LOLA

Rubies ripped from altar cloths Leered a-down her rich attire; Her

mad shoes were scarlet moths In a rose of fire.

A. T. Quiller-Couch.

From the briskness of the street, with its lamps aglitter in the

lingering May evening, O'Neill entered to the sober gloom and the

restless echoes of the great studio. He had come to hate the place of

late. The high poise of its walls, like the sides of a well, the pale

shine of the north light in the roof, the lumber of naked marble and

formal armor and the rest, peopling its shadows, were like a tainted

atmosphere to him; they embarrassed the lungs of his mind. Only the

name of friendship exacted these visits from him; Regnault, dying

where he had worked, was secure against desertion.

Buscarlet opened the door to him, his eyes wide and bewildered behind

his spectacles.

"How is he?" asked O'Neill curtly, entering the great room.

"Ill," answered the other. "Very ill, so that one cannot tell whether

he sleeps or wakes. There should be a nun here to nurse him, only--"

O'Neill nodded. The sick man's bed was set in the centre of the great

room, shielded from the draughts of the door by a tall screen of gilt

leather. From behind this screen, a shaded lamp by the bedside made

an island of soft radiance in the darkness.

They went together past the screen and stopped to look at Regnault.

He was lying on his back, with closed eyes, and his keen aquiline

face upturned to the pallor of the "light" in the roof. The white

hair tumbled on the pillow, and the long, beautiful hands that lay on

the coverlet were oddly pathetic in contrast to the potency of the

unconscious face. Even in sleep it preserved its cast of high

assurance, its note of ideals outworn and discounted. It was the face

of a man who had found a bitter answer for most of life's questions.

By the bed sat Truelove, his servant, ex-corporal of dragoons. He

rose noiselessly as O'Neill approached.

"No change, sir," he reported. "Talked a bit, an hour ago. Mr.

Buscarlet was then 'ere."

"Any attacks?" asked O'Neill.

"One, sir, but I 'ad the amyl under 'is nose at the first gasp, an'

'e came round all right."

"Good," said O'Neill. "You go and get some supper now, Truelove. I'll

attend to everything till you get back."

The corporal bowed and went forthwith. O'Neill set the capsules out

on the table to be easily accessible, and joined Buscarlet by the

great fireplace at the end of the room, whence he could keep watch on

the still profile that showed against the gold of the screen. From

without there came the blurred noises of the Paris street, mingled

and blended in a single hum, as though life were laying siege to that

quiet chamber.

Buscarlet was eager to talk. He was a speciously amiable little man,

blonde and plump, a creature of easy emotions, prone to panic and

tears.

"Ah, he talked indeed!" he said, as soon as O'Neill was seated. "At

first I thought: 'This is delirium. He is returning to the age of his

innocence.' But his eyes, as he looked at me, were wise and serious.

My friend, it gave me a shock."

"What did he talk about?" asked O'Neill.

The Second Class Passenger: Fifteen Stories · 第 24 / 42 题