CHAPTER XI

JANE opened a small shabby handbag, and took out a folded newspaper,

opening it up and spreading it on the desk before him. "There!" she

said, and then watched his face critically.

Reyburn looked, and found himself looking into Betty's eyes. Only a

newspaper cut, and poor at that, but wonderfully real and mournful, as

they had struck him when she lifted them for that swift glance before

she sank in the church aisle.

"Where did you get this?" he asked, his voice suddenly husky.

"Out o' the mornin' paper." Her tone was low and excited. "Were you

wanting to try for the reward?" Reyburn asked.

There was a covert sneer in the question from which the girl shrank

perceptibly. She sprang to her feet, her eyes flashing:

"If that's what you take me for, I better be goin'!" she snapped and

reached out her hand for the paper. But Reyburn's hand covered the

paper, and his tone was respectful and apologetic as he said:

"Excuse me, I didn't quite understand, I see. Sit down, please. You and

I must understand each other or there is no use in our talking. You can

trust me to keep this conversation entirely to myself, whatever the

outcome. Will you tell me what it is you want of me?"

Jane subsided into a chair, tears of excitement springing into her eyes.

"Well, you see, it's pretty serious business," she said, making a dab at

the corner of one eye. "I thought I could trust you, or I wouldn't a

come. But you gotta take me on trust, too."

"Of course," said Reyburn. "Now, what have you to do with this girl? Do

you know where she is?"

"I certainly do!" said Jane, "but I ain't a-goin' ta tell until you say

if there's anything you can do fer her. 'Cause you see, if you can't

find a way to help her, I've gotta do it myself, an' it might get you

into trouble somehow fer you to know what you ain't supposed to know."

"I see," said Reyburn, meekly. "Well, what are you going to tell me? Am

I allowed to ask that?"

Jane grinned.

"Say, you're kiddin' me! I guess you are all right. Well, I'll just tell

you all about it. One night last November,--you can see the date there

in the paper, I was goin' home to my boardin' house in Camac Street,

an' I was passin' the side of that church on 18th an' Spruce, where the

weddin' was--you know, fer you was there!"

Reyburn looked at her astonished.

"How did you know I was there?"

"I saw you through the window, over against the wall to the street side

of the altar," said Jane calmly.

"How did you know me?"

"Oh, somebody I know pointed you out once an' said you was goin' to be

one of the risin' lawyers of the day," she answered nonchalantly, her

face quite serious.

A flicker of amusement passed like a ray of light through his eyes, but

his face was entirely grave as he ignored the compliment.

"Go on!"

"I saw there was a weddin' an' I stopped to watch a minute, 'cause I

expect to get married myself some day, an' I wanted to see how they did

things. But I couldn't get near the door, an' the windows were all high

up. I could only see folks who were standing up like you were. So I

thought I'd go on. I turned the corner and went long-side the church

listenin' to the music, an' just as I passed a big iron gate at the

back end of the church somebody grabbed me an' begged me to help 'em. I

looked round, an' there was the bride, all in her white togs, with the

prettiest white satin slippers, in the wet an' mud! I tried to get her

line, but she cried out somebody was comin' back in the passageway, so I

slipped off my coat an' hat and whisked her into 'em an' clapped my

rubbers over her satin shoes, and we beat it round the corner. I took

her to my room, an' gave her some supper. She was all in. Then I put her

to bed, an' she told me a little bit about it. She didn't tell me much.

Only that they had been tryin' fer a long time back to make her marry a

man she hated, an' now they'd almost tricked her into it, an' she'd die

if she had to do it. She wanted to exchange clothes with me, cause, of

course, she couldn't get anywhere togged out that way, so we changed

things, an' I fixed her up. In the mornin' I ran out an' got a paper,

an' found they was sayin' she was temporary insane, an' stuff like that,

an' so I saw their game was tryin' to get her in a 'sylum till they

could make her do what they wanted. I fixed her up an' got her off to a

place I know where she'd be safe. An' she's got a job an' doin' real

well. But now they've got this here reward business out everywhere in

the papers an' the movies, she ain't safe nowhere. An' I want somebody

that's wiser'n me to take a holt an' do somethin'. I can't pay much, but

I'll pay a little every month as long's I live ef it takes that long to

pay yer bill, an' I have a notion she may have some money herself,

though she didn't say nothin' about it. But there's a ring she left with

me to sell, to pay fer what I gave her. It oughtta be worth somethin'.

