YŪGAO
It was at the time when he was secretly visiting the lady of the Sixth
Ward.[1] One day on his way back from the Palace he thought that he
would call upon his foster-mother who, having for a long while been
very ill, had become a nun. She lived in the Fifth Ward. After many
enquiries he managed to find the house; but the front gate was locked
and he could not drive in. He sent one of his servants for Koremitsu,
his foster-nurse’s son, and while he was waiting began to examine the
rather wretched looking by-street. The house next door was fenced with
a new paling, above which at one place were four or five panels of
open trellis-work, screened by blinds which were very white and bare.
Through chinks in these blinds a number of foreheads could be seen.
They seemed to belong to a group of ladies who must be peeping with
interest into the street below.
At first he thought they had merely peeped out as they passed; but he
soon realized that if they were standing on the floor they must be
giants. No, evidently they had taken the trouble to climb on to some
table or bed; which was surely rather odd!
He had come in a plain coach with no outriders. No one could possibly
guess who he was, and feeling quite at his ease he leant forward
and deliberately examined the house. The gate, also made of a kind of
trellis-work, stood ajar, and he could see enough of the interior to
realize that it was a very humble and poorly furnished dwelling. For a
moment he pitied those who lived in such a place, but then he
remembered the song ‘Seek not in the wide world to find a home; but
where you chance to rest, call that your house’; and again, ‘Monarchs
may keep their palaces of jade, for in a leafy cottage two can sleep.’
There was a wattled fence over which some ivy-like creeper spread its
cool green leaves, and among the leaves were white flowers with petals
half unfolded like the lips of people smiling at their own thoughts.
‘They are called Yūgao, “Evening Faces,”’ one of his servants told
him; ‘how strange to find so lovely a crowd clustering on this
deserted wall!’ And indeed it was a most strange and delightful thing
to see how on the narrow tenement in a poor quarter of the town they
had clambered over rickety eaves and gables and spread wherever there
was room for them to grow. He sent one of his servants to pick some.
The man entered at the half-opened door, and had begun to pluck the
flowers, when a little girl in a long yellow tunic came through a
quite genteel sliding door, and holding out towards Genji’s servant a
white fan heavily perfumed with incense, she said to him ‘Would you
like something to put them on? I am afraid you have chosen a
wretched-looking bunch,’ and she handed him the fan. Just as he was
opening the gate on his way back, the old nurse’s son Koremitsu came
out of the other house full of apologies for having kept Genji waiting
so long—‘I could not find the key of the gate’ he said. ‘Fortunately
the people of this humble quarter were not likely to recognize you and
press or stare; but I am afraid you must have been very much bored
waiting in this hugger-mugger back street,’ and he conducted Genji
into the house. Koremitsu’s brother, the deacon, his brother-in-law
Mikawa no Kami and his sister all assembled to greet the Prince,
delighted by a visit with which they had not thought he was ever
likely to honour them again.
The nun too rose from her couch: ‘For a long time I had been waiting
to give up the world, but one thing held me back: I wanted you to see
your old nurse just once again as you used to know her. You never came
to see me, and at last I gave up waiting and took my vows. Now, in
reward for the penances which my Order enjoins, I have got back a
little of my health, and having seen my dear young master again, I can
wait with a quiet mind for the Lord Amida’s Light,’ and in her
weakness she shed a few tears.
‘I heard some days ago’ said Genji ‘that you were very dangerously
ill, and was in great anxiety. It is sad now to find you in this
penitential garb. You must live longer yet, and see me rise in the
world, that you may be born again high in the ninth sphere of Amida’s
Paradise. For they say that those who died with longings unfulfilled
are burdened with an evil Karma in their life to come.’
People such as old nurses regard even the most blackguardly and
ill-favoured foster-children as prodigies of beauty and virtue. Small
wonder then if Genji’s nurse, who had played so great a part in his
early life, always regarded her office as immensely honourable and
important, and tears of pride came into her eyes while he spoke to her.
The old lady’s children thought it very improper that their mother,
having taken holy orders, should show so lively an interest in a human
career. Certain that Genji himself would be very much shocked, they
exchanged uneasy glances. He was on the contrary deeply touched. ‘When
I was a child’ he said ‘those who were dearest to me were early
taken away, and although there were many who gave a hand to my
upbringing, it was to you only, dear nurse, that I was deeply and
tenderly attached. When I grew up I could not any longer be often in
your company. I have not even been able to come here and see you as
often as I wanted to. But in all the long time which has passed since
I was last here, I have thought a great deal about you and wished that
life did not force so many bitter partings upon us.’
So he spoke tenderly. The princely scent of the sleeve which he had
raised to brush away his tears filled the low and narrow room, and
even the young people, who had till now been irritated by their
mother’s obvious pride at having been the nurse of so splendid a
prince, found themselves in tears.
Having arranged for continual masses to be said on the sick woman’s
behalf, he took his leave, ordering Koremitsu to light him with a
candle. As they left the house he looked at the fan upon which the
white flowers had been laid. He now saw that there was writing on it,
a poem carelessly but elegantly scribbled: ‘The flower that puzzled
you was but the _Yūgao_, strange beyond knowing in its dress of
shining dew.’ It was written with a deliberate negligence which seemed
to aim at concealing the writer’s status and identity. But for all
that the hand showed a breeding and distinction which agreeably
surprised him. ‘Who lives in the house on the left?’ he asked.
Koremitsu, who did not at all want to act as a go-between, replied
that he had only been at his mother’s for five or six days and had
been so much occupied by her illness that he had not asked any
questions about the neighbours. ‘I want to know for a quite harmless
reason’ said Genji. ‘There is something about this fan which raises a
rather important point. I positively must settle it. You would oblige
me by making enquiries from someone who knows the neighbourhood.’
Koremitsu went at once to the house next door and sent for
the steward. ‘This house’ the man said ‘belongs to a certain
Titular-Prefect. He is living in the country, but my lady is still
here; and as she is young and loves company, her brothers who are in
service at the Court often come here to visit her.’ ‘And that is about
all one can expect a servant to know’ said Koremitsu when he repeated
this information. It occurred at once to Genji that it was one of
these Courtiers who had written the poem. Yes, there was certainly a
self-confident air in the writing. It was by someone whose rank
entitled him to have a good opinion of himself. But he was
romantically disposed; it was too painful to dismiss altogether the
idea that, after all, the verses might really have been meant for him,
and on a folded paper he wrote: ‘Could I but get a closer view, no
longer would they puzzle me—the flowers that all too dimly in the
gathering dusk I saw.’ This he wrote in a disguised hand and gave to
his servant. The man reflected that though the senders of the fan had
never seen Genji before, yet so well known were his features, that
even the glimpse they had got from the window might easily have
revealed to them his identity. He could imagine the excitement with
which the fan had been despatched and the disappointment when for so
long a time no answer came. His somewhat rudely belated arrival would
seem to them to have been purposely contrived. They would all be agog
to know what was in the reply, and he felt very nervous as he
approached the house.
Meanwhile, lighted only by a dim torch, Genji quietly left his nurse’s
home. The blinds of the other house were now drawn and only the
fire-fly glimmer of a candle shone through the gap between them.
When he reached his destination[2] a very different scene met his
eyes. A handsome park, a well-kept garden; how spacious and
comfortable it all was! And soon the magnificent owner of these
splendours had driven from his head all thought of the wooden paling,
the shutters and the flowers.
He stayed longer than he intended, and the sun was already up when he
set out for home. Again he passed the house with the shutters. He had
driven through the quarter countless times without taking the
slightest interest in it; but that one small episode of the fan had
suddenly made his daily passage through these streets an event of
great importance. He looked about him eagerly, and would have liked to
know who lived in all the houses.
For several days Koremitsu did not present himself at Genji’s palace.
When at last he came, he explained that his mother was growing much
weaker and it was very difficult for him to get away. Then drawing
nearer, he said in a low voice ‘I made some further enquiries, but
could not find out much. It seems that someone came very secretly in
June and has been living there ever since; but who she really is not
even her own servants know. I have once or twice peeped through a hole
in the hedge and caught a glimpse of some young women; but their
skirts were rolled back and tucked in at their belts, so I think they
must have been waiting-maids. Yesterday some while after sunset I saw
a lady writing a letter. Her face was calm, but she looked very
unhappy, and I noticed that some of her women were secretly weeping.’
