You will guess from my very handwriting that I'm feeling more at home in

life than I did when I wrote you last. And I can't help being pleased

that Ellaline's adored one won't be able to leave his manoeuvres, to

make her his own, till a fortnight or so later than she expected. That

is, I can't help being glad, as the doctor thinks you ought to stop at

Champel-les-Bains till after the first week of September, and we

_couldn't_ be together, even if I were back in Paris. You swear you

didn't hypnotize him to say that? I would enjoy more peace of mind,

while careering through England in Apollo, if I were certain.

Oh, that reminds me, I forgot to tell you what fun it was christening

Apollo. I quite enjoyed it, and felt immensely important. Don't you

think "Apollo" an appropriate name for such a magnificent car as I've

described to you? The Sun God--Driver of the Chariot of the Sun? Sir

Lionel likes it; but he says he isn't sure "The Cloud" wouldn't be a

more appropriate name, because the car costs such a lot that "she" has a

silver lining. I began by calling her "it," but he won't let me do that.

He doesn't much mind my being amateurish, but he hates me to be

disrespectful.

I am so dazzled by the motor and enchanted with the sport of

motoring--as well as seeing things even more lovely than I hoped

for--that I'm not worrying over Dick Burden and his mysterious hints

about himself as a detective. Besides, when he and his aunt came to tea

(you'll remember I told you in a scrap of a note that it was the day Sir

Lionel went to Warwickshire, and how vexed Mrs. Senter was to find him

gone), Mr. Dick made himself quite pleasant. He wasn't impertinent, or

too admiring, or anything which a well-brought-up young Englishman ought

not to be. Indeed, I thought by his manner that he wanted tacitly to

apologize for his bad behaviour when we first met; so probably, when I

fancied he looked wicked that night at Ennis's Rooms, it _was_ because

he wanted to sneeze. You have taught me to give everybody, except young

men, the benefit of the doubt; but I don't see why one shouldn't give it

to young men, too. I think they're rather easier to forgive, somehow,

than women. Is that why they're dangerous? But D. B. could never be

dangerous to me, in the sense of falling in love.

His aunt certainly wishes to throw us together; I suppose on account of

Ellaline's money. She doesn't like girls, I'm sure, but would always be

ready, on principle, to give first aid to heiresses. It is something to

be thankful for that she hasn't grafted herself on to our party, as I

feared she might; and though they're both going to stop at some country

house near Southsea, and they "hope we may meet," I dare say I shan't be

bothered by them again while I'm in England. I don't intend to worry.

_La donna é automobile!_

I haven't properly described our start, or told you about the things

I've seen _en route_, and I promised to tell you everything; so I'll go

back to the beginning of the trip.

There was Apollo, throbbing with joy of life in front of the hotel door,

at nine o'clock of a perfect English morning. There were statuesque,

Ritzy footmen, gazing admiringly at the big golden-yellow car (that was

one of the reasons I thought she should be named after the Sun God, she

is so golden). There was Charu Chunder Bose, alias Young Nick, who would

think it a sin against all his gods to dress as a chauffeur, and who

continues to garb himself as a self-respecting Bengali--Young Nick, with

his sleepy eyes, and his Buddha-when-young smile, about as appropriate

on a motor-car as a baby crocodile. There was Sir Lionel waiting to tuck

us in. There were we two females in neat gray motor dust-cloaks, on

which the Dragon insisted; Mrs. Norton in a toque, which she wore as if

it were a remote and dreaded contingency; your Audrie in a duck of an

early Victorian bonnet, in which she liked herself better than in

anything else she ever had on before. There, too, was our luggage, made

to fit the car, and looking like the very last word of up-to-dateness--if

you know what that look is.

Of course, it wasn't the first time I'd been out in the car, for I think

I told you, the day Apollo was christened I had a spin; but it rained,

and we went only through the Park. That was nothing. This morning we

were bidding good-bye to London, and our pulses were beating high for

the Tour. Young Nick drove on the christening day, but this time Sir

Lionel took the driver's seat, with the brown idol beside him; and I saw

instantly, by the very way he laid his hand on the steering-wheel, with

a kind of caress--as a horse-lover pats a beloved mare's neck--that he

and the golden car were in perfect sympathy.

