CHAPTER XIV

THE PICTURE

My father was very weak, and looked dreadfully ill: the doctor had

recommended repose and absence of all excitement; "especially," said the

man of science, "let us abstain from painting. Gentle exercise,

generous living, and quiet, absolute quiet, sir, can alone bring us

round again." Notwithstanding which professional advice, I found the

patient in his dressing-gown, hard at work as usual with his easel and

colours, but this time the curtain was not hastily drawn over the

canvas, and my father himself invited me to inspect his work.

I came in heated and excited; my father was paler than ever, and seemed

much exhausted. He looked very grave, and his large dark eyes shone

with an ominous and unearthly light.

"Vere," said he, "sit down by me. I have put off all I had to say to

you, my boy, till I fear it is too late. I want to speak to you now as

I have never spoken before. Where have you been this morning, Vere?"

I felt my colour rising at the question, but I looked him straight in

the face, and answered boldly, "At Beverley Manor, father."

"Vere," he continued, "I am afraid you care for Miss Beverley,--nay, it

is no use denying it," he proceeded; "I ought to have taken better care

of you. I have neglected my duty as a father, and my sins, I fear, are

to be visited upon my child. Look on that canvas, boy; the picture is

finished now, and my work is done. Vere, that is your mother."

It was the first time I had ever heard that sacred name from my father's

lips. I had often wished to question him about her, but I was always

shy, and easily checked; whilst he from whom alone I could obtain

information, I have already said, was a man that brooked no inquiries on

a subject he chose should remain secret, so that hitherto I had been

kept in complete ignorance of the whole history of one parent. As I

looked on her likeness now, I began for the first time to realise the

loss I had sustained.

The picture was of a young and gentle-looking woman, with deep, dark

eyes, and jet-black hair; a certain thickness of eyebrows and width of

forehead denoted a foreign origin; but whatever intensity of expression

these peculiarities may have imparted to the upper part of her

countenance, was amply redeemed by the winning sweetness of her mouth,

and the delicate chiselling of the other features. She was pale of

complexion, and looked somewhat sad and thoughtful; but there was a

depth of trust and affection in those fond eyes that spoke volumes for

the womanly earnestness and simplicity of her character. It was one of

those pictures that, without knowing the original, you feel at once must

be a likeness. I could not keep down the tears as I whispered, "Oh,

mother, mother, why did I never know you?"

My father's face grew dark and stern: "Vere," said he, "the time has

come when I must tell you all. It may be that your father's example may

serve as a beacon to warn you from the rock on which so many of us have

made shipwreck. When I was your age, my boy, I had no one to control

me, no one even to advise. I had unlimited command of money, a high

position in society, good looks--I may say so without vanity

now--health, strength, and spirits, all that makes life enjoyable, and I

enjoyed it. I was in high favour with the Prince. I was sought after

in society; my horses won at Newmarket, my jests were quoted in the

Clubs, my admiration was coveted by the 'fine ladies,' and I had the

ball at my foot. Do you think I was happy? No. I lived for myself; I

thought only of pleasure, and of pleasure I took my fill; but pleasure

is a far different thing from happiness, or should I have wandered away

at the very height of my popularity and success, to live abroad by

myself with my colours and sketch-book, vainly seeking the peace of mind

which was not to be found at home? I was bored, Vere, as a man who leads

an aimless life always is bored. Fresh amusements might stave off the

mental disease for a time, but it came back with renewed virulence; and

I cared not at what expense I purchased an hour's immunity with the

remedy of fierce excitement. But I never was faithless to my art.

Through it all I loved to steal away and get an hour or two at the

easel. Would I had devoted my lifetime to it. How differently should I

feel now.

"One winter I was painting in the Belvidere at Vienna. A young girl

timidly looked over my shoulder at my work, and her exclamation of

artless wonder and admiration was so gratifying, that I could not resist

the desire of making her acquaintance. This I achieved without great

difficulty. She was the daughter of a bourgeois merchant, one not

moving in the same society as myself, and, consequently, unknown to any

of my associates. Perhaps this added to the charm of our acquaintance;

perhaps it imparted the zest of novelty to our intercourse. Ere I

returned to London, I was fonder of Elise than I had ever yet been of

any woman in the world. Why did I not make her mine? Oh! pride and

selfishness; I thought it would be a _mesalliance_--I thought my London

friends would laugh at me--I thought I should lose my liberty.--Liberty,

forsooth! when one's will depends on a fool's sneer. And yet I think if

I had known her faith and truth, I would have given up all for her, even

then. So I came back to England, and the image of my pale, lovely Elise

haunted me more than I liked. I rushed deeper into extravagance and

dissipation; for two years I gambled and speculated, and rioted, till at

the end of that period I found ruin staring me in the face. I saved a

competency out of the wreck of my property; and by Sir Harry's

advice--our neighbour, Vere; you needn't wince, my boy--I managed to

keep the old house here as a refuge for my old age. Then, and not till

then, I thought once more of Elise--oh, hard, selfish heart!--not in the

wealth and luxury which I ought to have been proud to offer up at her

feet, but in the poverty and misfortune which I felt would make her love

me all the better. I returned to Vienna, determined to seek her out and

make her my own. I soon discovered her relatives; too soon I heard what

had become of her. In defiance of all their wishes, she had resolutely

refused to make an excellent marriage provided for her according to the

custom of her country. She would give no reasons; she obstinately

denied having formed any previous attachment; but on being offered the

alternative, she preferred 'taking the veil,' and was even then a nun,

immured in a convent within three leagues of Vienna. What could I do?

