h.—head
b.—bust
r.—right
l.—left
S.—signed
D.—dated
ab.—about
R.—Rembrandt
Imp.—impression
I S., V S., etc.—first state, fifth state, etc.
2 S., 7 S., etc.—two states, seven states, etc.
When no number of states is given there is but one.
Mod.—Modern impression. (This does not count as a state.)
†—of doubtful authenticity. [only.]
The sizes are of the plates,—not of the etched surface.
When the states vary in size that of the first state alone is given.
The sizes are given in millimeters. 25 millimeters equal about 1 inch.
1 * R’s Mother: *h. & b. three-quarters r. (After I S. S. & D.),
1628. 2 S. 66×63
2 * R’s Mother:* h. only, full face. (After I S. S. & D.). 1628.
2 S. 85×72
2* * R. With a Broad Nose.* Ab. 1628. 70×58
3 * R. Bareheaded, with high curly hair:* h. & b. Ab. 1628.
90×72
4* R. Bareheaded:* large plate roughly etched: h. & b. S. & D. (in
reverse) 1629. 178×154
4* * Aged Man of Letters.* Ab. 1629. 238×200
5* Peter and John at Gate of Temple:* roughly etched. Ab. 1629-30,
221×170
6 * Small Lion Hunt (with one lion).* Ab. 1629-30.
158×118
7 * Beggar Man and Beggar Woman Conversing.* S. & D., 1630. 2 S.
Mod. 78×66
8 * Beggar Seated Warming Hands at Chafing Dish.* Ab. 1630. 2 S.
78×46
9 * Beggar Leaning on Stick, facing l.* Ab. 1630. 85×46
10 * Beggar in Long Cloak, sitting in arm-chair.* Ab.
1630.115×78
11 * Beggar Seated on Bank.* S. & D., 1630. 2 S. 116×69
12 * Beggar with Wooden Leg.* Ab. 1630. 3 S. Mod. 114×66
13 * Beggar Man and Beggar Woman, behind bank.* (I, II, III S. S.)
Ab. 1630. 7 S. 116×84
14 * Man in Cloak and Fur Cap, leaning against bank.* S. (in
reverse). Ab. 1630. Mod. 112×78
15 * Beggar in High Cap, standing and leaning on stick.* Ab.
1630, or later? 2 S. 156×120
16 * Ragged Peasant with Hands Behind Him,* holding stick. Ab. 1630.
5 S. 92×77
17 * Flight into Egypt:* sketch. Ab. 1630. 6 S. 135×84
18 * Presentation in Temple* (with the angel): small plate. S. & D.,
1630. 2 S. 120×78
19 * Circumcision:* small plate. Ab. 1630. 88×64
20 * Christ Disputing with Doctors:* small plate. (I & II S. S. &
D.), 1630. 3 S. Mod. 109×78
21 * B. of Man (R’s Father?),* Full face, wearing close cap. (After
I S. S. & D.), 1630. 6S. 97×73
22 * B. of Man (R’s Father?),* Wearing high cap, three-quarters r.
S. & D., 1630. 3 S. Mod. 105×78
23 * Bald-Headed Man (R’s Father?)* Profile r. h. only, b. added
afterwards. S. & D. 1630. 3 S. 118×97
24 * Bald-Headed Man (R’s Father?),* Profile r.; small b. S. & D.,
1630. 2 S, 57×43
25 * Three Studies of Old Men’s Heads.* Ab. 1630. 79×81
26 * B. of Old Man with Flowing Beard and White Sleeve.* Ab. 1630.
71×64
27 * B. of Old Man.with Flowing Beard:* h. bowed forward: l.
shoulder unshaded. S. & D., 1630. 89×75
28 * B. of Old Man with Flowing Beard:* h. inclined three-quarters
r. S. & D., 1630. 98×81
29 * R. in Fur Cap:* dress light, b. S. & D., 1630. 5 S. 92×70
30 * R. Bareheaded,* in sharp light from r.; looking over his
shoulder: b. S. & D., 1630. 3 S. 75×75
31 * R. Bareheaded and Open-Mouthed,* as if shouting: b. S. & D.
