CHAPTER IV

The road to Flegne skirted the settled and prosperous cliff uplands,

thence ran through the sea marshes which stretched along that part of

the Norfolk coast as far as the eye could reach until they were merged

and lost to view in the cold northern mists.

The road, after leaving the uplands, descended in a sinuous curve

towards the sea, but the party in the motor car were stopped on their

way down by a young mounted officer, who, on learning of their

destination, told them they would have to make an inland detour for some

miles, as the military authorities had closed that part of the coast to

ordinary traffic.

As they turned away from the coast, the chief constable informed Colwyn

that the prohibited area was full of troops guarding a little bay called

Leyland Hoop, where the water was so deep that hostile transports might

anchor close inshore, and where, according to ancient local tradition,

"He who would Old England win,

Must at the Leyland Hoop begin."

After traversing a mile or so of open country, and passing through one

or two scattered villages, they turned back to the coast again on the

other side of a high green headland which marked the end of the

prohibited area, and, crossing the bridge of a shallow muddy river,

found themselves in the area of the marshes.

It was a region of swamps and stagnant dykes, of tussock land and wet

flats, with scarcely a stir of life in any part of it, and nothing to

take the eye except a stone cottage here and there.

The marshes stretched from the road to the sea, nearly a mile away. Man

had almost given up the task of attempting to wrest a living from this

inhospitable region. The boat channels which threaded the ooze were

choked with weed and covered with green slime from long disuse, the

little stone quays were thick with moss, the rotting planks of a broken

fishing boat were foul with the encrustations of long years, the stone

cottages by the roadside seemed deserted. Here and there the marshes had

encroached upon the far side of the road, creeping half a mile or more

farther inland, destroying the wholesome earth like rust corroding

steel, and stretching slimy tentacles towards the farmlands on the rise.

Humanity had retreated from the inroads of the sea only after a stubborn

fight. The ruins of an Augustinian priory, a crumbling fragment of a

Norman tower, the mouldering remnant of a castellated hall, showed how

prolonged had been the struggle with the elements of Nature before Man

had acknowledged his defeat and retreated, leaving hostages behind him.

And--significant indication of the bitterness of the fight--it was to be

noted that, while the builders of a bygone generation had built to face

the sea, the handful of their successors who still kept up the losing

fight had built their beach-stone cottages with sturdy stone backs to the

road, for the greater protection of the inmates from the fierce winter

gales which swept across the marshes from the North Sea.

The car had travelled some miles through this desolate region when the

chief constable directed Colwyn's attention to a spire rising from the

flats a mile or so away, and said it was the church of Flegne-next-sea.

Colwyn increased his speed a little, and in a few minutes the car had

reached the outskirts of the little hamlet, which consisted of a

straggling row of beach-stone cottages, a few gaunt farm-houses on the

rise, and a cruciform church standing back from the village on a little

hill, with high turret or beacon lights which had warned the North Sea

mariners of a former generation of the dangers of that treacherous

coast.

In times past Flegne-next-sea--pronounced "Fly" by the natives, "Fleen"

by etymologists, and "Flegney" by the rare intrusive Cockney--had

doubtless been a prosperous little port, but the encroaching sea had

long since killed its trade, scattered its inhabitants, and reduced it

to a spectre of human habitation compelled to keep the scene of its

former activities after life had departed. Half the stone cottages were

untenanted, with broken windows, flapping doors, and gardens overgrown

with rank marsh weeds. The road through the village had fallen into

disrepair, and oozed beneath the weight of the car, a few boards thrown

higgledy-piggledy across in places representing the local effort to

preserve the roadway from the invading marshes. The little canal quay--a

wooden one--was a tangle of rotting boards and loose piles, and the

stagnant green water of the shallow canal was abandoned to a few grey

geese, which honked angrily at the passing car. There was no sign of

life in the village street, and no sound except the autumn wind moaning

across the marshes and the boom of the distant sea against the

breakwater.

"There's the inn--straight in front," said Police-Constable Queensmead,

pointing to it.

The _Golden Anchor_ inn must have been built in the days of Sir

Cloudesley Shovel, for nothing remained of the maritime prosperity

which had originally bestowed the name upon the building. It was of

rough stone, coloured a dirty white, with two queer circular windows

high up in the wall on one side, the other side resting on a little,

round-shouldered hill. It was built facing away from the sea like the

beach-stone cottages, from which it was separated by a patch of common.

From the rear of the inn the marshes stretched in unbroken monotony to

the line of leaping white sea dashing sullenly against the breakwater

wall, and ran for miles north and south in a desolate uniformity, still

and grey as the sky above, devoid of life except for a few migrant birds

feeding in the salt creeks or winging their way seaward in strong,

silent flight. The rays of the afternoon sun, momentarily piercing the

thick clouds, fell on the white wall and round glazed windows of the

inn, giving it a sinister resemblance to a dead face.

Colwyn brought his car to a standstill on the edge of the saturated

strip of common.

