Sarah Greene wakened in the night straight from deep sleep to
considerable pain.
She had wakened often these last few months to that same rending pain
which numbed her elbow, ran up her under arm, stabbed fiercely at her
arm-pit and concentrated itself in an agonising grasp of her left
breast.
She had lain on her back panting and sweating, conscious of her heart
thumping unevenly, waiting for the first moment of relief when she
would be able to stretch out her hand for the opiate that was always
ready by her bed: an opiate too mild to give sleep, but strong enough
to dull the edge of the attack.
When this stage had been reached and she was no longer abandoned to
the horror of the moment, Mrs. Greene almost invariably found herself
betrayed into moments, and even hours, of pure panic, when
speculation as to the nature of her disease forced itself on her
reluctant mind.
Time and again she had brought herself to the point of deciding to
see a specialist; time and again she had told herself that she knew
what it was--cancer--and she would repeat the word, Cancer; cancer is
what is wrong with you Sarah Greene; but always there had been an
element of uncertainty to torment her with a hope too frail to build
on but too tough to disregard.
These hours of desperate indecision had culminated at last in the
appointment with Dr. Stiff, whose verdict left no loophole, as Mrs.
Greene remembered when the pain began to subside.
Instead, she was conscious of a feeling of comfortable relaxation.
The ugly possibility established as an inevitable fact, had lost its
horror; it simply had to be accepted and dealt with.
Lying there with her face turned to the small window of Mary's spare
bedroom Sarah Greene found that she was perfectly happy. Now that no
further struggle was possible and that a conclusion had been reached,
she had fallen into a condition of luxurious restfulness which she
decided would probably last till her death, broken of course by
successive bouts of pain, and by small variations of mood. But
fundamentally she was at ease and likely to remain so.
A small wind blew along the street between the two rows of tall
narrow houses, and fluttered the curtains at her window.
She sighed; it was a London wind; even in the cool of the autumn
night long before dawn, it was a London wind. She got up restlessly,
put on a dressing-gown and sat down in a chair beside the low window.
The house opposite seemed indecently near and indecently small.
There could be no dignity of life in so cabined a space. Everywhere
she saw a huddle of houses and chimneys. Wind blew along the street
again and a casement curtain flapped out of the window opposite and
filled her with distaste. It was so close to her, this grotesquely
flapping piece of linen that belonged to people whose name she did
not know, whose lives were alien to hers.
A sudden nostalgia for Lynton broke like a storm in her heart; Lynton
where her windows looked out on lawns and fields and beech trees, and
even the sky seemed more remote.
She stood up, her fingers pressed nervously on the window sill, and
whispered, "I must go back to Lynton, I must go at once. It's
impossible to spend a whole week in town. I'll go to-morrow."
There was a gentle knock at the door. Resentful of any intrusion she
said sternly, "Come in," and waited, a rigid small figure at the
window.
Roger came quietly round the door and shut it carefully.
"May I come in for a few minutes?" he asked, "Mary's asleep, but I
wakened up and heard you moving about, and thought I'd like to come
and talk to you. I've had a feeling all evening that there was
something wrong, or not exactly wrong; I don't quite know."
He broke off uncertainly, then lifted a chair over to the window and
said gently:
"Let's sit and talk for a little; will you tell me if there's
anything on your mind?"
Mrs. Greene sat down again. Her resentment had died. Roger in
pyjamas and dressing-gown looked young and tentative, and yet there
was about him an air of steadfastness that suited the occasion. She
looked at him and said lightly:
"My dear, this is a very funny scene. You and I sitting here at the
window in the middle of a cold November night."
But Roger only answered:
"Don't put me off, Aunt Sarah. I feel there is something wrong, and
I do want you to tell me."
She sat silent. It had never occurred to her to take anyone into her
confidence; the thought of being pitied was too upsetting; but Roger
was different. He would be able to help; he was strong and reliable
and dignified. Supposing she told him, he would not obtrude his
knowledge of her secret during the next few months, and indeed he
must be fond of her, she decided, or he would never have guessed at
the existence of trouble for he was not naturally intuitive.
She took a rapid decision and then spoke.
"I'm glad you came in to-night, Roger. I would like to tell you
something rather important both to you and to me. I had never
thought of telling, but now I feel I would like to do so."
She paused for a moment, looking down into the quiet street, and then
continued:
"I saw a specialist to-day as you know, and he told me what I've
feared for some months. I've got cancer, Roger dear, and they can't
operate or do anything for it."
Unconsciously she tightened her grasp of his hand and hurried on.
