CHAPTER I

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"UNTO CÆSAR"

BARONESS ORCZY

By BARONESS ORCZY

"UNTO CAESAR"

EL DORADO

MEADOWSWEET

THE NOBLE ROGUE

THE HEART OF A WOMAN

PETTICOAT RULE

GEORGE H. DORAN COMPANY

NEW YORK

[Illustration: "LOOK INTO MY EYES NOW!... DO THEY LOOK AS IF THEY MEANT

TO RELENT?"]

UNTO CÆSAR

BY BARONESS ORCZY

AUTHOR OF 'THE SCARLET PIMPERNEL', 'ELDORADO'

[Illustration: Coin inscribed C CAESAR AVG GERMANICVS PON M TR POT]

"RENDER THEREFORE UNTO

CÆSAR THE THINGS WHICH

ARE CÆSAR'S; AND UNTO

GOD THE THINGS THAT

ARE GOD'S"

ST. MATTHEW XX. 21.

NEW YORK

GEORGE H. DORAN COMPANY

Copyright, 1914,

BY GEORGE H. DORAN COMPANY

TO ALL THOSE WHO BELIEVE

TABLE OF CONTENTS

CHAPTER I. 1

CHAPTER II. 9

CHAPTER III. 19

CHAPTER IV. 30

CHAPTER V. 39

CHAPTER VI. 54

CHAPTER VII. 72

CHAPTER VIII. 83

CHAPTER IX. 107

CHAPTER X. 119

CHAPTER XI. 128

CHAPTER XII. 146

CHAPTER XIII. 155

CHAPTER XIV. 161

CHAPTER XV. 183

CHAPTER XVI. 193

CHAPTER XVII. 199

CHAPTER XVIII. 204

CHAPTER XIX. 209

CHAPTER XX. 212

CHAPTER XXI. 220

CHAPTER XXII. 226

CHAPTER XXIII. 233

CHAPTER XXIV. 239

CHAPTER XXV. 247

CHAPTER XXVI. 257

CHAPTER XXVII. 267

CHAPTER XXVIII. 277

CHAPTER XXIX. 286

CHAPTER XXX. 296

CHAPTER XXXI. 321

CHAPTER XXXII. 329

CHAPTER XXXIII. 343

CHAPTER XXXIV. 355

CHAPTER XXXV. 370

CHAPTER XXXVI. 376

"UNTO CÆSAR"

CHAPTER I

"Beautiful for situation, the joy of the whole earth, is Mount

Zion...."--PSALM XLVIII. 2.

And it came to pass in Rome after the kalends of September, and when

Caius Julius Cæsar Caligula ruled over Imperial Rome.

Arminius Quirinius, the censor, was dead. He had died by his own hand,

and thus was a life of extortion and of fraud brought to an ignominious

end through the force of public opinion, and by the decree of that same

Cæsar who himself had largely benefited by the mal-practices of his

minion.

Arminius Quirinius had committed every crime, sunk to every kind of

degradation which an inordinate love of luxury and the insatiable

desires of jaded senses had suggested as a means to satisfaction, until

the treachery of his own accomplices had thrown the glaring light of

publicity on a career of turpitude such as even these decadent times had

seldom witnessed ere this.

Enough that the end had come at last. A denunciation from the rostrum, a

discontented accomplice thirsting for revenge, an angry crowd eager to

listen, and within an hour the mighty, much-feared censor was forced to

flee from Rome to escape the fury of a populace which would have torn

him to pieces, and was ready even to massacre his family and his

womenfolk, his clients and his slaves.

He escaped to his villa at Ostia. But the Emperor Caligula, having duly

enjoyed the profits derived from his favourite's extortions, hurled

anathema and the full weight of his displeasure on the man who had been

not only fool enough to be found out, but who had compromised the

popularity of the Cæsar in the eyes of the people and of the army.

Twenty-four hours later the imperial decree went forth that the

disgraced censor must end his days in any manner which he thought

best--seeing that a patrician and member of the Senate could not be

handed over to common justice--and also that the goods of Arminius

Quirinius should be publicly sold for the benefit of the State and the

profit of those whom the extortioner had wronged.

The latter phrase, though somewhat vague, pleased the people and soothed

public irritation, and the ephemeral popularity of a half-crazy tyrant

was momentarily restored. Be it said however, that less than a month

later the Cæsar decided that he himself had been the person most wronged

by Arminius, and that the bulk of the profits derived from the sale of

the late censor's goods must therefore find its way into the imperial

coffers.

The furniture of Arminius' house within the city and that of his villa

at Ostia had fetched vast sums at a public auction which had lasted

three days. Everything had been sold, from the bed with the gilt legs on

which the body of the censor had been laid after his death, to the last

vase of murra that adorned his walls and the cups of crystal from which

his guests had drunk. His pet monkeys were sold and his tame magpies,

the pots of flowers out of the hothouses and the bunches of melons and

winter grapes ripening under glass.

