CHAPTER I

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JOURNEYS THROUGH BOOKLAND

A New and Original

Plan for Reading Applied to the

World's Best Literature

for Children

by

CHARLES H. SYLVESTER

Author of English and American Literature

VOLUME TEN--THE GUIDE

New Edition

For parents, teachers, and all who have

children under their charge; for adults

who wish to renew their acquaintance

with the friends of their youth, or to

open for the first time the world's great

treasure house of literature; for youthful

readers who must study the classics

[Illustration: OLIVER WENDELL HOLMES

NATHANIEL HAWTHORNE

HENRY WADSWORTH LONGFELLOW

WASHINGTON IRVING

JOHN GREENLEAF WHITTIER

JAMES RUSSELL LOWELL

WILLIAM CULLEN BRYANT]

Chicago

Bellows-Reeve Company

Publishers

Copyright, 1922

Bellows-Reeve Company

CONTENTS

PAGE

I. INTRODUCTION 1

II. JOURNEYS THROUGH BOOKLAND--ITS CONTENTS AND PLAN 7

The Masterpieces 9

Arrangement and Grading 10

The Studies and Helps 13

Studies 15

Notes 15

Introductory Notes 15

Biographies 16

Pronouncing Vocabularies 16

Pictures 17

Tables of Contents 17

Index 17

The Nursery Rhymes 18

Discussion of each Volume 24

Volume One 24

Volume Two 26

Volume Three 28

Volume Four 29

Volume Five 29

Volume Six 30

Volume Seven 31

Volume Eight 33

Volume Nine 34

Volume Ten--The Guide 35

III. PICTURES AND THEIR USE 36

What Should We Notice in a Picture? 36

Line 36

Light and Shade 37

Tone and Color 39

Composition 39

Atmosphere and Perspective 40

Application of Principles 41

_Bob and Tiny Tim_ 41

Pictures and Their Value in Literature 44

On the Use of Pictures in _Journeys_ 48

_Nursery Rhymes_ 51

_Jack and the Beanstalk_ 52

_Nurse Helps Me when I Embark_ 52

_Wynken, Blynken, and Nod_ 53

_Shuffle-Shoon and Amber-Locks_ 54

_Tom and the Dragon Fly_ 55

_The Swallow and the Stork Came_ 55

_Down Tumbled Wheelbarrow_ 58

_Geraint Hears Enid Singing_ 60

IV. TELLING STORIES 63

_The Fairies of the Caldon-Low_ 68

_Little Giffin of Tennessee_ 71

_The Ballad of Agincourt_ 74

_Hervé Riel_ 78

V. READING, AND THE BUILDING OF CHARACTER 85

_Who Stole the Bird's Nest?_ 95

_Lead, Kindly Light_ 98

_Poor Richard's Almanac_ 101

VI. FATHER AND SON 107

VII. MEMORIZING 128

One Hundred Choice Quotations 131

VIII. HOW TO READ FICTION 143

Different Kinds of Literature 143

Reading Stories 145

Plot 149

_Cinderella_ 150

Persons 156

_The Hardy Tin Soldier_ 158

The Scenes 162

_The Dog and His Shadow_ 164

_The Fox and the Stork_ 166

_A Christmas Carol_ 168

The Lesson and the Author's Purpose 170

_The Fir Tree_ 173

The Method and Style of the Author 174

Emotional Power 176

_Rab and His Friends_ 177

General Principles and Reflections 181

Completed Studies 185

_The Hare and the Tortoise_ 185

_The Fox and the Crow_ 187

_The Drummer_ 193

_Tom, the Water Baby_ 198

_The Passing of Arthur_ 214

IX. CLOSE READING OR STUDY 224

_Rab and His Friends_ 225

_Braddock's Defeat_ 227

_Industry and Sloth_ 229

_Why the Sea is Salt_ 231

_Faithless Sally Brown_ 232

_The Definition of a Gentleman_ 234

_Adventures in Lilliput_ 235

_The Heart of Bruce_ 238

_Annie Laurie_ 243

_The Lost Child_ 243

_David Crockett in the Creek War_ 244

_The Impeachment of Warren Hastings_ 248

From _The Death of Cæsar_ 253

X. CLOSE READING (Concluded) 256

The Author 257

Sentences 258

Figures of Speech 259

Allusions 259

Basis of Figures 262

Simile 263

Metaphor 264

Synecdoche and Metonymy 265

