CHAPTER XXVII

GHOSTS OF THE PAST

Every one has heard of the gentleman who went to spend a fortnight at

Vienna in the prime of his youth, and died there at a ripe old age,

having never afterwards been beyond the walls of the town. Though the

climate is allowed to be detestable, the heat of summer being aggravated

by a paucity of shade and a superabundance of dust, whilst the rigorous

cold of winter is enhanced by the absence of fire-places and the

scarcity of fuel; though the streets are narrow and the carriages

numerous, the hotels always full, and the shops very dear; though the

police is strict and officious to a degree, and its regulations

tyrannical in the extreme; though every house, private as well as

public, must be closed at ten o'clock, and a ball-giver or lady who

"receives" must have a special permission from the Government,--yet,

with all these drawbacks, no city in the world, not even lively Paris

itself, seems so popular with pleasure-seekers as Vienna. There is a

gaiety in the very air of the town: a smiling, prosperous good-humour

visible on the countenances of its inhabitants, a picturesque beauty in

the houses, a splendid comfort in the shops, and a taste and

magnificence in the public buildings, which form a most attractive _tout

ensemble_.

Then you lead a pleasant, cheerful, do-nothing sort of life. You have

your coffee in bed, where you can also read a novel in perfect comfort,

for German beds have no curtains to intercept the morning light, or make

a bonfire of the nocturnal student. You perform an elaborate toilet

(are not Vienna gloves the only good fits in the world?), and you

breakfast about noon in the _salon_ of some luxurious hotel, where you

may sit peradventure between an Austrian Field-Marshal, decorated with a

dozen or so of orders, and a Polish beauty, who counts captives by the

hundred, and breaks hearts by the score. Neither will think it

necessary to avoid your neighbourhood as if you had confluent small-pox,

and your eye as if you were a basilisk, simply because you have not had

the advantage of their previous acquaintance. On the contrary, should

the courtesies of the table or any chance occurrence lead you to hazard

a remark, you will find the warrior mild and benevolent, the beauty

frank and unaffected. Even should you wrap yourself up in your truly

British reserve, they will salute you when they depart; and people may

say what they will about the humbug and insincerity of mere politeness,

but there can be no doubt that such graceful amenities help to oil the

wheels of life. Then if you like to walk, have you not the Prater, with

its fine old trees and magnificent red deer, and its endless range of

woodland scenery, reminding you of your own Windsor forest at home; if

you wish to drive, there is much beautiful country in the immediate

vicinity of the town; or would you prefer a quiet chat in the friendly

intimacy of a morning visit, the Viennese ladies are the most

conversational and the most hospitable in the world. Then you dine at

half-past five, because the opera begins at seven, and with such a band

who would miss the overture? Again, you enter a brilliant, well-lighted

apartment, gay with well-dressed women and Austrian officers in their

handsome uniforms, all full of politeness, _bonhommie_, and real

kindness towards a stranger. Perhaps you occupy the next table to

Meyerbeer, and you are more resolved than ever not to be too late. At

seven you enjoy the harmony of the blessed, at a moderate outlay that

would hardly pay for your entrance half-price to a farce in a London

theatre, and at ten o'clock your day is over, and you may seek your

couch.

I confess I liked Vienna very much. My intimacy with Victor gave me at

once an introduction into society, and my old acquaintance with the

German language made me feel thoroughly at home amongst these frank and

warm-hearted people. It has always appeared to me that there is more

homely kindliness, more _heart_, and less straining after effect in

German society than in any other with which I am acquainted. People are

less artificial in Vienna than in Paris or in London, better satisfied

to be taken for what they really are, and not what they wish to be, more

tolerant of strangers, and less occupied about themselves.

I spent my days very happily. Victor had recovered his spirits, those

constitutional good spirits that in the young it requires so much

suffering to damp, that once lost never return again. Valerie was

charming as ever, it may be a little more reserved than formerly, but

all the more kind and considerate on that account; then when I wearied

of society and longed for solitude and the indulgence of my own

reflections, could I not pace those glorious galleries of ancient art,

and feast my eyes upon the masterpieces of Rubens or Franceschini, in

the Hotel Liechtenstein and the Belvedere? My father's blood ran in my

veins, and although I had always lacked execution to become a painter,

keenly and dearly could I appreciate the excellencies of the divine art.

Ah! those Rubenses, I can see them now! the glorious athletic

proportions of the men, heroes and champions every one; the soft,

sensuous beauty of the women,--none of your angels, or goddesses, or

idealities, but, better still, warm, breathing, loving, palpable women,

the energy of action, the majesty of repose, the drawing, the colouring,

but above all the honest manly sentiment that pervades every picture.