We were starting early, because Sir Lionel had planned a good many

things for us to see before dark; but early as it was, Piccadilly and

Knightsbridge were seething with traffic. Motor-'buses like mad

hippopotamuses; taxi-cabs like fierce young lions; huge carts like

elephants; and other vehicles of all sorts to make up a confused medley

of wild animals escaped from the Zoo. It looked appalling to mingle

with, but our own private Dragon drove so skilfully, yet so carefully,

that I never bit my heart once. Always the car seemed sentient, steering

its way like a long, thin pike; then when the chance came, flashing

ahead, dauntless and sure.

We went by a great domed palace--Harrod's Stores--and then over Putney

Bridge, passing Swinburne's house, whose outside is as deceiving as an

oyster-shell that hides a pearl; through Epsom, Charles the Second's

"Brighton" (which I've been reading about in a volume of Pepys Sir

Lionel has given me), to Leatherhead, along the Dorking Road, slowing up

for a glimpse of Juniper Hall, glowing red as a smouldering bonfire

behind a dark latticed screen of splendid Lebanon cedars. I dare say

it's a good deal changed since dear little Fanny Burney's day, for the

house looks quite modern; but then neither buildings nor the people who

live in them show their age early in England.

Close under Box Hill we glided; and Sir Lionel pointed out a little path

leading up on the left to George Meredith's cottage. Just a small house

of gray stone it is (for I would get out and walk up part way to see it

from far off, not to intrude or spy); and there that great genius shines

out, a clear, white light for the world, like a beacon or a star.

Evidently Surrey air suits geniuses. Do you remember reading about

Keats, that he wrote a lot of "Endymion" at Burford Bridge? It was only

a little after ten o'clock when we passed the quaint-looking hotel

there, but already at least a dozen motors were drawn up before it. I

wanted to go in and ask if they show the room Lord Nelson used; but we

had too many things to see.

Of course, I am always wishing for you, but I began to wish the hardest

just as we came into this green, brackeny, fairyland of Surrey. It's the

kind of country you love best; although I must say it was never planned

for motors. Winding through those green tunnels which are the Surrey

lanes, I felt as if, in some quaint dream, I were motoring on a

tight-rope, expecting another car to want to pass me on the same

rope--which naturally it couldn't!

It would have been much worse, though, if Young Nick had been driving.

That little, smooth brown face of his looks as if its idol-simper hid no

human emotions, and I believe if people and animals were perfectly flat,

like paper dolls, so that they would do no harm to his car, he wouldn't

mind how many he drove over. Luckily, however, they _aren't_ flat, and

the only thing earthly he adores, after his master, is his motor; so he

is nice and cautious for its sake. But the Dragon thinks of everyone,

and says there's no pleasure for him in motoring if he leaves a trail of

distress or even annoyance along the road as he passes. He slows down at

corners; he goes carefully round them; he almost walks Apollo in places

where creatures of any kind may start out unexpectedly; and he blows our

pleasant musical horn as if by instinct, never forgetting, as I'm sure I

should do.

As we twisted and turned through the Surrey lanes, between Dorking and

Shere, little children in red cloaks and tams appeared from behind

hedges, looking like blowing poppies as they ran. And blue-eyed,

gold-brown haired girls in cottage doorways, under hanging bowers of

roses, were as decorative as Old Chelsea china girls. The red tiles of

their roofs, as I turned back for one more glimpse, would already be

half hidden in waves of green, but would just show up like beds of

scarlet geraniums buried in leaves.

Shere was almost too beautiful to be real, with its rows of Elizabethan

cottages whose windows twinkled at us with their diamond-shaped,

diamond-bright panes, sparkling under their low, thatch-eyebrows, from

between black oak beams. The Tudor chimneys were as graceful as the

smoke wreaths that lazily spiraled above them, and the whole effect

was--was--well, inexpressibly Birket Foster. I used to think he

idealized; but then, I'd never seen anything of England but London, and

didn't know how all English trees, cottages, and even clouds, are

trained to group themselves to suit artists of different schools.

