III.

Rain and a blind sky and a bursting sea Feliu and his men, Miguel and

Mateo, looked out upon the thundering and flashing of the monstrous

tide. The wind had fallen, and the gray air was full of gulls. Behind

the cheniere, back to the cloudy line of low woods many miles away,

stretched a wash of lead-colored water, with a green point piercing it

here and there--elbow-bushes or wild cane tall enough to keep their

heads above the flood. But the inundation was visibly

decreasing;--with the passing of each hour more and more green patches

and points had been showing themselves: by degrees the course of the

bayou had become defined--two parallel winding lines of dwarf-timber

and bushy shrubs traversing the water toward the distant

cypress-swamps. Before the cheniere all the shell-beach slope was piled

with wreck--uptorn trees with the foliage still fresh upon them,

splintered timbers of mysterious origin, and logs in multitude, scarred

with gashes of the axe. Feliu and his comrades had saved wood enough

to build a little town,--working up to their waists in the surf, with

ropes, poles, and boat-hooks. The whole sea was full of flotsam. Voto

a Cristo!--what a wrecking there must have been! And to think the

Carmencita could not be taken out!

They had seen other luggers making eastward during the morning--could

recognize some by their sails, others by their gait,--exaggerated in

their struggle with the pitching of the sea: the San Pablo, the

Gasparina, the Enriqueta, the Agueda, the Constanza. Ugly water,

yes!--but what a chance for wreckers! ... Some great ship must have

gone to pieces;--scores of casks were rolling in the trough,--casks of

wine. Perhaps it was the Manila,--perhaps the Nautilus!

A dead cow floated near enough for Mateo to throw his rope over one

horn; and they all helped to get it out. It was a milch cow of some

expensive breed; and the owner's brand had been burned upon the

horns:--a monographic combination of the letters A and P. Feliu said

he knew that brand: Old-man Preaulx, of Belle-Isle, who kept a sort of

dairy at Last Island during the summer season, used to mark all his

cows that way. Strange!

But, as they worked on, they began to see stranger things,--white dead

faces and dead hands, which did not look like the hands or the faces of

drowned sailors: the ebb was beginning to run strongly, and these were

passing out with it on the other side of the mouth of the

bayou;--perhaps they had been washed into the marsh during the night,

when the great rush of the sea came. Then the three men left the water,

and retired to higher ground to scan the furrowed Gulf;--their

practiced eyes began to search the courses of the sea-currents,--keen

as the gaze of birds that watch the wake of the plough. And soon the

casks and the drift were forgotten; for it seemed to them that the tide

was heavy with human dead--passing out, processionally, to the great

open. Very far, where the huge pitching of the swells was diminished by

distance into a mere fluttering of ripples, the water appeared as if

sprinkled with them;--they vanished and became visible again at

irregular intervals, here and there--floating most thickly

eastward!--tossing, swaying patches of white or pink or blue or black

each with its tiny speck of flesh-color showing as the sea lifted or

lowered the body. Nearer to shore there were few; but of these two

were close enough to be almost recognizable: Miguel first discerned

them. They were rising and falling where the water was deepest--well

out in front of the mouth of the bayou, beyond the flooded sand-bars,

and moving toward the shell-reef westward. They were drifting almost

side by side. One was that of a negro, apparently well attired, and

wearing a white apron;--the other seemed to be a young colored girl,

clad in a blue dress; she was floating upon her face; they could

observe that she had nearly straight hair, braided and tied with a red

ribbon. These were evidently house-servants,--slaves. But from

whence? Nothing could be learned until the luggers should return; and

none of them was yet in sight. Still Feliu was not anxious as to the

fate of his boats, manned by the best sailors of the coast. Rarely are

these Louisiana fishermen lost in sudden storms; even when to other

eyes the appearances are most pacific and the skies most splendidly

blue, they divine some far-off danger, like the gulls; and like the

gulls also, you see their light vessels fleeing landward. These men

seem living barometers, exquisitely sensitive to all the invisible

changes of atmospheric expansion and compression; they are not easily

caught in those awful dead calms which suddenly paralyze the wings of a

bark, and hold her helpless in their charmed circle, as in a nightmare,

until the blackness overtakes her, and the long-sleeping sea leaps up

foaming to devour her.

