Emulation, youthful, i. 409, ii. 67, iii. 125, v. 116, 179, 183, 334.
How exemplified between Pasinelli and Cignani, v. 218.
Want of it injurious to the younger Palma, iii. 255, 256;
And perhaps to Raffaello, ii. 85.
Encaustic, ii. 343, v. 353.
Engraving on wood, i. 105.
On several kinds, and with different colours, pref. xii. iv. 55.
On copper, i. 112.
Envy.
Always accompanies merit, ii. 180.
Its arts, _ib._ and 399.
Accused of poisoning its rivals, i. 421, ii. 178, v. 305, 336, 375.
Enabled to triumph for a time, v. 132, 133.
Never succeeds in blinding the public, ii. 180, 400.
Noble artists answer it only with meritorious works, i. 190, v. 101,
The most bitter reply it can receive, i. 190.
Epitaphs of painters too extravagant, i. 271, 272, iv. 115, v. 62.
Such as are only just, i. 422, v. 278, 457.
Epochs. Some, though apparently certain, are yet fallacious, iii. 288.
Expression.
The soul of painting, ii. 92, _et seq._
Diligence requisite to succeed in it, _ib._ and 58, v. 110, 122.
Eyes.
Painted with admirable effect by Camillo Boccaccino, iv. 165.