I kept wishing that you'd made me study architecture and botany, instead

of languages and music. In justice to oneself, one ought, when

travelling in England, to have at least a bowing acquaintance with every

sort of architecture, and all families of flowers, to say nothing of

trees, so that one might exclaim, as snobs do of royalties and

celebrities: "Oh, _she_ was the great granddaughter of So-and-So." "He

married Lady This-and-That." Also, I find I need much more knowledge of

literature than I have. This country is divided off into a kind of

glorious chessboard, each square being sacred to some immortal author,

playwright, or poet. The artists press them close, without overcrowding;

and history lies underneath--history for every square inch.

"Twelve coffin deep," I quoted Kipling to myself, as my mind panted

along Roman roads, and the Pilgrim's Way.

"Why, was there a cemetery there?" asked Mrs. Norton, looking mildly

interested.

She, by the way, doesn't much care for ruins. She says they're so

untidy.

You and I travelled till our money threatened to give out in the noble

cause of sight-seeing, but I never realized history quite so potently

even in Italy as I do in England. Yet that's not strange, when you think

how tiny England is, compared with other countries, and how things have

gone on happening there every minute since the Phoenicians found it a

snug little island. Its chapters of history have to be packed like

sardines, beginning down, down, far deeper than Kipling's "twelve

coffins."

One Surrey village telleth another, just to slip through in a motor-car,

though none could ever be tiresome in the telling; but if one stopped to

hear the real story of each one, how different they would all be! There

would be grand chapters of fighting, and mysterious chapters of

smuggling--oh, but long ones about smuggling, since most of the manors

and half the old cottages have "smugglers' rooms," where the lace and

spirits used to be hidden, in their secret journey from Portsmouth to

London. It's difficult to believe in these thrilling chapters now, in

the rich, placid county, where the only mystery floats in the veil of

blue mist that twists like a gauze scarf around the tree trunks in the

woods, and the only black spots are the dark downs in the distance, with

the sky pale gold behind them.

You would love motoring, not only for what you do see, but for what you

nearly see, and long to see, but can't--just as Dad used to say "Thank

God for all the blessings I've never had!" Why, every road you don't go

down looks fantastically alluring, just twice as alluring as the one you

are in. You grudge missing anything, and fear, greedily, that there may

be better villages with more history beyond the line of your route. It's

no consolation when Mrs. Norton says, "Well, you can't see everything!"

You _want_ to see everything. And you wish you had eyes all the way

round your head. It would be inconvenient for hair and hats, but you

could manage somehow.

We had to go through Petworth, a most feudal-looking old place, reeking

of history since the Confessor, and mentioned in the Domesday Book (I do

so respect towns or houses mentioned in the Domesday Book!), and if it

had been the right day we could have seen Lord Leconsfield's collection

of pictures, some of the best in England; but it was the wrong day, so

we sailed on out of Surrey into Sussex, and arrived at Bignor.

All I knew about Bignor was that I must expect something amazing there.

Sir Lionel asked me not to read about it in the books of which we have a

travelling library in the car--one at least for each county we shall

visit. He said he "wanted Bignor to be a surprise" for me; and it is odd

the way one finds oneself obeying that man! Not that one's afraid of

him, but--well, I don't know why exactly, but one just does it. We

didn't stop in the village, though there was the quaintest grocery shop

there you can imagine, perfectly mediæval; and in the churchyard yew

trees grand enough to make bows for half the archers of England--if

there were any in these days. We went on to quite a modern-looking

farmhouse, and Sir Lionel said, "I am going to ask Mrs. Tupper if she

will give us a little lunch. If she says 'yes,' it's sure to be good."

"I don't know any Tuppers, Lionel," objected Mrs. Norton. "Who are

they?"

"Relatives of Martin Tupper, if that name recalls anything to your

mind," said he.

Mrs. Norton had a vague idea that she had been more or less brought up

on extracts from Martin Tupper, and seemed to associate him with

Sundays, when, as a child, she hadn't been allowed to play. But that

didn't explain how Lionel happened to know connections of his in a

Sussex farmhouse. Besides, he couldn't possibly have seen them for more

than fifteen years.

"That is true, and I only saw them once, even then," he admitted. "But

Mrs. Tupper had been here for a good many years, engaged in the most

delightful work, which you will hear about by and by; and I'm sure she

is here still, and will be for many more years to come, because I don't

want to imagine the place without her."

Mrs. Norton said no more, and her brother knocked on the door of the

farmhouse, which stood hospitably open. In a minute, a dear old

white-haired lady appeared, and instantly her face lighted up.

