CHAPTER II.

FROM BORDEAUX TO VERGARA.

The _Landes_--Arrival at Bayonne--Information for

Travellers--Urrugne--Saint Jean de Luz--Human Smuggling--Bridge

over the Bidassoa--Irun--Travelling with Mules--Primitive

Carts--Beggar Children--Spanish Bridges--Oyarzun--Astigarraga--A

Spanish Supper--Puchero--Arrival at Vergara.

On leaving Bordeaux, the _Landes_ recommence, if possible more sad,

more desolate, and more gloomy than before. Heather, broom, and

_pinadas_ (pine forests), with here and there a shepherd squatted

down, tending his flocks of black sheep, or a miserable hut in

the style of the Indian wigwams, offer a very lugubrious and by

no means diverting spectacle. No tree is seen but the pine, with

the gash in it from which the resin trickles down. This large

salmon-coloured wound forming a strong contrast with the grey tones

of the bark, gives the most miserable look in the world to these

sickly trees, deprived of the greatest portion of their sap. They

have the appearance of a forest unjustly assassinated, raising its

arms to Heaven for justice.

We passed through Dax at midnight, and traversed the Adour during

the most wretched weather, with a beating rain and a wind strong

enough to blow the horns off an ox. The nearer we approached a

warmer climate, the sharper and more penetrating became the cold;

and had not our cloaks been at hand, we should have had our noses

and feet frost-bitten, like the soldiers of the _Grande Armée_ in

the Russian campaign.

When day broke we were still in the _Landes_, but the pines were

mingled with cork-trees, which I had hitherto pictured to my

mind only under the form of corks, but which are really enormous

trees, partaking simultaneously of the nature of the oak and of

the carob-tree in the eccentricity of their shape and the deformity

and ruggedness of their branches. A number of blackish pools of

a leaden colour, stretched on each side of the road; gusts of

saltish air greeted our nostrils, and a sort of vague rumbling

noise resounded on the horizon. A bluish outline next stood out

upon the pale background of the heavens. It was the chain of the

Pyrenees. A few instants afterwards an almost invisible line of

azure, the sign of the ocean, told us that we had arrived. It was

not long ere Bayonne rose up before us, in the form of a mass of

tiles crushed by an awkward and squat-looking spire; but I will

not abuse Bayonne, since any town viewed under the disadvantage of

rainy weather is always wretched. The port was not very full. A

few decked boats floated in a negligent and admirably idle manner

alongside the quays. The trees which form the public promenade

are very fine, and somewhat soften the austerity of the numerous

right lines produced by the fortifications and parapets. As to the

church, it is plastered over with yellow, varied with a dirty fawn;

it possesses nothing remarkable save a kind of baldaquin of red

damask, and a few paintings of Lépicié and others, in the style of

Vanloo.

The town of Bayonne is almost Spanish in its language and customs;

the hotel where we put up was called the _Fonda San Estaban_. As it

was known that we were about making a long trip in the Peninsula,

we were pursued with all sorts of recommendations. "Buy some red

belts to sustain your body; arm yourselves with blunderbusses,

combs, and bottles of water to kill the insects; take some biscuits

and other provisions; the Spaniards breakfast on a spoonful of

chocolate, dine on a piece of garlic washed down with a little

water, and sup on a paper cigar; you ought also to take a mattress

and a saucepan to serve as your bed and make your soup." The French

and Spanish Dialogues, too, for the use of travellers, were not

very encouraging. Under the head of "A Traveller at an Inn," we

read the following frightful conversation--"I should like to take

something." "Take a chair," replies the landlord. "With pleasure;

but I should prefer something more nutritious." "What have you

brought?" replies the master of the _posada_. "Nothing," says the

traveller, sadly. "Then how can you suppose I can give you anything

to eat? The butcher lives yonder, the baker a little further on.

Go and get some meat and bread, and my wife, who is something of

a cook, will prepare your provisions." The traveller, in a fury,

begins creating a most frightful disturbance, and the host calmly

puts into his bill--"Disturbance, 6 reals."

