XVI

In the morning he went out as usual to feed the sea-gulls before

breakfast, as if nothing had happened or was likely to happen. He was

pleased as usual to see from the window that they were waiting for him,

patient dots of grey and white, drifting on the near water. The sun

broke thinly through the October haze, and the birds circled in a

chattering crowd against the gold. And he had as usual the sense of

personal satisfaction when they caught in the air, with marvellous

judgment and grace, the pieces of old bread he flung out over the water,

and was disappointed as usual when they missed it, and the bread fell

into the river, though even then it was delightful to see with how much

delicacy they skimmed over, and plucked it from the surface as they

flew, as if it were a point of honour not to settle or pause or wet

their red feet, tucked back beneath them.

And he had breakfast as usual with Margery and chattering Joan, and as

usual afterwards went out with Joan to feed the rabbits, and again

enjoyed the mysterious and universal pleasure of giving food to animals

and watching them eat. He noted as usual the peculiar habits and

foibles of the rabbit Henry and the rabbit Maud, and the common follies

of all of them--how they all persisted, as usual, in crowding impossibly

round the same cabbage leaf, jostling and thrusting and eating with the

maximum discomfort, with urgent anxiety and petulant stamping because

there were too many of them, while all around there lay large wet

cabbage leaves, inviting and neglected. He listened as usual to little

Joan's insane interminable questions, and answered them as usual as

intelligently as he could. And he puffed as usual at the perfect pipe of

after-breakfast, and swept as usual the dead leaves from the path. But

all these things he did with the exquisite melancholy enjoyment of a

schoolboy, knowing that he does them for the last time on the last day

of his holidays at home.

And he had decided nothing. Margery, too, moved as usual through the

busy routine of after-breakfast, "ordering" food for herself and Stephen

and the children and the servants, and promising Cook to get some lard

and "speaking to" Mary about the drawing-room carpet, and arranging for

the dining-room to be "done out" tomorrow, and conferring with Nurse and

telephoning for some fish. She did these things in a kind of dream,

hating them more than usual, and now and then she looked out of the

window, and wondered what Stephen was doing, and what he was thinking.

For she knew that he had not decided. And she would not speak to him;

she had said her say, and some instinct told her that silence now was

her best hope.

So all day they went about in this distressful tranquillity, pretending

that this day was as yesterday, and as the day before. At midday the

tide was down; the grey sky crept up from the far roofs and hid the sun.

There was the damp promise of a drizzle in the air, and the bleak

depression of low tide lay over the mud and the meagre stream and the

deserted boats. They had lunch almost in silence, and after lunch a thin

rain began. Stephen stared out at it silent from the window, thinking

and thinking and deciding nothing; and Margery sat silent by the fire,

darning. And her silence, and the silent riot of his thoughts, and the

silent miserable rain, and the empty abandoned river, united in a vast

conspiracy of menace and accusation and gloom. They were leagued

together to get on his nerves and drive him to despair. He went out

suddenly, and down to the dining-room, and there he drank some whisky,

very quickly, and very strong.

Then, because he must do _something_ or he would go mad, he dragged the

dinghy over the mud and shingle down to the water, and he rowed up to

the Island to pick up firewood from the mud-banks, where the high tides

took it and left it tangled in the reeds and young willow stems.

It was an infinite toil to get this wood, but all afternoon he worked

there, crashing fiercely through the tall forest of withes and crowded

reeds, and slithering down banks into deep mud, and groping laboriously

in the slush of small inlets for tiny pieces of tarred wood, and filling

his basket with great beams and bits of bark, and small planks and

box-wood, and painfully carrying them through the mud and the wet reeds

down to the boat. He worked hard, with a savage determination to tire

himself, to occupy his mind, cursing with a kind of furious satisfaction

when the stems sprang back and whipped him in the face. The sweat came

out upon him, and his hands were scratched, and the mud was thick upon

his clothes. But all the time he thought. He could not stop thinking.

