BRUSSELS, XVII CENTURY

[Sidenote:

_Wool and Silk._

H. 11 _ft._

W. 18 _ft._ 8 _in._

]

[Sidenote: From the Morgan Collection, No. 17. Another example in the

Swedish Royal Collection.]

TRIUMPH OF AUGUSTUS AND LIVIA: _Caesar offers the crown of victory to

Augustus, who kneels before him. He is surrounded by his attendants and

his chariot waits in the background. The side borders are of flower-draped

columns, top and bottom borders of fruit and flower garlands, with

ornaments. On the side borders are cartouches bearing the insignia: Pax.

Aug. and Vic. Aug. (Pax Augusta and Victoria Augusta)._

[Sidenote: Illustrated:

_Böttiger, Svenska Statins Samling_, vol. 3, pl. XLII.]

The piece is one of a series on the _History of Julius Caesar_, three of

which were in the Morgan Collection. It has all the abundance and dramatic

emphasis characteristic of the Baroque period.

[Sidenote: Lent by _P. W. French & Company_.]

The massive yet active figures, the large folded, swinging drapes, the

luxurious and heavy accessories are all typical of the work of a time

when the large, the impressive, and the elaborate were sought in all

forms of art. The manner was introduced into tapestry cartoons by Rubens

and carried on by many of his pupils and imitators. Even the outline of

the composition of this piece follows closely that of Rubens' famous

_Triumphs_, from which the suggestion for the cartoon was undoubtedly

taken.

[Sidenote: 45]

Catalogue of the Retrospective Loan Exhibition of European Tapestries · 第 88 / 131 题