Apostrophe and Personification 266

Studies in Figures 268

_Ode to a Skylark_ 268

_A Visit from Saint Nicholas_ 270

_The First Snowfall_ 270

XI. READING POETRY 272

_The Reaper and the Flowers_ 272

_The Brown Thrush_ 276

_The Child's World_ 277

_Seven Times One_ 278

_The First Snowfall_ 281

_The Potato_ 285

_Origin of the Opal_ 285

_The Barefoot Boy_ 286

_The Bugle Song_ 287

_The Petrified Fern_ 291

_The Forsaken Merman_ 295

_The Cloud_ 301

_Ode to a Skylark_ 306

XII. READING ALOUD 311

Articulation and Enunciation 311

Emphasis and Inflection 312

Emotional States 312

Pitch 312

Rate or Time 313

Quality 315

Force 315

XIII. LITERATURE AND ITS FORMS 317

Prose 318

Methods of Expression 318

Narration 318

Description 321

Exposition 321

Argumentation 322

Forms of Prose 322

Fiction 322

Essays 322

Orations 324

Drama 325

Poetry 327

Structure of Poetry 328

Rhythm 328

Rhyme 329

Alliteration 330

Kinds of Poetry 331

Epic 331

Lyric 333

Songs 333

Ode 335

Elegy 335

Sonnet 337

_Victor and Vanquished_ 338

Dramatic 339

Miracle Plays 340

Morality Plays 340

Masques 341

Tragedies and Comedies 341

XIV. JOURNEYS IN ITS RELATION TO THE SCHOOL--READING AND

LANGUAGE 345

Reading 348

Language 349

Oral Lessons 352

_The Wind and the Sun_ 357

Written Lessons 360

Introduction 360

Literature in Written Lessons 363

Narration 363

_Robin Hood and the Stranger_ 363

Description 365

_The King of the Golden River_ 366

Exposition 368

_Cid Campeador_ 368

Argument 370

_The Boston Massacre_ 370

Conclusion 376

_An Exciting Canoe Race_ 376

XV. JOURNEYS IN ITS RELATION TO THE SCHOOL--NATURE STUDY 380

Seven Long Selections 381

_Tom, the Water Baby_ 381

_Robinson Crusoe_ 382

_The Swiss Family Robinson_ 382

_Brute Neighbors_ 383

_The Pond in Winter_ 384

_Winter Animals_ 384

_Trees and Ants that Help Each Other_ 385

Classified Selections 386

Flowers and Plant Life 386

Birds 387

Four-footed Animals 389

Reptiles 391

Insects 391

Denizens of the Water 391

Natural Phenomena 392

Geography in Nature 392

Complete Study 393

_The King of the Golden River_ 393

XVI. JOURNEYS IN ITS RELATION TO THE SCHOOL--GEOGRAPHY AND

HISTORY 400

Classified References 402

Model Geography Lesson 411

The Wind 411

Model History Lessons 413

Alfred the Great 413

Burgoyne's Campaign 419

XVII. JOURNEYS IN ITS RELATION TO THE HIGH SCHOOL 425

Classification of Studies 427

Type Studies 431

XVIII. RECITATIONS AND SPECIAL DAYS IN SCHOOL 436

Bird Day 437

Memorial Day 438

Christmas 438

Birthdays 438

Dramatization 439

An Old-Fashioned Afternoon 440

XIX. HANDY LIST OF THE STUDIES IN JOURNEYS THROUGH BOOKLAND 441

Volume One 442

Volume Two 443

Volume Three 445

Volume Four 446

Volume Five 446

Volume Six 447

Volume Seven 448

Volume Eight 449

Volume Nine 449

XX. SUPPLEMENTARY BOOK LISTS 451

For the Separate Volumes 454

Volume One 454

Volume Two 455

Volume Three 457

Volume Four 458

Volume Five 459

Volume Six 460

Volume Seven 461

Classified Lists 462

Fiction 463

Poetry and Drama 464

Essays 464

Nature 465

Biography 465

History 465

Travel and Geography 466

Miscellaneous 466

APPENDIX--

Handy Table of English Writers 469

Handy Table of American Writers 473

GENERAL INDEX 475

ILLUSTRATIONS

HALFTONE PORTRAITS OF AUTHORS

PAGE

GROUP ONE Frontispiece

_Henry Wadsworth Longfellow_

_Oliver Wendell Holmes_

_Nathaniel Hawthorne_

_Washington Irving_

_John Greenleaf Whittier_