Alas! I know full well what I ought to have done; but I was headstrong,

violent, and passionate: never in my life had I left a desire

ungratified, and now could I lose the one ardent wish of my whole

existence for the sake of a time-worn superstition and an unmeaning vow?

Thus I argued, and on such fallacious principles I acted.

"Vere, my boy, right is right, and wrong is wrong. You always know in

your heart of hearts the one from the other. Never stifle that

instinctive knowledge, never use sophistry to persuade yourself you may

do that which you feel you ought not. I travelled down at once to the

convent. I heard her at vespers; I knew that sweet, silvery voice

amongst all the rest. As I stood in the old low-roofed chapel, with the

summer sunbeams streaming across the groined arches and the quaint

carved pews, and throwing a flood of light athwart the aisle, while the

organ above pealed forth its solemn tones, and called us all to

repentance and prayer, how could I meditate the evil deed? How could I

resolve to sacrifice her peace of mind for ever to my own wild

happiness? Vere, I carried her off from the convent--I eluded all

pursuit, all suspicion--I took her with me to the remotest part of

Hungary, her own native country. For the first few weeks I believe she

was deliriously happy, and then--it broke her heart. Yes, Vere, she

believed she had lost her soul for my sake. She never reproached me--she

never even repined in words; but I saw, day after day, the colour fading

on her cheek, the light growing brighter in her sunken eye. She drooped

like a lily with a worm at its core. For one short year I held her in

my arms; I did all that man could to cheer and comfort her--in vain.

She smiled upon me with the wan, woful smile that haunts me still; and

she died, Vere, when you were born." My father hid his face for a few

seconds, and when he looked up again he was paler than ever.

"My boy," he murmured, in a hoarse, broken voice, "you have been

sacrificed. Forgive me, forgive me, my child; _you are illegitimate_."

I staggered as if I had been shot--I felt stunned and stupefied--I saw

the whole desolation of the sentence which had just been passed upon me.

Yes, I was a bastard; I had no right even to the name I bore. Never

again must I hold my head up amongst my fellows; never again indulge in

those dreams of future distinction, which I only now knew I had so

cherished; _never, never_ think of Constance more! It was all over now;

there was nothing left on earth for me.

There is a reaction in the nature of despair. I drew myself up, and

looked my father steadily in the face.

"Father," I said, "whatever happens, I am your son; do not think I shall

ever reproach you. Even now you might cast me off if you chose, and

none could blame you; but I will never forget you,--whatever happens, I

will always love you the same." He shook in every limb, and for the

first time in my recollection, he burst into a flood of tears; they

seemed to afford him relief, and he proceeded with more composure--

"I can never repay the injury I have done you, Vere; and now listen to

me and forgive me if you can. All I have in the world will be yours; in

every respect I wish you to be my representative, and to bear my name.

No one knows that I was not legally married to _her_, except Sir Harry

Beverley. Vere, your look of misery assures me that I have told you

_too late_. I am indeed punished in your despair. I ought to have

watched over you with more care. I had intended to make you a great

man, Vere. In your childhood I always hoped that my own talent for art

would be reproduced in my boy, and that you would become the first

painter of the age, and then none would venture to question your

antecedents or your birth. When I found I was to be disappointed in

this respect, I still hoped that with the competency I shall leave you,

and your own retired habits, you might live happily enough in ignorance

of the brand which my misconduct has inflicted on you. But I never

dreamed, my child, that you should set your heart on _his_ daughter, who

can alone cast this reproach in your teeth. It is hopeless--it is

irretrievable. My boy, my boy! your prospects have been ruined, and now

I fear your heart is breaking, and all through me. My punishment is

greater than I can bear."

My father stopped again. He was getting fearfully haggard, and seemed

quite exhausted. He pointed to the picture which he had just completed.

"Day after day, Vere," he murmured, "I have been working at that

likeness, and day after day her image seems to have come back more

vividly into my mind. I have had a presentiment, that when it was quite

finished it would be time for me to go. It is the best picture I ever

painted. Stand a little to the left, Vere, and you will get it in a

better light. I must leave you soon, my boy, but it is to go to her.

Forgive me, Vere, and think kindly of your old father when I am gone.

Leave me now for a little, my boy; I must be alone. God bless you,

Vere!"

[Illustration: "'My father was apparently asleep...!'" _Page 111_]

I left the painting-room, and went into the garden to compose my mind,

and recover, if possible, from the stunning effects of my father's

intelligence. I walked up and down, like a man in a dream. I could not

yet realise the full extent of my misery. The hours passed by, and

still I paced the gravel walk under the yew-trees, and took no heed of

time or anything else. At length a servant came to warn me that dinner

was waiting, and I went back to the painting-room to call my father.

The door was not locked, as it had hitherto been, and my father was

apparently asleep, with his head resting on one arm, and the brush,

fallen from his other hand, on the floor. As I touched his shoulder to

wake him, I remarked that hand was clenched and stiff. Wake him! he

would never wake again. How I lived through that fearful evening I know

not. There was a strange confusion in the house,--running up and down

stairs, hushed voices, ghostly whisperings. The doctors came. I know

not what passed. They called it aneurism of the heart; I recollect that

much; but everything was dim and indistinct till, a week afterwards,

when the funeral was over, I seemed to awake from a dream, and to find

myself alone in the world.

The Interpreter: A Tale of the War · 第 14 / 47 章