1630. 3 S. 83×72
32 * R. in Cap, Open-Mouthed and Staring:* b. in outline. S. & D.,
1630. 51×46
33 * R. Bareheaded, with Thick Curling Hair* and small white collar:
b. S. Ab. 1630. 2 S. 57×49
34 * R. in Cap,* laughing: b. S.
& D., 1630. 6 S. 50×44
35 * R. Bareheaded,* leaning forward as if listening: b. Ab. 1630.
67×53
36 * R. Bareheaded,* leaning forward: b. lightly indicated. Ab.
1630-31. 4 S. 61-64×48-49
37 * H. of Man in Fur Cap,* crying out. Ab. 1631. 4 S. 34×28
38 * Blind Fiddler.* S. & D., 1631. 4 S. 78×53
39 * H. of Man in High Cap:* three-quarters r. Ab. 1631. 2 S. 36×22
40 * Polander Standing with Stick:* profile to r. S. & D., 1631.
58×21
41 * Sheet of Studies of Men’s Heads.* S. (in reverse). Ab. 1631.
2 S. 98×124
41a * Old Bearded Man Nearly in Profile to r.:* mouth half open. 5
S. (After II S. 36×28)
41b * Old Man in Fur Coat and High Cap:* b. 9 S. (After III S.
36×28)
41c * Old Man Seen from Behind:* Profile to r.: half figure. 6 S.
(After II S. 72×42)
41d * Man in Square Cap,* in profile r. 4S. (After II S. 45×23)
41e * Man Crying Out,* three-quarters l.: b. 7S. (After II S.
39×34)
42 * Diana at the Bath.* S. Ab. 1631. 177×158
43 * Naked Woman Seated on Mound.* S. Ab. 1631. 3 S. 177×160
44 * Jupiter and Antiope:* smaller plate. S. Ab. 1631. 3 S.
84×112
45 * Man Making Water.* S. & D.. 1631. 2 S. 84×49
46 *Woman Making Water.* S. & D., 1631. 84×63
47 *B. of Old Bearded Man Looking Down,* three quarters r. S. & D.,
1631. 2 S. 119×117
48 * B. of Old Man with Flowing Beard:* h. nearly erect: eyes
cast down: looking slightly l. S. & D., 1631. 2 S. 67×64
49 * B. of Old Man with Fur Cap and Flowing Beard:* nearly full
face: eyes direct. Ab. 1631. 2 S. 62×53
50 * R’s Mother with Hand on Chest:* small b. S. & D., 1631. 4S.
Mod. 94×66
51 * R.’s Mother Seated Facing R.,* in Oriental head-dress: half
length, showing hands. S. & D., 1631. 3 S. 145×129
52 * R.’s Mother Seated at Table Looking R.:* three-quarter
length. S. Ab. 1631. 4 S. 147×130
53 * Bearded Man (R.’s Father?)* in Furred oriental cap and robe:
half length. (After IS. S. & D.), 1631. 4 S. 146×130
54 * R. Wearing Soft Hat, Cocked:* h. only: body added afterwards
(On IV-VII S. S. & D.), 1631. 9 S. 146×130
55 * R. with Long Bushy Hair,* h. only. Ab. 1631. 6 S.
90×76
56 * R. in Heavy Fur Cap:* full face: b. S. & D. 1631.
63×58
57 * R. Wearing Soft Cap:* full face: h. only Ab. 1631. 50×44
58 * R. with Cap Pulled Forward:* b, Ab. 1631. 5 S. Mod.
56×45
59 * R. with Fur Cap,* in oval border: b. Ab. 1631 (or
earlier). 90×53
60† * R. with Bushy Hair and Contracted Eyebrows:* b. S. & D., 1631.
3 S. 59×55
61 *R. Bareheaded,* light from r.: b. (II S. only. S.) Ab. 1631. 2
S. 65×63
62† * R. in Slant Fur Cap:* b. S. & D., 1631. 2 S. 63×56
63 * R. in Cloak with Falling Collar:* b. S. & D., 1631. 5 S. 64×54
64† * R. with Jewel in Cap.* Ab. 1631. 2 S. 84×79
65† * B. of Young Man in Cap.* (I S. only. S. & D.), 1631. 2 S.
