CHAPTER XXX

FRIENDS

"Yes," interrupted Polly eagerly, since, for once, her acumen had been

at least as sharp as his, "but suspicion of that horrible crime only

shifted its taint from one friend to another, and, of course, I know--"

"But that's just it," he quietly interrupted, "you don't know--Mr.

Walter Hatherell, of course, you mean. So did every one else at once.

The friend, weak and willing, committing a crime on behalf of his

cowardly, yet more assertive friend who had tempted him to evil. It was

a good theory; and was held pretty generally, I fancy, even by the

police.

"I say 'even' because they worked really hard in order to build up a

case against young Hatherell, but the great difficulty was that of time.

At the hour when the policeman had seen the two men outside Park Square

together, Walter Hatherell was still sitting in the Harewood Club, which

he never left until twenty minutes to two. Had he wished to waylay and

rob Aaron Cohen he would not have waited surely till the time when

presumably the latter would already have reached home.

"Moreover, twenty minutes was an incredibly short time in which to walk

from Hanover Square to Regent's Park without the chance of cutting

across the squares, to look for a man, whose whereabouts you could not

determine to within twenty yards or so, to have an argument with him,

murder him, and ransack his pockets. And then there was the total

absence of motive."

"But--" said Polly meditatively, for she remembered now that the

Regent's Park murder, as it had been popularly called, was one of those

which had remained as impenetrable a mystery as any other crime had ever

been in the annals of the police.

The man in the corner cocked his funny birdlike head well on one side

and looked at her, highly amused evidently at her perplexity.

"You do not see how that murder was committed?" he asked with a grin.

Polly was bound to admit that she did not.

"If you had happened to have been in Mr. John Ashley's predicament," he

persisted, "you do not see how you could conveniently have done away

with Mr. Aaron Cohen, pocketed his winnings, and then led the police of

your country entirely by the nose, by proving an indisputable _alibi_?"

"I could not arrange conveniently," she retorted, "to be in two

different places half a mile apart at one and the same time."

"No! I quite admit that you could not do this unless you also had a

friend--"

"A friend? But you say--"

"I say that I admired Mr. John Ashley, for his was the head which

planned the whole thing, but he could not have accomplished the

fascinating and terrible drama without the help of willing and able

hands."

"Even then--" she protested.

"Point number one," he began excitedly, fidgeting with his inevitable

piece of string. "John Ashley and his friend Walter Hatherell leave the

club together, and together decide on the plan of campaign. Hatherell

returns to the club, and Ashley goes to fetch the revolver--the revolver

which played such an important part in the drama, but not the part

assigned to it by the police. Now try to follow Ashley closely, as he

dogs Aaron Cohen's footsteps. Do you believe that he entered into

conversation with him? That he walked by his side? That he asked for

delay? No! He sneaked behind him and caught him by the throat, as the

garroters used to do in the fog. Cohen was apoplectic, and Ashley is

young and powerful. Moreover, he meant to kill--"

"But the two men talked together outside the Square gates," protested

Polly, "one of whom was Cohen, and the other Ashley."

"Pardon me," he said, jumping up in his seat like a monkey on a stick,

"there were not two men talking outside the Square gates. According to

the testimony of James Funnell, the constable, two men were leaning arm

in arm against the railings and _one_ man was talking."

"Then you think that--"

"At the hour when James Funnell heard Holy Trinity clock striking

half-past two Aaron Cohen was already dead. Look how simple the whole

thing is," he added eagerly, "and how easy after that--easy, but oh,

dear me! how wonderfully, how stupendously clever. As soon as James

Funnell has passed on, John Ashley, having opened the gate, lifts the

body of Aaron Cohen in his arms and carries him across the Square. The

Square is deserted, of course, but the way is easy enough, and we must

presume that Ashley had been in it before. Anyway, there was no fear of

meeting any one.

"In the meantime Hatherell has left the club: as fast as his athletic

legs can carry him he rushes along Oxford Street and Portland Place. It

had been arranged between the two miscreants that the Square gate should

be left on the latch.

"Close on Ashley's heels now, Hatherell too cuts across the Square, and

reaches the further gate in good time to give his confederate a hand in

disposing the body against the railings. Then, without another instant's

delay, Ashley runs back across the gardens, straight to the Ashton Club,

throwing away the keys of the dead man, on the very spot where he had

made it a point of being seen and heard by a passer-by.

"Hatherell gives his friend six or seven minutes' start, then he begins

the altercation which lasts two or three minutes, and finally rouses the

neighbourhood with cries of 'Murder' and report of pistol in order to

establish that the crime was committed at the hour when its perpetrator

has already made out an indisputable _alibi_."

"I don't know what you think of it all, of course," added the funny

creature as he fumbled for his coat and his gloves, "but I call the

planning of that murder--on the part of novices, mind you--one of the

cleverest pieces of strategy I have ever come across. It is one of those

cases where there is no possibility whatever now of bringing the crime

home to its perpetrator or his abettor. They have not left a single

proof behind them; they foresaw everything, and each acted his part with

a coolness and courage which, applied to a great and good cause, would

have made fine statesmen of them both.

"As it is, I fear, they are just a pair of young blackguards, who have

escaped human justice, and have only deserved the full and ungrudging

admiration of yours very sincerely."

He had gone. Polly wanted to call him back, but his meagre person was no

longer visible through the glass door. There were many things she would

have wished to ask of him--what were his proofs, his facts? His were

theories, after all, and yet, somehow, she felt that he had solved once

again one of the darkest mysteries of great criminal London.

The Old Man in the Corner · 第 30 / 36 章