CHAPTER XIII

"Can there any good thing come out of Nazareth?"--ST. JOHN I. 46.

Dea Flavia was standing beside a tall stool, on the top of which--on a

level with her hands--was a shapeless mass of clay. Her fingers buried

themselves in the soft substance or ran along the surface, as the

exigencies of her task demanded.

Now and then she paused in her work, drew back a step or two from the

stool, and with head bent on one side surveyed her work with an anxious

frown.

Some few paces from her, at the further end of the room, a young girl

sat on an elevated platform, with shoulders bare and head straight and

rigid, the model for the proposed statue. Dea Flavia, in a simple

garment of soft white stuff falling straight from her shoulders, looked

peculiarly young and girlish at this moment, when she was free from all

the pomp and paraphernalia of attendants that usually surrounded her

wherever she went.

The room in which she indulged her artistic fancy was large and bare,

with stuccoed walls on which she herself had thrown quaint and fantastic

pictures of goddesses and of beasts, and groups of charioteers and

gladiators, drawn with a skilful hand. The room derived its light solely

from above, where, through a wide opening in the ceiling, came a peep of

cloud-covered sky. There was little or no furniture about, and the floor

of iridescent mosaic was innocent of carpet. Only in the corners

against the wall stood tall pots of earthenware filled with flowers,

with a profusion of late summer lilies and roses and with great branches

of leaves on which the coming autumn had already planted its first kiss

that turns green to gold.

"Hold thy head up, girl, a little higher," said Dea Flavia impatiently;

"thou sittest there like a hideous misshapen bunch of nothing-at-all.

Dost think I've paid a high price for thee that thou shouldst go to

sleep all day upon that trestle?"

And the girl, roused from semi-somnolence, would pull herself together

with a little jerk, would straighten her shoulders and lift her chin,

whilst a quickly smothered sigh of weariness would escape her lips.

The air was heavy both within and without, with the presage of a coming

storm. It had been terribly hot the last few days. The weather-wise--for

there were many such at this time in Rome--had prophesied that Jupiter

would send his thunders roaring before very long, and the feeling of

thunder in the air caused the model to feel very sleepy, and on the

forehead of Dea Flavia beads of perspiration would appear at the roots

of tiny fair curls.

She was working with a will but with strange, fretful movements, like

one whose mind seems absent from the present task. Short sighs of

impatience escaped her parted lips at intervals and a frown appeared and

disappeared fitfully between her brows.

"Chin up, girl ... shoulders straight!" came in curt admonitions once or

twice to the drowsy model.

Whereupon from the furthest corner of the room Licinia would emerge, rod

in hand, to emphasise the necessity of keeping awake when a beloved

mistress so desired it.

"Let her be, Licinia," said Dea Flavia with angry impatience when for

the fifth time now the model fell in a huddled heap, with nose almost

touching her knees, and heavy lids falling over sleepy eyes. "It's no

use ... there is something in the air to-day. I cannot work.... Phew!...

methinks I feel the approach of thunder."

She threw down her modelling tools with a fretful gesture and then

nervily began to destroy her morning's work, patting the clay aimlessly

here and there until once more it became a shapeless mass.

"That lazy baggage hath spoilt thy pleasure," said Licinia gruffly; "but

I'll teach her----"

"No, no, good Licinia!" interposed the young girl with a weary smile.

"Teach her nothing to-day.... The air is too heavy for serious lessons.

Send her away and bring me water for my hands."

Then as Licinia--muttering various dark threats--drove the frightened

girl before her, Dea Flavia breathed a sigh of relief. Her hands were

covered with clay, so she stood quite still waiting for the reappearance

of Licinia with the water; and all the while the frown on her face grew

darker and the look of trouble in her eyes more pronounced.

Soon the old woman returned with a basin full of water in her hands and

a white cloth over her arm. With her wonted loving care she washed Dea's

hands between her own and dried them on the towel. Dea allowed her to

perform this kindly office for her, standing quite still and gazing

absently out into vacancy.

"What can I do now for thee, my precious?" asked Licinia anxiously.

"Nothing, Licinia, nothing," replied Dea with a sigh. "Just leave me in

peace.... I have a desire for solitude and silence."

