XXX

A fortnight later, in the same room, Nejdanov sat bending over his

three-legged table, writing to his friend Silin by the dim light of a

tallow candle. (It was long past midnight. Muddy garments lay scattered

on the sofa, on the floor, just where they had been thrown off. A fine

drizzly rain pattered against the window-panes and a strong, warm wind

moaned about the roof of the house.)

MY DEAR VLADIMIR,—I am writing to you without giving my address and

will send this letter by a messenger to a distant posting-station as my

being here is a secret, and to disclose it might mean the ruin not of

myself alone. It is enough for you to know that for the last two weeks

I have been living in a large factory together with Mariana. We ran away

from the Sipiagins on the day on which I last wrote to you. A friend has

given us shelter here. For convenience sake I will call him Vassily. He

is the chief here and an excellent man. Our stay is only of a temporary

nature; we will move on when the time for action comes. But, however,

judging by events so far, the time is hardly likely ever to come!

Vladimir, I am horribly miserable. I must tell you before everything

that although Mariana and I ran away together, we have so far been

living like brother and sister. She loves me and told me she would be

mine if I feel I have the right to ask it of her.

Vladimir, I do not feel that I have the right! She trusts me, believes

in my honour—I cannot deceive her. I know that I never loved nor will

ever love any one more than her (of that I am convinced), but for all

that, how can I unite her fate forever with mine? A living being to

a corpse? Well, if not a complete corpse, at any rate, a half-dead

creature. Where would one’s conscience be? I can hear you say that if

passion was strong enough the conscience would be silent. But that is

just the point; I am a corpse, an honest, well-meaning corpse if

you like, but a corpse nevertheless. Please do not say that I always

exaggerate. Everything I have told you is absolutely true. Mariana is

very reserved and is at present wrapped up in her activities in which

she believes, and I?

Well, enough of love and personal happiness and all that. It is now

a fortnight since I have been going among “the people,” and really it

would be impossible to imagine anything more stupid than they are. Of

course the fault lies probably more in me than in the work itself. I

am not a fanatic. I am not one of those who regenerate themselves by

contact with the people and do not lay them on my aching bosom like a

flannel bandage—I want to influence them. But how? How can it be done?

When I am among them I find myself listening all the time, taking things

in, but when it comes to saying anything—I am at a loss for a word! I

feel that I am no good, a bad actor in a part that does not suit him.

Conscientiousness or scepticism are absolutely of no use, nor is a

pitiful sort of humour directed against oneself. It is worse than

useless! I find it disgusting to look at the filthy rags I carry about

on me, the masquerade as Vassily calls it! They say you must first

learn the language of the people, their habits and customs, but rubbish,

rubbish, rubbish, I say! You have only to _believe_ in what you say

and say what you like! I once happened to hear a sectarian prophet

delivering a sermon. Goodness only knows what arrant nonsense he talked,

a sort of gorgeous mix-up of ecclesiastical learning, interspersed with

peasant expressions, not even in decent Russian, but in some outlandish

dialect, but he took one by storm with his enthusiasm—went straight to

the heart. There he stood with flashing eyes, the voice deep and firm,

with clenched fist—as though he were made of iron! No one understood

what he was saying, but everyone bowed down before him and followed

him. But when I begin to speak, I seem like a culprit begging for

forgiveness. I ought to join the sectarians, although their wisdom is

not great... but they have faith, faith!

Mariana too has faith. She works from morning until night with

Tatiana—a peasant woman here, as good as can be and not by any means

stupid; she says, by the way, that we want to become simplified and

calls us simple souls. Mariana is about working with this woman from

morning until night, scarcely sitting down for a moment, just like a

regular ant! She is delighted that her hands are turning red and rough,

and in the midst of these humble occupations is looking forward to the

scaffold! She has even attempted to discard shoes; went out somewhere

barefoot and came back barefoot. I heard her washing her feet for a long

time afterwards and then saw her come out, treading cautiously; they

were evidently sore, poor thing, but her face was radiant with smiles

as though she had found a treasure or been illuminated by the sun. Yes,

Mariana is a brick! But when I try to talk to her of my feelings,

a certain shame comes over me somehow, as though I were violating

something that was not my own, and then that glance... Oh, that

awful devoted, irresistible glance! “Take me,” it seems to say, “_but

remember_....” Enough of this! Is there not something higher and better

in this world? In other words, put on your filthy coat and go among the

people.... Oh, yes, I am just going.

