_Published September 29, 1922, in an edition of 2000 copies. Copyright,
1922, by San Francisco Museum of Art. Reprinted November 15, 1922, 500
copies._
_Printed by_ TAYLOR & TAYLOR, _San Francisco. In the making of the
type-design for the cover, the printer has introduced an illuminated
fifteenth-century woodcut by an unknown master. Its original appears,
illuminated as shown, in "L'Istoire de la Destruction de Troye la Grant,"
a book printed at Paris, dated May 12, 1484, of which only a single copy
is known to exist, that in the Royal Library at Dresden, this reproduction
having been made from the excellent facsimile of the block shown in
Claudin's "Histoire de l'Imprimerie en France." The border-design of the
cover is composed of the names of the chief tapestry-producing cities in
Europe during the Gothic and Renaissance periods._
_Halftones made by Commercial Art Company, San Francisco._