THE REAL ANNE
"It's incredible!" I exclaimed.
"Well, it's true, anyhow!" Jim asserted. "And I don't see myself where
the incredibility comes in."
"You say that Mr. Pendennis wrote from Berlin not a week after I left
England, and that he and Anne--_Anne_--are at this moment staying with
you in Chelsea? When I've been constantly with her,--saw her murdered in
the streets of Warsaw!"
"That must have been the other woman,--the woman of the portrait,
whoever she may be. No one seems to know, not even Pendennis. We've
discussed it several times,--not before Anne. We don't think it wise to
remind her of that Russian episode; it upsets her too much; for she's
not at all the thing even yet, poor girl."
He seemed quite to have changed his mental attitude towards Anne, and
spoke of her as kindly as if she had been Mary's sister.
"It's another case of mistaken identity based on an extraordinary
likeness," he continued. "There have been many such,--more in fact than
in fiction. Look at the Bancrofts and their 'doubles,' for instance, a
pair of them, husband and wife, who passed themselves off as Sir Squire
and Lady Bancroft innumerable times a few years back, and were never
discovered. And yet, though it mightn't be difficult for a clever
impersonator to make up like Bancroft, it seems incredible that he could
find a woman who could pose successfully as the incomparable Marie
Wilton. You should have seen her in her prime, my boy--the most
fascinating little creature imaginable, and the plainest, if you only
looked at her features! It must have been a jolly sight harder to
represent her, than if she'd been a merely beautiful woman, like Anne.
She's an uncommon type here in England, but not on the Continent. I
don't suppose it would be difficult to find half a dozen who would
answer to the same description,--if one only knew where to look for
'em."
"It wasn't the resemblance of a type,--eyes and hair and that
sort of thing,"--I said slowly; "the voice, the manner, the soul;
why--_she_--knew me, recognized me even with my beard--spoke of
Mary--"
"She must have been an astonishingly clever woman, poor soul! And one
who knew a lot more about Anne than Anne and her father know of her.
Well, you'd soon be able to exchange notes with Pendennis himself, and
perhaps you'll hit on a solution of the mystery between you. What's
that?"
I had pulled out the miniature and now handed it to him. He examined it
intently under the bright light of the little acetylene lamp inside the
brougham.
"This is another portrait of her? You're right,--there's a marvellous
likeness. I'd have sworn it was Anne, though the hair is different
now. It was cut short in her illness,--Anne's illness, I mean, of
course,--and now it's a regular touzle of curls. Here, put it up. I
wouldn't say anything about it to Anne, if I were you,--not at present."
The carriage stopped, and as I stumbled out and along the flagged way,
the front door was flung open, and in a blaze of light I saw Mary, and,
a little behind her,--Anne herself.
I'm afraid I was very rude to Mary in that first confused moment of
meetings and greetings. I think I gave her a perfunctory kiss in
passing, but it was Anne on whom my eyes were fixed,--Anne who--wonder
of wonders--was in my arms the next moment. What did it matter to us
that there were others standing around? She was alive, and she loved me
as I loved her; I read that in her eyes as they met mine; and nothing
else in the world was of any consequence.
"You went back to Russia in search of me! I was quite sure of it in my
mind, though Mary declared you were off on another special correspondent
affair for Lord Southbourne, and he said the same; he's rather a nice
man, isn't he, and Lady Southbourne's a dear! But I knew somehow he
wasn't speaking the truth. And you've been in the wars, you poor boy!
Why, your hair is as gray as father's; and how _did_ you get that wound
on your forehead?"
"I've had some lively times one way and another, dear; but never mind
about that now," I said. We were sitting together by the fire in the
drawing-room, after dinner, alone,--for Mary had effaced herself like
the considerate little woman she is; probably she had joined Jim and
Pendennis in the smoking-room, that was also Jim's sanctum.
"Tell me about yourself. How did you get to Petersburg? It was you?"
"Yes; but I can't remember even now how I got there," she answered,
frowning at the fire, and biting her underlip. A queer thrill ran
through me as I watched her; she was so like that other.
"I got into the train at Calais, and I suppose I fell asleep; I was very
tired after the dinner at the Cecil and Mrs. Sutherland's party. There
were two other people in the same carriage,--a man and a woman. That's
the last thing I can recollect clearly until I found myself again in a
railway carriage. I've a confused notion of being on board ship in
between; but it was all like a dream, until I suddenly saw you, and
called out to you; I was in an open carriage then, driving through a
strange city that I know now was Petersburg. I was taken to a house
where several horrid men--quite superior sort of men in a way, but they
seemed as if they hated me, and I couldn't think why--asked me a lot of
questions. At first they spoke in a language I didn't understand at all,
but afterwards in French; and then I found they wanted to know about
that Mr. Cassavetti; they called him by another name, too--"
"Selinski," I said.