_James Russell Lowell_

_William Cullen Bryant_

GROUP TWO 52

_William Shakespeare_

_Alfred, Lord Tennyson_

_Robert Browning_

_Sir Walter Scott_

_William Wordsworth_

_Geoffrey Chaucer_

_Joseph Addison_

GROUP THREE 100

_Cardinal Newman_

_Sir Francis Bacon_

_Jonathan Swift_

_Daniel Defoe_

_Cardinal Wiseman_

_Cervantes_

_Father Ryan_

GROUP FOUR 148

_Julia Ward Howe_

_Benjamin Franklin_

_Henry David Thoreau_

_Patrick Henry_

_William H. Prescott_

_Francis Parkman_

_James Fenimore Cooper_

GROUP FIVE 198

_Edgar Allan Poe_

_Donald G. Mitchell_

_James Whitcomb Riley_

_Thomas Buchanan Read_

_Eugene Field_

_John Howard Payne_

_John G. Saxe_

GROUP SIX 246

_Elizabeth Barrett Browning_

_Phoebe Cary_

_Alice Cary_

_Lucy Larcom_

_Felicia Hemans_

_George Eliot_

_Jean Ingelow_

GROUP SEVEN 294

_Robert Burns_

_Robert Southey_

_William Cowper_

_Lord Byron_

_John Keats_

_Percy Bysshe Shelley_

_Samuel Taylor Coleridge_

GROUP EIGHT 342

_Rudyard Kipling_

_Robert Louis Stevenson_

_Paul Du Chaillu_

_Thomas Hughes_

_Hans Christian Andersen_

_Jakob Grimm_

_Wilhelm Grimm_

GROUP NINE 400

_John Ruskin_

_Oliver Goldsmith_

_Matthew Arnold_

_Thomas Babington Macaulay_

_John Bunyan_

_Thomas De Quincey_

_Charles Lamb_

GROUP TEN 454

_John Tyndall_

_Charles Kingsley_

_Thomas Moore_

_Alexander Pope_

_Thomas Campbell_

_David Livingstone_

_George MacDonald_

CHAPTER I

INTRODUCTION

Everyone who associates with children becomes deeply interested in them.

Their helplessness during their early years appeals warmly to sympathy;

their acute desire to learn and their responsiveness to suggestion make

teaching a delight; their loyalty and devotion warm the heart and

inspire the wish to do the things that count for most. Everything

combines to increase a sense of responsibility and to make the elders

active in bringing to bear those influences that make for character,

power and success.

Every worthy teacher in every school gives more than her salary commands

and puts heart power into every act. By example and precept the lessons

are taught and growth follows in response to cultivation. But the

schools are handicapped by lack of time for much personal care, by lack

of facilities for the best of instruction and by the multiplicity of

things that must be done. Under the best conditions a teacher has but a

small part of a child's time and then instruction must be given usually

to classes and not to individuals. Outside of school for a considerable

time each day the child falls under the influence of playmates who may

or may not be helpful, but the greater part of every twenty-four hours

belongs to the home.

Parents, guardians, brothers and sisters, servants, consciously or

unconsciously, wisely or unwisely, are teaching all the time. It is from

this great complex of influences that every child builds his character

and lays the foundation of whatever success he afterwards achieves.

Undoubtedly the home is the greatest single influence and that is

strongest during the early years. Before a boy is seven the elements of

his character begin to form; by the time he is fourteen his future

usually can be predicted, and after he is twenty, few real changes are

brought about in the character of the man. The schools can do little

more than plant the seeds of culture; in the family must the young

plants be watered, nourished and trained. Then will the growth be

symmetrical and beautiful.