"And you see dear, I haven't much time left; only a few months in
fact, and you can help me to arrange all sorts of things if you will."
She stopped, a little breathless, and looked at Roger. He was
sitting very still but she could see the muscles of his throat
twisting as he swallowed and swallowed again, still in silence. When
at last he answered her his voice came huskily from a dry throat.
"I never guessed at anything like this, Aunt Sarah. I never dreamed
of anything so terrible. I don't suppose you want me to tell you how
sorry I am"--He broke off and then burst out, "It's hopelessly
inadequate just to say I'm sorry; it means far more than that."
"Hush, my dear, you'll waken Mary if you talk so loud; and listen,
Roger, I don't want you to feel like this. I'm an old woman and I've
not got much to live for, so it seems quite natural and right to me.
I don't want you to get worked up about it; I want you to help me."
"Of course I will," answered Roger. "You must tell me what to do.
But you must realise, Aunt Sarah, that this is a bad knock to me;
it's so awful to have you here like this, here with me now, and to
know at the same time that you're so ill."
He was obviously unstrung, but Sarah Greene was too intent on her
subject even to notice. Her soft untroubled voice went on:
"It isn't awful to know beforehand, Roger; it's splendid, because of
Lynton. Lynton really is important, and I can make so many
preparations now that I know. I'm leaving it to you, Roger--money
too, of course, but that doesn't matter. It's the house and land
that matter. You'll live there, you and Mary; your children will be
born there, and when you die your son will have it. Are you
listening Roger dear, do you understand?"
Roger relaxed his attitude of strained attention; he had caught
something of the urgency of her preoccupation.
"I love Lynton," he said simply. "It will entirely change my life.
You know I'm not very happy in my work and living like this, but I
can be absolutely happy at Lynton, and I'll try to have things
exactly as you would like them. It's absurd to thank you, Aunt
Sarah; Lynton isn't a Christmas present, but I promise you I'll keep
it up to standard."
"It does reassure me to hear you say that," Mrs. Greene answered
happily, "I know you love it, Roger, and there will be enough money
to keep it as it ought to be kept."
Her eyes were vague, her thoughts abstracted as she brooded over the
years during which her life had been bound up with the life of Lynton.
"You know, I've lived there all my life," she went on, "except for
the first three years after I married. There was never enough money
when I was a girl; the house got shabbier and shabbier, and there
were only two labourers for the gardens, and everything was
over-grown; even the lawns had to be scythed and looked like rough
meadows. And then I married Hugh and he loved it nearly as much as I
did, and even during the three years when Mamma was still alive, he
spent a little money here, and a little there, very secretly and
carefully so that she shouldn't guess."
"Where were you living then, Aunt Sarah?" interrupted Roger.
"We had taken a house not far from Lynton. You know it surely; it's
called Willowes, only about two miles the other side of Petworth. Of
course Hugh came up to town during the week; he was very busy you
know. Geoffrey had refused to go into his father's business, so Hugh
stepped into old Mr. Greene's shoes when he died. I came up
sometimes, but not very often. Then when Mamma died we went to live
at Lynton of course, and Hugh gave me a free hand. I put the house
right first; it was the easiest, but then it took a long time to work
up the gardens, and the lawns didn't come right for years. And you
see the tenants hadn't had anything done for them for a long time, so
I had to be very judicious. The farms needed new roofs and some
wanted new outbuildings, and the fences and gates were in a shocking
state, but we improved it all slowly."
Mrs. Greene fell silent, thinking gratefully of all that her
husband's money had been able to do for the place she loved.
"And now of course it's perfect," said Roger soberly.
She caught eagerly at the word.
"Yes, I think it is perfect, but you know it would go downhill at
once if it wasn't looked after. And that's why I'm so glad to have
told you all my affairs. You see dear, now I can go over everything
with you, and give you all sorts of details that it would take you
some time to find out for yourself, and so there need be no hitch
later on when you take over."
Both were conscious that this was a reminder of the grim fact
underlying the whole conversation, but to Mrs. Greene it seemed
unimportant, and Roger was enough in tune with her to be able to
concentrate on the one lovely aspect of the situation.
"I'd like to go with you to Lynton," he suggested.
"That's exactly what I want. I feel I must get back there at once
dear. I can't stay on in town. But I don't want to hurt Mary's
feelings, and I must come up again next week for Mrs. Rodney's party.
What is the best thing to do?"
"Do you really want to go at once?"
"Yes, really at once. To-morrow if possible--I suppose I mean
to-day------"
A sudden realisation of the time swept over Mrs. Greene.