61×57
66 * R. in Dark Cloak and Cap:* b. Ab. 1631. 3 S. 84×82
67 * R. (?) Scowling,* in octagon: h. only. Ab. 1631. 38×35
68 * Grotesque Profile:* man in high cap. Ab. 1631. 4 S.
38×25
69 * Peasant with Hands Behind Back.* S. & D., 1631. 4 S. 59×49
70† * B. of Snub-Nosed Man in Cap:* profile r. S. & D., 1631. 43×38
71† * B. of Man in Cap,* bound round the ears and chin. Ab. 1631.
54×38
72 * Beggar with Stick,* walking, l. S. & D.. 1631. 3 S.
82×39
73 * Beggar with L. Hand Extended.* (After I S. S. & D.). 1631.
5 S. 77×50
74 * Blindness of Tobit:* sketch. Ab. 1631. 5 S. 81×70
75 * Seated Beggar and Dog.* (II S. only. S. & D.), 1631. 2 S.
109×81
75* * Stout Man in Large Cloak.* Ab. 1631. 113×74
76† * Old Woman Seated In Cottage,* with string of onions on wall.
(II S. only. S. & D.). 1631, 3 S. 128×89
77 * Leper **“**Lazarus Klap.**”* (After I S. S. & D, 1631). 6 S.
102×76
77* * Beggar Man and Beggar Woman.* Ab. 1631. 101×76
78 * Two Beggars Tramping Towards R.* (On II S. S.) Ab. 1631.
2 S. 95×59
78* * Two Studies of Beggars.* Ab. 1631. 93×74
79 * Beggar with Crippled Hand Leaning on Stick R.* Ab. 1631. 5
S. 97×42
80 * Old Beggar Woman with Gourd.* Ab. 1631. 2 S. Mod. 102×45
81† * Beggar Standing Leaning on Stick L.:* small plate. (S. Ab.
1631. 42×20
82† * B. of Old Woman in Furred Cloak* and heavy head-dress. S. &
D., 1631. 5 S. 58×53
83† *B. of Old Woman in High Head-Dress* bound round chin. Ab. 1631.
2 S. 71×72
84† * B. of Beardless Man (R.’s Father?)* in fur cloak and cap:
looking down: three-quarters l. S. & D. (twice), 1631. 3
S. 74×58
85† * B. of Bald Man (R.’s Father?)* in fur cloak looking r. S. &
D., 1631. 3 S. 66×58
85† * B. of Bald Man Looking Down, Grinning.* S. & D., 1631. 3 S.
69×57
87† * B. of Old Bearded Man with High Forehead* and close cap. S. &
D., 1631. 2 S. 88×74
88† * B. of Old Man Looking Down,* with wavy hair and beard:
cap added afterwards. (II S. only. S.) Ab. 1631. 3 S.
57×49
89† * Small B. of Bearded Man Looking Down,* with eyes nearly
closed. Ab. 1631? 2 S. 44×44
90 * Sheet of Studies:* h. of R., beggar couple, h.’s of old man
and old woman, etc. Ab. 1632. 2 S. 101×113
91† * R.’s Mother in Widow’s Dress and Black Gloves.* S. Ab.
1632? Mod. 150×114
92 *Old Man Seated, with Flowing Beard,* fur cap and velvet cloak.
S. & D. Ab. 1632. 3 S. Mod. 150×129
93 * Man Standing in Oriental Costume* and plumed fur cap S. & D.,
1632. Mod. 107×78
94 * St. Jerome Praying:* arched print. S. & D., 1632. 3 S.
108×80
95 * Holy Family.* S. Ab. 1632. 95×71
96 * Raising of Lazarus:* larger plate. S. Ab. 1632. 12 S. Mod.
366×258
97 * Rat-Killer.* S. & D., 1632. 2 S. 140×124
98 * Polander Leaning on Stick:* profile l. Ab. 1632. 6 S. 82×43
99 * Turbaned Soldier on Horseback.* S. (in reverse). Ab. 1632.