After that it was the turn of the slaves. There were, so I understand,

over seven thousand of these: scribes and carpenters, litter-bearers and

sculptors, cooks and musicians; there were a quantity of young children,

and some half-witted dolts and misshapen dwarfs, kept for the amusement

of guests during the intervals of supper.

The bulk of them had been sent to the markets of Delos and Phaselis, but

the imperator had had the most valuable items amongst the human goods

set aside for himself, and not a few choice pieces had found their way

into the households of the aediles in charge of the sales: the State too

had appropriated some hundreds of useful scribes, sculptors and

mechanics, but there were still a thousand or so who--in compliance with

the original imperial edict--would have to be sold by public auction in

Rome for the benefit of the late censor's defrauded victims.

And thus, on this ninth day of September, a human load panting under the

heat of this late summer's sun, huddled one against the other, pushed

and jostled by the crowd, was exposed to the public gaze in the Forum

over against the rostrum Augustini, so that all who had a mind, and a

purse withal, might suit their fancy and buy.

A bundle of humanity--not over-wretched, for the condition of the slaves

in the household of Arminius Quirinius had not been an unhappy one--they

all seemed astonished, some even highly pleased, at thus finding

themselves the centre of attraction in the Forum, they who had spent

their lives in getting humbly out of other people's way.

Fair and dark, ivory skin and ebony, male and female, or almost sexless

in the excess of deformity, there were some to suit all tastes. Each

wore a tablet hung round the neck by a green cord: on this were writ the

chief merits of the wearer, and also a list of his or her defects, so

that intending purchasers might know what to expect.

There were the Phrygians with fair curly hair and delicate hands skilled

in the limner's art; the Numidians with skins of ebony and keen black

eyes that shone like dusky rubies; they were agile at the chase, could

capture a lion or trap the wild beasts that are so useful in

gladiatorial games. There were Greeks here, pale of face and gentle of

manner who could strike the chords of a lyre and sing to its

accompaniment, and there were swarthy Spaniards who fashioned

breast-plates of steel and fine chain mail to resist the assassin's

dagger: there were Gauls with long lithe limbs and brown hair tied in a

knot high above the forehead, and Allemanni from the Rhine with

two-coloured hair heavy and crisp like a lion's mane. There was a

musician from Memphis whose touch upon the sistrum would call a dying

spirit back to the land of the living, and a cook from Judæa who could

stew a peacock's tongue so that it melted like nectar in the mouth:

there was a white-skinned Iceni from Britain, versed in the art of

healing, and a negress from Numidia who had killed a raging lion by one

hit on the jaw from her powerful fist.

Then there were those freshly brought to Rome from overseas, whose

merits or demerits had not yet been appraised--they wore no tablet round

the neck, but their feet were whitened all over with chalk; and there

were those whose heads were surmounted by an ugly felt hat in token that

the State treasury tendered no guarantee for them. Their period of

servitude had been so short that nothing was known about them, about

their health, their skill, or their condition.

Above them towered the gigantic rostrum with tier upon tier of massive

blocks of marble, and in the centre, up aloft, the bronze figure of the

wolf--the foster-mother of the great city--with metal jaws distended and

polished teeth that gleamed like emeralds in the sun.

And all around the stately temples of the Forum, with their rich

carvings and colonnades and walls in tones of delicate creamy white,

scarce less brilliant than the clouds which a gentle morning breeze was

chasing westwards to the sea. And under the arcades of the temples cool

shadows, dense and blue, trenchant against the white marble like an

irregular mosaic of lapis lazuli, with figures gliding along between the

tall columns, priests in white robes, furtive of gait, slaves of the

pontificate, shoeless and silent and as if detached from the noise and

bustle of the Forum, like ghosts that haunt the precincts of graves.

Throughout all this the gorgeous colouring that a summer's mid-morning

throws over imperial Rome. Above, that canopy of translucent blue,

iridescent and scintillating with a thousand colours, flicks of emerald

and crimson, of rose and of mauve that merge and dance together, divide

and reunite before the retina, until the gaze loses consciousness of all

colour save one all-pervading sense of gold.

In the distance the Capitol, temple-crowned, rearing its deified summit

upwards to the dome of heaven above, holding on its triple shoulders a

throng of metal gods, with Jupiter Victor right in the centre, a

thunderbolt in his hand which throws back ten thousand reflections of

dazzling light--another sun engendered by the sun. And to the west the

Aventine wrapped in its mantle of dull brown, its smooth incline barren

and scorched, and with tiny mud-huts dotted about like sleepy eyes that

close beneath the glare.

And far away beyond the Aventine, beyond the temples and palaces, the

blue ribbon of the Tiber flowing lazily to the sea: there where a

rose-coloured haze hung in mid-air, hiding with filmy, transparent veil

the vast Campania beyond, its fever-haunted marshes and its reed-covered

fastnesses.

