BRUSSELS, XVI CENTURY (1574)

[Sidenote:

_Wool, Silk, Gold._

H. with frame, 4 _ft._

W. with frame, 3 _ft._ 9 _in._

]

THE CRUCIFIXION: _Christ and the two thieves on the crosses. In the

foreground, right, the Roman soldiers; left, the sorrowing Marys. Floral

border._ _Dated in cartouche in the border_, 1574.

This is one of a number of small tapestries in silk and gold of religious

subjects, most of which have been attributed to Bernard Van Orley, who

probably designed this piece also. They are all of them very exact

reproductions of paintings, remarkable in weave and very beautiful

in color. The type was first woven in the first quarter of the XVIth

century, and continued to be produced in very limited numbers until well

into the XVIIth century. They were undoubtedly woven only for special

orders--probably for private chapels.

The piece is a very brilliant example of one of the richest types of

tapestry that has ever been woven.

[Sidenote: Lent by _P. W. French & Company_.]

Bernard Van Orley (1492-5 to 1540) was trained by his father,

Valentin, and afterwards studied under Raphael in Italy. He was

engaged to supervise the translation of Raphael's cartoons for the

famous series of the _Apostles_ into tapestry. In 1518 he became

court painter. He designed many tapestries, of which the most famous

are the _Hunts of Maximilian_ and the _Victory of Pavia_ series.

[Sidenote: 36]

Catalogue of the Retrospective Loan Exhibition of European Tapestries · 第 80 / 131 题