Genji was more curious than ever.
Though his master was of a rank which brought with it great
responsibilities, Koremitsu knew that in view of his youth and
popularity the young prince would be thought to be positively
neglecting his duty if he did not indulge in a few escapades, and that
everyone would regard his conduct as perfectly natural and proper
even when it was such as they would not have dreamed of permitting to
ordinary people.
‘Hoping to get a little further information,’ he said, ‘I found an
excuse for communicating with her, and received in reply a very
well-worded answer in a cultivated hand. She must be a girl of quite
good position.’ ‘You must find out more’ said Genji; ‘I shall not be
happy till I know all about her.’
Here perhaps was just such a case as they had imagined on that rainy
night: a lady whose outward circumstances seemed to place her in that
‘Lowest Class’ which they had agreed to dismiss as of no interest; but
who in her own person showed qualities by no means despicable.
But to return for a moment to Utsusemi. Her unkindness had not
affected him as it would have affected most people. If she had
encouraged him he would soon have regarded the affair as an appalling
indiscretion which he must put an end to at all costs; whereas now he
brooded continually upon his defeat and was forever plotting new ways
to shake her resolution.
He had never, till the day of his visit to the foster-nurse, been
interested in anyone of quite the common classes. But now, since that
rainy night’s conversation, he had explored (so it seemed to him)
every corner of society, including in his survey even those categories
which his friends had passed over as utterly remote and improbable. He
thought of the lady who had, so to speak, been thrown into his life as
an extra. With how confiding an air she had promised that she would
wait! He was very sorry about her, but he was afraid that if he wrote
to her Utsusemi might find out and that would prejudice his chances.
He would write to her afterwards....
Suddenly at this point Iyo no Suke himself was announced. He had
just returned from his province, and had lost no time in paying his
respects to the prince. The long journey by boat had made him look
rather swarthy and haggard. ‘Really’ thought Genji ‘he is not at all
an attractive man!’ Still it was possible to talk to him; for if a man
is of decent birth and breeding, however broken he may be by age or
misfortune, he will always retain a certain refinement of mind and
manners which prevent him from becoming merely repulsive. They were
beginning to discuss the affairs of Iyo’s province and Genji was even
joking with him, when a sudden feeling of embarrassment came over him.
Why should those recollections make him feel so awkward? Iyo no Suke
was quite an old man, it had done him no harm. ‘These scruples are
absurd’ thought Genji. However, she was right in thinking it was
too queer, too ill-assorted a match; and remembering Uma no Kami’s
warnings, he felt that he had behaved badly. Though her unkindness
still deeply wounded him, he was almost glad for Iyo’s sake that she
had not relented.
‘My daughter is to be married’ Iyo was saying ‘And I am going to take
my wife back with me to my province.’ Here was a double surprise. At
all costs he must see Utsusemi once again. He spoke with her brother
and the boy discussed the matter with her. It would have been
difficult enough for anyone to have carried on an intrigue with the
prince under such circumstances as these. But for her, so far below
him in rank and beset by new restrictions, it had now become
unthinkable. She could not however bear to lose all contact with him,
and not only did she answer his letters much more kindly than before,
but took pains, though they were written with apparent negligence, to
add little touches that would give him pleasure and make him see that
she still cared for him. All this he noticed, and though he was vexed
that she would not relent towards him, he found it impossible to
put her out of his mind.
As for the other girl, he did not think that she was at all the kind
of person to go on pining for him once she was properly settled with a
husband; and he now felt quite happy about her.
It was autumn. Genji had brought so many complications into his life
that he had for some while been very irregular in his visits to the
Great Hall, and was in great disgrace there. The lady[3] in the grand
mansion was very difficult to get on with; but he had surmounted so
many obstacles in his courtship of her that to give her up the moment
he had won her seemed absurd. Yet he could not deny that the blind
intoxicating passion which possessed him while she was still
unattainable, had almost disappeared. To begin with, she was far too
sensitive; then there was the disparity of their ages,[4] and the
constant dread of discovery which haunted him during those painful
partings at small hours of the morning. In fact, there were too many
disadvantages.
It was a morning when mist lay heavy over the garden. After being many
times roused Genji at last came out of Rokujō’s room, looking very
cross and sleepy. One of the maids lifted part of the folding-shutter,
seeming to invite her mistress to watch the prince’s departure. Rokujō
pulled aside the bed-curtains and tossing her hair back over her
shoulders looked out into the garden. So many lovely flowers were
growing in the borders that Genji halted for a while to enjoy them.
How beautiful he looked standing there, she thought. As he was nearing
the portico the maid who had opened the shutters came and walked by
his side. She wore a light green skirt exquisitely matched to the
season and place; it was so hung as to show to great advantage
the grace and suppleness of her stride. Genji looked round at her.
‘Let us sit down for a minute on the railing here in the corner,’ he
said. ‘She seems very shy’ he thought, ‘but how charmingly her hair
falls about her shoulders,’ and he recited the poem: ‘Though I would
not be thought to wander heedlessly from flower to flower, yet this
morning’s pale convolvulus I fain would pluck!’ As he said the lines
he took her hand and she answered with practised ease: ‘You hasten, I
observe, to admire the morning flowers while the mist still lies about
them,’ thus parrying the compliment by a verse which might be
understood either in a personal or general sense. At this moment a
very elegant page wearing the most bewitching baggy trousers came
among the flowers brushing the dew as he walked, and began to pick a
bunch of the convolvuli. Genji longed to paint the scene.
No one could see him without pleasure. He was like the flowering tree
under whose shade even the rude mountain peasant delights to rest. And
so great was the fascination he exercised that those who knew him
longed to offer him whatever was dearest to them. One who had a
favourite daughter would ask for nothing better than to make her
Genji’s handmaiden. Another who had an exquisite sister was ready for
her to serve in his household, though it were at the most menial
tasks. Still less could these ladies who on such occasions as this
were privileged to converse with him and stare at him as much as they
pleased, and were moreover young people of much sensibility—how could
they fail to delight in his company and note with much uneasiness that
his visits were becoming far less frequent than before?
But where have I got to? Ah, yes. Koremitsu had patiently continued
the enquiry with which Genji entrusted him. ‘Who the mistress is’ he
said, ‘I have not been able to discover; and for the most part
she is at great pains not to show herself. But more than once in the
general confusion, when there was the sound of a carriage coming along
past that great row of tenement houses, and all the maid-servants were
peering out into the road, the young lady whom I suppose to be the
mistress of the house slipped out along with them. I could not see her
clearly, but she seemed to be very pretty.
‘One day, seeing a carriage with outriders coming towards the house,
one of the maids rushed off calling out “Ukon, Ukon, come quickly and
look. The Captain’s carriage is coming this way.” At once a
pleasant-faced lady no longer young, came bustling out. “Quietly,
quietly” she said holding up a warning finger; “how do you know it is
the Captain? I shall have to go and look,” and she slipped out. A sort
of rough drawbridge leads from the garden into the lane. In her
excitement the good lady caught her skirt in it and falling flat on
her face almost tumbled into the ditch: “A bad piece of work His
Holiness of Katsuragi[5] made here!” she grumbled; but her curiosity
did not seem to be at all damped and she stared harder than ever at
the approaching carriage. The visitor was dressed in a plain, wide
cloak. He had attendants with him, whose names the excited
servant-girls called out as one after another they came near enough to
be recognized; and the odd thing is that the names were certainly
those of Tō no Chūjō’s[6] grooms and pages.’
‘I must see that carriage for myself’ said Genji. What if this should
be the very lady whom Chūjō, at the time of that rainy night’s
conversation, despaired of rediscovering? Koremitsu, noting that Genji
was listening with particular attention continued: ‘I must tell you
that I too have reason to be interested in this house, and while
making enquiries on my own account I discovered that the young lady
always addresses the other girls in the house as though they were her
equals. But when, pretending to be taken in by this comedy, I began
visiting there, I noticed that though the older ladies played their
part very well, the young girls would every now and then curtsey or
slip in a “My Lady” without thinking; whereupon the others would
hasten to cover up the mistake as best they might, saying anything
they could think of to make it appear that there was no mistress among
them,’ and Koremitsu laughed as he recollected it.
