IV.

The charm of a single summer day on these island shores is something

impossible to express, never to be forgotten. Rarely, in the paler

zones, do earth and heaven take such luminosity: those will best

understand me who have seen the splendor of a West Indian sky. And yet

there is a tenderness of tint, a caress of color, in these Gulf-days

which is not of the Antilles,--a spirituality, as of eternal tropical

spring. It must have been to even such a sky that Xenophanes lifted up

his eyes of old when he vowed the Infinite Blue was God;--it was indeed

under such a sky that De Soto named the vastest and grandest of

Southern havens Espiritu Santo,--the Bay of the Holy Ghost. There is a

something unutterable in this bright Gulf-air that compels

awe,--something vital, something holy, something pantheistic: and

reverentially the mind asks itself if what the eye beholds is not the

Pneuma indeed, the Infinite Breath, the Divine Ghost, the great Blue

Soul of the Unknown. All, all is blue in the calm,--save the low land

under your feet, which you almost forget, since it seems only as a tiny

green flake afloat in the liquid eternity of day. Then slowly,

caressingly, irresistibly, the witchery of the Infinite grows upon you:

out of Time and Space you begin to dream with open eyes,--to drift into

delicious oblivion of facts,--to forget the past, the present, the

substantial,--to comprehend nothing but the existence of that infinite

Blue Ghost as something into which you would wish to melt utterly away

forever....

And this day-magic of azure endures sometimes for months together.

Cloudlessly the dawn reddens up through a violet east:

there is no speck upon the blossoming of its Mystical Rose,--unless it

be the silhouette of some passing gull, whirling his sickle-wings

against the crimsoning. Ever, as the sun floats higher, the flood

shifts its color. Sometimes smooth and gray, yet flickering with the

morning gold, it is the vision of John,--the apocalyptic Sea of Glass

mixed with fire;--again, with the growing breeze, it takes that

incredible purple tint familiar mostly to painters of West Indian

scenery;--once more, under the blaze of noon, it changes to a waste of

broken emerald. With evening, the horizon assumes tints of

inexpressible sweetness,--pearl-lights, opaline colors of milk and

fire; and in the west are topaz-glowings and wondrous flushings as of

nacre. Then, if the sea sleeps, it dreams of all these,--faintly,

weirdly,--shadowing them even to the verge of heaven.

Beautiful, too, are those white phantasmagoria which, at the approach

of equinoctial days, mark the coming of the winds. Over the rim of the

sea a bright cloud gently pushes up its head. It rises; and others

rise with it, to right and left--slowly at first; then more swiftly.

All are brilliantly white and flocculent, like loose new cotton.

Gradually they mount in enormous line high above the Gulf, rolling and

wreathing into an arch that expands and advances,--bending from horizon

to horizon.

A clear, cold breath accompanies its coming. Reaching the zenith, it

seems there to hang poised awhile,--a ghostly bridge arching the

empyrean,--upreaching its measureless span from either underside of the

world. Then the colossal phantom begins to turn, as on a pivot of

air,--always preserving its curvilinear symmetry, but moving its unseen

ends beyond and below the sky-circle. And at last it floats away

unbroken beyond the blue sweep of the world, with a wind following

after. Day after day, almost at the same hour, the white arc rises,

wheels, and passes...

... Never a glimpse of rock on these low shores;--only long sloping

beaches and bars of smooth tawny sand. Sand and sea teem with

vitality;--over all the dunes there is a constant susurration, a

blattering and swarming of crustacea;--through all the sea there is a

ceaseless play of silver lightning,--flashing of myriad fish.

Sometimes the shallows are thickened with minute, transparent,

crab-like organisms,--all colorless as gelatine. There are days also

when countless medusae drift in--beautiful veined creatures that throb

like hearts, with perpetual systole and diastole of their diaphanous

envelops: some, of translucent azure or rose, seem in the flood the

shadows or ghosts of huge campanulate flowers;--others have the

semblance of strange living vegetables,--great milky tubers, just

beginning to sprout. But woe to the human skin grazed by those shadowy

sproutings and spectral stamens!--the touch of glowing iron is not more

painful... Within an hour or two after their appearance all these

tremulous jellies vanish mysteriously as they came.

Perhaps, if a bold swimmer, you may venture out alone a long way--once!

Not twice!--even in company. As the water deepens beneath you, and you

feel those ascending wave-currents of coldness arising which bespeak

profundity, you will also begin to feel innumerable touches, as of

groping fingers--touches of the bodies of fish, innumerable fish,

fleeing towards shore. The farther you advance, the more thickly you

will feel them come; and above you and around you, to right and left,

others will leap and fall so swiftly as to daze the sight, like

intercrossing fountain-jets of fluid silver. The gulls fly lower about

you, circling with sinister squeaking cries;--perhaps for an instant

your feet touch in the deep something heavy, swift, lithe, that rushes

past with a swirling shock. Then the fear of the Abyss, the vast and

voiceless Nightmare of the Sea, will come upon you; the silent panic of

all those opaline millions that flee glimmering by will enter into you

also...

From what do they flee thus perpetually? Is it from the giant sawfish

or the ravening shark?--from the herds of the porpoises, or from the

grande-ecaille,--that splendid monster whom no net may hold,--all

helmed and armored in argent plate-mail?--or from the hideous devilfish

of the Gulf,--gigantic, flat-bodied, black, with immense side-fins ever

outspread like the pinions of a bat,--the terror of luggermen, the

uprooter of anchors? From all these, perhaps, and from other monsters

likewise--goblin shapes evolved by Nature as destroyers, as

equilibrists, as counterchecks to that prodigious fecundity, which,

unhindered, would thicken the deep into one measureless and waveless

ferment of being... But when there are many bathers these perils are

forgotten,--numbers give courage,--one can abandon one's self, without

fear of the invisible, to the long, quivering, electrical caresses of

the sea ...

Chita: A Memory of Last Island · 第 8 / 31 题