The direct intention so truthfully carried out to bid the human form and

the human face express the passions and the feelings of the human heart.

I could look at them for hours.

Valerie used to laugh at me for what she called my new passion--my

devotion to art; the goddess whom I had so neglected in my childhood,

when with my father's assistance I might have wooed and won from her

some scraps of favour and encouragement. One morning I prevailed on

Victor and his sister to accompany me to the Hotel Liechtenstein, there

to inspect for the hundredth time what the Countess termed my "last and

fatal attachment," a Venus and Adonis of Franceschini, before which I

could have spent many a long day, quenching the thirst of the eye. It

was in my opinion the _chef-d'oeuvre_ of the master; and yet, taking it

as a whole, there was no doubt it was far from a faultlessly-painted

picture. The Adonis appeared to me stiffly and unskilfully drawn, as he

lay stretched in slumber, with his leash of hounds, undisturbed by the

nymphs peering at him from behind a tree, or the fat golden-haired

Cupids playing on the turf at his feet. All this part of the picture I

fancied cold and hard; but it was the Venus herself that seemed to me

the impersonation of womanly beauty and womanly love. Emerging from a

cloud, with her blue draperies defining the rounded symmetry of her

form, and leaving one exquisite foot bare, she is gazing on the

prostrate hunter with an expression of unspeakable tenderness and

self-abandonment, such as comes but once in a lifetime over woman's

face. One drooping hand carelessly lets an arrow slip through its

fingers, the other fondling a rosy Cupid on her knee, presses his cheek

against her own, as though the love overflowing at her heart must needs

find relief in the caresses of her child.

"It is my favourite picture of all I ever saw, except one," I remarked

to my two companions as we stopped to examine its merits; I to point out

its beauties, they maliciously to enumerate its defects.

"And that other?" asked Valerie, with her quick, sharp glance.

"Is one you never saw," was my reply, as I thought of the "Dido" in the

old dining-room at Beverley. "It is an Italian painting with many

faults, and probably you would not admire it as much as I do."

Valerie was not listening; her attention was fixed on a party of

strangers at the other end of the room. "_Tenez, ce sont des Anglais_,"

said she, with that intuitive perception of an islander which seems born

in all continental nations. I knew it before she spoke. The party

stopped and turned round--two gentlemen and a lady. I only saw _her_;

of all the faces, animate and inanimate, that looked downward with

smiles, or upward with admiration, in that crowded gallery, there was

but one to me, and that one, was Constance Beverley's.

I have a confused recollection of much hand-shaking and

"How-do-you-do's?" and many expressions of wonder at our meeting

_there_, of all places in the world, which did not strike me as so

_very_ extraordinary after all. And Valerie was _so_ enchanted to make

Miss Beverley's acquaintance; she had heard so much of her from Victor,

and it was so delightful they should all be together in Vienna just at

this gay time; and was as affectionate and demonstrative as woman always

is with her sister; and at the same time scanned her with a

comprehensive glance, which seemed to take in at once the charms of mind

and body, the graces of nature and art, that constituted the weapons of

her competitor. For women are always more or less rivals; and with all

her keenness of affections and natural softness of disposition, there is

an unerring instinct implanted in the breast of every one of the gentler

sex, which teaches her that her normal state is one of warfare with her

kind--that "her hand is against every woman, and every woman's hand

against her."

I dared not look in Miss Beverley's face as I shook her hand; I fancied

her voice was _harder_ than it used to be. I was sure her manner to _me_

was as cold as the merest forms of politeness would admit. She took

Victor's arm, however, with an air of _empressement_ very foreign to the

reserve which I remembered was so distinguishing a characteristic in her

demeanour. I heard her laughing at his remarks, and recalling to him

scenes in London and elsewhere, which seemed to afford great amusement

to themselves alone. Even Ropsley looked graver than usual, but masked

his astonishment, or whatever it was, under a great show of civility to

Valerie, who received his attentions, as she did those of every

stranger, with a degree of pleasure which it was not in her nature to

conceal. Sir Harry fell to my share, and I have a vague recollection of

his being more than ever patronising and paternal, and full of good

advice and good wishes; but the treasures of his wisdom and his little

worldly sarcasms were wasted on a sadly heedless ear.

I put him into his carriage, where _she_ was already seated. I ventured

on one stolen look at the face that had been in my dreams, sleeping and

waking, for many a long day. It was pale and sad; but there was a hard,

fixed expression that I did not recognise, and she never allowed her

eyes to meet mine.

How cold the snowy streets looked; and the dull grey sky, as we walked

home to our hotel--Victor and Ropsley on either side of Valerie, whilst

I followed, soberly and silently, in the rear.

The Interpreter: A Tale of the War · 第 27 / 47 章