The Madrid coach sets out from Bayonne. The conductor is a

_mayoral_, with a peaked hat adorned with velvet and silk tufts,

a brown waistcoat embroidered with coloured ornaments, leather

gaiters, and a red sash; these impart a nice little amount of local

colouring. Beyond Bayonne, the country is exceedingly picturesque;

the chain of the Pyrenees becomes more distinct, and beautifully

undulating lines of mountains vary the aspect of the horizon, while

the sea appears frequently to the right of the road. At each turn,

between two mountains, its sombre mild and deep blue suddenly

starts into sight, traversed, here and there, by volutes of foam

whiter than snow, which no painter has, as yet, succeeded in

re-producing. I here beg to apologise to the sea, never having seen

it before but at Ostend, where it is nothing more than the Scheldt,

transformed into a canal, as my dear friend Fritz used so wittily

to express it.

We passed through the church of Urrugne, the dial of which

has the following mournful inscription, in black letters, on

it--"_Vulnerant omnes, ultima necat._" Yes, melancholy dial, you

are right. Each hour wounds us with the sharp point of your hands,

and each turn of your wheel hurries us towards the Unknown!

The houses of Urrugne, and of Saint Jean de Luz, which is not far

distant, possess a sanguinary and barbarous physiognomy, owing to

the strange custom of painting red or blood-colour the doors and

the beams which sustain the compartments of the masonry. Beyond

Saint Jean de Luz is Behobie, the last French village. On the

frontier, the inhabitants practise two kinds of trade to which the

war has given rise--first, that of the balls found in the fields,

and, secondly, that of human smuggling. A Carlist is passed just

like a bale of goods. There is a certain tariff, so much for a

colonel, so much for an inferior officer. As soon as the bargain

is struck, the contrabandist makes his appearance, carries off

his man, passes him over the frontier, and smuggles him to his

destination, as he would a dozen handkerchiefs or a hundred cigars.

On the other side of the Bidassoa, Irun, the first Spanish village,

is visible: one-half of the bridge belongs to France, the other to

Spain. Close to this bridge is the famous Isle of Pheasants, where

the marriage of Louis XIV. was celebrated by deputy. It would be

difficult to celebrate anything there at present, for it is not

larger than a moderately-sized fried sole.

A few more revolutions of the wheel, and I shall perhaps lose one

of my illusions, and behold the Spain of my dreams, the Spain of

the _Romancero_, of the ballads of Victor Hugo, of the tales of

Merimée, and the stories of Alfred de Musset, fade before me. On

passing the line of demarcation, I remembered what the good and

witty Henri Heine once said to me at Liszt's concert, with his

German accent, full of humour and sarcasm, "How will you manage to

speak of Spain when you have been there?"

One half of the bridge over the Bidassoa belongs to France, and

the other half to Spain, so that you may have, at the same time,

a foot in each kingdom, which is a great achievement. On one side

you perceive the gendarme, grave, respectable, and serious; the

gendarme red as a peony at having been restored to his social

position by Edward Ourliac, in Curmer's "Français Peints par

Eux-Memes;"[1] while, on the other, is beheld the Spanish soldier,

clad in green, and enjoying on the sward the voluptuous pleasure

of repose with happy nonchalance. At the extremity of the bridge,

you enter at once into Spanish life, with all its local colouring.

Irun does not possess a single feature in common with a French

town. The roofs of the houses jut out beyond the walls, while

the tiles, alternately round and hollow, give the houses a most

strange and Moorish battlemented appearance. The ironwork of the

balconies, which project over the street, is of the most elaborate

description, very surprising in an out-of-the-way village like

Irun, and indicating a great degree of opulence now passed away.

The women spend their lives upon these balconies, which are

shaded with an awning with coloured stripes, and which are like

so many aërian chambers attached to the body of the edifice. The

two sides remain open, and allow a passage to fresh breezes and

burning glances; but you must not look, however, for those dull

and _culotté_[2] tints (I beg pardon for the expression), those

shades of bistre and old pipes that a painter might hope to see;

everything is whitewashed, according to the Arabian fashion, but

the contrast of this chalky tone against the deep brown of the

beams, roofs, and balconies, is not without a fine effect.

