CHAPTER XXV.

HONOR ANSWERS AN ADVERTISEMENT.

When Doris gets home she finds them all seated at dinner, partaking

of the pea-soup, which appears to be popular. Honor and Molly seem

to be rather elated about something concerning themselves, and Doris

is inclined to be put out at the scant attention they give to the

account of her adventure in the wood.

Only Dick and Mrs. Merivale appear at all interested in her story;

the former beginning without loss of time to tease his sister about

her "knight of the woods." When there is once more a little quiet,

it transpires that the postman has arrived in Doris's absence, and

besides bringing letters for Mrs. Merivale and Molly, from Hugh

Horton, telling them of his having obtained his commission, and of

the probability of his leaving soon for Ireland after all, there is

one for Doris from her aunt, and also a newspaper with an

advertisement marked with a large cross in red ink, to which Lady

Woodhouse begs Honor will give her particular attention.

This is to the effect that persons with any knowledge of painting can

easily earn a pound weekly, by painting on tin--the latest novelty in

art, and greatly in demand. Then the advertisement goes on to say

that by applying at a certain place in the town, those desirous of

taking up this very remunerative employment can be instructed in this

branch of art in two lessons, at one-and-six each.

"So you see I have made up my mind to go and inquire about it all

this very afternoon if I can get away," says Honor folding up the

paper. "Just think, if I can earn a pound a week, what a difference

it will make to us! With that and what Molly makes by her teaching,

we shall really be getting along quite famously. O, and that reminds

me: have you told Doris about your probable new pupil, Molly?"

"No, but I was just going to. It seems that some new people have

taken the house opposite the Vicarage, and Mr. Bolton has spoken to

them about me. There are several children, I believe, and he seems

to think that if I get the eldest girl on well (if I have her at all,

that is) I may have the others when they are old enough. I fancy

they are not very aristocratic sort of people: retired bakers or

something, but they have lots of money, so I shall hope to get good

terms. I shall have to bring all the dignity I can muster to the

fore, I expect, for Mr. Bolton said in his quaint, quiet way that he

was 'afraid they were not very good children from all he heard;' so

if he confesses to that much you may depend upon it they are pretty

bad. I am going to call on Mrs. Hallam, that is the bakeress's name"

("_Molly!_" exclaims her mother), "to-morrow," continues that young

lady unmoved, "so then I shall know all about them. O, by the by,

Hugh says he shall very likely run down to-morrow afternoon. What

does aunt say, Doris?"

"Aunt?" says Doris, who has been absently looking out of the window.

"Oh, she tells me she may want me to join her next week; but uncle's

business is still a little uncertain, so it may not be till the week

after. She has sent me five pounds to get myself a few new things.

Kind of her, isn't it?"

"O, you lucky girl!" exclaims Molly. "How I wish someone would give

me five pounds to rig myself out with!"

"You will be _earning_ as many soon, Molly, and that will be better,"

says Doris with a little flush. "If I were not such a poor useless

creature I might be at home doing something too, instead of going

away from everybody for ages!" and to everyone's surprise the girl

suddenly bursts into tears.

The general consternation caused by this unexpected end to the

conversation does not prevent plenty of loving sympathy being shown

towards Doris. Poor little light-hearted Doris! who, though

overwhelmed with joy at first at the prospect of travelling, now

discovers down in the depths of her soft little heart a feeling which

amounts to nothing less than dismay, now that she is brought face to

face with the fact that before many more days have passed over her

head she will have to say good-bye to the mother, sisters, and

brothers from whom she has never before been separated beyond a week

or two.

Molly comes to the rescue presently with one of her short, practical

remarks, having first suppressed Dick, whom she--not Doris

fortunately--has heard to mutter something to the effect that his

sister "is fretting because she will never see her 'knight' again."