‘Next time I come to visit your mother’ said Genji, ‘you must let me
have a chance of peeping at them.’ He pictured to himself the queer,
tumbled-down house. She was only living there for the time being; but
all the same she must surely belong to that ‘bottom class’ which they
had dismissed as having no possible bearing on the discussion. How
amusing it would be to show that they were wrong and that after all
something of interest might be discovered in such a place!
Koremitsu, anxious to carry out his master’s every wish and intent
also on his own intrigue, contrived at last by a series of ingenious
stratagems to effect a secret meeting between Genji and the mysterious
lady. The details of the plan by which he brought this about would
make a tedious story, and as is my rule in such cases I have thought
it better to omit them.
Genji never asked her by what name he was to call her, nor did he
reveal his own identity. He came very poorly dressed and—what was most
unusual for him—on foot. But Koremitsu regarded this as too great a
tribute to so unimportant a lady, and insisted upon Genji riding his
horse, while he walked by his side. In doing so he sacrificed his
own feelings; for he too had reasons for wishing to create a good
impression in the house, and he knew that by arriving in this rather
undignified way he would sink in the estimation of the inhabitants.
Fortunately his discomfiture was almost unwitnessed, for Genji took
with him only the one attendant who had on the first occasion plucked
the flowers—a boy whom no one was likely to recognize; and lest
suspicions should be aroused, he did not even take advantage of his
presence in the neighbourhood to call at his foster-nurse’s house.
The lady was very much mystified by all these precautions and made
great efforts to discover something more about him. She even sent
someone after him to see where he went to when he left her at
day-break; but he succeeded in throwing his pursuer off the scent and
she was no wiser than before. He was now growing far too fond of her.
He was miserable if anything interfered with his visits; and though he
utterly disapproved of his own conduct and worried a great deal about
it, he soon found that he was spending most of his time at her house.
He knew that at some time or another in their lives even the soberest
people lose their heads in this way; but hitherto he had never really
lost his, or done anything which could possibly have been considered
very wrong. Now to his astonishment and dismay he discovered that even
the few morning hours during which he was separated from her were
becoming unendurable. ‘What is it in her that makes me behave like a
madman?’ he kept on asking himself. She was astonishingly gentle and
unassuming, to the point even of seeming rather apathetic, rather
deficient perhaps in depth of character and emotion; and though she
had a certain air of girlish inexperience, it was clear that he was
not by any means her first lover; and certainly she was rather
plebeian. What was it exactly that so fascinated him? He asked
himself the question again and again, but found no answer.
She for her part was very uneasy to see him come to her thus in shabby
old hunting-clothes, trying always to hide his face, leaving while it
was still dark and everyone was asleep. He seemed like some
demon-lover in an old ghost-tale, and she was half-afraid. But his
smallest gesture showed that he was someone out of the ordinary, and
she began to suspect that he was a person of high rank, who had used
Koremitsu as his go-between. But Koremitsu obstinately pretended to
know nothing at all about his companion, and continued to amuse
himself by frequenting the house on his own account.
What could it mean? She was dismayed at this strange love-making
with—she knew not whom. But about her too there was something
fugitive, insubstantial. Genji was obsessed by the idea that, just as
she had hidden herself in this place, so one day she would once more
vanish and hide, and he would never be able to find her again. There
was every sign that her residence here was quite temporary. He was
sure that when the time came to move she would not tell him where she
was going. Of course her running away would be proof that she was not
worth bothering about any more, and he ought, thankful for the
pleasure they had had together, simply to leave the matter at that.
But he knew that this was the last thing he would be likely to do.
People were already beginning to be suspicious, and often for several
nights running he was unable to visit her. This became so intolerable
that in his impatience he determined to bring her secretly to the
Nijō-in.[7] There would be an appalling outcry if she were discovered;
but that must be risked.
‘I am going to take you somewhere very nice where no one will disturb
us’ he said at last. ‘No, No’ she cried; ‘your ways are so strange, I
should be frightened to go with you.’ She spoke in a tone of childish
terror, and Genji answered smiling: ‘One or the other of us must be a
fox-in-disguise.[8] Here is a chance to find out which it is!’ He
spoke very kindly, and suddenly, in a tone of absolute submission, she
consented to do whatever he thought best. He could not but be touched
at her willingness to follow him in what must appear to her to be the
most hazardous and bizarre adventure. Again he thought of Tō no
Chūjō’s story on that rainy night, and could not doubt that this must
indeed be Chūjō’s fugitive lady. But he saw that she had some reason
for wishing to avoid all questions about her past, and he restrained
his curiosity. So far as he could see she showed no signs of running
away; nor did he believe that she would do so as long as he was
faithful. Tō no Chūjō, after all, had for months on end left her to
her own devices. But he felt that if for an instant she suspected him
of the slightest leaning in any other direction it would be a bad
business.
It was the fifteenth night of the eighth month. The light of an
unclouded full-moon shone between the ill-fitting planks of the roof
and flooded the room. What a queer place to be lying in! thought
Genji, as he gazed round the garret, so different from any room he had
ever known before. It must be almost day. In the neighbouring houses
people were beginning to stir, and there was an uncouth sound of
peasant voices: ‘Eh! how cold it is! I can’t believe we shall do much
with the crops this year.’ ‘I don’t know what’s going to happen about
my carrying-trade’ said another; ‘things look very bad.’ Then (banging
on the wall of another house) ‘Wake up, neighbour. Time to start.
Did he hear, d’you think?’ and they rose and went off each to the
wretched task by which he earned his bread.
All this clatter and bustle going on so near her made the lady very
uncomfortable, and indeed so dainty and fastidious a person must often
in this miserable lodging have suffered things which would make her
long to sink through the floor. But however painful, disagreeable or
provoking were the things that happened, she gave no sign of noticing
them. That being herself so shrinking and delicate in her ways she
could yet endure without a murmur the exasperating banging and bumping
that was going on in every direction, aroused his admiration, and he
felt that this was much nicer of her than if she had shuddered with
horror at each sound. But now, louder than thunder, came the noise of
the threshing-mills, seeming so near that they could hardly believe it
did not come from out of the pillow itself. Genji thought that his
ears would burst. What many of the noises were he could not at all
make out; but they were very peculiar and startling. The whole air
seemed to be full of crashings and bangings. Now from one side, now
from another, came too the faint thud of the bleacher’s mallet, and
the scream of wild geese passing overhead. It was all too distracting.
Their room was in the front of the house. Genji got up and opened the
long, sliding shutters. They stood together looking out. In the
courtyard near them was a clump of fine Chinese bamboos; dew lay thick
on the borders, glittering here no less brightly than in the great
gardens to which Genji was better accustomed. There was a confused
buzzing of insects. Crickets were chirping in the wall. He had often
listened to them, but always at a distance; now, singing so close to
him, they made a music which was unfamiliar and indeed seemed far
lovelier than that with which he was acquainted. But then,
everything in this place where one thing was so much to his liking,
seemed despite all drawbacks to take on a new tinge of interest and
beauty. She was wearing a white bodice with a soft, grey cloak over
it. It was a poor dress, but she looked charming and almost
distinguished; even so, there was nothing very striking in her
appearance—only a certain fragile grace and elegance. It was when she
was speaking that she looked really beautiful, there was such pathos,
such earnestness in her manner. If only she had a little more spirit!
But even as she was he found her irresistible and longed to take her
to some place where no one could disturb them: ‘I am going to take you
somewhere not at all far away where we shall be able to pass the rest
of the night in peace. We cannot go on like this, parting always at
break of day.’ ‘Why have you suddenly come to that conclusion?’ she
asked, but she spoke submissively. He vowed to her that she should be
his love in this and in all future lives and she answered so
passionately that she seemed utterly transformed from the listless
creature he had known, and it was hard to believe that such vows were
no novelty to her.
Discarding all prudence he sent for the maid Ukon and bade her order
his servants to fetch a coach. The affair was soon known to all the
household, and the ladies were at first somewhat uneasy at seeing
their mistress carried off in this fashion; but on the whole they did
not think he looked the sort of person who would do her any harm. It
was now almost daylight. The cocks had stopped crowing. The voice of
an old man (a pilgrim preparing for the ascent of the Holy Mountain)
sounded somewhere not far away; and, as at each prayer he bent forward
to touch the ground with his head, they could hear with what pain and
difficulty he moved. What could he be asking for in his prayers, this
old man whose life seemed fragile as the morning dew? Namu tōrai
no dōshi ‘Glory be to the Saviour that shall come’: now they could
hear the words. ‘Listen’ said Genji tenderly, ‘is not that an omen
that our love shall last through many lives to come? ‘And he recited
the poem: ‘Do not prove false this omen of the pilgrim’s chant: that
even in lives to come our love shall last unchanged.’
