvi. (1622).

=Tud= (_Morgan_), chief physician of King Arthur.--_The Mabinogion_

(“Geraint,” twelfth century).

=Tug= (_Tom_), the waterman, a straightforward, honest young man, who

loved Wilhelmi´na, the daughter of Mr. and Mrs. Bundle, and, when he

won the waterman’s badge in rowing, he won the consent of “the

gardener’s daughter” to become his loving and faithful wife.--C.

Dibdin, _The Waterman_ (1774).

=Tukely=, the lover of Sophia. As Sophia has a partiality for the Hon.

Mr. Daffodil, “the male coquette,” Tukely dresses in woman’s clothes,

makes an appointment with Daffodil, and gets him to slander Sophia and

other ladies, concealed among the trees. They thus hear his slanders,

and, presenting themselves before him, laugh him to scorn.--Garrick,

_The Male Coquette_ (1758).

=Tulk´inghorn= (_Mr._), attorney-at-law and legal adviser of the

Dedlocks. Very silent and perfectly self-contained, but, knowing Lady

Dedlock’s secret, he is like the sword of Dam´oclês over her head, and

she lives in ceaseless dread of him.--C. Dickens, _Bleak House_

(1852).

=Tullia=, wicked daughter of Servius Tullius, king of Rome. She

conspired with her paramour to compass her father’s death, and drove

over his dead body on her way to greet her accomplice as king.

=Tulliver= (_Mr._), honest, irascible miller, whose love for “the

little wench,” his daughter, is the gentlest feeling of his nature.

His pride is hurt by financial disaster; he becomes a hireling of the

man he hates; his fortunes are redeemed by his son, but he dies soon

afterward.

_Tulliver_ (_Mrs._), a weak, garrulous woman, vain of her “Dodson

blood.”

_Tulliver_ (_Maggie_), fine, upright, imaginative, affectionate girl,

understood by few, and passionately loved by two men. She resists her

love for her cousin’s almost betrothed, and suffers the loss of

reputation patiently. Tom Tulliver, her brother, is the sternest of

her censors. The two are drowned together in a river-flood.--George

Eliot, _The Mill on the Floss_.

=Tully=, Marcus Tullius Cicero, the great Roman orator (B.C. 106-43).

He was proscribed by Antony, one of the triumvirate, and his head and

hands, being cut off, were nailed, by the orders of Antony, to the

Rostra of Rome.

Ye fond adorers of departed fame,

Who warm at Scipio’s worth or Tully’s name.

Campbell, _Pleasures of Hope_, i. (1799).

The Judas who betrayed Tully to the sicarii was a cobbler. The man who

murdered him was named Herennius.

=Tungay=, the one-legged man at Salem House.

He generally acted, with his strong voice, as Mr. Creakle’s

interpreter to the boys.--C. Dickens, _David Copperfield_, ii. (1849).

=Tunstall= (_Frank_), one of the apprentices of David Ramsay, the

watchmaker.--Sir W. Scott, _The Fortunes of Nigel_ (time, James I.).

=Tupman= (_Tracy_), M.P.C., a sleek, fat young man, of very amorous

disposition. He falls in love with every pretty girl he sees, and is,

consequently, always getting into trouble.--C. Dickens, _The Pickwick

Papers_ (1836).

=Turbulent School of Fiction= (_The_), a school of German romance

writers, who returned to the feudal ages, and wrote between 1780 and

1800, in the style of Mrs. Radcliffe. The best known are Cramer,

Spiers, Schlenkert, and Veit Weber.

=Turcaret=, a comedy by Lesage (1708), in which the farmers-general of

France are gibbeted unmercifully. He is a coarse, illiterate man, who

has grown rich by his trade. Any one who has risen from nothing to

great wealth, and has no merit beyond money-making, is called a

Turcaret.

=Turcos=, native Algerian infantry, officered by Frenchmen. The

cavalry are called _Spahis_.

=Turell= (_Jane_), a fair Puritan, whose early precocity and mature

accomplishments are related by her husband. Before she was four years

old she “could say the Assembly’s Catechism, many of the Psalms, some

hundred lines of the best poetry, read distinctly, and make pertinent

remarks on many things she read.” In later years she fulfilled the

promise thus given of intellectual acquirements, while “her innocence,

modesty, ingenuity and devotion charmed all into admiration of

her.”--Ebenezer Turell, _Memoirs of the Pious and Ingenious Mrs. Jane

Turell_ (1735).

