CLARICE.

A blow in the face would have shattered Quincy less than this girlish,

forward promise of sympathy and love.

On the last day of the year--late afternoon--Quincy lay on his couch, on

his stomach, supporting his head in his two hands, re-reading that

letter.

The promise was precisely what he could not bear. The widening train of

cherished things possessed, of things to do, was what he could not bear.

Quincy was weary. All of him that was still flushed with life he had

raised in his invitation for that night--no other--to a point. He had

hoped his highest hope, fixed his highest joy, named his highest

holding. He had missed--or Clarice had missed. He wanted nothing more.

He wanted no longer any hope or joy or holding. He was done.

So, at least, it seemed to Quincy. Once more he laid his trouble upon

one place and thought thereby to make it no longer his.

He thought little of Clarice as he went out, that last night of the

year, to eat alone.

* * * * *

New Year’s Eve. Carnival time in the City. Carnival in the Latin lands

makes one forget poverty. Carnival in New York makes one remember it.

It was late when Quincy had done dining. The restaurant had been nearly

empty. He alone sat without a neighbor. A huge woman in a red waist that

made her lips look blue fed her lover--a wisp of a man--with a spoon;

fed him soup. All of the restaurant laughed at this. In a corner were

two slack-chinned Jewish men talking business. They also stopped and

laughed. Quincy felt nothing.

He faced uptown. He had dined at a well-known eating place on Grand

Street. His idea was to run the gamut of the City. Now, he was on the

Bowery.

The night was bitterly, humidly cold. It ate into his face and hands

like innumerable pointed icicles. Clotted throngs of revelers--pale

boys, daubed girls--shouting, pushing, scrambling past him. Pied horns

at their mouths, feather mops to tickle with in their unsavory hands. A

crass atmosphere of roughness, ugly and strained and starved. The dingy

Bowery rolled ahead with its sepulchral lodging-houses, its crashing

elevated structure, its glint of drink. Squalid eating shops in a

pathetic holiday regalia: American flags, red ruching, vari-colored

placards bidding “Happy New Year!” enflamed the dirty windows like paint

on a grey visage. Turkeys, apples, meat-pies swelled the decoration.

Prices and meretricious welcomes were iced together on the panes. All of

it laughed gutturally.

A mob before the theater, sweating within, frozen without--pushing,

cursing, empty. Clouds of boys, dark like flies in the glitter of an

arc-lamp before the lurid posters of the “movies.” A cry with a laugh

encased. Quincy felt nothing.

Then a dismal stretch of darkness--Broadway below the section of it that

is aflame with life. Huge dead buildings here, cars echoing back from

the grey walls as lambent metal would fall if thrown against them.

Sparse passers-by, hurrying, freezing, absent. The cold air seemed to

shiver, to splinter like powdered glass. A derelict, coatless and

gloveless, shuffled uptown as an injured moth sways toward a lamp.

And then, beyond, between the gaping walls of the chill orifice,

the gleam of fire, the light-limned towers, the flaring

incandescence--Broadway that lives.

In the open square was a vast Christmas tree, gawdy and colorless with

varicolored electric lamps. Deep about it lay the shadow of humanity.

Under its paltry dazzle of illumination that the chill air crushed

inward was an open stand. A band spluttered religious music. Upon a wide

sheet aloft, the words of an old hymn were lanterned. Beyond, stood a

great tower, dim and frigid, topped by a clock and an electric star. The

sheltered volunteers cried out the song after the band. Their voices

were hard, laggard, frozen also. A stray voice rose in scanty

concord from the crowd. But for the most part, the crowd was

silent--murmurously, sullenly watchful. A leader exhorted the mass to

sing. The arc-lamps crashed against the cold. The police shredded the

thick maze of humans into shape. The band blared. Quincy felt nothing.

He stood and watched the heavy silence that sank below the music like a

fearful shadow beneath a troubled boat in a deep lake. He watched the

dumb buildings and the clamorous lights and the cut of the air and the

spiritless, sordid mass--a swarm of insects pressed against a window

that shut them out.