Then unlike the lovers in the ‘Everlasting Wrong’ who prayed that they
might be as the ‘twin birds that share a wing’ (for they remembered
that this story had ended very sadly) they prayed ‘May our love last
till Maitreya comes as a Buddha into the World.’ But she, still
distrustful, answered his poem with the verse: ‘Such sorrow have I
known in this world that I have small hope of worlds to come.’ Her
versification was still a little tentative.[9]
She was thinking with pleasure that the setting moon would light them
on their way, and Genji was just saying so when suddenly the moon
disappeared behind a bank of clouds. But there was still great beauty
in the dawning sky. Anxious to be gone before it was quite light, he
hurried her away to the coach and put Ukon by her side.
They drove to an untenanted mansion which was not far off. While he
waited for the steward to come out Genji noticed that the gates were
crumbling away; dense shinobu-grass grew around them. So sombre an
entrance he had never seen. There was a thick mist and the dew was so
heavy that when he raised the carriage-blind his sleeve was drenched.
‘Never yet has such an adventure as this befallen me’ said Genji; ‘so
I am, as you may imagine, rather excited,’ and he made a poem in which
he said that though love’s folly had existed since the beginning of
the world, never could man have set out more rashly at the break of
day into a land unknown. ‘But to you this is no great novelty?’
She blushed and in her turn made a poem: ‘I am as the moon that walks
the sky not knowing what menace the cruel hills may hold in store;
high though she sweeps, her light may suddenly be blotted out.’
She seemed very depressed and nervous. But this he attributed to the
fact that she had probably always lived in small houses where
everything was huddled together, and he was amused at the idea that
this large mansion should overawe her. They drove in, and while a room
was being got ready they remained in the carriage which had been drawn
up alongside of the balustrade. Ukon, looking very innocent all the
while, was inwardly comparing this excursion with her mistress’s
previous adventures. She had noticed the tone of extreme deference
with which this latest lover had been received by the steward, and had
begun to draw her own conclusions.
The mist was gradually clearing away. They left the coach and went
into the room which had been prepared for them. Though so quickly
improvised, their quarters were admirably clean and well-provided, for
the steward’s son had previously been a trusted house-servant of
Genji’s and had also worked at the Great Hall. Coming now to their
room he offered to send for some of Genji’s gentlemen, ‘For’ he said
‘I cannot bear to see you going unattended.’ ‘Do nothing of the kind’
said Genji; ‘I have come here because I do not wish to be disturbed.
No one but yourself is to know that I have used this house,’ and he
exacted a promise of absolute secrecy. No regular meal had been
prepared, but the steward brought them a little rice porridge. Then
they lay down again to sleep together for the first time in this
unfamiliar and so strangely different place.
The sun was high when they woke. Genji went and opened the shutters
himself. How deserted the garden looked! Certainly here there was no
one to spy upon them. He looked out into the distance: dense
woods fast turning to jungle. And nearer the house not a flower or
bush, but only unkempt, autumn grasslands, and a pond choked with
weeds. It was a wild and desolate place. It seemed that the steward
and his men must live in some outbuilding or lodge at a distance from
the house; for here there was no sign or sound of life. ‘It is, I must
own, a strange and forsaken place to which we have come. But no ghost
or evil fairy will dare molest you while _I_ am here.’
It pained her very much that he still was masked;[10] and indeed such
a precaution was quite out of keeping with the stage at which they had
now arrived. So at last, reciting a poem in which he reminded her that
all their love down to this moment when ‘the flower opened its petals
to the evening dew’ had come from a chance vision seen casually from
the street, half-turning his face away, for a moment he let her see
him unmasked. ‘What of the “shining dew”’ he asked using the words
that she had written on the fan. ‘How little knew I of its beauty who
had but in the twilight doubted and guessed...!’; so she answered his
poem in a low and halting voice. She need not have feared, for to him,
poor as the verses were, they seemed delightful. And indeed the beauty
of his uncovered face, suddenly revealed to her in this black
wilderness of dereliction and decay, surpassed all loveliness that she
had ever dreamed of or imagined. ‘I cannot wonder that while I still
set this barrier between us, you did not choose to tell me all that I
longed to know. But now it would be very unkind of you not to tell me
your name.’ ‘I am like the fisherman’s daughter in the song’[11] she
said, ‘“I have no name or home.”’ But for all that she would not tell
him who she was, she seemed much comforted that he had let her
see him. ‘Do as you please about it’ said Genji at last; but for a
while he was out of temper. Soon they had made it up again; and so the
day passed. Presently Koremitsu came to their quarters, bringing fruit
and other viands. He would not come in, for he was frightened that
Ukon would rate him mercilessly for the part he had played in
arranging the abduction of her mistress. He had now come to the
conclusion that the Lady must possess charms which he had wholly
overlooked, or Genji would certainly never have taken all this trouble
about her, and he was touched at his own magnanimity in surrendering
to his master a prize which he might well have kept for himself. It
was an evening of marvellous stillness. Genji sat watching the sky.
The lady found the inner room where she was sitting depressingly dark
and gloomy. He raised the blinds of the front room, and came to sit
with her. They watched the light of the sunset glowing in each other’s
eyes, and in her wonder at his adorable beauty and tenderness she
forgot all her fears. At last she was shy with him no longer, and he
thought that the new-found boldness and merriment became her very
well. She lay by his side till night. He saw that she was again
wearing the plaintive expression of a frightened child; so quickly
closing the partition-door he brought in the great lamp, saying:
‘Outwardly you are no longer shy with me; but I can see that deep down
in your heart there is still some sediment of rancour and distrust. It
is not kind to use me so,’ and again he was cross with her.
What were the people at the Palace thinking? Would he have been sent
for? How far would the messengers pursue their search? He became quite
agitated. Then there was the great lady in the Sixth Ward.[12] What a
frenzy she must be in! This time, however, she really had good
cause to be jealous. These and other unpleasant considerations were
crowding into his head, when looking at the girl who lay beside him so
trustfully, unconscious of all that was going on in his mind, he was
suddenly filled with an overwhelming tenderness towards her. How
tiresome the other was, with her eternal susceptibilities, jealousies
and suspicions! For a while at any rate he would stop seeing her. As
the night wore on they began sometimes to doze. Suddenly Genji saw
standing over him the figure of a woman, tall and majestic: ‘You who
think yourself so fine, how comes it that you have brought to toy with
you here this worthless common creature, picked up at random in the
streets? I am astonished and displeased,’ and with this she made as
though to drag the lady from his side. Thinking that this was some
nightmare or hallucination, he roused himself and sat up. The lamp had
gone out. Somewhat agitated he drew his sword and laid it beside him,
calling as he did so for Ukon. She came at once, looking a good deal
scared herself. ‘Please wake the watchman in the cross-wing,’ he said,
‘and tell him to bring a candle.’ ‘All in the dark like this? How can
I?’ she answered. ‘Don’t be childish,’ said Genji laughing and clapped
his hands.[13] The sound echoed desolately through the empty house. He
could not make anyone hear; and meanwhile he noticed that his mistress
was trembling from head to foot. What should he do? He was still
undecided, when suddenly she burst out into a cold sweat. She seemed
to be losing consciousness. ‘Do not fear, Sir’ said Ukon ‘all her life
she has been subject to these nightmare fits.’ He remembered now how
tired she had seemed in the morning and how she had lain with her eyes
turned upwards as though in pain. ‘I will go myself and wake someone’
he said; ‘I am tired of clapping with only echoes to answer me.
Do not leave her!’ and drawing Ukon towards the bed he went in the
direction of the main western door. But when he opened it, he found
that the lamp in the cross-wing had also gone out. A wind had risen.
The few attendants he had brought with him were already in bed. There
was indeed only the steward’s son (the young man who had once been
Genji’s body-servant), and the one young courtier who had attended him
on all his visits. They answered when he called and sprang to their
feet. ‘Come with a candle,’ he said to the steward’s son, ‘and tell my
man to get his bow and keep on twanging the string as loud as he can.
