FELIX.

Rome, June 6th, 1831.

My dear Parents,

It is indeed high time that I should write to you a rational,

methodical letter, for I fear that none of those from Naples were

worth much. It really seemed as if the atmosphere there deterred

every one from serious reflection, at least I very seldom succeeded

in collecting my thoughts or ideas; and now I have been scarcely

more than a few hours here, when I once more resume that Roman

tranquillity, and grave serenity, which I alluded to in my former

letters from this place. I cannot express how infinitely better I

love Rome than Naples. People allege that Rome is monotonous, of

one uniform hue, melancholy, and solitary. It is certainly true

that Naples is more like a great European city, more lively and

varied, and more cosmopolitan; but I may say to you confidentially,

that I begin gradually to feel the most decided hatred of all that

is cosmopolitan;--I dislike it, just as I dislike _many-sidedness_,

which, moreover, I rather think I do not much believe in. Anything

that aspires to be distinguished, or beautiful, or really great,

must be _one-sided_; but then this _one side_ must be brought to a

state of the most consummate perfection, and no man can deny that

such is the case at Rome.

Naples seems to me too small to be called properly a great

city; all the life and bustle are confined to two large

thoroughfares--the Toledo, and the coast from the harbour to the

Chiaja. Naples does not realize to my mind the idea of a centre for

a great nation, which London offers in such perfection; chiefly

indeed because it is deficient in a people: for the fishermen and

lazzaroni I cannot designate as a people, they are more like

savages, and their centre is not Naples, but the sea. The middle

classes, by which I mean those who pursue various trades, and the

working citizens who form the basis of other great towns, are quite

subordinate; indeed, I may almost say that such a class is not to

be found there. It was this that often made me feel out of humour

during my stay in Naples, much as I loved and enjoyed the scenery;

but as a dissatisfied feeling constantly recurred, I think I at

last discovered the cause to lie within myself. I cannot say that I

was precisely unwell during the incessant sirocco, but it was more

disagreeable than an indisposition which passes away in a few days.

I felt languid, disinclined for all that was serious,--in fact,

lazy. I lounged about the streets all day with a morose face, and

would have preferred lying on the ground, without the trouble of

thinking, or wishing, or doing anything; then it suddenly occurred

to me, that the principal classes in Naples live in reality

precisely in the same manner; that consequently the source of my

depression did not spring from myself, as I had feared, but from

the whole combination of air, climate, etc. The atmosphere is

suitable for grandees who rise late, never require to go out on

foot, never think (for this is heating), sleep away a couple of

hours on a sofa in the afternoon, then eat ice, and drive to the

theatre at night, where again they do not find anything to think

about, but simply make and receive visits. On the other hand, the

climate is equally suitable for a fellow in a shirt, with naked

legs and arms, who also has no occasion to move about--begging for

a few _grani_ when he has literally nothing left to live on--taking

his afternoon's siesta stretched on the ground, or on the quay, or

on the stone pavement (the pedestrians step over him, or shove him

aside if he lies right in the middle). He fetches his _frutti di

mare_ himself out of the sea, sleeps wherever he may chance to

find himself at night; in short, he employs every moment in doing

exactly what he likes best, just as an animal does.

These are the two principal classes of Naples. By far the largest

portion of the population of the Toledo there, consists of gaily

dressed ladies and gentlemen, or husbands and wives driving

together in handsome equipages, or of those olive _sans-culottes_

who sometimes carry about fish for sale, brawling in the most

stentorian way, or bearing burdens when they have no longer any

money left. I believe there are few indeed who have any settled

occupation, or follow up any pursuit with zeal and perseverance, or

who like work for the sake of working. Goethe says that the

misfortune of the North is, that people there always wish to be

doing something, and striving after some end; and he goes on to

say, that an Italian was right, who advised him not to think so

much, for it would only give him a headache. I suspect however that

he was merely jesting; at all events, he did not act in this manner

himself, but, on the contrary, like a genuine Northman. If however

he means that the difference of character is produced by nature,

and subservient to her influence, then there is no doubt that he is

quite in the right. I can perfectly conceive that it must be so,

and why wolves howl; still it is not necessary to howl along with

them. The proverb should be exactly reversed. Those who, owing to

their position, are obliged to work, and must consequently both

think and bestir themselves, treat the matter as a necessary evil,

which brings them in money, and when they actually have it, they

too live like the great, or the naked, gentlemen. Thus there is no

shop where you are not cheated. Natives of Naples, who have been

customers for many years, are obliged to bargain, and to be as much

on their guard as foreigners; and one of my acquaintances, who had

dealt at the same shop for fifteen years, told me that during the

whole of that period there had been invariably the same battle

about a few scudi, and that nothing could prevent it.

Thence it is that there is so little industry or competition, and

that Donizetti finishes an opera in ten days; to be sure, it is

sometimes hissed, but that does not matter, for it is paid for all

the same, and he can then go about amusing himself. If at last

however his reputation becomes endangered, he will in that case be

forced really to work, which he would find by no means agreeable.

This is why he sometimes writes an opera in three weeks, bestowing

considerable pains on a couple of airs in it, so that they may

please the public, and then he can afford once more to divert

himself, and once more to write trash. Their painters, in the same

way, paint the most incredibly bad pictures, far inferior even to

their music. Their architects also erect buildings in the worst

taste; among others, an imitation, on a small scale, of St.

Peter's, in the Chinese style. But what does it matter? the

pictures are bright in colour, the music makes plenty of noise, the

buildings give plenty of shade, and the Neapolitan grandees ask no

more.

My physical mood was similar to theirs, everything inspiring me

with a wish to be idle, and to lounge about, and sleep; yet I was

constantly saying to myself that this was wrong; and striving to

occupy myself, and to work, which I could not accomplish. Hence

arose the querulous tone of some of the letters I wrote to you, and

I could only escape from such a mood by rambling over the hills,

where nature is so divine, making every man feel grateful and

cheerful. I did not neglect the musicians, and we had a great deal

of music, but I cared little in reality for their flattering

encomiums. Fodor is hitherto the only genuine artist, male or

female, that I have seen in Italy; elsewhere I should probably have

found a great many faults with her singing, but I overlooked them

all, because when she sings it is real music, and after such a long

privation, that was most acceptable.

Now however I am once more in old Rome, where life is very

different. There are processions daily, for last week was the

Corpus Domini; and just as I left the city during the celebration

of the week following the Holy Week, I now return after the Corpus

Christi to find them engaged in the same way. It made a singular

impression on me to see that the streets had in the interim assumed

such an aspect of summer: on all sides booths with lemons and iced

water, the people in light dresses, the windows open, and the

_jalousies_ closed. You sit at the doors of coffee-houses, and eat

_gelato_ in quantities; the Corso swarms with equipages, for people

no longer walk much, and though in reality I miss no dear friends

or relatives, yet I felt quite moved when I once more saw the

Piazza di Spagna, and the familiar names written up on the corners

of the streets. I shall stay here for about a week, and then

proceed northwards.

The Infiorata is on Thursday, but it is not yet quite certain that

it will take place, because they have some apprehensions of a

revolution; but I hope I shall witness this ceremony. I mean to

take advantage of this opportunity to see the hills once more, and

then to set off for the north. Wish me a good journey, for I am on

the eve of departure. It is a year this very day since I arrived in

Munich, heard 'Fidelio,' and wrote to you. We have not met since

then; but, please God, we shall see each other again before another

year.

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland · 第 31 / 63 题