2 S. 81×58
100 * Cavalry Fight.* Ab. 1632-3. 2 S. 108×83
101 * Good Samaritan.* (I V S. only. S. & D.), 1633. 4 S. 258×218
102 * Descent from Cross:* first plate. S. & D., 1633. 516×402
103 * Descent from Cross:* second plate. S. & D., 1633. 5 S. Mod.
530×410
104 * Joseph’s Coat Brought to Jacob.* S. Ab. 1633. Mod. 107×80
105 * Flight into Egypt:* small plate. S. & D., 1633. 2 S. 89×62
106 * Ship of Fortune.* S. & D., 1633. 3 S. 111×177
107 * R.’s Mother in Cloth Head-Dress,* looking down: h. only.
(After I S. S. & D.), 1633. 3 S. 62×58
108 * R. in Cap and Scarf:* face dark: b. (II S. only. S. & D.),
1633. 2 S. Mod. 146×ab. 119
109 * R. with Raised Sabre:* half length. S. & D., 1634. 3 S.
124×108
110 * R. with Plumed Cap and Lowered Sabre:* three-quarter length:
afterwards b. in oval. S. & D., 1634. 3 S. Mod. 197×162
111 * Jan Cornelis Sylvius, Preacher. (?)* S. & D.. 1634. 2 S.
Mod. 167×140
112 * R.’s Wife Saskia,* with pearls in her hair, b. S. & D., 1634.
86×66
113 * Woman Reading.* S. & D., 1634. 3 S. 123×100
114 * Peasant, One of Pair, Calling Out.* S. & D., 1634. 112×43
115 * Peasant: Other of Pair, Replying.* S. & D., 1634). 111×93
116 * Two Tramps,* Man and woman. Ab. 1634. 62×47
117 * Sheet of Two Slight Studies:* one of two peasants Ab. 1634.
45×75
118 *Joseph and Potiphar’s Wife.* S. & D., 1634. 2S. Mod. 90×114
119 *St. Jerome Reading.* S. & D., 1634. 2 S. 108×89
120 *Angel Appearing to Shepherds.* (After I S. S. & D.), 1634.
3 S. Mod. 262×21
121 *Christ at Emmaus:* smaller plate. S. & D., 1634. 101×71
122 *Christ and Woman of Samaria:* among ruins. S. & D., 1634. 2
S. Mod. 121×106
123 *Crucifixion;* small plate. S. Ab. 1634. Mod. 95×67
124 *Tribute-Money.* Ab. 1634. 2 S. Mod. 73×103
125 *Stoning of St. Stephen.* S. & D., 1635. Mod. 95×85
126 *Christ Driving Money-changers from Temple.* S. & D., 1635. 2
S. Mod. 135×167
127 *Girl with Hair Falling on Shoulders* (The “Great Jewish
Bride.”) (After I. S. S. & D., in reverse). 1635. 4 S.
220×168
128 *Jan Uytenbogaert,* Preacher of sect of Arminian Remonstrants.
(After II S. S. & D.), 1635. 6 S. Mod. 250×187
129 *Old Woman Sleeping.* Ab. 1635-7. 69×52
130 *Old Bearded Man in High Fur Cap,* with closed eyes. S. (also S.
with initial R. in reverse). Ab. 1635. Mod. 112×100
131 *First Oriental H.* (R.’s father?) S. & D., 1635. 2 S. Mod.
150×124
132 *Second Oriental H.* (R.’s father?) S. Ab. 1635. 150×125
133 *Third Oriental H.* S. & D., 1635. 155×134
134 *Fourth Oriental H.* S. (with initial R.) Ab. 1635. 3 S.
158×135
135†* H. of Old Man in High Fur Cap.* Ab. 1635. 44×32
136 * Bald Old Man with Short Beard,* in profile r. Ab. 1635. 2 S.
66×56
137†* Curly-Headed Man with Wry Mouth.* Ab. 1635. 2 S. 64×60
138 *Polander Standing with Arms Folded.* Ab. 1635. 2 S.
51×47
139 *Quacksalver.* S. & D., 1635. 77×36
140 *St. Jerome Kneeling in Prayer,* Looking down. S. & D., 1635.