And somehow the fierce energy of the work communicated itself to his

thoughts. As he struck down the brittle reeds he fancied himself

striking at his enemies, manfully meeting his Fate. All his life he had

done things thoroughly, as he was doing this foolish wood-gathering. He

had faced things, he had not been afraid. He would not be afraid now. He

would give himself up. No, no! He couldn't do that. Not fair to

Margery--a long wait, prison, trial, the dock--hanging! Aah! He made a

shuddering cry at that thought, and he lashed out with the stick in his

hand, beating at the withes in a fury of fear. No, no! by God,

no!--hanging--the last morning! Not that.

But still, he must be brave. No more cowardice. That was the worst of

all he had done this summer--the cowardice. No more sitting tight at

John's expense. Whatever Margery said. It was sweet of her, but later it

would be different. When all this was forgotten, she would remember ...

she would be living with him, day after day, knowing every night there

was a murderer in her bed, a liar, a coward, a treacherous coward....

Very soon she would hate him. And he would hate her, because she knew.

He would be always ashamed before her, all day, always.... Just now they

did not mind, because they were afraid. But they _would_ mind.... She

had not even minded about Muriel, when he told her--and he had told her

everything. But she would mind that, too, in the end.... She would

always be imagining Muriels.

No, there must be no more cowardice. It must finish now, one way or

another. But there was only one way.

The rain had stopped now, and a warm wind blew freshly from the

south-west. The two swans of the Island washed themselves in the

ruffled shallows, wings flapping and necks busily twisting. In the west

was a stormy and marvellous sky, still dark pillows of heavy clouds,

black and grey, and an angry purple, with small white tufts floating

irresponsibly across them, and here and there a startling lake of the

palest blue; while low down, beneath them, as if rebellious at the long

grey day, and determined somehow to make a show at his own setting, the

sun revealed himself as an orange dome on the roof of the Quick Boat

Company, and poised grotesquely between the tall black chimneys, flung

out behind the Richmond Hills a narrow ribbon of defiant light, and away

towards Hammersmith all the windows in a big house lit up suddenly with

orange and gold, as if the house were burning furiously within. The boat

was heavy now with wood, and Stephen pushed her off, to row home with

his face to the sunset and the storm. Now the light was caught in the

mud-slopes by the Island, and they, too, were beautiful. And as he rowed

he said a self-conscious farewell to the sun and the warm wind and the

river which he loved. No one loved this river as he did. They lived

smugly in their drawing-rooms like Kensington people, and they looked

out at the river when the sun shone at high tide, and in the summer

crept out timidly for an hour in hired boats like trippers. But when it

was winter and the wind blew, they drew their curtains and shivered

over their fires and shut out the river, so that they hardly knew it was

there from the autumn to the spring. They did not deserve to live by the

river; they did not understand it. They did not see that it was lovable

always, and most lovable perhaps when the tide rushed in against the

wild west wind, and the rain and the spindrift lashed your face as you

tossed in a small boat over the lively waves. They thought it was the

noisy storm rushing down a muddy river; they thought the wind made a

melancholy howl about the windows. They did not know that the river in

the wind was a place of poetry and excitement, such as you might not

find in the rest of London, that the noisy wind and the muddy water and

the wet mud at low tide were things of beauty and healthy life if you

went out and made friends with them. These people never saw the sunset

in winter, and the curious majesty of factories against the glow; they

never saw the lights upon the mud; they did not love the barges and the

tugs, sliding up with a squat importance out of the fog, or swishing

lazily down in the early morning, with the hoar-frost thick upon their

decks. They did not know what the river was like in the darkness or the

winter dusk; you could not know that till you had been on the river many

times at those hours and found out the strange lights and the strange

whispers, and the friendly loneliness of the river in the dark.

And when he had gone, no one here would do that; no one would row out in

the frosty noons or the velvet dusks, no one would feed the sea-gulls in

the morning, or steal out in the evening to watch the dab-chicks diving

round the Island. No one would be left who properly loved the river.

They would sit in their drawing-rooms and shudder at the wind, and say:

"That poor fellow Byrne--he was mad about the river--he was always

pottering about on the river in a boat--and then, you know, he drowned

himself in the river--just outside here." Yes, he would do that. There

would be something "dramatic" about that. Just outside here--in the

dark. He had decided now. Not poison, for he knew nothing about that;

not shooting--for he had no revolver. But the river.

