CHAPTER XII

If Bertuccio had but shown any signs of having seen her companion of

yesterday, Daphne's bewilderment would have been less; but to keep

meeting a being who claimed to belong to another world, who came and

went, invisible, it would seem, when he chose, to other eyes except her

own, might well rouse strange thoughts in the mind of a girl cut off

from her old life in the world of commonplace events. To be sure, the

shepherd Antoli had seen him, but had spoken of him voluntarily as a

mysterious creature, one of the blessed saints come down to aid the

sick. The beggar woman had seen him, but had fallen prostrate at his

feet as in awe of supernatural presence. When the wandering god had

talked across the hedge the eyes of Giacomo and Assunta had apparently

been holden; and now Bertuccio, whose ears were keen, and whose eyes,

in their lazy Italian fashion, saw more then they ever seemed to,

Bertuccio had been all the afternoon within a stone's throw of the

place where the god had played to her, and Bertuccio gave no sign of

having seen a man. She eyed him questioningly as they started out the

next morning on their way to the ruins of some famous baths on the

mountain facing them.

There was keenness in the autumn air that morning, but the green slopes

far and near bore no trace of flaming color or of decay, as in fall at

home; it was rather like a glimpse of some cool, eternal spring. A

stream of water trickled down under thick grass at the side of the

road, and violets grew there.

"San Pietro!" said Daphne, with a little tug at the bridle. The long

ears were jerked hastily back to hear what was to come. "I know you

disapprove of me, for you saw it all."

The ears kept that position in which any one who has ever loved a

donkey recognizes scathing criticism. Daphne fingered one of them with

her free hand.

"It is only on your back that I feel any strength of mind," she added.

"When I am by myself something seems sweeping me away, as the tides

sweep driftwood out to sea; but here, resolution crawls up through my

body. We must be a new kind of centaur, San Pietro."

Suddenly her face went down between his ears.

"But if you and I united do drive him away, what shall we

do,--afterwards?"

"Signorina!" called Bertuccio, running up behind them. "Look! The

olives pick themselves."

At a turn in the road the view had opened. There, in a great orchard

on the side of the hill, the peasants were gathering olives before the

coming of the frost. There were scores of pickers wearing great

gay-colored aprons in which they placed the olives as they gathered

them from the trees. Ladders leaned against knotty tree trunks;

baskets filled with the green fruit stood on the ground. Ladder and

basket suggested the apple orchards of her native land, but the motley

colors of kerchief and apron, yellow, magenta, turquoise, and green,

and the gray of the eternal olive trees with the deep blue of the sky

behind them, recalled her to the enchanted country where she was fast

losing the landmarks of home.

"Signorina Daphne," said Bertuccio, speaking slowly as to a child, "did

you ever hear them tell of the maiden on the hills up here who was

carried away by a god?"

Daphne turned swiftly and tried to read his face. It was no less

expressionless than usual.

"No," she answered. "Tell me. I am fond of stories."

They were climbing the winding road again, leaving the olive pickers

behind. Bertuccio walked near, holding the donkey's tail to steady his

steps.

"It was long ago, ages and ages. Her father had the care of an olive

orchard that was old, older than our Lord," said Bertuccio, devoutly

crossing himself. "There was one tree in it that was enormously big,

as large as this,--see the measure of my arms! It was open and hollow,

but growing as olives will when there is every reason why they should

be dead. One night the family were eating their polenta--has the

Signorina tasted our polenta? It makes itself from chestnuts, and it

is very good. I must speak to my mother to offer some to the

Signorina. Well, the door opened without any knocking, and a stranger

stood there: he was young, and beyond humanity, beautiful."

Bertuccio paused; the girl felt slow red climbing to her cheek. She

dared not look behind, yet she would have given half her possessions to

see the expression of his face. Leaning forward, she played with the

red tassels at San Pietro's ears.

"Go on! go on!" she commanded. "Avanti!"

San Pietro thought that the words were meant for him, and indeed they

were more appropriate here for donkey than for man.

"He sat with them and shared their polenta," continued Bertuccio,

walking more rapidly to keep up with San Pietro's quickened step. "And

he made them all afraid. It was not that he had any terrible look, or

that he did anything strange, only, each glance, each motion told that

he was more than merely man. And he looked at the maiden with eyes of

love, and she at him," said Bertuccio, lacking art to keep his hearer

in suspense. "She too was beautiful, as beautiful, perhaps, as the

Signorina," continued the story-teller.

Daphne looked at him sharply: did he mean any further comparison?

There were hot waves now on neck and face, and her heart was beating

furiously.

"He came often, and he always met the maiden by the hollow tree: it was

large enough for them to stand inside. And her father and mother were

troubled, for they knew he was a god, not one of our faith, Signorina,

but one of the older gods who lived here before the coming of our Lord.

One day as he stood there by the tree and was kissing the maiden on her

mouth, her father came, very angry, and scolded her, and defied the

god, telling him to go away and never show his face there again. And

then, he never knew how it happened, for the stranger did not touch

him, but he fell stunned to the ground, with a queer flash of light in

his eyes. When he woke, the stars were shining over him, and he

crawled home. But the maiden was gone, and they never saw her any

more, Signorina. Whether it was for good or for ill, she had been

carried away by the god. People think that they disappeared inside the

tree, for it closed up that night, and it never opened again.

Sometimes they thought they heard voices coming from it, and once or

twice, cries and sobs of a woman. Maybe she is imprisoned there and

cannot get out: it would be a terrible fate, would it not, Signorina?

Me, I think it is better to fight shy of the heathen gods."

Bertuccio's white teeth showed in a broad smile, but no scrutiny on

Daphne's part could tell her whether he had told his story for pleasure

merely, or for warning. She rode on in silence, realizing, as she had

not realized before, how far this peasant stock reached back into the

elder days of the ancient world.

"Do you think that your story is true, Bertuccio?" she asked, as they

came in sight of the grass-grown mounds of the buried watering-place

toward which their steps were bent.

"Ma che!" answered Bertuccio, shrugging his shoulders, and snapping his

fingers meaningly. "So much is true that one does not see, and one

cannot believe all that one does see."

Daphne started. What HAD he seen?

"Besides," added Bertuccio, "there is proof of this. My father's

father saw the olive tree, and it was quite closed."

Daphne: An Autumn Pastoral · 第 12 / 17 章