CHAPTER XII

ALTON GRANGE

A dreary old place was Alton Grange, and one which would have had a

sobering, not to say saddening, effect, even on the most mercurial

temperament. To one naturally of a melancholy turn of mind, its aspect

was positively dispiriting. Outside the house the grounds were

overgrown with plantations and shrubberies, unthinned, and luxuriating

into a wilderness that was not devoid of beauty, but it was a beauty of

a sombre and uncomfortable character. Every tree and shrub of the

darkest hues, seemed to shut out the sunlight from Alton Grange. Huge

cedars overshadowed the slope behind the house; hollies, junipers, and

yew hedges kept the garden in perpetual night. Old-fashioned terraces,

that should have been kept in perfect repair, were sliding into decay

with mouldering walls and unpropped banks, whilst a broken stone

sun-dial, where sun never shone, served but to attract attention to the

general dilapidation around.

It was not the old family place of the Egertons. That was in a northern

county, and had been sold by my father in his days of wild extravagance,

long ago; but he had succeeded to it in right of his mother, at a time

when he had resolved, if possible, to save some remnant from the wreck

of his property, and, when in England, he had resided here ever since.

To me it was home, and dearly I loved it, with all its dulness and all

its decay. The inside corresponded with the exterior. Dark passages,

black wainscotings, everywhere the absence of light; small as were the

windows, they were overhung with creepers, and the walls were covered

with ivy; damp in winter, darkness in summer, were the distinguishing

qualities of the old house. Of furniture there was but a scanty supply,

and that of the most old-fashioned description: high-backed chairs of

carved oak, black leathern _fauteuils_, chimney-pieces that the tallest

housemaid could never reach to dust, would have impressed on a stranger

ideas of anything but comfort, whilst the decorations were confined to

two or three hideous old pictures, representing impossible sufferings of

certain fabulous martyrs; and one or two sketches of my father's, which

had arrived at sufficient maturity to leave the painting-room, and adorn

the every-day life of the establishment.

The last-named apartment was cheerful enough: it was necessarily

supplied with a sufficiency of daylight, and as my father made it his

own peculiar den, and spent the greater part of his life in it, there

were present many smaller comforts and luxuries which might have been

sought elsewhere in the house in vain. But no room was ever comfortable

yet without a woman. Men have no idea of order without formality, or

abundance without untidiness. My father had accumulated in his own

particular retreat a heterogeneous mass of articles which should have

had their proper places appointed, and had no business mixed up with his

colours, and easel, and brushes. Sticks, whips, cloaks, umbrellas,

cigar-boxes, swords, and fire-arms were mingled with lay-figures,

models, studies, and draperies, in a manner that would have driven an

orderly person out of his senses; but my father never troubled his head

about these matters, and when he came in from a walk or ride, would

fling his hat down in one corner of the room, the end of his cigar in

another, his cloak or whip in a third, and begin painting again with an

avidity that seemed to grow fiercer from the enforced abstinence of a

few hours in taking necessary exercise. My poor father! I often think

if he had devoted less attention to his art, and more to the common

every-day business of life, which no one may neglect with impunity, how

much better he would have succeeded, both as a painter and a man.

He was hard at work when I came home from school. I knew well where to

find him, and hurried at once to the painting-room. He was seated at

his easel, but as I entered he drew a screen across the canvas, and so

hid his work from my inquiring gaze. I never knew him do so before; on

the contrary, it had always seemed his greatest desire to instil into

his son some of his own love for the art; but I had hardly time to think

of this ere I was in his arms, looking up once more in the kind face, on

which I never in my whole life remembered to have seen a harsh

expression. He was altered, though, and thinner than when I had seen

him last, and his hair was now quite grey, so that the contrast with his

flashing dark eye--brighter it seemed to me than ever--was almost

unearthly. His hands, too, were wasted, and whiter than they used to be,

and the whole figure, which I remembered once a tower of strength, was

now sunk and fallen in, particularly about the chest and shoulders.

When he stood up, it struck me, also, that he was shorter than he used

to be, and my heart tightened for a moment at the thought that, he might

be even now embarking on that long journey from which there is no

return. I remembered him such a tall, handsome, stalwart man, and now

he seemed so shrunk and emaciated, and quite to totter and lean on me

for support.