"Why, if it isn't Mr. Pendragon--I mean Sir Lionel--come back to see us

again!" said she.

Sir Lionel grew red with pleasure, at being remembered by her, for

apparently he hadn't at all expected it. He seems to forget that he is a

celebrity, and generally doesn't like being reminded of the fact, but he

was pleased that Mrs. Tupper had read about him in the papers from time

to time, and had never forgotten his face.

She said she would be delighted to provide us with lunch, if we didn't

mind a simple one; and then she would have gone on to say something

which would have given the "surprise" away, if Sir Lionel hadn't stopped

her.

We had delicious country things to eat, with real Surrey cream and apple

dumplings. They did taste good after the elaborate French cooking in

London, by way of contrast! Then, when we had finished, Sir Lionel said,

"Now, Mrs. Tupper, can you take us for a stroll round the farm?"

That didn't sound exciting, did it? We walked out, and it seemed a very

nice farm, but nothing remarkable. As we wandered toward some sheds, in

a field of mangolds, Sir Lionel made us look up at a big hill, and said,

"There was a Roman camp there. If you'd stood where you stand now, on a

quiet night in those times, you could have heard the clanking of armour

or the soldiers quarrelling over their dice. Here Roman Stane Street

ran, and chariots used to stop to bring the latest news from Rome to the

owner of the villa."

"Was there a villa?" asked Mrs. Norton, who thinks it polite to ask her

brother questions, whether she is interested or not.

"Let's take a look into this shed," said he, by way of answer. And,

there, protected by that rough roof, was a great stretch of splendid

mosaic pavement. It was done in circular compartments of ornamentation,

and in one was a beautiful head of Ganymede--in another, Winter. Alas, I

shouldn't have known what they were if I hadn't been told, but I would

have known that they were rare and wonderful.

This was the "surprise." This was the secret of Bignor; but it wasn't

nearly all. There were lovely broken pillars, and lots more pavements,

acres of mosaic, it seemed; for the villa had been large and important,

and must have been built by a rich man with cultivated taste. He knew

how to make exile endurable, did that Roman gentleman! Standing in his

dining-hall, I could imagine him and his fair lady-wife sitting at

breakfast, looking out from between white, glittering pillars at the

Sussex downs, grander than those of Surrey, reminding me of great, brave

shoulders raised to protect England. Now we knew what Mrs. Tupper's

"delightful work" was! For forty-nine years she has cleaned the mosaic

pavement of the vanished Roman villa, all of which were discovered by

the grandfather of the present owner of the farm. Never once has she

tired of looking at the mosaics, because, as she explained to us, "one

doesn't tire of what is beautiful." There speaks true appreciation,

doesn't it? Only a born lover of the beautiful could have said that so

simply.

There was an Italian, a man from Venice, repairing the mosaic. He could

hardly speak a word of English, and beamed with a sudden smile when I

asked him some question in his native tongue. We talked awhile, and I

translated several things he said to Sir Lionel and his sister. I'm

ashamed to confess, dear, that I was pleased to show off my poor little

accomplishment, and proud because I knew one thing which our famous man

didn't. Wasn't that low of me?

"Well, you weren't disappointed in my surprise, I think?" said Sir

Lionel, when we were starting away at last.

I just gave him one look. It really wasn't necessary to answer.

As we flashed on, through country always exquisite, and over perfect

roads, I could think of nothing but Bignor, until suddenly, after

passing through a long aisle of great beeches, like an avenue in a

private park, a tremendous bulk of stone looming at me made me jump, and

cry out, "Oh!"

Sir Lionel turned his head long enough for half a smile. "Arundel

Castle," he said.

It's lucky for me that Mrs. Norton doesn't know much about any part of

England except her own home, and the homes of her particular friends, or

else she would always be explaining things to me, and I should hate

that. It would be like having purple hot-house grapes handed out to one

impaled on the prongs of a plated silver fork. I should have wanted to

slap her, if _she_ had told me I was looking at Arundel Castle, but I

was grateful to her brother for the information. This was a wickedness

in me; but if you knew how I felt, having started out from the Ritz

expecting a quiet day's run through one or two of the garden counties of

England, to come like this, bang into the midst of Roman villas, and

under the shadow of a tenth-century castle-keep, maybe you'd excuse my

morals for being upset.

