ACADEMY, Florentine, i. 247, 370.
Roman, ii. 142, 343.
Of foreigners in Rome, ii. 307, 309.
Of Perugia, ii. 37.
Of Naples, ii. 446.
Venetian, iii. 390.
Veronese, iii. 381.
Mantuan, iv. 30.
Modenese, iv. 44.
Of Parma, iv. 145.
Of Vinci, at Milan, iv. 238.
Another in the same city, 285.
Another, 329.
Bolognese, of the Caracci, v. 103.
Continued, 194.
Another, called the Clementine, 219.
Ferrarese, v. 346.
Genoese, 446.
Of Turin, v. 473.
It is a mistake to suppose academies injurious to the art, i. 248.
Age, Golden, of painting confined to few years, ii. 48.
Ends with the Caracci, v. 121.
That of some schools earlier, some later, iii. 123.
---- Brazen, owing to the rarity of great artists, iii. 348, 349.
Whether latterly a better age is approaching, ii. 342, iv. 145, 146.
Anatomy; cultivated by artists of the fifteenth century, i. 97, iv. 240.
Excellence of Michelangiolo in this line, i. 165.
Carried to affectation by some of his disciples, i. 230.
Ancient painters. Their methods, i. 44, 45.
Their religious societies, i. 42;
And civil, i. 396, ii. 11, v. 74.
More correct in their small proportions than in their large, i. 29.
Animals, artists who excelled in painting of, i. 72, 398-9, ii. 113, 257,
334, 444, iii. 202, 247, iv. 12, 143, 215, v. 115, 202, 264, 265,
419, 436.
Arts, of Valesio, with which he surpassed Annibal Caracci in good
fortune, v. 124.
Of other painters, to add to their reputation, v. 251.