"You are grown, my boy," said he, looking fondly at me; "you are getting

quite a man now, Vere; it will be sadly dull for you at the Grange: but

you must stay with your old father for a time--it will not be for

long--not for long," he repeated, and his eye turned to the screened

canvas, and a glance shot from it that I could hardly bear to see--so

despairing, yet so longing--so wild, and yet so fond. I had never seen

him look thus before, and it frightened me.

Our quiet meal in the old oak parlour--our saunter after dinner through

the dark walks and shrubberies--all was so like the olden time, that I

felt quite a boy again. My father lighted up for a time into his former

good spirits and amusing sallies, but I remarked that after every flash

he sank into a deeper dejection, and I fancied the tears were in his

eyes as he wished me good-night at the door of the painting-room. I

little thought when I went to bed that it was now his habit to sit

brooding there till the early dawn of morning, when he would retire for

three or four hours to his rest.

So the time passed away tranquilly and dully enough at Alton Grange. My

father was ever absorbed in his painting, but studied now with the door

locked, and even I was only admitted at stated times, when the

mysterious canvas was invariably screened. My curiosity, nay more, my

interest, was intensely excited; I longed, yet feared, to know what was

the subject of this hidden picture; twenty times was I on the point of

asking my father, but something in his manner gave me to understand that

it was a prohibited subject, and I forbore. There was that in his

bearing which at once checked curiosity on a subject he was unwilling to

reveal, and few men would have dared to question my father where he did

not himself choose to bestow his confidence.

I read much in the old library; I took long walks once more by myself; I

got back to my dreams of Launcelot and Guenever, and knights and dames,

and "deeds of high emprize." More than ever I experienced the vague

longing for something hitherto unknown, that had unconsciously been

growing with my growth, and strengthening with my strength,--the

restless craving of which I scarcely guessed the nature, but which

weighed upon my nervous, sensitive temperament till it affected my very

brain. Had I but known then the lesson that was to be branded on my

heart in letters of fire,--could I but have foreseen the day when I

should gnaw my fetters, and yet not wish to be free,--when all that was

good, and noble, and kindly in my nature should turn to bitter

self-contempt, and hopeless, helpless apathy,--when love, fiercer than

hatred, should scorch and sting the coward that had not strength nor

courage to bear his burden upright like a man,--had I but known all

this, I had better have tied a millstone round my neck, and slept twenty

feet deep below the mere at Beverley, than pawned away hope, and life,

and energy, and manhood, for a glance of her dark eyes, a touch of her

soft hand, from the heiress of Beverley Manor.

Yes, Alton Grange was distant but a short walk from Beverley. Many a

time I found myself roaming through the old trees at the end of the

park, looking wistfully at the angles and turrets of the beautiful Manor

House, and debating within myself whether I ought or ought not to call

and renew an acquaintance with the family that had treated me so kindly

after the scrape brought on by Bold's insubordination. That favourite

was now a mature and experienced retriever, grave, imperturbable, and of

extraordinary sagacity. Poor Bold! he was the handsomest and most

powerful dog I ever saw, with a solemn expression of countenance that

denoted as much intellect as was ever apparent on the face of a human

being. We were vastly proud of Bold's beauty at the Grange, and my

father had painted him a dozen times, in the performance of every feat,

possible or impossible, that it comes within the province of a retriever

to attempt. Bold was now my constant companion; he knew the way to

Beverley as well as to his own lair in my bed-room, where he slept. Day

after day he and I took the same road; day after day my courage failed

me at the last moment, and we turned back without making the intended

visit. At last, one morning, while I strolled as usual among the old

trees at one extremity of the park, I caught sight of a white dress

rounding the corner of the house, and entering the front door. I felt

sure it could only belong to one, and with an effort that quite

surprised even myself, I resolved to master my absurd timidity, and walk

boldly up to call.

I have not the slightest recollection of my ringing the door-bell, nor

of the usual process by which a gentleman is admitted into a

drawing-room; the rush of blood to my head almost blinded me, but I

conclude that instinct took the place of reason, and that I demeaned

myself in no such incoherent manner as to excite the attention of the

servants, for I found myself in the beautiful drawing-room, which I

remembered I had thought such a scene of fairyland years before, and

seated, hat in hand, opposite Miss Beverley.