The exhorter bullied for voices that did not exist.

Then Quincy heard some one speak beside him:

“For some folk, religion seems to be simply this: put off till tomorrow

what you can’t have to-day.”

“I like that!” cried Quincy with spontaneous pleasure. His mood broke in

an instant.

“Do you?” asked the woman.

They looked at each other.

She was young and dark, with hot grey eyes.

They turned uptown together. They fell in line with the regimented

revelers, whipped into form by the mounted police. Confetti flooded

them. Ticklers threatened their eyes. The lurching mob pressed them

together. He felt her, hot and lithe beneath her drab, stiff coat. They

entered a café. Quincy paid a dollar for a little table tucked away

under a stair. Only wine was served that night. And “wine” in America

means champagne. They began to drink, and to crumble burning chestnuts

on the gleaming, clothless table.

Outside, the crowds seethed, torn with voices, undulant and angular, hot

and cold, deliberate and head-long. The stuffy room with its blinking

light mellowed with the wine. Women grew loose of arm and breast, slack

of mouth, heedless of word. Men grew hard, savage, wet-lipped.

Quincy and she leaned over the table, drinking and looking at each

other. For the most part, they were silent. Each of them was still

alone. It was easier so. Each of them fended the other from the hectic

floods of light and life. Each of them shut the other in.

Quincy melted with the wine. He grew warm. He poured offerings unto this

woman, saying no word. He made her an altar, not knowing her name; a

goddess, not knowing her will. She was beautiful with the wine fretting

her grey cheeks and the fire fanning in her eyes. She said no thing that

spoiled his incantation. She, before him at his table, drinking his

bought wine, loomed nearer and higher. She was greater than the madness

out-of-doors; sharper than the frenzy in the blinking room where they

sat. She was greater than his memories.

Soon there were no memories. Then she was greater than everything. She

was a mighty ocean wherein to pour the sun and wherein to let dance the

winds.

The night wore away. The crimson tide ebbed on the avenue. It grew more

savage, more snarling, sharper. Within, the spirits simmered, turned

yellow, acid. A woman wished to tear off her waist. Two men fought to

stay her. Another woman they carried out. She was asleep. A man stood on

a chair and made ribald eloquence. The waiters yawned, knowing there

would be no more wine bought--only wine spilt.

Quincy and she began to speak.

He listened with rapt and equal interest to her words and his, quavering

between them, over their glasses. They were indifferent words. It

mattered little what they meant. These words, also, were part of the

great, rhythmic flow wherein the sun could pour and the winds could

play.

A bitter lust steeped up through his veins, stiffening his body,

tightening the clasp of his fingers about her hand. He leaned over, and

she leaned over, and they kissed. He caught no scent of her hair. But

the feel of her lips was sharp and clinging. They drew him. They heated

the liquor in his veins. They made his veins burst.

“Come!” he said, crushing her hands.

Her arms were stiff.

“Where?”

“Home.”

She wrenched away her hands.

“No,” she said, in a new sharp voice.

Quincy stood up, towering over her.

“Come, I say. Come, I say,” he cried.

“No!” She held her seat.

“Why not?” He swayed in his arrested energy.

“Sit down, boy.” She seemed frightened. “Sit down. Sit down, first.”

He sank stiffly to his seat. She leaned back rigidly in hers. Their eyes

met.

“I’m sorry,” she said. “I can’t.”

“Why not--” He put his fist out on the table, as if to crush her reason

as she gave it.

“Can’t you guess?” she almost pleaded.

He waited until her words came, like a bath of melted ice.

“There’s something wrong, boy,--with me. I don’t want you to--just

because we’ve been good pals,--not _that_!”

A man began to sing “America.” Outside, an ambulance crashed past. A

dull tussle in the street lay below a screen of piercing voices.

A pause.

Quincy was sober.

He watched her with a tender interest that was almost whimsical. She

glittered in anger and defiance, now she had given away her secret. With

that act of humiliation, her pride had risen. She was sober also.