=Turk Gregory=, Gregory VII. (Hildebrand); so called for his furious

raid upon royal prerogatives, especially his contest with the emperor

[of Germany] on the subject of investiture. In 1075, he summoned the

emperor Henry IV. to Rome; the emperor refused to obey the summons,

the pope excommunicated him, and absolved all his subjects from their

allegiance; he next declared Henry dethroned, and elected a new

kaiser, but Henry, finding resistance in vain, begged to be reconciled

to the pope. He was now commanded, in the midst of a severe winter, to

present himself, with Bertha, his wife, and their infant son, at the

castle of Canossa, in Lombardy; and here they had to stand three days

in the piercing cold, before the pope would condescend to see him, but

at last the proud prelate removed the excommunication, and Henry was

restored to his throne.

=Turkish Spy= (_The_). A once popular romance relating the adventures

of Mahmut, a Turk who lived forty-five years undiscovered in Paris,

unfolding the intrigues of the Christian courts, between 1637 and

1682. The author of this romance is Giovanni Paolo Mara´na, and he

makes it the medium of an historical novel of the period (1684).

=Turkomans=, a corruption of _Turk-imâms_ (“Turks of the true faith”).

The first chief of the Turks who embraced Islam, called his people so

to distinguish them from the Turks who had not embraced that faith.

=Turnbull= (_Michael_), the Douglas’s dark huntsman.--Sir W. Scott,

_Castle Dangerous_ (time, Henry I.).

_Turnbull_ (_Mr. Thomas_), also called “Tom Turnpenny,” a canting

smuggler and school-master.--Sir W. Scott, _Redgauntlet_ (time, George

III.).

=Turnip-Hoer=, George I. So called because, when he first came over to

England, he proposed planting St. James’s Park with turnips (1660,

1714-1727).

=Turnpenny= (_Mr._), banker at Marchthorn.--Sir W. Scott, _St. Ronan’s

Well_ (time, George III.).

_Turnpenny_ (_Tom_), also called “Thomas Turnbull,” a canting smuggler

and school-master.--Sir W. Scott, _Redgauntlet_ (time, George III.).

=Turntippit= (_Old lord_), one of the privy council in the reign of

William III.--Sir W. Scott, _Bride of Lammermoor_ (1819).

=Turon=, the son of Brute’s sister, slew 600 Aquitanians with his own

hand in one single fight.

Where Turon, ... Brute’s sister’s valiant son ...

Six hundred slew outright thro’ his peculiar strength;

By multitudes of men, yet overpressed at length.

His noble uncle there, to his immortal name

The city Turon [_Tours_] built, and well endowed the same.

Drayton, _Polyolbion_, i. (1612).

=Turpin=, a churlish knight, who refuses hospitality to Sir Calepine

and Serēna, although solicited to do so by his wife, Blanĭda (bk. vi.

3). Serena told Prince Arthur of this discourtesy, and the prince,

after chastising Turpin, unknighted him, and prohibited him from

bearing arms ever after (bk. vi. 7). The disgraced churl now vowed

revenge; so off he starts, and seeing two knights, complains to them

of the wrongs done to himself and his dame by “a recreant knight,”

whom he points out to them. The two champions instantly challenge the

prince “as a foul woman-wronger,” and defy him to combat. One of the

two champions is soon slain and the other overthrown, but is spared on

craving his life. The survivor now returns to Turpin, to relate his

misadventure, and when they reach the dead body see Arthur asleep.

Turpin proposes to kill him, but Arthur starts up and hangs the rascal

on a tree (bk. vi. 7).--Spenser, _Faëry Queen_ (1596).

_Turpin_, “archbishop of Rheims,” the hypothetical author of a

_Chronicle_, purporting to be a history of Charlemagne’s Spanish

adventures in 777, by a contemporary. This fiction was declared

authentic and genuine by Pope Calixtus II. in 1122, but it is now

generally attributed to a canon of Barcelona in the eleventh century.

The tale says that Charlemagne went to Spain in 777 to defend one of

his allies from the aggressions of a neighboring prince. Having

conquered Navarre and Aragon he returned to France. He then crossed

the Pyrenees, and invested Pampeluna for three months, but without

success. He tried the effect of prayer, and the walls, like those of

Jericho, fell down of their own accord. Those Saracens who consented

to be baptized he spared, but the rest were put to the sword. Being

master of Pampeluna, the hero visited the sarcophagus of James; and

Turpin, who accompanied him, baptized most of the neighborhood.

Charlemagne then led back his army over the Pyrenees, the rear being

under the command of Roland. The main army reached France in safety,

but 50,000 Saracens fell on the rear, and none escaped.

_Turpin_ (_Dick_), a noted highwayman, executed at York (1739).

Ainsworth has introduced into _Rookwood_ Turpin’s famous ride to York

on his steed, Black Bess. It is said that Maginn really wrote this

powerful description (1834).

_Turpin_ (_The French Dick_) is Cartouche, an eighteenth century

highwayman. W. H. Ainsworth made him the hero of a romance (1841).

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