I wonder anyone should sleep so soundly in such a deserted place. What
has happened to Koremitsu?’ ‘He waited for some time, but as you
seemed to have no need of him, he went home, saying he would be back
at day-break.’
Genji’s man had been an Imperial Bowman, and making a tremendous din
with his bow he strode towards the steward’s lodge crying ‘Fire, Fire’
at the top of his voice. The twanging of the bow reminded Genji of the
Palace. The roll-call of night courtiers must be over; the Bowman’s
roll-call must be actually going on. It was not so very late.
He groped his way back into the room. She was lying just as he had
left her, with Ukon face downwards beside her. ‘What are you doing
there’ he cried? ‘Have you gone mad with fright? You have heard no
doubt that in such lonely places as this, fox-spirits sometimes try to
cast a spell upon men. But, dear people, you need not fear. I have
come back, and will not let such creatures harm you.’ And so saying he
dragged Ukon from the bed. ‘Oh, Sir’ she said ‘I felt so queer and
frightened that I fell flat down upon my face; and what my poor lady
must be going through I dare not think.’ ‘Then try not to add to her
fright’ said Genji, and pushing her aside bent over the prostate
form. The girl was scarcely breathing. He touched her; she was quite
limp. She did not know him.
Perhaps some accursed thing, some demon had tried to snatch her spirit
away; she was so timid, so childishly helpless. The man came with the
candle. Ukon was still too frightened to move. Genji placed a screen
so as to hide the bed and called the man to him. It was of course
contrary to etiquette that he should serve Genji himself and he
hesitated in embarrassment, not venturing even to ascend the dais.
‘Come here’ said Genji impatiently; ‘use your common-sense.’
Reluctantly the man gave him the light, and as he held it towards the
bed, he saw for a moment the figure which had stood there in his dream
still hovering beside the pillow; suddenly it vanished. He had read in
old tales of such apparitions and of their power, and was in great
alarm. But for the moment he was so full of concern for the lady who
now lay motionless on the bed, that he gave no thought to that
menacing vision, and lying down beside her, began gently to move her
limbs. Already they were growing cold. Her breathing had quite
stopped. What could he do? To whom could he turn for help? He ought to
send for a priest. He tried to control himself, but he was very young,
and seeing her lying there all still and pale, he could contain
himself no longer and crying ‘Come back to me, my own darling, come
back to life. Do not look at me so strangely!’ he flung his arms about
her. But now she was quite cold. Her face was set in a dull, senseless
stare.
Suddenly Ukon, who had been so busy with her own fears, came to
herself again, and set up the most dismal weeping. He disregarded her.
Something had occurred to him. There was a story of how a certain
minister was waylaid by a demon as he passed through the Southern
Hall. The man, Genji remembered, had been prostrate with fear; but in
the end he revived and escaped. No, she could not really be dead,
and turning to Ukon he said firmly: ‘Come now, we cannot have you
making such a hideous noise in the middle of the night.’ But he
himself was stunned with grief, and though he gave Ukon distracted
orders scarce knew what he was doing. Presently he sent for the
steward’s son and said to him: ‘Someone here has had a fright and is
in a very bad way. I want you to go to Koremitsu’s house and tell him
to come as quickly as he can. If his brother the priest is there too,
take him aside and tell him quietly that I should like to see him at
once. But do not speak loud enough for the nun their mother to hear;
for I would not have her know of this excursion.’ But though he
managed to say the words, his brain was all the while in a hideous
turmoil. For added to the ghastly thought that he himself had caused
her death there was the dread and horror with which the whole place
now inspired him.
It was past midnight. A violent storm began to rise, sighing dismally
as it swept the pine-trees that clustered round the house. And all the
while some strange bird—an owl, he supposed—kept screeching hoarsely.
Utter desolation on all sides. No human voice; no friendly sound. Why,
why had he chosen this hideous place?
Ukon had fainted and was lying by her mistress’s side. Was she too
going to die of fright? No, no. He must not give way to such thoughts.
He was now the only person left who was capable of action. Was there
nothing he could do? The candle was burning badly. He lit it again.
Over by the screen in the corner of the main room something was
moving. There it was again, but in another corner now. There was a
sound of footsteps treading cautiously. It still went on. Now they
were coming up behind him....
If only Koremitsu would return! But Koremitsu was a rover and a long
time was wasted in looking for him. Would it never be day? It seemed
to him that this night was lasting a thousand years. But now,
somewhere a long way off, a cock crowed.
Why had fate seen fit to treat him thus? He felt that it must be as a
punishment for all the strange and forbidden amours into which in
these last years he had despite himself been drawn, that now this
unheard of horror had befallen him. And such things, though one may
keep them secret for a time, always come out in the end. He minded
most that the Emperor would be certain to discover sooner or later
about this and all his other affairs. Then there was the general
scandal. Everyone would know. The very gutter boys would make merry
over him. Never, never must he do such things again, or his reputation
would utterly collapse....
At last Koremitsu arrived. He prided himself on being always ready to
carry out his master’s wishes immediately at whatever hour of the
night or day, and he thought it very provoking of Genji to have sent
for him just on the one occasion when he was not to hand. And now that
he had come his master did not seem able to give him any orders, but
stood speechless in front of him.
Ukon, hearing Koremitsu’s voice, suddenly came to herself and
remembering what had happened, burst into tears. And now Genji, who
while he alone was there had supported and encouraged the weeping
maid-servant, relieved at last by Koremitsu could contain himself no
longer, and suddenly realizing again the terrible thing that had
befallen him he burst into uncontrollable weeping. ‘Something horrible
has happened here,’ he managed to say at last, ‘too dreadful to
explain. I have heard that when such things as this suddenly befall,
certain scriptures should be read. I would have this done, and prayers
said. That is why I asked you to bring your brother....’
‘He went up to the mountain yesterday’ said Koremitsu. ‘But I see
that there has been terrible work here afoot. Was it in some sudden
fit of madness that you did this thing?’ Genji shook his head. So
moved was Koremitsu at the sight of his master weeping, that he too
began to sob. Had he been an older man, versed in the ways of the
world, he might have been of some use in such a crisis, but both of
them were young and both were equally perplexed. At last Koremitsu
said: ‘One thing at least is clear. The steward’s son must not know.
For though he himself can be depended upon, he is the sort of person
who is sure to tell all his relatives, and they might meddle
disastrously in the affair. We had best get clear of this house as
quietly as we can.’ ‘Perhaps’ said Genji; ‘but it would be hard to
find a less frequented place than this.’ ‘At any rate’ Koremitsu
continued, ‘we cannot take her to her own house; for there her
gentlewomen, who loved her dearly, would raise such a weeping and
wailing as would soon bring a pack of neighbours swarming around, and
all would quickly be known. If only I knew of some mountain-temple—for
there such things are customary[14] and pass almost unnoticed.’ He
paused and reflected. ‘There is a lady I once knew who has become a
nun and now lives on the Higashi Yama. She was my father’s wet-nurse
and is now very old and bent. She does not of course live alone; but
no outside people come there.’ A faint light was already showing in
the sky when Koremitsu brought the carriage in. Thinking that Genji
would not wish to move the body himself, he wrapt it in a rush-mat and
carried it towards the carriage. How small she was to hold! Her face
was calm and beautiful. He felt no repulsion. He could find no way to
secure her hair, and when he began to carry her it overflowed and
hung towards the ground. Genji saw, and his eyes darkened. A hideous
anguish possessed him.
He tried to follow the body, but Koremitsu dissuaded him, saying ‘You
must ride back to your palace as quickly as you can; you have just
time to get there before the stir begins,’ and putting Ukon into the
carriage, he gave Genji his horse. Then pulling up his silk trousers
to the knee, he accompanied the carriage on foot. It was a very
singular procession; but Koremitsu, seeing his master’s terrible
distress, forgot for the moment his own dignity and walked stolidly
on. Genji, hardly conscious of what went on around him arrived at last
in ghostly pallor at his house. ‘Where do you come from, my Lord?’
‘How ill you look.’ ... Questions assailed him, but he hurried to his
room and lay behind his curtain. He tried to calm himself, but hideous
thoughts tormented him. Why had he not insisted upon going with her?