The stars had faded and a pale dawn was creeping up the sky.
"It's cold," she said, "and it's some absurd hour in the morning. We
must both go to bed. I don't know what we've been thinking of; this
is all most unusual."
Roger smiled and stood up.
"I'm just going," he said, "but first about plans: We'll tell Mary
that you feel it's too long to stay in town, and that you're going
home to-day, and coming back next week. And I'll join you to-morrow,
Saturday, and spend Sunday with you."
It was surprising that Roger should take the initiative to this
extent; he seemed suddenly to have become more mature, more capable,
and Sarah Greene found the effect very restful.
"Thank you, Roger dear, that will be the best possible plan," she
said, enjoying to the full the rare sensation of being arranged for.
She stood up, shivering a little in the cold morning air.
"You've been the greatest comfort to me," she said, "and I don't want
you to think of this talk as being at all sad. It isn't. Planning
for the future is a very happy thing, and now I'm going to bed again."
Roger kissed her.
"Goodnight, my dear," he said. "Sleep well till breakfast, and rely
on me. I'll take care of Lynton for you."
V
On Saturday morning a dense pearl-coloured mist rose about two feet
above ground, so that walking along her familiar paths Sarah Greene
experienced unfamiliar sensations. Trees and bushes seemed to
balance lightly on the swimming vapour; the gentle slope up to the
garden assumed a fiercer gradient; everything was wet to the touch,
yet no rain fell.
At noon a watery sun gleamed fitfully through the stationary clouds,
but at four o'clock when Roger drove along the beech avenue only
occasional bare branches were dimly visible, and when the car turned
the last corner he saw that the lovely sombre house was softly
shrouded.
Mrs. Greene had spent the afternoon in a state of unreasonable
disappointment. She knew that Roger had arrived at Lynton countless
times in the full splendour of sunlight, but she had determined that
this arrival, too, should have the benison of the sun. He was not
coming this time only as Roger Dodds; he was coming as owner of
Lynton who must also be lover of Lynton.
Proud and confident as she was of the irreproachable beauty of house
and land, she had nevertheless set her heart on showing them off to
their best advantage at this particular moment when Roger would be
likely to see them from a new angle.
His first words dispelled her anxiety.
"Isn't this mist beautiful? I don't think I've ever seen the house
look so lovely and mysterious."
"Does it really strike you like that? I've been feeling so cross
with the weather all afternoon; I wanted sun for you, but it doesn't
matter if you like this."
"I do. I think it's beautiful," repeated Roger emphatically.
"Come and have tea now," said Mrs. Greene, "and just tell me when you
have to go back to town so that I can arrange everything to get the
most value from your visit."
"I must go to-morrow evening about five, I'm afraid. There's a
rotten slow train about then that'll do me quite well."
"Is Monday quite impossible?"
"I'm afraid it is, quite," Roger answered definitely.
"Very well, then," said Mrs. Greene. "After tea and this evening
we'll devote to business. I'll get out the map of the estate and
give you details about all the tenants and go over the books with
you. That will leave us free really to enjoy to-morrow. I think it
will be a lovely day; it often is after a mist like this, and we'll
go for a long walk and have a late lunch.
"I'd like that immensely."
"We'll go down the grass walk to the lower fields where Lynton
marches with Hurstfield and then home through the woods. And
sometime I want you to talk to Hamilton. He's an excellent man and
he can help you a great deal. I'm not quite satisfied with Parks,
the second gardener. We'll ask Hamilton what he thinks of him."
"I've been thinking a lot about Lynton yesterday and to-day," said
Roger, shyly, "and realising how much I like every detail. It's good
the way the house stands four square to the winds, and I like the
Portland stone it's built of. Really the exterior is a lovely
combination of ornament and discretion. It's sound, don't you think?"
"That's exactly what your Uncle Hugh used to say," answered Mrs.
Greene slowly. "Yes, it's sound. Houses are beautifully permanent,
aren't they? I like to think that stone lasts, just as I like to
remember that the beeches will be better for your son than they were
for my grandfather. Lynton consolidates itself with every
generation."
"It's a good point of view," said Roger soberly. "You know I like
stability and soundness. I saw so much chaos in the war that I had a
violent reaction in favour of settled traditional things. In fact
I'm very conventional."