"We shall have to walk across," he said.

"Nobody will run off with the car," said Galloway, scrambling down from

his seat.

"The murderer brought the body from the back of the house across this

green, and carried it up that rise in front of the inn," said

Queensmead. "You cannot see the pit from here, but it is close to that

little wood on the summit. The footprints do not show in the grass, but

they are very plain in the clay a little farther on, and lead straight

to the pit."

"How deep is the pit?" asked Colwyn.

"About thirty feet. It was not an easy matter to bring up the body."

"We will examine the pit and the footprints later," said Mr. Cromering.

"Let us go inside first."

Picking their way across the common to the front of the inn, they

encountered a little group of men conversing underneath the rusty old

anchor signboard which dangled from a stout stanchion above the front

door of the inn. Some men, wearing sea-boots and jerseys, others in

labouring garb, splashed with clay and mud, were standing about. They

ceased their conversation as the party from the motor-car appeared

around the corner, and, moving a respectful distance away, watched them

covertly.

The front door of the inn was closed. Superintendent Galloway tapped at

it sharply, and after the lapse of a moment or two the door was opened,

and a man appeared on the threshold. Seeing the police uniforms he

stepped outside as if to make more room for the party to enter the

narrow passage from which he had emerged. Colwyn noticed that he was so

tall that he had to stoop in the old-fashioned doorway as he came out.

Seen at close quarters, this man was a strange specimen of humanity. He

was well over six feet in height, and so cadaverous, thin and gaunt that

he might well have been mistaken for the presiding genius of the marshes

who had stricken that part of the Norfolk coast with aridity and

barrenness. But there was no lack of strength in his frame as he

advanced briskly towards his visitors. His face was not the least

remarkable part of him. It was ridiculously small and narrow for so big

a frame, with a great curved beak of a nose, and small bright eyes set

close together. Those eyes were at the present moment glancing with

bird-like swiftness from one to the other of his visitors.

"You are the innkeeper--the landlord of this place?" asked Mr.

Cromering.

"At your service, sir. Won't you go inside?" His voice was the best

part of him; soft and gentle, with a cultivated accent which suggested

that the speaker had known a different environment at some time or

other.

"Show us into a private room," said Mr. Cromering.

The innkeeper escorted the party along the passage, and took them into a

room with a low ceiling and sanded floor, smelling of tobacco,

explaining, as he placed chairs, that it was the bar parlour, but they

would be quiet and free from interruption in it, because he had closed

the inn that day in anticipation of the police visit.

"Quite right--very proper," said the chief constable.

"Will you and the other gentlemen take any refreshment, after your

journey?" suggested the innkeeper. "I'm afraid the resources of the inn

are small, but there is some excellent old brandy."

He stretched out an arm towards the bell rope behind him. Colwyn noticed

that his hand was long and thin and yellow--a skeleton claw covered with

parchment.

"Never mind the brandy just now," said Mr. Cromering, taking on himself

to refuse on behalf of his companions the proffered refreshment. "We

have much to do and it will be time enough for refreshments afterwards.

We will view the body first, and make inquiries after. Where is the

body, Benson?"

"Upstairs, sir."

"Take us to the room."

The innkeeper led the way upstairs along a dark and narrow passage. When

he reached a door near the end, he opened it and stood aside for them to

enter.

"This is the room," he said, in a low voice. It was Colwyn's keen eye

that noted the key in the door. "What is that key doing in the door, on

the outside?" he asked. "How long has it been there?"

"The maid found it there this morning, sir, when she went up with Mr.

Glenthorpe's hot water. That made her suspect something must be wrong,

because Mr. Glenthorpe was in the habit of locking his door of a night

and placing the key under his pillow. So, after knocking and getting no

answer, she opened the door, and found the room empty."

"The door was not locked, though the key was in the door?"

"No, sir, and everything in the room was just as usual. Nothing had been

disturbed."

"And was that bedroom window open when you found the room empty?" asked

Superintendent Galloway, pointing to it through the open doorway.

"Yes, sir--just as you see it now. I gave orders that nothing was to be

touched."

"Ronald slept in this room," said Queensmead, indicating the door of the

adjoining bedroom.

"We will look at that later," said Galloway.

The interior of the room they entered was surprisingly light and

cheerful and spacious, having nothing in common with those low gloomy

vaults, crammed with clumsy furniture and moth-eaten stuffed animals,

which generally pass muster as bedrooms in English country inns. Instead

of the small circular windows of the south side, there was a large

modern two-paned window in a line with the door, opening on to the other

side of the house. The bottom pane was up, and the window opened as wide

as possible. A very modern touch, unusual in a remote country inn, was a

rose coloured gas globe suspended from the ceiling, in the middle of the

room. The furniture belonged to a past period, but it was handsome and

well-kept--a Spanish mahogany wardrobe, chest of drawers and washstand

with chairs to match. Modern articles, such as a small writing-desk near

the window, some library books, a fountain pen, a reading-lamp by the

bedside, and an attaché case, suggested the personal possessions and

modern tastes of the last occupant. A comfortable carpet covered the

floor, and some faded oil-paintings adorned the walls.