When he had decided his heart was lighter. Very carefully he moored the

boat, and took out the wood and carried it in a basket to the kitchen to

be dried. Then he took a last look at the river and the sun and went in

to tea. All that evening he was very cheerful with Margery in the

drawing-room, and at dinner and afterwards. At dinner he talked hard and

laughed very often. And Margery was easier in her mind, though

sometimes she was puzzled by his laughter. But she thought that she had

persuaded him, or that he had persuaded himself, that she was right, and

this gaiety was the reaction from the long uncertainty of mind. And

indeed it was. She saw also that he drank a good deal; but because he

was cheerful at last, and would be more cheerful when he had drunk more,

she did not mind.

By the late post there came a copy of _The Argus_. They looked at the

parcel, but they did not open it, and they did not look at each other.

When she went up to bed he kissed her fondly, but not too fondly, lest

she should suspect--and said that he would sit and read for a little by

the fire. Then he opened _The Argus_ and read through "The Death in the

Wood" from beginning to end. It pleased him now--it pleased him very

much; for it was more than a week since he had seen it, and some of its

original freshness had returned. It was good. But it seemed to him, as

he read it now, to be a very damning confession of weakness and sin, and

while he glowed with the pride of artistic achievement, he was chilled

with the shame of his human record. It was so clear and naked in this

poem that he had written; it must be obvious to any who read it what

kind of a man he was and what things he had done. Margery had known, and

surely the whole world would know. But no matter--he would be too quick

for them. He would be dead before they discovered.

And anyhow he was going to tell the world. Of course, he had forgotten

that. He was going to tell the truth about John before he went. Of

course. He must do that now.

He took some writing-paper and went down into the dining-room. He felt a

little cold--not so cheerful. A little whisky would buck him up. A

little whisky, while he wrote this letter.

He drank half a tumbler, and sat down. How would it go, this letter? To

the police, of course. He wrote:

"This is to certify that I, Stephen Byrne, strangled Emily Gaunt on the

15th of May; John Egerton had nothing to do with it. I am going to drown

myself."

He signed it and read it over. After "strangled" he squeezed in "by

accident." It looked untidy, and he wrote it all out again. That would

do. He drank some more whisky and sat staring at the paper.

Why should he do that? Wasn't he going to do enough, as it was? He was

going to die; that was surely punishment enough. Why should he leave

this damned silly confession behind? Just for the sake of old John. Damn

John! A good fellow, John. A damned fool, John. Was it fair to Margery?

That was the thing. Was it fair? One more drink.

He filled up the fourth glass and sat pondering stupidly the supreme

selfishness. Outside the wind had risen, and Margery shivered upstairs

at the rattle of the windows. Eleven o'clock--why was Stephen so long?

What was that noise? A dull report--like a distant bomb. She sat up in

bed, listening. Then she remembered. The gas-stove being lit in the

dining-room. Something was wrong with it. But why had it frightened her?

And why was it being lit?

Because it was cold in the dining-room, and the wind was howling, and

there was a numb sensation in his hands. A funny dead feeling. The

whisky, perhaps. But when he had turned on the gas, he forgot about it,

and stood thinking, matchbox in hand, thinking out the new problem. It

was difficult to think clearly. Then it exploded like that, when he put

the match to it. He kicked it. Damned fool of a thing. Like John. It was

John who was responsible for all this worry and fuss. John could go to

the devil. He had fooled John before, and he would fool him again. Ha,

ha! That was a cunning idea. Then they would say in the papers, "A great

genius--a noble character--ha, ha!--'The Death in the Wood'--last work,

imaginative writing"--ha, ha! _imaginative!_--and it was all true. But

nobody would know--nobody would say so--because he would be dead. John

wouldn't say so, and Margery wouldn't say so--because he would be dead.

Mustn't say anything about the dead. Oh no! Must burn this silly

confession. When he had had another drink. It was so cold. No more

whisky--hell! "There's hoosh in the bottle still." But there wasn't. Who

wrote that? Damned Canadian fellow. The Yukon. Port. There was some port

somewhere. Port was warming.