The horses left us at Irun; and ten mules, shaved as far as the

middle of their body--half skin, half hair--like those costumes of

the middle-ages, which look as if they were two-halves of different

suits sown together by chance, were then harnessed to the vehicle.

These animals thus shaved present a strange sight, and appear

most horribly thin; for this denudation enables you to see their

whole anatomy, bones, muscles, and even the smallest veins. With

their peeled tails and their pointed ears, they resemble so many

enormous mice. Besides the ten mules, our band was increased by

a _zagal_ and two _escopeteros_, furnished with their _trabuco_

(blunderbuss). The _zagal_ is a kind of _under-mayoral_, who puts

the drag on whenever there is a dangerous descent, looks after the

harness and the springs, hurries the relays, and plays about the

coach the part of the fly in the fable, only with a great deal

more effect. The costume of the zagal is charming, being most

elegant and light. He wears a peaked hat, ornamented with silk

tufts; a chestnut-coloured or brown jacket, surmounted by a collar

composed of different coloured pieces, generally blue, white, and

red; a large arabesque, which blossoms out upon the middle of his

back, knee-breeches studded with filigree buttons, and for shoes,

_alpargatas_, or sandals tied with thin cord. Add to all this

a red sash and a variegated neck-tie, and you will have a most

characteristic costume. The escopeteros are guards, or _miquelets_,

whose office it is to escort the coach and frighten the _rateros_,

as the petty robbers are termed, who would not resist the

temptation of plundering a solitary traveller, but whom the

edifying sight of the _trabuco_ is sufficient to awe, and who pass

on their way with the sacramental salutation of--_Vaya Usted con

Dios_: "Pursue your road with God." The dress of the escopeteros

is nearly the same as that of the zagal, but less coquettish and

ornamented. They take up their position on the seat at the back of

the coach, and thus command the country around. In this description

of our caravan, I have forgotten to mention a little postilion,

mounted on horseback at the head of the convoy, who leads off the

whole line.

Before leaving, we had to get our passports, already pretty well

covered with signatures, _viséd_. While this important operation

was in course of performance, we had leisure to cast a glance at

the population of Irun, which offers nothing very particular,

unless it be that the women wear their hair, which is remarkably

long, united in one plait hanging down to the middle of their back;

shoes are a rarity, and stockings a still greater one.

A strange, inexplicable, hoarse, frightful, and laughable noise

had astonished my ears for some time; it sounded like that of a

number of jays being plucked alive, of children being whipped,

of cats making love, of saws scraping their teeth against a hard

stone, of tin-kettles scraped by some harsh instrument, or of the

rusty hinges of a prison door turning round and obliged to release

its prisoner; I imagined that it was, at the least, some princess

being assassinated by a savage necromancer. It was nothing but a

cart, drawn by oxen, ascending the street of Irun, and the wheels

creaking and groaning piteously for want of being greased, the

driver preferring, doubtless, to put the grease in his soup. This

cart was, certainly, exceedingly primitive. The wheels were of

one piece, and turned with the axle, as is the case with those

wagons which children manufacture out of the rind of a pumpkin.

The noise can be heard at the distance of half a league, and is

not displeasing to the aborigines of these parts. In this fashion

they hear a musical instrument which costs nothing, and plays of

its own accord as long as the wheel lasts. The noise is to them as

harmonious as the feats of a violinist upon the fourth string are

to us. A peasant would not give a "thank you" for a cart which did

not play. This kind of vehicle must date from the deluge.

On an old palace, now transformed into an official residence,

we beheld for the first time the placard of white plaster which

disgraces many other old buildings, with the inscription--_Plaza

de la Constitucion_. It must certainly be a fact, that whatever is

concealed in anything comes out somehow or other; a better symbol

of the actual state of the country could not have been selected. A

constitution forced upon Spain is a handful of plaster upon granite.

As the ascent was toilsome, I walked as far as the gates of the

town, and, turning round, cast a last look of farewell upon France.