What if after all she were not dead and waking up should find that he
had thus abandoned her? While these wild thoughts chased through his
brain a terrible sensation of choking began to torment him. His head
ached, his body seemed to be on fire. Indeed he felt so strange that
he thought he too was about to die suddenly and inexplicably as she
had done. The sun was now high, but he did not get up. His gentlemen,
with murmurs of astonishment, tried every means to rouse him. He sent
away the dainties they brought, and lay hour after hour plunged in the
darkest thoughts. A messenger arrived from the Emperor: ‘His Majesty
has been uneasy since yesterday when his envoys sought everywhere for
your Highness in vain.’
The young lords too came from the Great Hall. He would see none of
them but Tō no Chūjō, and even him he made stand outside his curtain
while he spoke to him: ‘My foster-mother has been very ill since the
fifth month. She shaved her head and performed other penances, in
consequence of which (or so it seems) she recovered a little and
got up, but is very much enfeebled. She sent word that she desired to
see me once more before she died, and as I was very fond of her when I
was a child, I could not refuse. While I was there a servant in the
house fell ill and died quite suddenly. Out of consideration for me
they removed the body at nightfall. But as soon as I was told of what
had happened I remembered that the Fast of the Ninth Month was at hand
and for this reason I have not thought it right to present myself to
the Emperor my father. Moreover, since early morning I have had a
cough and very bad headache, so you will forgive me for treating you
in this way.’
‘I will give the Emperor your message. But I must tell you that last
night when you were out he sent messengers to look for you and seemed,
if I may venture to say so, to be in a very ill humour.’ Tō no Chūjō
turned to go, but pausing a moment came back to Genji’s couch and said
quietly: ‘What really happened to you last night? What you told me
just now cannot possibly be true.’ ‘You need not go into details,’
answered Genji impatiently. ‘Simply tell him that unintentionally I
became exposed to a pollution, and apologize to him for me as best you
can.’ He spoke sharply, but in his heart there was only an unspeakable
sadness; and he was very tired.
All day he lay hidden from sight. Once he sent for Tō no Chūjō’s
brother Kurōdo no Ben and gave him a formal message for the Emperor.
The same excuse would serve for the Great Hall, and he sent a similar
message there and to other houses where he might be expected.
At dusk Koremitsu came. The story of Genji’s pollution had turned all
visitors from the door, and Koremitsu found his palace utterly
deserted. ‘What happened?’ said Genji, summoning him, ‘you are sure
that she is dead?’ and holding his sleeve before his face he wept.
‘All is over; of that there is no doubt,’ said Koremitsu, also in
tears; ‘and since it is not possible for them to keep the body long, I
have arranged with a very respectable aged priest who is my friend
that the ceremony shall take place to-morrow, since to-morrow chances
to be a good calendar day.’ ‘And what of her gentlewoman?’ asked
Genji. ‘I fear she will not live,’ said Koremitsu. ‘She cries out that
she must follow her mistress and this morning, had I not held her, she
would have cast herself from a high rock. She threatened to tell the
servants at my lady’s house, but I prevailed upon her to think the
matter over quietly before she did this.’ ‘Poor thing,’ said Genji,
‘small wonder that she should be thus distracted. I too am feeling
strangely disordered and do not know what will become of me.’ ‘Torment
yourself no more,’ said Koremitsu. ‘All things happen as they must.
Here is one who will handle this matter very prudently for you, and
none shall be the wiser.’ ‘Happen as they must. You are right’ said
Genji ‘and so I try to persuade myself. But in the pursuit of one’s
own wanton pleasures to have done harm and to have caused someone’s
death—that is a hideous crime; a terrible load of sin to bear with me
through the world. Do not tell even your sister; much less your mother
the nun, for I am ashamed that she should even know I have ever done
that kind of thing.’[15] ‘Do not fear’ answered Koremitsu. ‘Even to
the priests, who must to a certain extent be let into the secret, I
have told a long made-up tale’ and Genji felt a little easier in his
mind.
The waiting-women of his palace were sorely puzzled; ‘First he says he
has been defiled and cannot go to Court, and now he sits whispering
and sighing.’ What could it all mean? ‘Again I beg you’ said Genji at
last ‘to see that everything is done as it should be.’ He was thinking
all the time of the elaborate Court funerals which he had
witnessed (he had, indeed, seen no others) and imagined Koremitsu
directing a complicated succession of rituals. ‘I will do what I can;
it will be no such great matter,’ he answered and turned to go.
Suddenly Genji could bear no longer the thought that he should never
see her again. ‘You will think it very foolish of me,’ he said, ‘but I
am coming with you. I shall ride on horseback.’ ‘If your heart is set
upon it,’ said Koremitsu, ‘it is not for me to reason with you. Let us
start soon, so that we may be back before the night is over.’ So
putting on the hunting-dress and other garments in which he had
disguised himself before, he left his room.
Already the most hideous anguish possessed him, and now, as he set out
upon this strange journey, to the dark thoughts that filled his mind
was added a dread lest his visit might rouse to some fresh fury the
mysterious power which had destroyed her. Should he go? He hesitated;
but though he knew that this way lay no cure for his sadness, yet if
he did not see her now, never again perhaps in any life to come would
he meet the face and form that he had loved so well. So with Koremitsu
and the one same groom to bear him company he set out upon the road.
The way seemed endless. The moon of the seventeenth night had risen
and lit up the whole space of the Kamo plain, and in the light of the
outrunners’ torches the countryside towards Toribeno now came dimly
into sight. But Genji in his sickness and despair saw none of this,
and suddenly waking from the stupor into which he had fallen found
that they had arrived.
The nun’s cell was in a chapel built against the wall of a wooden
house. It was a desolate spot, but the chapel itself was very
beautiful. The light of the visitors’ torches flickered through the
open door. In the inner room there was no sound but that of a
woman weeping by herself; in the outer room were several priests
talking together (or was it praying?) in hushed voices. In the
neighbouring temples vespers were over and there was absolute
stillness; only towards the Kiyomizu were lights visible and many
figures seemed to throng the hill-side.[16]
A senior priest, son of the aged nun, now began to recite the
Scriptures in an impressive voice, and Genji as he listened felt the
tears come into his eyes. He went in. Ukon was lying behind a screen;
when she heard him enter, she turned the lamp to the wall. What
terrible thing was she trying to hide from him? But when he came
nearer he saw to his joy that the dead lady was not changed in any way
whatsoever, but lay there very calm and beautiful; and feeling no
horror or fear at all he took her hand and said, ‘Speak to me once
again; tell me why for so short a while you came to me and filled my
heart with gladness, and then so soon forsook me, who loved you so
well?’ and he wept long and bitterly by her side.
The priests did not know who he was, but they were touched by his
evident misery and themselves shed tears. He asked Ukon to come back
with him, but she answered: ‘I have served this lady since she was a
little child and never once for so much as an hour have I left her.
How can I suddenly part from one who was so dear to me and serve in
another’s house? And I must now go and tell her people what has become
of her; for (such is the manner of her death) if I do not speak soon,
there will be an outcry that it was I who was to blame, and that would
be a terrible thing for me, Sir,’ and she burst into tears, wailing ‘I
will lie with her upon the pyre; my smoke shall mingle with hers!’
‘Poor soul’ said Genji, ‘I do not wonder at your despair. But
this is the way of the world. Late or soon we must all go where she
has gone. Take comfort and trust in me.’ So he sought to console her,
but in a moment he added: ‘Those, I know, are but hollow words. I too
care no longer for life and would gladly follow her.’ So he spoke,
giving her in the end but little comfort.
‘The night is far spent’ said Koremitsu; ‘we must now be on our way.’
And so with many backward looks and a heart full to bursting he left
the house. A heavy dew had fallen and the mist was so thick that it
was hard to see the road. On the way it occurred to him that she was
still wearing his scarlet cloak, which he had lent her when they lay
down together on the last evening. How closely their lives had been
entwined!
Noting that he sat very unsteadily in his saddle, Koremitsu walked
beside him and gave him a hand. But when they came to a dyke, he lost
hold and his master fell to the ground. Here he lay in great pain and
bewilderment. ‘I shall not live to finish the journey’ he said; ‘I
have not strength to go so far.’ Koremitsu too was sorely troubled,
for he felt that despite all Genji’s insistence, he ought never to
have allowed him, fever-stricken as he was, to embark upon this
disastrous journey. In great agitation he plunged his hands in the
river and prayed to Our Lady Kwannon of Kiyomizu. Genji too roused
himself at last and forced himself to pray inwardly to the Buddha. And
so they managed to start upon their journey again and in the end with
Koremitsu’s help he reached his palace.