You can't have centuries roll away, like a mere cloud of dust raised by

your motor, and be perfectly normal, can you? I tried to seem calm,

because I hate to be gushing and school-girlish (for Ellaline's sake, I

_suppose_, as it can't make any difference what her Dragon thinks of

me), but I'm pretty sure he saw that I was rather "out of myself" over

all his surprises.

He stopped the motor, and we sat for a long time gazing up at the towers

beyond the green and silver beeches--a pile of battlemented stone,

looking like the Middle Ages carved in granite, yet more habitable

to-day than ever before.

We had lunched early, and had plenty of time, so we walked through the

park, which made me feel that England must be rather big, after all, to

have room for thousands of such parks--even much larger ones--and all

its great cities--and miles and miles of farms and common land, and mere

"country."

When we lived in New York, you and Dad and I, we used to joke about the

way we should feel in England if we should ever go to visit Dad's

ancestral Devonshire. We used to pretend that, after being accustomed to

the vast distances of America, we should be afraid of tumbling off the

edge of England; but so far I find that I don't dread that imminent

peril. Just now England seems so vast that my only fear is I mayn't have

time to reach the Roman Wall.

The Duke's midges bit us a good deal, in the park, so we didn't linger,

but went back to Apollo, where Young Nick's remarkable appearance had

attracted a crowd of boys and girls from Arundel town. They stood in the

road gaping at him, with that steady, unblinking stare English children

and French grown-ups have, while the brown image sat motionless in the

car, as scornfully oblivious of his critics as if he'd been the idol he

looked.

Poor Sir Lionel hates the attention his extraordinary little chauffeur

excites, for, in spite of his long expatriation, he loathes being

conspicuous in any way as heartily as other Englishmen do. But (Mrs.

Norton has told me) he saved Young Nick from being murdered by someone

who was a "family enemy." Since then--it was when Nick was scarcely more

than a child--the brown image has worshipped the Dragon, and refused to

be separated from him. When Sir Lionel proposed providing for him well,

and leaving him behind, Nick made no complaints, but began industriously

to starve himself to death. So, of course, he had to be brought to

England, and his master just makes the best of him, costume, features,

broomstick legs, and all.

We had tea in a picture of Turner's: for Littlehampton, with its tidal

river, its harbour and pier, its fishing boats and shining sails, its

windmill, its goldy-brown sands, and its banked violet clouds, was a

genuine Turner. Of course, he wouldn't have painted the Beach Hotel, in

spite of its nice balconies, but we were glad it was there, and it

didn't spoil the picture.

By that time, it was nearly half-past five, but we had hours of daylight

before us, so we stopped for a look at Climping Church (don't you love

the "ing" that shows a place has kept its Saxon name?) with its splendid

Norman doorway and queer, long windows, shaped like open pods of peas

beautifully ornamented round their edges. Thank goodness, there was

nothing "perp" about it! I get so tired of "perp" things in guide books.

Slinden we glanced at, too, a most idyllic village, garrisoned with the

noblest beeches I ever saw. Hilaire Belloc, whose "Path to Rome" we

liked so much, stayed at Slinden, writing delightful things about

Sussex. I mean to get and read all I can, because, even in the glimpse

I've had, I can see that Sussex has a character, as well as a charm,

individually its own. The Downs give it, and make you feel that a true

man of Sussex would be frank, warm-hearted, simple and brave, with

old-fashioned ways which, with a pleasant obstinacy, he would be loath

to change. I heard Mrs. Tupper quote two or three quaint proverbs which

were new to me, but Sir Lionel said they were old, almost, as the Sussex

downs, and as racy of the soil. I always associated Brighton with

Sussex, which made it seem a sophisticated county: but you see, _true_

Sussex--the Downs--stands all independent and sturdy, between the

pleasure-places by the sea and the snug Weald.

The faces we passed didn't look like faces descended from smugglers,

they seemed so kind and good; but then, of course, smuggling was quite a

respectable industry in Sussex, where the secretive formation of the

coast clearly showed that Providence had meant it to epict. I love the

Sussex downs, I like the Sussex faces, and I admire the Sussex church

spires--tall and pointed, covered with lichened shingles.

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