It was truly a magnificent sight. The chain of the Pyrenees sloped

away in harmonious undulations towards the blue surface of the

sea, crossed here and there by bars of silver; while, thanks to

the excessive clearness of the air, in the far, far distance was

seen a faint line of pale salmon-colour, which advanced in the

immeasurable azure, and formed an immense indentation in the side

of the coast. Bayonne and its advanced guard, Biarritz, occupied

the extremity of this point, and the Bay of Biscay was mapped out

as sharply as on a geographical chart. After this, we shall see the

sea no more until we are in Andalusia. Good night, honest Ocean!

The coach ascended and descended at full gallop the most rapid

declivities: a kind of exercise, without a balancing-pole, upon

the tight rope, which can only owe its success to the prodigious

dexterity of the drivers, and the extraordinary sure-footedness of

the mules. Despite this velocity, however, there would, from time

to time, fall in our laps a branch of laurel, a little nosegay of

wild flowers, or a wreath of mountain strawberries--ruddy pearls

strung upon a blade of grass. These nosegays were flung in by

little beggars, boys and girls, who kept running after the coach

with their bare feet upon the sharp stones. This manner of asking

alms, by first making a present themselves, has something noble and

poetic about it.

The landscape, though rather Swiss perhaps, was charming, and

exceedingly varied. Mountain ridges, the interstices of which

permitted the eye to dwell upon others more elevated still, rose

up on each side of the road; their sides goffered with different

crops and wooded with green oaks, stood out vigorously against the

distant and vapoury peaks. Villages, with their roofs of red tiles,

bloomed amid thickets at the mountains' feet, and every moment

I expected to see Ketly or Getly walk out of these new châlets.

Fortunately, Spain does not push its Opéra Comique so far.

Torrents, as capricious as a woman, come and go, form little

cascades, divide, meet each other again, after traversing rocks

and flint stones, in the most amusing fashion, and serve as an

excuse for a number of the most picturesque bridges in the world.

These bridges, thus indefinitely multiplied, have a singular

characteristic: the arches are hollowed out almost up to the very

railing, so that the road over which the coach passes does not

appear to be more than six inches thick. A kind of triangular pile,

shaped like a bastion, generally occupies the middle. The business

of a Spanish bridge is not a very fatiguing one; there was never

a more perfect sinecure; three quarters of the year you can walk

under it. There it stands, with an imperturbable calmness and

patience worthy of a better lot, waiting for a river, a rill of

water, or even a little moisture, for it feels that its arches are

merely arcades, and that their title of "bridge" is pure flattery.

The torrents I have just mentioned have at most but four or five

inches of water in them, but they are sufficient to make a great

deal of noise, and serve to give life to the solitudes which they

traverse. At long intervals they turn some mill or other machinery,

by means of sluices, built in a manner that would enchant a

landscape-painter. The houses, which are scattered over the country

in little groups, are of a strange colour. They are neither black,

nor white, nor yellow, but of the colour of a roasted turkey. This

definition is of the most striking truth, although it is trivial

and culinary. Tufts of trees, and patches of green oaks, impart a

happy effect to the large outlines and the misty and severe tints

of the mountains. I dwell particularly upon these trees, because

nothing is more rare in all Spain, and henceforth I shall hardly

have occasion to describe any.

We changed mules at Oyarzun, and at nightfall reached Astigarraga,

where we were to sleep. We had not yet had a taste of a Spanish

inn. The _picaresque_ and "lively" descriptions of Don Quixote and

_Lazarille de Tormes_ occurred to our memory, and our whole bodies

shuddered at the very thought. We made up our minds to omelettes

adorned with Merovingian hairs and mixed up with feathers and

birds' feet, to gammons of rancid bacon with all the bristles,

equally adapted for making soup or brushing boots, to wine in

goat-skins, like those which the good knight de la Mancha cut so

furiously into, and we even made up our minds to nothing at all,

which is much worse, and trembled lest all we should get would be

the fresh evening breeze, supposing we were not obliged to sup,

like the valorous Don Sancho, off the dry air of a mandoline.

Taking advantage of the little daylight that remained, we went to

look at the church, which, to speak truth, was more like a fortress

than a temple; the smallness of the windows, formed like loopholes,

together with the solidity of the buttresses, gave it a robust and

massive appearance, more warlike than pensive. This form occurs

in every church in Spain. All around stretched a sort of open

cloister, in which was hung a bell of immense size, which is rung

by moving the clapper with a rope, instead of putting in motion the

vast metal capsule itself.