"You have to be conventional if you're going to be at all happy in
the country," Mrs. Greene announced with decision. "I don't mean
because of the people, though there's that too, of course. They are
much more conventional than in town, and they'd be disappointed and
puzzled if one didn't do certain conventional things. But I was
thinking of Nature really. You'll find that the land and the woods
and the gardens all proceed along the most orderly and conventional
lines. Really, Roger, there are no surprises, except that every year
I find the first tulips more lovely than I had remembered. But
nothing bizarre ever happens. Things either go smoothly and the
crops are good and the flowers do well, or else it's warm too early
and we get frost in April and everything is nipped; but either way it
goes by rote."
"Every word you say makes me like it all the more." Roger's face was
serious. "You see I'm rather like that myself. I'm dull; I've no
surprises."
Mrs. Greene attacked him hotly in his own defence.
"Really Roger, what nonsense you talk. It's ridiculous to say you're
dull. I don't find you so at all, and you very often surprise me. I
don't approve of your underrating yourself like that."
Roger laughed.
"I don't mean to underrate myself, but sometimes I feel I'm a dull
dog."
"You never need feel that when you're with me, Roger," said Mrs.
Greene, struggling to express an emotional fact in an unemotional
manner. "You know how fond I am of you, my dear boy, and proud of
you too. You touched me very much by what you said at dinner the
other night about our friendship. I know it was quite true and
genuine, and the more I think of it, the more I am glad to think of
you and Mary living here."
She stood up abruptly.
"Come now, let's go and get out the books; I really have a great deal
to tell you."
Late that night Sarah Greene drew back the curtains of her bedroom
and looked out over the wide lawns to the formally cut box hedge
beyond and to the meadows beyond that, sloping steeply up to the
solitary woods.
A breeze had sprung up dispelling the mist, the heaped-up clouds were
hurrying across the dark sky, and the young clear moon was unrimmed.
"To-morrow will be a wild and lovely day," she said softly, "Lynton
will look its best for Roger."
Confident and contented she got into bed and slept till morning, when
she wakened to just such a day as she had foretold. White clouds
were still hurrying across the sky, but in between it was a deep and
steady blue. Leaves were flying over the lawn; a branch had been
blown off the lime tree near her window and lay untidily on the path
below. Even the solid hedge yielded a little this way and that to
the contrary wind.
It was a sparkling and exhilarating morning. Sarah Greene and Roger
Dodds shared in its exhilaration as they started out before eleven.
They had made no professions of pleasure beyond Roger's casual
comment, "A lovely day, isn't it?" as he came in a little late and
sat down to breakfast. But each was conscious of the other's
happiness, and at times when Mrs. Greene caught Roger's eye, or saw
him lift his head suddenly intent as a fiercer gust battered on the
windows, she felt that they were conspirators who shared a secret too
exquisite to be alluded to.
This feeling persisted. Never before had Roger seemed so responsive.
As they walked at a good pace down the grass path, his hidden
excitement communicated itself to her, and her delight was obvious to
him.
I've never felt like this with anyone but Hugh, she thought. It's
like a discovery. I've never really known Roger before, and now,
just when Lynton and I need him, he suddenly unfolds. It's too
surprising.
A small toad hopped clumsily across their path; his legs as he took
off for each leap seemed incredibly long, and his protruding eyes
were startled. They stopped to watch him, and laughed.
Roger, too, was conscious that a marked change had taken place in
their relationship; it was more alive, and at the same time more
comfortable. It struck neither of them as strange that this should
be so; everything seemed perfectly natural to the ill-assorted pair;
the small woman of seventy, pinched, sallow, dressed in nondescript
clothes, but walking bravely in her sensible shoes, and the tall
untidy young man, with his inexpressive body and face.
Mrs. Greene did not attempt to explain to herself this forward move
in their intimacy. She accepted it as a belated discovery of Roger's
real quality. But as they left the grass walk and trudged through
the busy rustling woods, still not talking, Roger hit on a solution
that satisfied him.
It's the link of succession, he decided; there must be a link of
either love or hate between a person who is going to hand over the
thing he values most highly to someone who values it too. And Aunt
Sarah has neither hate nor resentment for me, so that this particular
situation which might be painful is oddly enough quite easy.
"What are you thinking, Roger?" asked Mrs. Greene suddenly. He
turned his head to smile down at her.
"I was thinking how very comfortable we were," he answered simply.
"I thought that a few minutes ago. I'm very comfortable altogether,
Roger. Mary said to me the other day that she thought I had no
worries, and really, you know, it's perfectly true."
"How big exactly is the estate?" asked Roger inconsequently.
"Two thousand, five hundred and thirty-four acres," Mrs. Greene
answered precisely.
"That ought to provide you with a worry or two," suggested Roger.
"No, it doesn't. I have occasional anxieties but no real worries."