Transcribed from the 1907 T. Fisher Unwin edition by David Price, email
ccx074@pglaf.org
[Picture: Book cover]
CLARA HOPGOOD
BY
MARK RUTHERFORD
EDITED BY HIS FRIEND
REUBEN SHAPCOTT
* * * * *
_THIRD IMPRESSION_
* * * * *
LONDON
T. FISHER UNWIN
ADELPHI TERRACE
_First Edition_ _March_ 1896
_Second Impression_ _June_ 1896
_Third Impression_ _July_ 1907
* * * * *
_All rights reserved_
* * * * *
CHAPTER I
ABOUT ten miles north-east of Eastthorpe lies the town of Fenmarket, very
like Eastthorpe generally; and as we are already familiar with
Eastthorpe, a particular description of Fenmarket is unnecessary. There
is, however, one marked difference between them. Eastthorpe, it will be
remembered, is on the border between the low uplands and the Fens, and
has one side open to soft, swelling hills. Fenmarket is entirely in the
Fens, and all the roads that lead out of it are alike level, monotonous,
straight, and flanked by deep and stagnant ditches. The river, also,
here is broader and slower; more reluctant than it is even at Eastthorpe
to hasten its journey to the inevitable sea. During the greater part of
the year the visitor to Fenmarket would perhaps find it dull and
depressing, and at times, under a grey, wintry sky, almost unendurable;
but nevertheless, for days and weeks it has a charm possessed by few
other landscapes in England, provided only that behind the eye which
looks there is something to which a landscape of that peculiar character
answers. There is, for example, the wide, dome-like expanse of the sky,
there is the distance, there is the freedom and there are the stars on a
clear night. The orderly, geometrical march of the constellations from
the extreme eastern horizon across the meridian and down to the west has
a solemn majesty, which is only partially discernible when their course
is interrupted by broken country.
On a dark afternoon in November 1844, two young women, Clara and Madge
Hopgood, were playing chess in the back parlour of their mother’s house
at Fenmarket, just before tea. Clara, the elder, was about
five-and-twenty, fair, with rather light hair worn flat at the side of
her face, after the fashion of that time. Her features were tolerably
regular. It is true they were somewhat marred by an uneven nasal
outline, but this was redeemed by the curved lips of a mouth which was
small and rather compressed, and by a definite, symmetrical and graceful
figure. Her eyes were grey, with a curious peculiarity in them.
Ordinarily they were steady, strong eyes, excellent and renowned optical
instruments. Over and over again she had detected, along the stretch of
the Eastthorpe road, approaching visitors, and had named them when her
companions could see nothing but specks. Occasionally, however, these
steady, strong, grey eyes utterly changed. They were the same eyes, the
same colour, but they ceased to be mere optical instruments and became
instruments of expression, transmissive of radiance to such a degree that
the light which was reflected from them seemed insufficient to account
for it. It was also curious that this change, though it must have been
accompanied by some emotion, was just as often not attended by any other
sign of it. Clara was, in fact, little given to any display of feeling.
Madge, four years younger than her sister, was of a different type
altogether, and one more easily comprehended. She had very heavy dark
hair, and she had blue eyes, a combination which fascinated Fenmarket.
Fenmarket admired Madge more than it was admired by her in return, and
she kept herself very much to herself, notwithstanding what it considered
to be its temptations. If she went shopping she nearly always went with
her sister; she stood aloof from all the small gaieties of the town;
walked swiftly through its streets, and repelled, frigidly and
decisively, all offers, and they were not a few, which had been made to
her by the sons of the Fenmarket tradesfolk. Fenmarket pronounced her
‘stuck-up,’ and having thus labelled her, considered it had exhausted
her. The very important question, Whether there was anything which
naturally stuck up? Fenmarket never asked. It was a great relief to
that provincial little town in 1844, in this and in other cases, to find
a word which released it from further mental effort and put out of sight
any troublesome, straggling, indefinable qualities which it would
otherwise have been forced to examine and name. Madge was certainly
stuck-up, but the projection above those around her was not artificial.
Both she and her sister found the ways of Fenmarket were not to their
taste. The reason lay partly in their nature and partly in their
history.