Mod. 114×80
141 *Pancake Woman.* S. & D., 1635. 6 S. Mod. 109×79
142† *Strolling Musicians.* Ab. 1635. 2 S. Mod. 139×116
143 *Christ Before Pilate:* large plate. S. & D., 1635-6. 5 S.
550×446
144 *R. and His Wife Saskia:* busts. S. & D., 1636. 2 S. Mod.
104×95
145 *Studies of H. of Saskia and Others.* S. & D., 1636. Mod.
151×127
146 *Samuel Manasseh Ben Israel,* Jewish author. S. & D., 1636. 3
S. 149×107
147 *Return of the Prodigal Son.* S. & D., 1636. Mod.
156×136
148 *Abraham Caressing Isaac.* S. Ab. 1637. 2 S. Mod.
116×89
149 *Abraham Casting Out Hagar and Ishmael.* S. & D., 1637. 125×95
150 *Bearded Man Wearing Velvet Cap with Jewel Clasp.* S. & D.,
1637. 95×83
151 *Young Man in Velvet Cap* with books beside him. S. & D., 1637.
2 S. 96×83
152 *Three Heads of Women,* one asleep. S. & D.. 1637. 2 S. Mod.
142×97
153 *Three Heads of Women,* one lightly etched. Ab. 1637. 2 S.
127×102
154 *Study of Saskia as St. Catherine* (The “Little Jewish Bride.”)
S. & D. (in reverse), 1638. 110×78
155 * Sheet with Two Studies: *A tree and upper part of h. wearing
velvet cap. H. Ab. 1638: tree possibly later. 78×67
156 * R. in Velvet Cap and Plume,* with an embroidered dress: b. S.
& D., 1638. Mod. 134×103
157 * R. in Flat Cap,* with shawl about shoulders. Ab. 1638. 2 S.
Mod. 93×62
158 * Man in Broad-Brimmed Hat and Ruff.* S. & D., 1630 (or 1638).
Mod. 78×64
159 * Adam and Eve.* S. & D., 1638. 2 S. 161×116
160 * Joseph Telling His Dreams.* S. & D., 1638. 3 S. Mod.
110×83
161 * Death of Virgin.* S. & D., 1639. 4 S. Mod.
409×315
162 * Presentation in Temple:* oblong print. Ab. 1639, 3 S.
Mod. 213×290
163 * Sheet of Studies,* with woman lying ill in bed. etc. Ab.
1639. 135×151
164 * Peasant in High Cap,* standing leaning on stick. S. & D.,
1639. Mod. 83×44
165 * Death Appearing to a Wedded Couple from Open Grave.* S. & D.,
1639. 109×78
166 * Skater.* Ab. 1639. 61×58
167 * Jan Uytenbogaert,* Receiver-general (The “Gold-Weigher”). S.
& D., 1639. 3 S. Mod. 250×204
168 * R. Leaning on Stone-Sill:* half-length. S. & D., 1630. 3(?)
S. 205×164
169 * Old Man Shading Eyes with Hand.* Ab. 1639. 2 S. 134×114
170 * Old Man with Divided Fur Cap.* S. & D., 1640. 3 S.
149×137
171 * Beheading of John the Baptist.* S. & D., 1640 2S. Mod.
128×103
172 * Triumph of Mordecai.* Ab. 1640, or later. 174×215
173 * Christ Crucified Between Two Thieves:* oval plate. Ab. 1640,
or later. 2 S. Mod. 135×100
174 * Sleeping Puppy.* Ab. 1640? 3 S. 64×105
175 * Small Gray Landscape:* House and trees beside pool. Ab. 1640.
38×82
176 * View of Amsterdam.* Ab. 1640 (or earlier) 2 S.
112×153
177 * Landscape with Cottage and Hay Barn:* oblong. S. & D., 1641.