When the school and the home work together, when parents and teacher are

in hearty sympathy, the great work is easily accomplished. But this

harmony in interest is difficult to secure. In the first place it is not

possible frequently for parents and teachers to become acquainted;

usually is it impossible for them to know one another intimately. Here

there are two forces, each ignorant of the other, but both trying for a

common end. Again, parents in many, many instances are not acquainted

with the schools nor with the methods of instruction which are followed

therein. What is done by one may be undone by the other. If there could

be a common ground of meeting, much labor would be saved and greater

harmony of effort established.

When fathers and mothers are willing to take time enough from their

other duties to show that sympathetic interest in juvenile tasks which

is the greatest stimulus to intelligent effort, when they wish to know

what work each child is doing and where in each text book his lessons

are, when the multiplication table and the story of Cinderella are of as

much importance as the price of meat or the profit on a yard of silk,

then will the parents and the teachers come together in whatever field

appears mutually acceptable.

Everybody reads, and reading is now the greatest single influence upon

humanity. The day of the orator has passed, the day of print has long

been upon us. No adult remains long uninfluenced by what he reads

persistently, and every child receives more impressions from his reading

than from all other sources put together.

Someone has shown forcibly by a graphic diagram the ideas we are most

anxious to establish. In this diagram of _Forces in Education_, the

circle represents the sum total of all those influences which tend to

make the mind and character of the growing child. That half of the

circle to the right of the heavy line represents the forces of the

school; the half to the left, the forces that come into play outside the

teacher's domain. In school are the various studies taught; reading,

writing, language, nature, geography, history, arithmetic. Other things

such as morals, manners, hygiene, etc., come in for their share of force

in the division "Miscellaneous." Out of school the child's work

influences him; his playmates affect him more; the example and

instruction of his parents form his habits, thought and character to a

still greater extent; but more than any one, as much as the three

combined, does his home reading shape his destiny.

[Illustration]

That this last statement is no exaggeration is proved by the testimony

of many a wise and thoughtful man, by the observation of teachers

everywhere. When a child has learned to read, he possesses the

instrument of highest culture, but at the same time the instrument of

greater danger. Bad books or bad methods of reading good books lead the

reader's mind astray or stimulate a destructive imagination that affects

character forever; but good books and right methods of reading make the

soul sensitive to right and wrong, improve the mind, inspire to higher

ideals and lead to loftier effort.

Here is the one fertile field wherein teacher, parent and every other

person interested in the welfare of children and youth may meet and work

together in the noblest cause God ever gave us the grace to see.

"I have a notion," said Benjamin Harrison, "that children are about the

only people we can do anything for. When we get to be men and women we

are either spoiled or improved. The work is done." One of the best

things we can do is to create a taste for good reading and cultivate a

habit of reading in the right manner. It is an easy and a delightful

task.

How many parents do it? Let them live with their children in the realm

the little ones love. Let them read the fairy tales, the myths, the

stories, the history that childhood appreciates, not in a spirit of

criticism or in the role of a dictator but as a child of a little larger

growth, a man or woman with a youthful mind.

How many teachers assist? By so teaching that reading becomes an

inspiration in itself; that only mastery contents; that beauty, high

sentiment, lofty ideals may be found and followed; by making the reading

recitation the one delightful hour of the day.

If any mature person at home can spend each week a few hours in reading

and talking with the children about what has been read he will be

surprised to find how lightly the time passes and how quickly his own

cares and anxieties are dissipated. He will find greater delight than he

has ever known in the society of his equals; and the younger ones, whose

minds glow with helpful curiosity and absorbing interest will be kept

to that extent from the street and its attractions, while at the same

time they are learning those things that count for most in life's great

battle.

Let no one feel in the least uncertain of his power to interest and

delight. Let him have no hesitation in joining in with the children, in

meeting them on their level and in sharing thought and feeling with

them. By being a child himself he most easily makes of himself a wise

and inspiring leader.

Journeys Through Bookland, Vol. 10: The Guide · 第 1 / 20 章