"Well now, cheer up, my girl," she says briskly. "Eighteen months or

even a couple of years will slip round and carry you with them before

you have time to look about; and just think what an awfully jolly

time we shall all have when you come home again! Now," proceeding

coolly to tuck up her frock and pin it behind her, "who's coming with

me to help Becky clear away the dinner things and prevent her

smashing them all? O, dear me, Dick, how you do worry! _Do_ go out;

there's a good boy. Now, Honor, if you want to catch that next train

you had better be off to dress. We will leave mother and Daisy to

rest quietly together, and Doris will come with me, won't you?"

Thus running on she carries her sister off with her, and it is not

long before plenty of laughter is heard from the regions of the

kitchen, Becky having retired into the depths of the wood-cellar to

black Honor's boots.

No. 3 Prospect Road, which is the address given in the advertisement,

does not look a very flourishing sort of place in Honor's idea.

There are a few little insignificant pictures in the window, chiefly

water-colour and crayon drawings, very indifferently executed; a

portrait of a severe-looking lady, half of it very dark, half

restored presumably to its former state; some frames, looking rather

the worse for wear; and a few artists' colours scattered about

indiscriminately. Behind these a dirty-red curtain is drawn, giving

a sort of private air to the interior of the shop.

Honor had expected to see some imposing studio, where perhaps

photography was carried on also, and it is with a feeling of

disappointment that she turns the handle of the door, after having

looked once more at the advertisement to make sure she has made no

mistake.

As the girl enters the shop, a fat little man emerges from behind

some lumber which is piled up at the other end, and coming forward

and rubbing his hands begins to talk very quickly, with a strong

German accent. Gesticulating and chattering the whole time, Mr.

Nathan (that being this gentleman's name) proceeds to show Honor some

specimens of the painting on tin, which are certainly very pretty.

Some, about a foot square, representing charming little winter

scenes, consisting merely of a foreground of snow, innumerable firs,

a frozen stream with a rustic bridge, a church, through the windows

of which a comfortable-looking red light streams, and a background of

peaky snow-clad hills. Others represent waterfalls, with the usual

surroundings, and others are simple rustic scenes.

Now, Honor is quick enough to see that beyond the knowledge of

preparing the tin for the application of the colours, there is no

instruction needed at all; at least for herself, and in the course of

conversation she is more than once led to suspect that she knows more

about painting than Mr. Nathan himself. So she plainly tells the man

that the two lessons mentioned in the advertisement will not be

required in her case, and that if he will supply her with the tin,

and tell her the secret of the preparation, that will be all she

needs, finishing up with the inquiry of how many little pictures he

expects her to do for the stated pound a week.

"I have everything else that I require," says Honor, anxious to

conclude the bargain. "You will see by these that I know something

about painting;" and with very pardonable pride she places before the

astonished little man several sketches which her former master, who

was no mean artist, had pronounced "excellent."

Mr. Nathan looks with supreme and undisguised astonishment first at

the sketches and then at Honor. Then he pulls himself together, and

with many "hums" and "haws" and waves of the hands he says, "But

pardon me, my dear young lady, will you be so obliging as to look

once again at my advertisement, which I fear you do not rightly

comprehend?--or stay, I have a paper here;" and running his dirty,

fat forefinger down one of the columns he at length stops and points

out to Honor the words, "One pound a week may be earned," &c. &c.