She must have thought me the stupidest morning visitor that ever

obtained entrance into a country-house; indeed, had it not been for the

good-natured efforts of an elderly lady with a hooked nose, who had been

her governess, and was now a sort of companion, Miss Beverley would have

had all the conversation to herself; and I am constrained to admit that

once or twice I caught an expression of surprise on her calm sweet face,

that could only have been called up by the very inconsequent answers of

which I was guilty in my nervous abstraction. I was so taken up in

watching and admiring her, that I could think of nothing else. She was

so quiet and self-possessed, so gentle and ladylike, so cool and

well-dressed. I can remember the way in which her hair was parted and

arranged to this day. She seemed to me a being of a superior order,

something that never could by any possibility belong to the same sphere

as myself. She was more like the picture of Queen Dido than ever, but

the queen, happy and fancy free, with kindly eyes and unruffled brow;

not the deceived, broken-hearted woman on her self-selected death-bed.

I am not going to describe her--perhaps she was not beautiful to

others--perhaps I should have wished the rest of the world to think her

positively hideous--perhaps she was _then_ not so transcendently

beautiful even to me; nay, as I looked, I could pick faults in her

features and colouring. I had served a long enough apprenticeship to my

father to be able to criticise like an artist, and I could see here a

tint that might be deepened, there a plait that might be better

arranged--I do not mean to say she was perfect--I do not mean to say

that she was a goddess or an angel; but I do mean to say that if ever

there was a face on earth which to me presented the ideal of all that is

sweetest and most lovable in woman, that face was Constance Beverley's.

And yet I was not in love with her; no, I felt something exalting,

something exhilarating in her presence--she seemed to fill the void in

my life, which had long been so wearisome, but I was not in love with

her--certainly not then. I felt less shy than usual, I even felt as if

I too had some claim to social distinction, and could play my part as

well as the rest on the shifting stage. She had the happy knack of

making others feel in good spirits and at their ease in her society. I

was not insensible to the spell, and when Sir Harry came in, and asked

kindly after his old friend, and promised to come over soon and pay my

father a visit, I answered frankly and at once; I could see even the

thoughtless Baronet was struck with the change in my manner, indeed he

said as much.

"You must come over and stay with us, Mr. Egerton," was his hospitable

invitation; "or if your father is so poorly you cannot leave him, look

in here any day about luncheon-time. I am much from home myself, but

you will always find Constance and Miss Minim. Tell your father I will

ride over and see him to-morrow. I only came back yesterday. How

you're grown, my lad, and improved--isn't he, Constance?"

I would have given worlds to have heard Constance's answer, but she

turned the subject with an inquiry after Bold (who was at that instant

waiting patiently for his master on the door-step), and it was time to

take leave, so I bowed myself out, with a faithful promise, that I was

not likely to forget, of calling again soon.

"So she has not forgotten Bold," I said to myself, at least twenty

times, in my homeward walk; and I think, fond as I had always been of my

dog, I liked him that day better than ever.

"Father," I said, as I sat that evening after dinner, during which meal

I felt conscious that I had been more lively, and, to use an expressive

term, "better company," than usual; "I must write to London for a new

coat, that black one is quite worn out."

"Very well, Vere," answered my father, abstractedly; "tell them to make

it large enough--you grow fast, my boy."

"Do you think I am grown, father? Indeed, I am not so very little of my

age now; and do you know, I was the strongest boy at Everdon, and could

lift a heavier weight than Manners the usher; but, father"--and here I

hesitated and stammered, till reassured by the kind smile on his dear

old face,--"I don't mind asking you, and I _do_ so wish to know--am I so

_very, very_--ugly?" I brought out the hated word with an effort--my

father burst out laughing.

"What an odd question--why do you wish to know, Vere?" he asked. I made

no reply, but felt I was blushing painfully. My father looked wistfully

at me, while an expression as of pain contracted his wan features; and

here the conversation dropped.

The Interpreter: A Tale of the War · 第 12 / 47 章