It was the old woman's turn to sigh now, for she did not like this

unwonted mood of her beloved. Dea Flavia, when in the privacy of her own

house, was always gay and cheerful as a bird, prattling of all sorts of

things, telling amusing anecdotes to her old nurse and playing

light-heartedly with her young slaves, whenever she was not occupied

with her artistic work. This frown upon the smooth, white brow was very

unusual, and the fretful, impatient gestures were as unwonted as was

that dreamy, absent gaze which spoke of anxious, troubled thoughts.

Dea Flavia herself could not understand her own mood. She could not have

confided in the faithful old woman, even had she been so minded, for

truly she would not have known what to confide.

Her thoughts worried her. They were so insistent, dwelling obstinately

on one moment which had flitted by yesterday--the moment when she stood

facing the praefect of Rome, and looking into his deep, dark eyes, which

then and there had reminded her of a stormy sea suddenly lulled to rest.

It seemed as if nothing now or ever hereafter would chase from her mind

the memory of his look and of his rugged voice, softened to infinite

gentleness as he said: "I told thee that He died upon the Cross."

She could hear that voice now, even as at this moment from afar a

muffled sound of thunder went echoing over the hills, and, strive as she

might, wherever she looked her eyes were haunted by the vision which he

had conjured up of a man with arms outstretched upon a cross, whose

might was yet greater than that of Rome.

At the time she had been greatly angered. The praefect had spoken

traitorous words, and she had hated him--she hated him still--for that

allegiance which he seemed to have given to another. Then, with a quick,

elusive trick, memory showed her the massive shoulders bent humbly at

her feet, tying the strings of her shoe--a simple homage due to the

daughter of Cæsar--and the sharp pang of wrath once more shot through

her heart with the remembrance that he had not deigned to press his lips

against her foot.

The man's face and figure haunted her for it was the face and the figure

of one whom she had learnt to hate. Yes! She hated him for his treason

to Cæsar, for his allegiance to that rebel from Galilee; she hated every

word which he had spoken in that arrogant, masterful way of his, when he

smiled upon her threats and calmly spoke of immortality. She hated the

voice which perpetually rang in her ear, the voice with which he spoke

of his own soul being in the keeping of God--of One Whose Empire is

mightier than that of Rome.

Yet vaguely still--for she was but a girl--the woman in her was stirred;

the power and desire which exists in every woman's soul to conquer that

which seems furthest from her reach. She hated the man, and yet within

her inmost heart there had sprung the desire to curb and possess his; to

disturb the perfect serenity that dwelt in his deep-set eyes, to kindle

in them a passion which would make of that proud spirit a mere slave to

her will.

There was in her just now nothing but the pagan desire to rule, and to

break a heart if need be, if she could not otherwise subdue it.

Memory had fanned her wrath. She saw him now as she had seen him

yesterday, arrogantly thwarting her will, his bitter tongue lashing her

with irony; and now, as yesterday, the blush of humiliation burned her

cheeks, and her pride and dignity rose up in passionate revolt against

the one man who had ever defied her and who had proudly proclaimed his

allegiance to a man who was not the Cæsar.

That allegiance belonged to Cæsar and to his might alone; beyond that

there was the House of Cæsar, and failing that, nothing but rebellious

treachery. And the troubled look grew deeper in Dea Flavia's face, and

now she buried her hot cheeks in her hands, for the humiliation which

she had endured yesterday from one man seemed to shame her even now.

"I'll break thy will," she murmured, whilst angry tears rose, burning,

to her eyes. "I'll shame thy manhood and never rest until I see thee

crawling--an abject slave--at the feet of Cæsar, who shall kick thee in

the face. Cæsar and the House of Cæsar brook no rivalry in the heart of

a Roman patrician."

Her hands dropped from before her face. She threw back her head, and

looked straight before her into the darkest corner of the room.

"Jesus of Nazareth, he called thee!" she said slowly and as if speaking

to an invisible presence. "And he said at thy call he would give up the

world, and suffer death and torture and shame for thee!... Then so be

it! And I do defy thee, O man of Galilee! even I, Dea Flavia Augusta, of

the imperial House of Cæsar! For that man whom I hate and despise, for

that man who has defied and shamed me, for that man whose heart and

allegiance thou hast filched from Cæsar, for him will I do thee battle

... and that heart will I conquer; and it shall be Cæsar's and

mine--mine--for I will break it and crush it first and then wrest it

from thee!"

And even as she spoke, from far away over the hills and beyond the

Campania the thunder rolled dully in response.

"Unto Caesar" · 第 13 / 36 章