Genoa.
Its splendor of paintings, both in private and public, v. 372.
Gilding in paintings much used by the ancients, i. 46.
Abandoned by degrees, i. 96.
Used by Raffaello, ii. 69.
Up to the time of Cav. d'Arpino, ii. 155.
Goldsmith's art the origin of engraving in copper, i. 112.
Grace.
The gift of some painters, i. 151, 152. ii. 95, iv. 124.
Affected by others, iv. 124, 129, 175.
Grandeur of manner, in what it consists, ii. 74.
Greeks, ancient.
By whom postponed to Michelangiolo, i. 166.
Of early times, not wholly uncultivated in painting, i. 3.
By them some of our earliest painters were instructed, i. 3, 9, iii. 7,
v. 7, 286.
Grotesques.
Origin of, ii. 46.
Professors, i. 213, 426, ii. 112, 158, iii. 248, iv. 170, v. 93, 305,
374, 450, 451.