Zaccolini, P. Matteo, a Theatine. _Treatises on Perspective._ _MS._ ii.
239, 260, v. 95.
Zaist, Gio. Batista. _Historical Notices of the Painters, Sculptors, and
Architects of Cremona; with a Supplement and Life of the Author written by
Anton Maria Panni._ Cremona, 1774, 2 vols. 4to. Cited, iv. 148, and
throughout the school of Cremona.
Zamboni, Baldassare. _Account of the most celebrated public Buildings in
the City of Brescia._ _ib._ 1778, fol. In Index I.
Zannelli, Ippolito. _Life of the great Painter Carlo Cignani._ Bologna,
1772, 4to. v. 253.
Zannetti, Antonio Maria (_see Letter Z, in Index I._). _On Venetian
Painting, and the public Works of the Venetian Masters._ Five books,
Venice, 1771, 8vo. Its merit, preface, x. and iii. 1. Cited in the pages
which follow, throughout the first book of the same volume. Corrected, iii.
15, 21, 55, 291.
Zani, D. Pietro. _Materials for the History of the Origin and Progress of
Engraving in Copper and on Wood._ Parma, 1802, 8vo. i. 134.
Zanotti, Zampietro. _History of the Clementine Academy of Bologna._ _ib._
1739, 2 vols. 4to. Praised in vol. v. 217, 235. Cited throughout the fourth
epoch of the Bolognese school.
---- The same. _Directions for the Progress of Youth in Painting._ Bologna,
1756, 8vo. v. 237.
---- The same. _Description and Illustration of the Pictures of Pellegrino,
Tibaldi, and Niccolo Abbati, in the Institute of Bologna._ Venice, 1756,
folio, v. 60.
---- The same. _Preface to the Lives of Baruffaldi._ _MS._ v. 282.
Zuccaro, Cav. Federigo. _Idea of Painters, Sculptors, and Architects._
Turin, 1607, folio. It is found inserted also in the sixth vol. of _Lett.
Pittor._ ii. 102.
---- The same. _Opuscoli_, edited in Mantua, 1604, 4to., and in Bologna,
1608, 4to. _ib._
---- The same. _Manuscript Annotations on the Lives of Vasari._ _See_
Bottari, tom. v. of the foregoing _Lives_, p. 326. i. 244, ii. 140, 141.
* * * * *
*.* The _MSS._ cited in the Index of Artists are pointed out in the work,
where the names of the correspondents are given, who have favoured me with
information respecting native or foreign painters. Others, either
professors or connoisseurs, from whom I have received any account, either
oral or written, are noticed in the Preface. I have also availed myself of
their intelligence in the nomenclature and epochs of artists.