"You see, mees, it does not say I myself will give one pound. I give

two lessons, one-and-six each; then my pupils paint the views, four,

six, what they please, and I put them in my window and on my counter,

so; then customers will come, and one will say 'I will buy this,' and

another 'I will buy that.' And sometimes many are sold, and

sometimes also _none_. It depends much"--with a little shrug--"on

the merit of the painting, without doubt; and therefore, my dear

young lady, yours would sell well, _ve-ry_ well, I should say. The

commission I charge is not much, and--" But here Honor, who begins

to see through the old impostor, interrupts him, and moving towards

the door says, "Thank you, I think it is useless to continue the

conversation. I understood from your advertisement that you could

offer employment for which you would give certain payment. But it

seems to me," she adds with justifiable warmth, "that the only

_certain_ part in the matter is the fact that your possible pupils

would be paying _you_ for the two lessons, which I notice are made

rather a point of in the advertisement. Good-afternoon!" And poor

Honor, trembling with suppressed indignation and disappointment,

hurries out of the shop and is out of sight before the old man can

recover from his astonishment. Thoroughly disgusted and discouraged

by the result of her expedition to the town, poor Honor gets back to

the station with all possible speed, and before long is safely

ensconced in a corner of a third-class carriage, where, finding

herself alone, she indulges in a good cry, which somewhat relieves

her feelings; though she cannot, poor girl, forget the dreadful fact

that the three shillings expended on her fare there and back have

been utterly wasted and thrown away. She has dried her eyes again,

and is trying, with her usual common sense, to reconcile herself to

the loss, which cannot now be helped, when suddenly, just as the

train is about to start, the door of the compartment is flung wide

open, and a stout little elderly gentleman shoots past her right to

the end of the seat opposite, while a good-natured-looking porter,

who is standing on the step closing the door, says, touching his cap,

"There weren't no time for the 'firsts,' sir; they be right at the

other end." "Thank you, thank you," gasps the old gentleman, sitting

up and straightening his hat, "this will do very nicely, very nicely

indeed. Dear me, now, what a fortunate, I may say providential

thing, that my brother was not with me! Why, bless my soul, if it's

not Miss Honor!" And leaning forward Mr. Edward Talboys, for he it

is, seizes the girl's two hands and shakes them up and down in such a

kind, affectionate manner that Honor, still feeling a little

hysterical, has hard work to keep her tears from rising again. "And

now," says Mr. Ned, who, though he appears not to do so, notices the

girl's pale cheeks and swollen eyelids--"now, you must tell me where

you have been and what you have been doing. Wait a minute, I mean to

have a guess. You have been, perhaps, to see your kind old friend

Mrs. Horton? or perhaps that very excellent old gentleman Mr.

Dobson--no, Hobson, who came down with you when you paid your first

visit to the Rookery?" Honor smiles and shakes her head. "Then

perhaps," says the old gentleman, with his head on one side, "you

have been doing a little shopping?"

"No, not shopping, Mr. Talboys," says the girl with a tremulous

voice; and then, longing for a little sympathy, she tells the whole

history of the advertisement from beginning to end.

Mr. Ned works himself into a regular heat over the story, and for

some time Honor scarcely knows which predominates--indignation at the

man or pity for herself. First he is for taking the next train back

again and giving Mr. Nathan "a good round piece of his mind," as he

expresses it. Then he calms down a little, and shaking his head

solemnly, says, "A hoax, my dear--nothing but a rascally hoax to

extort money. You may see the advertisements every day in some form

or another. The paper is full of them. Now, if only you had come

and asked our advice about it. But dear me, how should a young girl

like you know that there are such cheating rogues in the world!"

Then, after a few more remarks of a similar character, Mr. Talboys

leans back in his seat for a while quite lost in thought, and it is

not until they are nearing the little station of Edendale that he

rouses himself again.

He startles Honor, who has also been wrapped up in her own thoughts,

by suddenly leaning forward and saying, "Now, can you find time, my

dear, to run up to us to-morrow morning--any time, any time after

breakfast that is convenient to yourself, you know? I am inclined to

be interested in this painting on tin of which you have been telling

me, and I should like to know more about it. I should like my

brother Ben to hear something about it too. With his artistic taste,

I am sure he will be deeply interested in the subject. Now, what

time would you like to fix, Miss Honor,--shall we say eleven? Are

you _quite_ sure that will be convenient?" Honor satisfying Mr.

Talboys on this point, they part outside the station gates; and while

the old gentleman trots off to the village on some

suddenly-remembered business, Honor, with a heart lightened and

cheered by his kindness and sympathy, goes her way towards home.

Three Bright Girls: A Story of Chance and Mischance · 第 25 / 36 章