--"Carajo!"

The word all at once bursts from Feliu's mouth, with that peculiar

guttural snarl of the "r" betokening strong excitement,--while he

points to something rocking in the ebb, beyond the foaming of the

shell-reef, under a circling of gulls. More dead? Yes--but something

too that lives and moves, like a quivering speck of gold; and Mateo

also perceives it, a gleam of bright hair,--and Miguel likewise, after

a moment's gazing. A living child;--a lifeless mother. Pobrecita! No

boat within reach, and only a mighty surf-wrestler could hope to swim

thither and return!

But already, without a word, brown Feliu has stripped for the

struggle;--another second, and he is shooting through the surf, head

and hands tunnelling the foam hills.... One--two--three lines

passed!--four!--that is where they first begin to crumble white from

the summit,--five!--that he can ride fearlessly! ... Then swiftly,

easily, he advances, with a long, powerful breast-stroke,--keeping his

bearded head well up to watch for drift,--seeming to slide with a swing

from swell to swell,--ascending, sinking,--alternately presenting

breast or shoulder to the wave; always diminishing more and more to the

eyes of Mateo and Miguel,--till he becomes a moving speck, occasionally

hard to follow through the confusion of heaping waters ... You are not

afraid of the sharks, Feliu!--no: they are afraid of you; right and

left they slunk away from your coming that morning you swam for life in

West-Indian waters, with your knife in your teeth, while the balls of

the Cuban coast-guard were purring all around you. That day the

swarming sea was warm,--warm like soup--and clear, with an emerald

flash in every ripple,--not opaque and clamorous like the Gulf today

... Miguel and his comrade are anxious. Ropes are unrolled and

inter-knotted into a line. Miguel remains on the beach; but Mateo,

bearing the end of the line, fights his way out,--swimming and wading

by turns, to the further sandbar, where the water is shallow enough to

stand in,--if you know how to jump when the breaker comes.

But Feliu, nearing the flooded shell-bank, watches the white

flashings,--knows when the time comes to keep flat and take a long,

long breath. One heavy volleying of foam,--darkness and hissing as of

a steam-burst; a vibrant lifting up; a rush into light,--and again the

volleying and the seething darkness. Once more,--and the fight is won!

He feels the upcoming chill of deeper water,--sees before him the green

quaking of unbroken swells,--and far beyond him Mateo leaping on the

bar,--and beside him, almost within arm's reach, a great billiard-table

swaying, and a dead woman clinging there, and ... the child.

A moment more, and Feliu has lifted himself beside the waifs ... How

fast the dead woman clings, as if with the one power which is strong as

death,--the desperate force of love! Not in vain; for the frail

creature bound to the mother's corpse with a silken scarf has still the

strength to cry out:--"Maman! maman!" But time is life now; and the

tiny hands must be pulled away from the fair dead neck, and the scarf

taken to bind the infant firmly to Feliu's broad shoulders,--quickly,

roughly; for the ebb will not wait ...

And now Feliu has a burden; but his style of swimming has totally

changed;--he rises from the water like a Triton, and his powerful arms

seem to spin in circles, like the spokes of a flying wheel. For now is

the wrestle indeed!--after each passing swell comes a prodigious

pulling from beneath,--the sea clutching for its prey.

But the reef is gained, is passed;--the wild horses of the deep seem to

know the swimmer who has learned to ride them so well. And still the

brown arms spin in an ever-nearing mist of spray; and the outer

sand-bar is not far off,--and there is shouting Mateo, leaping in the

surf, swinging something about his head, as a vaquero swings his noose!

... Sough! splash!--it struggles in the trough beside Feliu, and the

sinewy hand descends upon it. Tiene!--tira, Miguel! And their feet

touch land again! ...

She is very cold, the child, and very still, with eyes closed.

--"Esta muerta, Feliu?" asks Mateo.

--"No!" the panting swimmer makes answer, emerging, while the waves

reach whitely up the sand as in pursuit,--"no; vive! respira todavia!"

Behind him the deep lifts up its million hands, and thunders as in

acclaim.

Chita: A Memory of Last Island · 第 15 / 31 题