129×321
178 * Landscape with Cottage and Large Tree.* S. & D., 1641
125×320
179 *Windmill.* S. & D., 1641. 144×207
180 *Small Lion Hunt,* with two lions. Ab. 1641. 2S. 154×121
181 *Large Lion Hunt.* S. & D., 1641. 2 S. 224×300
132 *Baptism of Eunuch.* S. & D., 1641. 2 S. Mod. 180×213
183 * Jacob and Laban(?)* S. & D. (in reverse), 1641. 2 S. Mod.
144×113
184 * Spanish Gipsy* (Preciosa). Ab. 1641. 133×113
185 * Angel Departing from Family of Tobias.* S. & D., 1641. 3 S.
Mod. 103×154
186 * Virgin and Child in Clouds.* S. & D., 1641. 166×104
187 * Cornelis Claesz Anslo,* Mennonite preacher. S. & D., 1641.
5 S. 186×157
188 * Portrait of Boy,* in profile. S. & D., 1641. 93×66
189 * Man at Desk,* wearing cross and chain. S. & D., 1641. 4
S. 154×102
190 * Card Player.* S. & D.. 1641. 3 S. Mod. 90×81
191 * Man Drawing from Cast.* Ab. 1641. 2 S. Mod. 93×64
192 * Woman at Door-Hatch Talking to Man and Children* (The
“Schoolmaster.”) S. & D., 1641. Mod. 94×63
193 * Virgin with Instruments of Passion.* Ab. 1641. 2 S.
110×88
194 * Man in Arbour.* S. & D., 1642. 72×56
195 * Girl with Basket.* Ab. 1642. 2 S. 86×63-60
196 * Sick Woman with Large White Head-Dress* (Saskia). Ab. 1642.
61×51
197 * Woman in Spectacles, Reading.* Ab. 1642. 77×67
198 * Raising of Lazarus;* smaller plate. S. & D, 1642. 2 S.
Mod. 150×115
199 * The Descent from Cross:* sketch. S. & D., 1642. 148×115
200 * Flute-Player* (L’Espiegle). (After I S S. & D.), 1642. 4
S. 177×144
201 * St. Jerome in Dark Chamber.* S. & D., 1642. 2 S. Mod.
150×173
202 * Student at Table by Candle Light.* Ab. 1642. 33.
146×132
203 * Cottage with White Paling.* S. & D., 1642. (Date only in II
S.) 2 S. 130×158
204 * Hog.* S. & D., 1643. 2 S. 143×154
205 * Three Trees.* S. & D., 1643. 211×280
206 * Shepherd and Family.* S. & D., 1644. 95×67
207 * Sleeping Herdsman.* Ab. 1644. 78×57
208 * Rest on Flight:* night piece. Ab. 1644. 4S. Mod.
92×59
209 * Six’s Bridge.* S. & D., 1645. 3 S. 129×223
210 * Omval.* S. & D., 1645. 2 S. Mod. 185×225
211 * Boat-House.* S. & D., 1645. 4 S. 127×133
212 * Cottages Beside Canal:* with church and sailing boat. Ab.
1645. 2 S. 140×207
213 * Cottage and Farm Buildings,* with man sketching. Ab. 1645.
129×208
214 * Abraham and Isaac.* S. & D., 1645. Mod. 157×130
215 * Christ Carried to Tomb.* S. Ab. 1645. 130×107
216 * Rest on Flight:* lightly etched. S. & D., 1645. 129×114
217 * St. Peter in Penitence.* S. & D., 1645. 181×116
218 * Old Man in Meditation,* leaning on book. Ab. 1645. 132×106
219 * Beggar Woman Leaning on Stick.* S. & D.. 1646. 2 S. Mod.
81×63
220 * Study From Nude:* Man seated before curtain. S. & D., 1646.
2 S. 164×96
221 * Study From Nude:* Man seated on ground with one leg extended.
S. & D., 1646. Mod. 97×166
222 * Studies From Nude:* one man seated, another standing:
with woman and baby lightly etched in background. Ab. 1646. 3 S.
Mod. 194×228
223 * Le Lit a La Francaise* (Ledekant). S. & D., 1646. 3 S.
152×224
224 * Monk in Cornfield.* Ab. 1646. 48×65
225 * Jan Cornelis Sylvius, Preacher:* posthumous portrait. S. &
D., 1646. 2S. 278×188
226 * Ephraim Bonus, Jewish Physician.* S. & D., 1647. 2S.