On being shown to our rooms, we were dazzled with the whiteness of

the beds and windows, the Dutch cleanliness of the floors, and the

scrupulous care shown in every particular. Fine handsome, strapping

girls, exceedingly well dressed, and with their magnificent tresses

falling upon their shoulders, not bearing the slightest resemblance

to the _Maritornes_ we had been led to expect, bustled about with

an activity that augured well for the supper, which did not keep

us long waiting: it was excellent, and very well dished up. I will

run the risk of appearing too minute, and describe it; for the

difference between one people and another consists in the thousand

little details which travellers neglect for those profound poetical

and political considerations which anyone may very well write

without ever having been in the country itself. First of all comes

a meat soup, which differs from ours from the fact of its having a

reddish tinge, due to the saffron with which it is flavoured. Red

soup! I hope this is a pretty good commencement of local colouring.

The bread is very white, of exceedingly close texture, with a

smooth crust, slightly glazed over with yolk of egg; it is salted

in a manner very apparent to Parisian palates. The handles of the

forks are turned the wrong way, and the points are flat and shaped

like the teeth of a comb. The spoons, too, have a spatula-kind of

appearance not possessed by our plate. The table linen is a sort

of coarse damask. As for the wine, I must confess that it was

of the most beautiful violet, and thick enough to be cut with a

knife, and the decanters which held it did not tend to increase its

transparency.

After the soup, we had the _puchero_, an eminently Spanish dish,

or rather the only Spanish dish--for they eat it every day from

Irun to Cadiz, and reciprocally. A comfortable _puchero_ is

compounded of a quarter of veal, a piece of mutton, a fowl, some

pieces of a sausage stuffed full of pepper, and called _chorizo_,

with allspice and other spices, slices of bacon and ham, and, to

crown all, a violent tomato and saffron sauce. So much for the

animal portion. The vegetable part, called _verdura_, varies with

the season; but cabbages and _garbanzos_ always play a principal

part. The _garbanzo_ is not much known at Paris, and I cannot

define it better than "as a pea which aspires to be considered as

a haricot-bean, and succeeds but too well." All this is served up

in different dishes, and the ingredients then mixed up on your

plate, so as to produce a _Mayonnaise_ of a complicated description

and excellent flavour. This mixture will appear rather barbarous

to those connoisseurs who read Carême, Brillat-Savarin, Grimat

de la Reynière, and Mons. de Cussy; it has, however, its charm,

and cannot fail to please the Eclectics and Pantheists. Next come

fowls cooked in oil, for butter is an article unknown in Spain;

trout or salt cod, roasted lamb, asparagus, and salad; and, for

dessert, little macaroons, almonds browned in a frying-pan, and of

a most delicious taste, with goats'-milk cheese, _queso de Burgos_,

which enjoys a high reputation, that it sometimes deserves. As

a finish, they bring you a set of bottles with Malaga, sherry,

brandy, _aguardiente_, resembling French aniseed, and a little cup

(_fuego_) filled with live cinders to light the cigarettes. Such,

with a few trifling variations, is the invariable meal in all Spain.

We left Astigarraga in the middle of the night. As there was no

moon, there is naturally a gap in our account. We passed through

the small town of Ernani, the name of which conjures up the most

romantic recollections; but we did not perceive aught save a

heap of huts and rubbish vaguely sketched on the obscurity. We

traversed Tolosa without stopping. We saw some houses decorated

with frescoes, and gigantic blazons sculptured in stone. It was

market-day, and the market-place was covered with asses, mules,

picturesquely harnessed, and peasants of singular and wild

appearance.

By dint of ascending and descending, of passing over torrents on

bridges of uncemented stone, we at last reached Vergara, where we

were to dine. We experienced a decided degree of satisfaction on

our arrival, for we had almost forgotten the _jicara de chocolate_,

which we had gulped down, half asleep, in the inn at Astigarraga.

Wanderings in Spain · 第 2 / 15 章