He fumbled in the oak dresser for the decanter, knocking over a number

of glasses. Damned little port left--somebody been at it. Best drink in

the world--port. Good, rich, generous stuff. Ah! That was good. One more

glass. Then he would go out. Half-past eleven. Margery would be

wandering down in a minute--would think he was drunk. He wasn't

drunk--head perfectly clear. Saw the whole thing now. Dramatic

end--drowned in sight of home--national loss--moonlight. No, there was

no moon. Hell of a wind, though. A sou'wester--he, he! Poor Margery,

poor Muriel, poor John! They would miss him--when he had gone. They

would be sorry then. Good fellow, John. Good fellows--all of them. But

they didn't appreciate him--nobody did. Yes, Muriel did. A dear girl,

Muriel. But no mind. He would like to say good-bye to Muriel. And

Margery. But that wouldn't do. Dear things, both of them. Drink their

healths. The last glass. No more port. No more whisky. No cheese, no

butter, no jam. Like the war. Ha, ha!

First-rate port. He was warm now, and sleepy. God, what a wind. Mustn't

go to sleep here. Sleep in the river--the dear old river. Drowning was

pleasant, they said--not like hanging. Would rather stay here,

though--in the warm. Only there was no more port. And he had promised

some one--_must_ keep promises. Come on, then. No shirking. Head

perfectly clear. What was it he was going to do first? Something he had

to do. God knows. Head perfectly clear. But sleepy. Terribly sleepy.

He walked over with an intense effort of steadiness to the door into the

garden, as if there were many watching, and opened the door. The wind

beat suddenly in his face and rushed past triumphant into the house. The

bay-tree tossed and shook itself in the next garden. The dead leaves

rushed rustling up and down the stone path, and leapt in coveys up the

wall, and fled for refuge up the steps and into the house out of the

furious wind. The shock of the cool air and the violence of the wind

sobered him a little, and he paused irresolute at the top of the steps.

Then, with the obstinate fidelity of a drunken man to a purpose once

formed, he walked unsteadily down the steps; he looked up at the lighted

window of Margery's room, and waved his arm vaguely, and shouted a thick

"Good-bye," but his throat was husky, and it was difficult to shout.

Then he passed on down the path, talking to himself. There was a

boathook against the wall and he picked it up, and went down the steps

into the small dinghy. He fumbled for a long time with the rope that

tied her, and pushed off at last with the boathook. He pushed out into

the wind, stupidly paddling with the boathook, because he had forgotten

the oars. But it was no matter. He would not go back. He must go on. Out

into the middle.

Margery, lying wondering in bed, heard the faint sound of a cry above

the wind, and jumped out of bed. From the window she saw nothing but the

hurrying clouds and the faint, wild gleam of the excited river. She

crept down shivering to the drawing-room, where the lights still burned.

A great draught of cold air swept up to the stairs, and she ran down

fearfully to the dining-room. She saw the glasses in the brilliant

light, the empty glasses and the empty bottle and the empty decanter,

and under one of the glasses a sheet of paper flapping in the wind. She

picked it up, stained with a wet half-circle of wine, and then with a

low wail she ran out through the open door into the roaring gloom, her

thin covering whipping about her.

It was dark in the garden, but over the river there was the pale

radiance of water in a wind. And there were some stars now, racing after

the clouds. And away towards the Island she saw the boat, not far off, a

small black smudge against the dirty gleam of the tumbled river. It was

moving very slowly, for the wind was fighting for it with the stubborn

tide. And in the boat she saw a standing figure, swaying as the boat

rocked, leaning with one hand on some kind of a staff, and waving the

other with sweeping gestures in the air, as a man making a speech. As

she looked a squall came over the water, a sudden gust of furious

violence, as if the wind were seized with a passion of uncontrollable

temper. The figure in the boat swayed backwards and recovered itself,

and lurched forward and fell; it fell into the water with a great

splash, which Margery saw, but never heard. Then she gave a wild, high

cry. The wind caught it and flung it away, but many heard it. And none

who heard it in all those houses will ever forget it. She ran crying up

the garden, calling on the name of John Egerton. And John Egerton

heard.

The House by the River · 第 26 / 30 题