This sudden journey undertaken so late at night had seemed to all his
household the height of imprudence. They had noted for some while past
his nightly wanderings grow more and more frequent; but though often
agitated and pre-occupied, never had he returned so haggard as that
morning. What could be the object of these continual excursions?
And they shook their heads in great concern. Genji flung himself upon
his bed and lay there in fever and pain for several days. He was
growing very weak. The news was brought to the Emperor who was greatly
distressed and ordered continual prayers to be said for him in all the
great temples; and indeed there were more special services and
purification-ceremonies and incantations than I have room to rehearse.
When it became known that this prince so famous for his great charm
and beauty, was likely soon to die, there was a great stir in all the
kingdom.
Sick though he was he did not forget to send for Ukon and have her
enrolled among his gentlewomen. Koremitsu, who was beside himself with
anxiety concerning his master, yet managed on her arrival to calm
himself and give to Ukon friendly instruction in her new duties; for
he was touched by the helpless plight in which she had been left. And
Genji, whenever he felt a little better, would use her to carry
messages and letters, so that she soon grew used to waiting upon him.
She was dressed in deep black and though not at all handsome was a
pleasant enough looking woman.
‘It seems that the same fate which so early stayed your lady’s course
has willed that I too should be but little longer for this world. I
know in what sore distress you are left by the loss of one who was for
so many years your mistress and friend; and it was my purpose to have
comforted you in your bereavement by every care and kindness I could
devise. For this reason, indeed, it grieves me that I shall survive
her for so short a time.’ So, somewhat stiltedly, he whispered to
Ukon, and being now very weak he could not refrain from tears. Apart
from the fact that his death would leave her utterly without resource,
she had now quite taken to him and would have been very sorry indeed
if he had died.
His gentlemen ran hither and thither, distracted; the Emperor’s envoys
thronged thick as the feet of the raindrops. Hearing of his
father’s distress and anxiety, Genji strove hard to reassure him by
pretending to some slight respite or improvement. His father-in-law
too showed great concern, calling every day for news and ordering the
performance of various rites and potent liturgies; and it was perhaps
as a result of this, that having been dangerously ill for more than
twenty days, he took a turn for the better, and soon all his symptoms
began to disappear. On the night of his recovery the term of his
defilement also ended and hearing that the Emperor was still extremely
uneasy about him, he determined to reassure the Court by returning to
his official residence at the Palace. His father-in-law came to fetch
him in his own carriage and rather irritatingly urged upon him all
sorts of remedies and precautions.
For some while everything in the world to which he had now returned
seemed strange to him and he indeed scarce knew himself; but by the
twentieth day of the ninth month his recovery was complete, nor did
the pallor and thinness of his face become him by any means ill.
At times he would stare vacantly before him and burst into loud
weeping, and seeing this there were not wanting those who said that he
was surely possessed.
Often he would send for Ukon, and once when they had been talking in
the still of the evening he said to her ‘There is one thing which
still puzzles me. Why would she never tell me who she was? For even if
she was indeed, as she once said, “a fisherman’s child,” it was a
strange perversity to use such reticence with one who loved her so
well.’
‘You ask why she hid her name from you?’ said Ukon. ‘Can you wonder at
it? When could she have been expected to tell you her name (not that
it would have meant much to you if you had heard it)? For from the
beginning you treated her with a strange mistrust, coming with such
secrecy and mystery as might well make her doubt whether you were
indeed a creature of the waking world. But though you never told her
she knew well enough who you were, and the thought that you would not
be thus secret had you regarded her as more than a mere plaything or
idle distraction was very painful to her.’
‘What a wretched series of misunderstandings’ said Genji. ‘For my part
I had no mind to put a distance between us. But I had no experience in
such affairs as this. There are many difficulties in the path of such
people as I. First and foremost I feared the anger of my father the
Emperor; and then, the foolish jesting of the world. I felt myself
hedged in by courtly rules and restrictions. But for all the tiresome
concealments that my rank forced upon me, from that first evening I
had so strangely set my heart upon her that though reason counselled
me I could not hold back; and indeed it seems sometimes to me that an
irresistible fate drove me to do the thing of which I now so bitterly
and continually repent. But tell me more about her. For there can now
be no reason for concealment. When on each seventh day I cause the
names of the Buddhas to be written for her comfort and salvation, whom
am I to name in my inward prayer?’
‘There can be no harm in my telling you that’ said Ukon, ‘and I should
have done so before, did I not somehow feel it a shame to be prating
to you now about things she would not have me speak of while she was
alive. Her parents died when she was quite small. Her father, Sammi
Chūjō, loved her very dearly, but felt always that he could not give
her all the advantages to which her great beauty entitled her; and
still perplexed about her future and how best to do his duty by her,
he died. Soon afterwards some accident brought her into the company of
Tō no Chūjō[17] who was at that time still a lieutenant and for three
years he made her very happy. But in the autumn of last year
disquieting letters began to arrive from the Great Hall of the
Right,[18] and being by nature prone to fits of unreasoning fear she
now fell into a wild panic and fled to the western part of the town
where she hid herself in the house of her old wet-nurse. Here she was
very uncomfortable, and had planned to move to a certain village in
the hills, when she discovered that it would be unlucky, owing to the
position of the stars since the beginning of the year, to make a
journey in that direction; and (though she never told me so) I think,
Sir, it troubled her sorely that you should have come upon her when
she was living in so wretched a place. But there was never anyone in
the world like my lady for keeping things to herself; she could never
bear that other people should know what was on her mind. I have no
doubt, Sir, that she sometimes behaved very oddly to you and that you
have seen all this for yourself.’
Yes, this was all just as Tō no Chūjō had described. ‘I think there
was some mention of a child that Chūjō was vexed to have lost sight
of’ said Genji more interested than ever; ‘am I right?’ ‘Yes, indeed,’
she answered ‘it was born in the spring of last year, a girl, and a
fine child it was.’ ‘Where is it now?’ asked Genji. ‘Could you get
hold of it and bring it to me here without letting anyone know where
you were taking it? It would be a great comfort to me in my present
misery to have some remembrance of her near me;’ and he added, ‘I
ought of course to tell Chūjō, but that would lead to useless and
painful discussions about what has happened. Somehow or other I will
manage to bring her up here in my palace. I think there can be no harm
in that. And you will easily enough find some story to tell to
whatever people are now looking after her.’ ‘I am very glad that
this has entered your head,’ said Ukon, ‘it would be a poor look-out
for her to grow up in the quarter where she is now living. With no one
properly belonging to her and in such a part of the town....’
In the stillness of the evening, under a sky of exquisite beauty, here
and there along the borders in front of his palace some insect croaked
its song; the leaves were just beginning to turn. And as he looked
upon this pleasant picture he felt ashamed at the contrast between his
surroundings and the little house where Yūgao had lived. Suddenly
somewhere among the bamboo groves the bird called iyebato uttered its
sharp note. He remembered just how she had looked when in the gardens
of that fatal house the same bird had startled her by its cry, and
turning to Ukon, ‘How old was she?’ he suddenly asked; ‘for though she
seemed childlike in her diffidence and helplessness, that may only
have been a sign that she was not long for this world.’ ‘She must have
been nineteen’ said Ukon. ‘When my mother, who was her first
wet-nurse, died and left me an orphan, my lady’s father was pleased to
notice me and reared me at my lady’s side. Ah Sir, when I think of it,
I do not know how I shall live without her; for kind as people here
may be I do not seem to get used to them. I suppose it is that I knew
her ways, poor lady, she having been my mistress for so many years.’
To Genji even the din of the cloth-beaters’ mallets had become dear
through recollection, and as he lay in bed he repeated those verses of
Po Chü-i.