240×177
227 * Jan Asselyn. Painter.* S. & D., 16..? 3 S. Mod.
215×170
228 * Jan Six.* (After I S. S. & D.), 1647?. 3 S.
Mod. 245×191
229 * Rembrandt Drawing at Window.* (After I S.) S. & D., 1648.
5 S. Mod. 157×128
230 * Sheet of Studies with H. of R.,* Beggar man, woman and child.
S. 1631 or 1651. 111×92
231 * Artist Drawing from Model:* unfinished plate. Ab. 1648, or
later? 2 S. Mod. 231×184
232 * St. Jerome Beside Pollard Willow.* (After I S.) S. & D.,
1648. 2 S. 179×122
233 *Beggars Receiving Alms at Door of House.* S. & D., 1648. 2 S.
Mod. 164×128
234 *Jews in Synagogue.* S. & D., 1648. 3 S. Mod. 71×129
235 *Medea: or Marriage of Jason and Creusa.* (After III S.) S. &
D., 1648. 5 S. 240×177
236 *Christ, with Sick Around Him, Receiving Little Children*
(“Hundred Guilder Print.”) Ab. 1649. 2 S. Mod. 278×389
237 *Incredulity of Thomas.* S. & D., 1650. 162×210
238 *Canal with Angler and Two Swans.* S. & D., 1650. 2 S. 82×107
239 *Canal with Large Boat and Bridge.* S. & D., 1650. 2 S. 82×107
240 *Landscape with Cow Drinking.* Ab. 1650. 2 S. Mod. 102×129
241 *Landscape with Hay Barn and Flock of Sheep.* S. & D., 1650. 2
S. 83×174
242 * Landscape with Milk-Man.* Ab. 1650. 2 S. 65×174
243 * Landscape with Obelisk,* Ab. 1650. 2 S. 83×160
244 * Landscape with Trees,* farm buildings and tower. Ab. 1650.
4 S. 123×318
245 * Landscape with Square Tower.* S. & D., 1650. 4 S.
88×155
246 * Landscape with Three Gabled Cottages Beside Road.* S. & D.,
1650. 3 S. 161×202
247 * The Bull.* S. & D., 165.? 76×104
248 * The Shell.* S. & D., 1650. 2 S. 97×132
249 * Goldweigher’s Field.* S. & D., 1651. 120×319
250 * The Bathers.* S. & D., 1651. 2 S. Mod. 109×137
251 * Clement de Jonghe, Printseller.* S. & D., 1651. 6 S. Mod.
206×161
252 * Blindness of Tobit:* larger plate. S. & D., 1651.
161×129
253 * Flight into Egypt:* night piece. S. & D., 1651. 5 S.
Mod. 127×110
254 * Star of the Kings:* night piece. Ab. 1652. Mod. 94×143
255 * Adoration of Shepherds:* night piece. Ab. 1652. 8 S. Mod.
149×198
256 * Christ Preaching* (“La Petite Tombe.”) Ab. 1652. Mod.
155×207
257 * Christ Disputing with Doctors:* sketch. S. & D., 1652. 3 S.
126×213
258 * David in Prayer,* S. & D., 1652. 3 S. Mod. 143×93
259 * Peasant Family on Tramp.* Ab. 1652. Mod. 112×92
260 * Faust In Study, Watching Magic Disk* (“Dr. Faustus”). Ab.
1652. 3 S. Mod. 209×161
261 * Titus Van Ryn, R.’s Son.* Ab. 1656. 101×72
262 * Sheet of Studies,* with wood and paling. Parts of two
heads, horse and cart. Ab. 1652. 108×136
263 * Clump of Trees with Vista.* (After I S.) S. & D., 1652. 2
S. 155×210
264 * Landscape with Road Beside Canal.* Ab. 1652.
(74-79)×209
265 * Landscape with Sportsman and Dogs.* Ab. 1653. 2 S.