The bed--a large wooden one, but not a fourposter--stood on the

left-hand side of the room from the entrance, with the head against the

wall nearest the outside passage, and the foot partly in line with the

open window, which was about eight feet away from it. The door when

pushed back swung just clear of a small bedroom table beside the bed, on

which the reading lamp stood, with a book beside it. The other side of

the bed was close to the wall which divided the room from the next

bedroom, so that there was a large clear space on the outside, between

the bed and the door. The gas fitting, which was suspended from the

ceiling in this open space, hung rather low, the bottom of the globe

being not more than six feet from the floor. The globe was cracked, and

the incandescent burner was broken.

The murdered man had been laid in the middle of the bed, and covered

with a sheet. Superintendent Galloway quietly drew the sheet away,

revealing the massive white head and clear-cut death mask of a man of

sixty or sixty-five; a fine powerful face, benign in expression, with a

chin and mouth of marked character and individuality. But the distorted

contour of the half-open mouth, and the almost piteous expression of the

unclosed sightless eyes, seemed to beseech the assistance of those who

now bent over him, revealing only too clearly that death had come

suddenly and unexpectedly.

"He was a great archæologist--one of the greatest in England," said Mr.

Cromering gently, with something of a tremor in his voice, as he gazed

down at the dead man's face. "To think that such a man should have been

struck down by an assassin's blow. What a loss!"

"Let us see how he was murdered," said the more practical Galloway, who

was standing beside his superior officer. He drew off the covering sheet

as he spoke, and dropped it lightly on the floor.

The body thus revealed was that of a slightly built man of medium

height. It was clad in a flannel sleeping suit, spattered with mud and

clay, and oozing with water. The arms were inclining outwards from the

body, and the legs were doubled up. There were a few spots of blood on

the left breast, and immediately beneath, almost on the left side, just

visible in the stripe of the pyjama jacket, was the blow which had

caused death--a small orifice like a knife cut, just over the heart.

"It is a very small wound to have killed so strong a man," said Mr.

Cromering. "There is hardly any blood."

Sir Henry examined the wound closely. "The blow was struck with great

force, and penetrated the heart. The weapon used--a small, thin, steel

instrument--and internal bleeding, account for the small external flow."

"What do you mean by a thin, steel instrument?" asked Superintendent

Galloway. "Would an ordinary table-knife answer that description?"

"Certainly. In fact, the nature of the wound strongly suggests that it

was made by a round-headed, flat-bladed weapon, such as an ordinary

table or dinner knife. The thrust was made horizontally,--that is,

across the ribs and between them, instead of perpendicularly, which is

the usual method of stabbing. Apparently the murderer realised that his

knife was too broad for the purpose, and turned it the other way, so as

to make sure of penetrating the ribs and reaching the heart."

"Does not that suggest a rather unusual knowledge of human anatomy on

the murderer's part?" asked Mr. Cromering.

"I do not think so. Anybody can tell how far apart the human ribs are by

feeling them."

"It is easy to see, Sir Henry, that the wound was made by a thin-bladed

knife, but why do you think it was also round-headed?" asked

Superintendent Galloway. "Might it not have been a sharp-pointed one?"

"Or even a dagger?" suggested Mr. Cromering.

"Certainly not a dagger. The ordinary dagger would have made a wider

perforation with a corresponding increase in the blood-flow. My theory of

a round-headed knife is based on the circumstance of a portion of the

deceased's pyjama jacket having been carried into the wound. A

sharp-pointed knife would have made a clean cut through the jacket."

"I see," said Superintendent Galloway, with a sharp nod.

"Therefore, we may assume, in the case before us,"--Sir Henry Durwood

waved a fat white hand in the direction of the corpse as though he were

delivering an anatomical lecture before a class of medical

students--"that the victim was killed with a flat, round knife with a

round edge, held sideways. Furthermore, the position of the wound

reveals that the blow was too much on the left side to pierce the centre

of the heart directly, but was a slanting blow, delivered with such

force that it has probably pierced the heart on the _right_ side,

causing instant death."

"The weapon, then, entered the body in a lateral direction, that is,

from left to right?" asked Colwyn, who had been closely following the

specialist's remarks.

"That is what I meant to convey," responded Sir Henry, in his most

professional manner. "The blade entered on the left side, and travelled

towards the centre of the body."

"From the nature of the wound would you say that the knife entered

almost parallel with the ribs, though slanting slightly downwards, in

order to pierce the heart on the right side?"

"That would be the general direction, though it is impossible to

ascertain, without a postmortem examination, the exact spot where the

heart was pierced."

"But the wound slants in such a way as to prove that the blow was struck

from left to right?" persisted Colwyn.

"Undoubtedly," responded Sir Henry.

The Shrieking Pit · 第 4 / 29 章