"Yes, that was it; though I haven't been able to remember it. They
wouldn't believe me when I said I'd only met him quite casually at
dinner, the night before I was kidnapped,--for I really was kidnapped,
Maurice--and that I knew nothing whatever about him. They kept me in a
dark cell for hours, till I was half-crazy with anger and terror; and
then they brought me out, and I saw you, and father; and the next thing
I knew I was in bed in an hotel we've often stayed at, in Berlin. Father
tries to persuade me that I imagined the whole thing; but I didn't; now
did I, Maurice? And what does it all mean?"
"It was all a mistake. You were taken for some one else; some one whom
you resemble very closely."
"That's just what I thought; though father won't believe it; or he
pretends he won't; but I am sure he knows something that he will not
tell me. But there's another thing,--that dreadful man Cassavetti.
Perhaps I oughtn't to call him that, as he's dead; I only heard about
the murder a little while ago, and then almost by accident. Maud Vereker
told me; do you know her?"
"That frivolous little chatterbox; yes, I've met her, though I'd
forgotten her name."
"She told me all about it one day. Mary and Jim had never said a word;
they seemed to be in a conspiracy of silence! But when I heard it I was
terribly upset. Think of any one suspecting you of murdering him,
Maurice,--just because he lived on the floor above you, and you happened
to find him. You poor boy, what dreadful troubles you have been
through!"
There was an interlude here; we had a good many such interludes, but
even when my arm was round her, when my lips pressed hers, I could
scarcely realize that I was awake and sane.
"It was just as well they did suspect me, darling," I said after a
while, "or I most certainly shouldn't have been here now."
She nestled closer to me, with a little sob.
"Oh, Maurice, Maurice! I can't believe that you're safe here again,
after all! And I feel that I was to blame for it all--"
"You? Why, how's that, sweetheart?"
"Because I flirted with that Cassavetti--at the dinner, don't you
remember? That seemed to be the beginning of everything! I was so cross
with you, and he--he puzzled and interested me, though I felt frightened
just at the last when I gave him that flower. Maurice, did he take me
for the other girl? And was there any meaning attached to the flower?"
"Yes, the flower was a symbol; it meant a great deal,--among other
things the fact that you gave it to him made him quite sure you
were--the person he mistook you for. You are marvellously like her--"
"Then you--you have met her also? Who is she? Where is she?"
"She is dead; and I don't know for certain who she was; until Jim met me
to-night I believed that she was--you!"
"Were we so like as that?" she breathed. "Why, she might have been my
sister, but I never had one; my mother died when I was born, you know!
Tell me about her, Maurice."
"I can't, dear; except that she was as brave as she was beautiful; and
her life was one long tragedy. But I'll show you her portrait."
She gave a little cry of astonishment as I handed her the miniature; the
diamond setting flashed under the softly shaded electric light.
"Oh, how lovely! But--why, she's far more beautiful than I am, or ever
shall be! Did she give you this, Maurice?"
There was a queer note in her voice as she put the question; it sounded
almost like a touch of jealousy.
"No; her husband gave it to me,--after she died," I said sadly.
"Her husband! She was married, then. Who was he?"
"A man worthy of her; but I'd rather not talk about them,--not just at
present; it's too painful."
"Oh, Maurice, I'm so sorry," she murmured in swift penitence; and to my
great relief she questioned me no more for that evening.
But I told the whole story, so far as I knew it, to Pendennis and Jim,
after the rest of the household had gone to bed; and we sat till the
small hours, comparing notes and discussing the whole matter, which
still presented many perplexing points.
I omitted nothing; I said how I had seen Anne--as I believed then and
until this day--in that boat on the Thames; how I had suspected,--felt
certain,--that she had been to Cassavetti's rooms that night, and was
cognizant of his murder; what I had learned from Mr. Treherne, down in
Cornwall, and everything of importance that had happened since.
Jim punctuated the story with exclamations and comments, but Anthony
Pendennis listened almost in silence, though when I came to the part
about the mad woman from Siberia, who had died at the hunting-lodge, and
who was spoken of as the Countess Vassilitzi, he started, and made a
queer sound, like a groan, though he signed to me to continue. I was
glad afterwards that I hadn't described what she looked like. He was a
grave, stern man, wonderfully self-possessed.
"It is a strange story," he said, when I had finished. "A mysterious
one."
"Do you hold the key to the mystery?" I asked him pointblank.
"No, though I can shed a little light on it; a very little, and I fear
even that will only make the rest more obscure. But it is only right
that I should give you confidence for confidence, Mr. Wynn; since you
have suffered so much through your love for my daughter,--and through
the machinations of this unhappy woman who certainly impersonated
her,--for her own purposes."
I winced at that. Although I knew now that "the unhappy woman" was not
she whom I loved, it hurt me to hear her spoken of in that stern,
condemnatory way; but I let it pass. I wanted to hear his version.