It looks real. I ain't sold it. I couldn't. I thought she might want it

sometime----"

But Reyburn interrupted her excitedly.

"Do you mean to say that Miss Stanhope is in the city and you know where

she is?"

"Now, don't get excited," warned Jane coolly. "I didn't say she was in

this city, did I? I didn't say where she was, did I? I said she was

safe."

"But are you aware that you have told me a very strange story? What

proof can you give me that it is true?"

Jane looked at him indignantly.

"Say, I thought you was goin' to trust me? I have to trust you, don't I?

Course you don't know who I am, an' I haven't told you, but I've got a

good p'sition myself, an' I don't go round tellin' privarications! An'

there's the weddin' dress, an' veil and fixin's! I got them. You can see

'em if you like,--that is pervided I know what you're up to! I ain't

taking any chances till I see what you mean to do."

"I beg your pardon," said Reyburn, trying to smile assurance once more.

"You certainly must own this whole thing is enough to make anybody

doubt."

"Yes, it is," said Jane. "I was some upset myself, havin' a thing like

that happen to me, a real millionairess bride drop herself down on my

hands just like that, an' I 'spose it _is_ hard to b'lieve. But I can't

waste much more time now. I gotta get back to my job. Is there anything

can be done to keep 'em from gettin' her again?"

"I should most certainly think so," said Reyburn, "but I would have to

know her side of the story, the whole of it, before I could say just

what!"

"Well, s'pose you found there wasn't anythin' you could do to help her,

would you go an' tell on her?"

Reyburn leaned back in his chair and smiled at his unique client:

"I shall have to quote your own language. 'What do you take me for?'"

"A white man!" said Jane suddenly, and showed all her fine teeth in an

engaging smile. "Say, you're all right. Now, I gotta go. When will you

tell me what you can do?" She glanced anxiously at her little

leather-bound wrist watch. It was almost time for Jimmie to return.

Jimmie mustn't find her here. He wouldn't understand, and what Jimmie

didn't know wouldn't hurt him.

"Well, this ought to be attended to, at once, if anything is to be

done," he said eagerly. "Let me see. I have an engagement at five. How

would seven o'clock do? Could I call at your boarding-house? Would there

be any place where we could talk uninterrupted?"

"Sure," said Jane, rising. "I'll get my landlady to let me have her

settin' room fer an hour."

"Meantime, I'll think it over and try to plan something."

Jane started down the long flights of stairs, not daring to trust to the

elevator, lest she should come face to face with Jimmie and have to

explain.

Reyburn stood with his back to the room, his hands in his pockets,

frowning and looking out the window, when Jimmie entered a moment later.

"I hope I'm not late, sir?" he said anxiously, as he hung up his hat and

sat down at his typewriter. "I had to wait. The man was out."

"Oh, that's all right, Ryan," said his employer, obviously not listening

to his explanation. "I'm going out now, Ryan. I may not be back this

afternoon. Just see that everything is all right."

"Very well, sir."

Reyburn went out, then opened the door and put his head back in the

room.

"I may have to go out of town to-night, Ryan. I'm not sure. Something

has come up. If I'm not in to-morrow, could you--would you mind just

staying here all day and looking after things? I may need you. Of course

you'll lock up and leave the card out when you go to lunch."

"Very well, sir."

"I'll keep in touch with you in case I'm delayed," and Reyburn was off

again. When the elevator had clanked down to the next floor Jimmie went

to the window and looked dreamily out over the roofs of the city:

"Aw!" he breathed joyously. "Now I'll bet he's going to do something

about that reward!"