“Do you think,” she spoke piercingly, leaning back still in her chair,

“do you think, if it hadn’t been for somethin’ wrong, I’d ’a’ been out

to-night, alone?”

He nodded. Over and over again, he nodded. That was his answer to her.

His eyes were watching inward a mute, innumerable procession where

little huddled things, grey, warped, stunted, slid away.

She spoke again. “Tell me, boy. You’re alone, too, ain’t you. _What’s

wrong with you?_”

The last grey thing slid out.

Quincy followed it.

In the street was dawn! Dawn with confetti and mud and ice. The street

was yellow and hollow and disillusioned. It was a painted harlot after

an orgy--a creature of streaked rouge and clotted sweat and bedraggled

hair. Quincy left it behind.

* * * * *

On his desk was the letter of Clarice.

Hope. Love. Life. Which was the most unbearable, the most impossible to

face--they or their opposite? Which was wrong--they or their denial?

Hope, love, life danced and beckoned. Quincy knew he must escape them.

Hope, love, life--these were the nadirs of pain, these were the

ecstasies to be annihilated. How?

He was weary. He was weary of all things. Most, he was weary of good

things--things one dreams of, things one spins out one’s life in

fashioning. And now, with Clarice’s letter in his hand, these things

threatened to be born--to be born again? Hope and love and life, they

might really be, with him so weary? All of his years had been the

travail of their first stirring, of their first impulse for the sun. He

must begin afresh? He must mother them again? The answer to that seared

his soul. What he must do was to escape--escape the fire and the

ineffable anguish of just these things.

How?

His hands were cool as was that he held within them--that which might be

the way. He flung his mind beyond the act which stood there ready,

beyond the flash and then the passing. His eyes and all the world within

them would become as two blank, black spaces. He would be lifted beyond

his eyes. But was he sure? Was this the way? Could he know that? How?

* * * * *

A dawn came to Quincy. Was this not another climax, another ecstasy to

be shunned? What led him always and again to the steep scaling of some

height, to the bitter plunge of some depth? This was not the way. This

was merely a last variant of the old painful yearning. The weapon in his

hand blandished him also to a pinnacle that was sharp and throbbing,

imperious and mighty. How then, if not this way?

Quincy stood in his room and his weighted hand dropped to his side and

the pistol within his hand thudded upon the floor.

What a fearful temptation it had been, like all the others, beckoning

and dancing. Travail and ecstasy--could he not escape them? And if the

letter of Clarice and _this_--the height and the depth--were one, with a

hair holding them apart in chaos, was there no middle space,

unmovemented, between?

Quincy’s head dropped a little, and his shoulders fell forward. And a

tuft of black hair crowded his eyes that were half closed. So he

remained. Did he feel? He tried to feel if he was feeling. Did he live?

He tried to feel if he was living. And so standing, the simple way came,

like a magic garment, and possessed him.

A tendril of his consciousness, faint yet infinitely fine, went out to

the world of people. All of a sudden, he knew that they were dead. He

knew that they had long been dead. They ate and laughed and danced--the

dead. They builded cities on the murmurous landsides and haunted the

free waters of the sea--the dead. They had sonorous names for the rhythm

of their rotting--the dead. He--had been alive. He had not been one of

them. He had suffered. He had been unwelcome. But now? What was the

easeful languor through him? the warmth that swathed him, the fellowship

that buoyed him? He no longer suffered. He was one of them. He was dead

also! He had found the way!

All that remained to seal his brotherhood was to forget even that he had

found it, to forget even that he was dead, to walk the way blankly,

blindly. All of his dead life remained for doing that. The battle had

been waged!...

* * * * *

It was the New Year--the New Year, and Quincy welcome in it.

The rising sun flamed into his room.

He pulled down the blind, shutting out the sun.

Then he went to bed in the made, swart shadows, and fell asleep.

* * * * *

The unwelcome man · 第 32 / 37 题