How I loathe this irritability, sensitiveness, impressionable-ness,

fastidiousness, inherited from my aristocratic father! What right had

he to bring me into this world, endowed with qualities quite unsuited

to the sphere in which I must live? To create a bird and throw it in the

water? An aesthetic amidst filth! A democrat, a lover of the people, yet

the very smell of their filthy vodka makes me feel sick!

But it’s too bad blaming my father. He was not responsible for my

becoming a democrat.

Yes, Vladimir, I am in a bad plight. Grey, depressing thoughts are

continually haunting me. Can it be, you will be asking me, that I have

not met with anything consoling, any good living personality, however

ignorant he might not be? How shall I tell you? I have run across

someone—a decent clever chap, but unfortunately, however hard I may try

to get nearer him, he has no need of either me or my pamphlets—that is

the root of the matter! Pavel, a factoryhand here (he is Vassily’s right

hand, a clever fellow with his head screwed on the right way, a future

“head,” I think I wrote to you about him), well this Pavel has a friend,

a peasant called Elizar, also a smart chap, as free and courageous as

one would wish, but as soon as we get together there seems a dead wall

between us! His face spells one big “No!” Then there was another man I

ran across—he was a rather quarrelsome type by the way. “Don’t you try

to get around me, sir,” he said. “What I want to know is would you give

up your land now, or not?” “But I’m not a gentleman,” I remonstrated.

“Bless you!” he exclaimed, “you a common man and no more sense than that!

Leave me alone, please!”

Another thing I’ve noticed is that if anyone listens to you readily

and takes your pamphlets at once, he is sure to be of an undesirable,

brainless sort. Or you may chance upon some frightfully talkative

individual who can do nothing but keep on repeating some favourite

expression. One such nearly drove me mad; everything with him was

“production.” No matter what you said to him he came out with his

“production,” damn him! Just one more remark.

Do you remember some time ago there used to be a great deal of talk

about “superfluous” people—Hamlets? Such “superfluous people” are now

to be met with among the peasants! They have their own characteristics

of course and are for the most part inclined to consumption. They are

interesting types and come to us readily, but as far as the cause is

concerned they are ineffective, like all other Hamlets. Well, what can

one do? Start a secret printing press? There are pamphlets enough as it

is, some that say, “Cross yourself and take up the hatchet,” and others

that say simply, “Take up the hatchet” without the crossing. Or should

one write novels of peasant life with plenty of padding? They wouldn’t

get published, you know. Perhaps it might be better to take up the

hatchet after all? But against whom, with whom, and what for? So that

our state soldier may shoot us down with the state rifle? It would only

be a complicated form of suicide! It would be better to make an end of

yourself—you would at any rate know when and how, and choose the spot

to aim at.

I am beginning to think that if some war were to break out, some

people’s war—I would go and take part in it, not so as to free others

(free others while one’s own are groaning under the yoke!!), but to make

an end of myself....

Our friend Vassily, who gave us shelter here, is a lucky man. He

belongs to our camp, but is so calm and quiet. He doesn’t want to hurry

over things. I should have quarrelled with another, but I can’t with

him. The secret lies not in his convictions, but in the man himself.

Vassily has a character that you can’t kindle, but he’s all right

nevertheless. He is with us a good deal, with Mariana. What surprises

me is that although I love her and she loves me (I see you smiling at

this, but the fact remains!) we have nothing to talk about, while she

is constantly discussing and arguing with him and listening too. I am

not jealous of him; he is trying to find a place for her somewhere, at

any rate, she keeps on asking him to do so, but it makes me feel bitter

to look at them both. And would you believe it—I have only to drop a

hint about marrying and she would agree at once and the priest Zosim

would put in an appearance, “Isaiah, rejoice!” and the rest of it. But

this would not make it any easier for me and _nothing would be changed

by it_.... Whatever you do, there is no way out of it! Life has cut me

short, my dear Vladimir, as our little drunken tailor used to say, you

remember, when he used to complain about his wife.

I have a feeling that it can’t go on somehow, that something is

preparing....

Have I not again and again said that the time has come for action? Well,

so here we are in the thick of it.

I can’t remember if I told you anything about another friend of mine—a

relative of the Sipiagins. He will get himself into such a mess that it

won’t be easy for him to get out of it.

I quite meant finishing this letter and am still going on. It seems to

me that nothing matters and yet I scribble verses. I don’t read them to

Mariana and she is not very anxious to hear them, but you have sometimes

praised my poor attempts and most of all you’ll keep them to yourself.

I have been struck by a common phenomenon in Russia.... But, however, let

the verses speak for themselves—

Virgin Soil · 第 34 / 44 题