Reyburn hurried down the street to the office of an old friend where he

had a bit of business as an excuse, and asked a few casual questions

when he was done. Then he went on to a telephone booth and called up a

friend of his mother's, with whom he had a brief gossip, ostensibly to

give a message from his mother, contained in her last letter to him.

None of the questions that he asked were noticeable. He merely led the

conversation into certain grooves. The lady was an old resident and well

known in the higher social circles. She knew all there was to know about

everybody and she loved to tell it. She never dreamed that he had any

motive in leading her on.

He dropped into a bank and asked a few questions, called up an address

they gave him and made another inquiry, then dropped around to his

cousin's home for a few minutes, where he allowed her to tell all she

knew about the Stanhope wedding they had attended together, and the

different theories concerning the escaped bride. Quite casually he asked

if she knew whether the bride had property of her own, if so who were

her guardians. His cousin thought she knew a lot, but, sifting it down,

he discovered that it was nearly all hearsay or surmise.

When he reached Jane Carson's boarding house he found that young woman

ensconced in a tiny room, nine by twelve, a faded ingrain carpet on the

floor, a depressed looking bed lounge against the bleary wall-paper,

beneath crayon portraits of the landlady's dead husband and sons. There

was a rocking-chair, a trunk, a cane-seat chair, and an oil stove turned

up to smoking point in honor of the caller, but there was little room

left for the caller. On the top of the trunk reposed a large pasteboard

box securely tied.

Jane, after a shy greeting, untied the strings and opened the cover,

having first carefully slipped the bolt of the door.

"You can't be too careful," she said. "You never can tell."

Reyburn stood beside her and looked in a kind of awe at the glistening

white, recognized the thick texture of the satin, the rare quality of

the rose-point lace with which it was adorned, caught the faint

fragrance of faded orange blossoms wafting from the filmy mist of the

veil as Jane lifted it tenderly; then leaned over and touched a finger

to the pile of whiteness, reverently, as though he were paying a tribute

at a lovely shrine.

Jane even unwrapped the little slippers, one at a time, and folded them

away again, and they said no word until it was all tied back in its

papers, Reyburn assisting with the strings.

"Now, ef you don't mind waitin' a minute I guess it would be safer to

put it away now," she said as she slipped the bolt and ran upstairs.

She was back in a minute and sat down opposite to him, drawing out from

the neck of her blouse a ribbon with a heavy glittering circlet at its

end.

"Here's the ring." She laid it in his palm. He took it, wondering, a

kind of awe still upon him that he should be thus handling the intimate

belongings of that little unknown bride whom he had seen lying

unconscious in a strange church a few short months before. How strange

that all this should have come to him when many wiser, more nearly

related, were trying their best to get some clue to the mystery!

He lifted the ring toward the insufficient gas jet to make out the

initials inside, and copied them down in his note-book.

"Take good care of that. It is valuable," he said as he handed it back

to her.

"Mebbe I better give it to you," she half hesitated.

"You've taken pretty good care of it so far," he said. "I guess you've a

better right to it than I. Only don't let anybody know you've got it.

Now, I've been making inquiries, and I've found out a few things, but

I've about come to the conclusion that I can't do much without seeing

the lady. Do you suppose she would see me? Is she very far away?"

"When do you want to go?" asked Jane.

"At once," he answered decidedly. "There's no time to waste if she is

really in danger, as you think."

Jane's eyes glittered with satisfaction.

"There's a train at ten-thirty. You'll get there in the morning. I've

written it all down here on a paper so you can't make any mistakes. I've

written her a letter so she'll understand and tell you everythin'. I'll

wire Ma, too, so she'll let you see her. Ma might not size you up

right."

Reyburn wondered at the way he accepted his orders from this coolly

impudent girl, but he liked her in spite of himself.

In a few minutes more he was out in the street again, hurrying to his

own apartment, where he put together a few necessities in a bag and went

to the train.

Exit Betty · 第 11 / 18 章