Mrs Hopgood was the widow of the late manager in the Fenmarket branch of
the bank of Rumbold, Martin & Rumbold, and when her husband died she had
of course to leave the Bank Buildings. As her income was somewhat
straitened, she was obliged to take a small house, and she was now living
next door to the ‘Crown and Sceptre,’ the principal inn in the town.
There was then no fringe of villas to Fenmarket for retired quality; the
private houses and shops were all mixed together, and Mrs Hopgood’s
cottage was squeezed in between the ironmonger’s and the inn. It was
very much lower than either of its big neighbours, but it had a brass
knocker and a bell, and distinctly asserted and maintained a kind of
aristocratic superiority.
Mr Hopgood was not a Fenmarket man. He came straight from London to be
manager. He was in the bank of the London agents of Rumbold, Martin &
Rumbold, and had been strongly recommended by the city firm as just the
person to take charge of a branch which needed thorough reorganisation.
He succeeded, and nobody in Fenmarket was more respected. He lived,
however, a life apart from his neighbours, excepting so far as business
was concerned. He went to church once on Sunday because the bank
expected him to go, but only once, and had nothing to do with any of its
dependent institutions. He was a great botanist, very fond of walking,
and in the evening, when Fenmarket generally gathered itself into groups
for gossip, either in the street or in back parlours, or in the ‘Crown
and Sceptre,’ Mr Hopgood, tall, lean and stately, might be seen wandering
along the solitary roads searching for flowers, which, in that part of
the world, were rather scarce. He was also a great reader of the best
books, English, German and French, and held high doctrine, very high for
those days, on the training of girls, maintaining that they need, even
more than boys, exact discipline and knowledge. Boys, he thought, find
health in an occupation; but an uncultivated, unmarried girl dwells with
her own untutored thoughts, which often breed disease. His two
daughters, therefore, received an education much above that which was
usual amongst people in their position, and each of them—an unheard of
wonder in Fenmarket—had spent some time in a school in Weimar. Mr
Hopgood was also peculiar in his way of dealing with his children. He
talked to them and made them talk to him, and whatever they read was
translated into speech; thought, in his house, was vocal.
Mrs Hopgood, too, had been the intimate friend of her husband, and was
the intimate friend of her daughters. She was now nearly sixty, but
still erect and graceful, and everybody could see that the picture of a
beautiful girl of one-and-twenty, which hung opposite the fireplace, had
once been her portrait. She had been brought up, as thoroughly as a
woman could be brought up, in those days, to be a governess. The war
prevented her education abroad, but her father, who was a clergyman, not
too rich, engaged a French emigrant lady to live in his house to teach
her French and other accomplishments. She consequently spoke French
perfectly, and she could also read and speak Spanish fairly well, for the
French lady had spent some years in Spain. Mr Hopgood had never been
particularly in earnest about religion, but his wife was a believer,
neither High Church nor Low Church, but inclined towards a kind of
quietism not uncommon in the Church of England, even during its bad time,
a reaction against the formalism which generally prevailed. When she
married, Mrs Hopgood did not altogether follow her husband. She never
separated herself from her faith, and never would have confessed that she
had separated herself from her church. But although she knew that his
creed externally was not hers, her own was not sharply cut, and she
persuaded herself that, in substance, his and her belief were identical.
As she grew older her relationship to the Unseen became more and more
intimate, but she was less and less inclined to criticise her husband’s
freedom, or to impose on the children a rule which they would certainly
have observed, but only for her sake. Every now and then she felt a
little lonely; when, for example, she read one or two books which were
particularly her own; when she thought of her dead father and mother, and
when she prayed her solitary prayer. Mr Hopgood took great pains never
to disturb that sacred moment. Indeed, he never for an instant permitted
a finger to be laid upon what she considered precious. He loved her
because she had the strength to be what she was when he first knew her
and she had so fascinated him. He would have been disappointed if the
mistress of his youth had become some other person, although the change,
in a sense, might have been development and progress. He did really love
her piety, too, for its own sake. It mixed something with her behaviour
to him and to the children which charmed him, and he did not know from
what other existing source anything comparable to it could be supplied.
Mrs Hopgood seldom went to church. The church, to be sure, was horribly
dead, but she did not give that as a reason. She had, she said, an
infirmity, a strange restlessness which prevented her from sitting still
for an hour. She often pleaded this excuse, and her husband and
daughters never, by word or smile, gave her the least reason to suppose
that they did not believe her.