129×157
266 * The Flight Into Egypt:* Altered from “Tobias and the Angel”
by Hercules Seghers. Ab. 1653. 7 S. 213×284
267 *St. Jerome Reading,* in Italian landscape. Ab. 1653. 2 S.
260×207
268 *Jan Antonides Van Der Linden,* Professor of Medicine. 1665.
6 S. Mod. (124+49)×105
269 *Lieven Willemsz Van Coppenol,* Writing-Master: smaller plate.
Ab. 1653. 6 S. 257×189
270 *Christ Crucified Between Two Thieves:* large oblong plate
(The “Three Crosses”) (After the II S.) S. & D.. 1653. 5 S.
385×450
271 * Christ Presented to People:* large oblong plate. (After the V
S.) S. & D., 1655. 7 S. 383×45
272 * Golf-Player.* S. & D., 1654. 2 S. Mod. 96×144
273 * Adoration of Shepherds* (with lamp). S. Ab. 1654. 2 S.
Mod. 105×129
274 * Circumcision* (in Stable). S. & D., 1654. 3 S. 94×144
275 * Virgin and Child with Cat:* Joseph at window. Mod. S. & D.,
1654. 2 S. 94×143
276 * Flight Into Egypt:* Holy Family crossing brook. S. & D.,
1654. Mod. 94×144
277 * Christ Seated Disputing with Doctors.* S. & D., 1654. 2 S.
95×144
278 * Christ Between His Parents, Returning from Temple.* S. & D.,
1654. 94×144
279 * Presentation in Temple:* Dark manner. Ab. 1654. 210×162
280 * Descent from Cross:* by torchlight. S. & D., 1644. Mod.
210×161
281 * The Entombment.* Ab. 1654. 4S, 211×161
282 * Christ at Emmaus:* larger plate. S. & D., 1654. 3 S. Mod.
209×159
283 * Abraham’s Sacrifice.* S. & D., 1655. 156×131
284 * Four Illustrations to Spanish Book.* (On each part after I
S.) S. & D., 1655. 5 S. The undivided plate 279×160
285 * The Goldsmith.* S. & D., 1655. 2 S. Mod. 77×57
286 * Abraham Entertaining the Angels.* S. & D., 1656.
159×131
287 * Jacob Haaring* (The “Old Haaring”). Ab. 1655. 2 S.
195×149
288 * Thomas Jacobsz Haaring* (The “Young Haaring”). S. & D., 1655.
5 S. Mod. 197×148
289 * Arnold Tholinx,* Inspector Medical Colleges at Amsterdam. Ab.
1656. 2 S. 198×149
290 * Jan Lutma, the Elder,* Goldsmith and Sculptor. (After I S.)
S. & D., 1656. 3 S. Mod. 197×148
291 * Abraham Francen, Art Dealer.* Ab. 1656, or later? 9 S.
Mod. 152×208
292 * St. Francis Beneath Tree, Praying.* S. & D., 1657. 2 S.
180×244
293 * Agony in the Garden.* S. & D., 165.. (Ab. 1657?) Mod.
118×83
294 * Christ and Woman of Samaria:* arched print. (On III S.) S.
& D., 1658. 3 S. Mod. 205×160
295 * Phoenix; or Statue Overthrown:* Allegory of doubtful meaning.
S. & D., 1658. 180×183
296 * Woman Sitting Half Dressed Beside Stove.* S. & D., 1658. 7
S. 228×186
297 * Woman at Bath, with hat beside her.* S. & D., 1658. 2 S.
157×128
298 * Woman Bathing Her Feet at Brook.* S. & D., 1658. Mod. 159×80
299 * Negress Lying Down.* S. & D., 1658. 3 S. Mod. 80×157
300 * Lieven Willemsz Van Coppenol,* Writing-Master: larger plate.
Ab. 1658. 6 S. Mod. 341×290
300* * R. Etching.* S. & D., 1658. 118×64
301 * Peter and John Healing Cripple at Gate of Temple.* S. & D.,
1659. 4S. Mod. 179×216
302 * Jupiter and Antiope:* larger plate. S. & D., 1659. 2
S. 139×205
303 * Woman with Arrow.* S. & D., 1661. 3 S. 203×123