The whole, a magnificent medley of cream and gold and azure, and deep

impenetrable shadows trenchant as a thunder cloud upon an horizon of

gold, and the moving crowd below, ivory and bronze and black, with here

and there the brilliant note of a snow-white robe or of crimson

head-band gleaming through dark locks.

Up and around the rostrum, noise that was almost deafening had prevailed

from an early hour. On one of the gradients some ten or a dozen scribes

were squatting on mats of twisted straw, making notes of the sales and

entries of the proceeds on rolls of parchment which they had for the

purpose, whilst a swarthy slave, belonging to the treasury, acted as

auctioneer under direct orders from the praefect of Rome. He was perched

high up aloft, immediately beneath the shadow of the yawning bronze

wolf; he stood bare-headed under the glare of the sun, but a linen tunic

covered his shoulders, and his black hair was held close to his head by

a vivid crimson band.

He shouted almost incessantly in fluent Latin, but with the lisp

peculiar to the African races.

A sun-tanned giant whose massive frame and fair hair, that gleamed ruddy

in the sun, proclaimed some foreign ancestry was the praefectus in

command of this tangled bundle of humanity.

He had arrived quite early in the day and his litter stood not far from

the rostrum; its curtains of crimson silk, like vivid stains of blood

upon the walls of cream and gold, fluttered restlessly in the breeze.

Around the litter a crowd of his own slaves and attendants remained

congregated, but he himself stood isolated on the lowest gradient of the

central rostrum, leaning his powerful frame against the marble, with

arms folded across his mighty chest; his deep-set eyes were overshadowed

by heavy brows and his square forehead cut across by the furrow of a

perpetual frown which gave the whole face a strange expression of

untamed will and of savage pride, in no way softened by the firm lines

of the tightly closed lips or the contour of the massive jaws.

His lictors, at some little distance from him, kept his person well

guarded, but it was he who, with word or nod, directed the progress of

the sale, giving occasional directions to the lictors who--wielding

heavy flails--had much ado to keep the herd of human cattle within the

bounds of its pens. His voice was harsh and peremptory and he pronounced

the Latin words with but the faintest semblance of foreign intonation.

Now and then at a word from a likely purchaser he would with a sign

order a lictor to pick out one of his wares, to drag him forward out of

a compact group and set him up on the catasta. A small crowd would then

collect round the slave thus exposed, the tablet on his neck would be

carefully perused and the chattel made to turn round and round, to walk

backwards and forwards, to show his teeth and his muscle, whilst the

African up on the rostrum would with loud voice and profuse gesture

point out every line of beauty on a lithe body and expatiate on the full

play of every powerful muscle.

The slave thus singled out for show seemed neither resentful nor

distressed, ready enough most times to exhibit his merits, anxious only

for the chance of a good master and the momentary avoidance of the

lictor's flail. At the praefect's bidding he cracked his knuckles or

showed his teeth, strained the muscles of his arm to make them stand up

like cords, turned a somersault, jumped, danced or stood on his head if

ordered so to do.

The women were more timid and very frightened of blows, especially the

older ones; the younger shoulders escaped a chastisement which would

have marred their beauty, and the pretty maids from Corinth or

Carthage, conscious of their own charms, displayed them with

good-natured _naïveté_, deeming obedience the surest way to comfort.

Nor did the praefect perform his duty with any show of inhumanity or

conscious cruelty. Himself a wealthy member of the patriciate, second

only to the Cæsar, with a seat in the Senate and a household full of

slaves, he had neither horror nor contempt for the state of slavery--a

necessary one in the administration of the mightiest Empire in the

world.

Many there were who averred that the praefect of Rome was himself the

descendant of a freedman--a prisoner of war brought over by Cæsar from

the North--who had amassed wealth and purchased his own freedom. Indeed

his name proclaimed his foreign origin, for he was called Taurus Antinor

Anglicanus, and surnamed Niger because of his dark eyes and sun-tanned

skin. Certain it is that when the sale of Arminius' goods was ordered by

imperial edict for the benefit of the State, no one complained that the

praefect decided to preside over the sale himself.

He had discharged such duties before and none had occasion to complain

of the manner in which he did it. In these days of unbridled excesses

and merciless outbursts of rage, he remained throughout--on these

occasions--temperate and even impassive.

He only ordered his lictor to use the flail when necessary, when the

bundle of human goods was so huddled up that it ceased to look

attractive, and likely purchasers seemed to fall away. Then, at his

command, the heavy thongs would descend indiscriminately on the bronze

shoulder of an Ethiopian or the fair skin of a barbarian from the North;

but he gave the order without any show of cruelty or passion, just as he

heard the responsive cry of pain without any outward sign of pity.

"Unto Caesar" · 第 1 / 36 章