_In the eighth month and ninth month when the nights are growing long
A thousand times, ten thousand times the fuller’s stick beats._
The young brother still waited upon him, but he no longer brought with
him the letters which he had been used to bring. Utsusemi thought he
had at last decided that her treatment of him was too unfriendly to be
borne, and was vexed that he should feel so. Then suddenly she
heard of his illness, and all her vexation turned to consternation and
anxiety. She was soon to set out upon her long journey, but this did
not much interest her; and to see whether Genji had quite forgotten
her she sent him a message saying that she had been able to find no
words in which to express her grief at hearing the news of his
illness. With it she sent the poem: ‘I did not ask for news and you
did not ask why I was silent; so the days wore on and I remained in
sorrow and dismay.’ He had not forgotten her, no, not in all his
trouble; and his answer came: ‘Of this life, fragile as the
utsusemi’s[19] shell, already I was weary, when your word came, and
gave me strength to live anew.’ The poem was written in a very
tremulous and confused hand; but she thought the writing very
beautiful and it delighted her that he had not forgotten how,
cicada-like, she had shed her scarf. There could be no harm in this
interchange of notes, but she had no intention of arranging a meeting.
She thought that at last even he had seen that there could be no sense
in that.
As for Utsusemi’s companion, she was not yet married, and Genji heard
that she had become the mistress of Tō no Chūjō’s brother Kurōdo no
Shōshō; and though he feared that Shōshō might already have taken very
ill the discovery that he was not first in the field, and did not at
all wish to offend him, yet he had a certain curiosity about the girl
and sent Utsusemi’s little brother with a message asking if she had
heard of his illness and the poem: ‘Had I not once gathered for my
pillow a handful of the sedge that grows upon the eaves,[20] not a
dewdrop of pretext could my present message find.’ It was an acrostic
with many hidden meanings. He tied the letter to a tall reed and
bade him deliver it secretly; but was afterwards very uneasy at the
thought that it might go astray. ‘If it falls into Shōshō’s hands’ he
thought ‘he will at once guess that it was I who was before him.’ But
after all Shōshō would probably not take that so very hard, Genji had
vanity enough to think.
The boy delivered the message when Shōshō was at a safe distance. She
could not help feeling a little hurt; but it was something that he had
remembered her at all, and justifying it to herself with the excuse
that she had had no time to do anything better, she sent the boy
straight back with the verse: ‘The faint wind of your favour, that but
for a moment blew, with grief has part befrosted the small sedge of
the eaves.’ It was very ill-written, with all sorts of ornamental but
misleading strokes and flourishes; indeed with a complete lack of
style. However, it served to remind him of the face he had first seen
that evening by the lamplight. As for the other who on that occasion
had sat so stiffly facing her, what determination there had been in
her face, what a steady resolution to give no quarter!
The affair with the lady of the sedge was so unintentional and so
insignificant that though he regarded it as rather frivolous and
indiscreet, he saw no great harm in it. But if he did not take himself
in hand before it was too late he would soon again be involved in some
entanglement which might finally ruin his reputation.
On the forty-ninth day after Yūgao’s death a service in her memory was
by his orders secretly held in the Hokedō on Mount Hiyei. The ritual
performed was of the most elaborate kind, everything that was required
being supplied from the Prince’s own store; and even the decoration of
the service books and images was carried out with the utmost
attention. Koremitsu’s brother, a man of great piety, was
entrusted with the direction of the ceremony, and all went well. Next
Genji sent for his old writing-master, a doctor of letters for whom he
had a great liking and bade him write the prayer for the dead.[21]
‘Say that I commit to Amida the Buddha one not named whom I loved, but
lost disastrously,’ and he wrote out a rough draft for the learned man
to amend. ‘There is nothing to add or alter,’ said the master, deeply
moved. Who could it be, he wondered, at whose death the prince was so
distressed? (For Genji, try as he might, could not hide his tears.)
When he was secretly looking through his store for largesse to give to
the Hokedō priests, he came upon a certain dress and as he folded it
made the poem: ‘The girdle that to-day with tears I knot, shall we
ever in some new life untie?’
Till now her spirit had wandered in the void.[22]
But already she must be setting out on her new life-path, and in great
solicitude, he prayed continually for her safety.
He met Tō no Chūjō and his heart beat violently, for he had longed to
tell him about Yūgao’s child and how it was to be reared. But he
feared that the rest of the story would needlessly anger and distress
him, and he did not mention the matter. Meanwhile the servants of
Yūgao’s house were surprised that they had had no news from her nor
even from Ukon, and had begun to be seriously disquieted. They had
still no proof that it was Genji who was her lover, but several of
them thought that they had recognized him and his name was whispered
among them. They would have it that Koremitsu knew the secret, but he
pretended to know nothing whatever about Yūgao’s lover and found a
way to put off all their questions; and as he was still frequenting
the house for his own purposes, it was easy for them to believe that
he was not really concerned in their mistress’s affairs. Perhaps after
all it was some blackguard of a Zuryō’s son who, frightened of Tō no
Chūjō’s interference, had carried her off to his province. The real
owner of the house was a daughter of Yūgao’s second wet-nurse, who had
three children of her own. Ukon had been brought up with them, but
they thought that it was perhaps because she was not their own sister
that Ukon sent them no news of their mistress, and they were in great
distress.
Ukon who knew that they would assail her with questions which her
promise to Genji forbade her to answer, dared not go to the house, not
even to get news of her lady’s child. It had been put out somewhere to
nurse, but to her great sorrow she had quite lost sight of it.
Longing all the while to see her face once more though only in a
dream, upon the night after the ceremony on Mount Hiyei, he had a
vision very different from that for which he prayed. There appeared to
him once more, just as on that fatal night, the figure of a woman in
menacing posture, and he was dismayed at the thought that some demon
which haunted the desolate spot might on the occasion when it did that
terrible thing, also have entered into him and possessed him.
Iyo no Suke was to start early in the Godless Month and had announced
that his wife would go with him. Genji sent very handsome parting
presents and among them with special intent he put many very exquisite
combs and fans. With them were silk strips to offer to the God of
Journeys and, above all, the scarf which she had dropped, and, tied to
it, a poem in which he said that he had kept it in remembrance of her
while there was still hope of their meeting, but now returned it wet
with tears shed in vain. There was a long letter with the poem,
but this was of no particular interest and is here omitted. She sent
no answer by the man who had brought the presents, but gave her
brother the poem: ‘That to the changed cicada you should return her
summer dress shows that you too have changed and fills an insect heart
with woe.’
He thought long about her. Though she had with so strange and
inexplicable a resolution steeled her heart against him to the end,
yet each time he remembered that she had gone forever it filled him
with depression.
It was the first day of the tenth month, and as though in sign that
winter had indeed begun heavy rain fell. All day long Genji watched
the stormy sky. Autumn had hideously bereaved him and winter already
was taking from him one whom he dearly loved:
Now like a traveller who has tried two ways in vain
I stand perplexed where these sad seasons meet.
Now at least we must suppose he was convinced that such secret
adventures led only to misery.
I should indeed be very loth to recount in all their detail matters
which he took so much trouble to conceal, did I not know that if you
found I had omitted anything you would at once ask why, just because
he was supposed to be an Emperor’s son, I must needs put a favourable
showing on his conduct by leaving out all his indiscretions; and you
would soon be saying that this was no history but a mere made-up tale
designed to influence the judgment of posterity. As it is I shall be
called a scandal-monger; but that I cannot help.
[1] Lady Rokujō. Who she was gradually becomes apparent in the course
of the story.
[2] Lady Rokujō’s house.
[3] Rokujō.
[4] Genji was now seventeen; Rokujō twenty-four.
[5] The god of bridges. He built in a single night the stone causeway
which joins Mount Katsuragi and Mount Kombu.
[6] Genji’s brother-in-law.
[7] His own palace.
[8] Foxes, dressed up as men, were believed to be in the habit of
seducing and bewitching human beings.
[9] We gather later that she was only nineteen.
[10] I.e. covered part of his face with a scarf or the like, a
practice usual with illicit lovers in mediæval Japan.
[11] _Shin Kokinshū_, 1701.
[12] Lady Rokujō.
[13] To summon a servant.
[14] The bringing of a corpse. Temples were used as mortuaries.
[15] I.e. pursued illicit amours.
[16] Pilgrimages to Kiyomizu Temple are made on the seventeenth day.
[17] Chūjō means ‘Captain’; see above, p. 71.
[18] From Tō no Chūjō’s wife, who was the daughter of the Minister of
the Right.
[19] Cicada.
[20] ‘Sedge upon the eaves ‘is _Nokiba no Ogi_, and it is by this name
that the lady is generally known.
[21] _Gwammon_.
[22] For forty-nine days the spirit of the dead leads the intermediate
existence so strangely described in the _Abhidharma Kośa Śāstra_; then
it begins its new incarnation.